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Item Ships From: Continental US
Eagle /// Antique Ornithology Bird Saverio Manetti Italian Watercolor Engraving
By Saverio Manetti
Located in Saint Augustine, FL
Artist: Saverio Manetti (Italian, 1723-1785) Title: "Eagle" (Plate V - 5) Portfolio: Storia Naturale Degli Uccelli (The Natural History of Birds) Year: 1767-1776 Medium: Original Han...
Category

1760s Old Masters Continental US - Animal Prints

Materials

Watercolor, Handmade Paper, Laid Paper, Engraving, Intaglio

Le Girafe en Feu (Field 76-2-A; Michler Lopsinger 1449), Salvador Dali
By Salvador Dalí­
Located in Fairfield, CT
Artist: Salvador Dali (1904-1989) Title: Le Girafe en Feu Year: 1976 Medium: Lithograph on Arches paper Edition: CXLII/CCL; 250 Roman Numerals, plus proofs...
Category

1970s Surrealist Continental US - Animal Prints

Materials

Lithograph

Condor, Folk Art Screenprint by Victor Delfin
By Victor Delfin
Located in Long Island City, NY
This print was created by Peruvian artist Victor Delfin. Delfin found the source of his inspiration in the ancient Paracan culture of Peru, part of the broader Incan civilization. De...
Category

1980s Folk Art Continental US - Animal Prints

Materials

Screen

TROUBLE AT WALNUT RIDGE Signed Lithograph, Farm Country, Green Hills, Horses
By Jim Buckels
Located in Union City, NJ
The limited edition lithograph TROUBLE AT WALNUT RIDGE is a stylized rural landscape; a visual story depicting an expanse of farm country with rolling green hills, a turquoise blue r...
Category

1980s Contemporary Continental US - Animal Prints

Materials

Lithograph

The Owl, Philippe Henri Noyer
By Philippe Henri Noyer
Located in Fairfield, CT
Artist: Philippe Noyer (1917-1985) Title: The Owl Year: circa 1969 Medium: Lithograph on Arches paper Edition: 102/220, plus proofs Size: 29.75 x 22 inches Condition: Good Inscriptio...
Category

1960s Impressionist Continental US - Animal Prints

Materials

Lithograph

Lady Cat
By Deming King Harriman
Located in Jersey City, NJ
"Lady Cat", 2019, digital collage, print, cat, victorian, figurative, Digital Painting and Drawing / Animals / Surrealistic / Dark Colors / Portrait
Category

2010s Contemporary Continental US - Animal Prints

Materials

Digital

Black or Silver Fox: An Original 19th Century Hand-colored Lithograph by Audubon
By John James Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "American Black or Silver Fox, No. 24, Plate CXVI" from John James Audubon's Quadrupeds of North America, publ...
Category

Mid-19th Century Naturalistic Continental US - Animal Prints

Materials

Lithograph

Camas Rat (Gopher): An Original 19th Century Hand-colored Lithograph by Audubon
By John James Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "The Camas Rat" (Gopher), No. 29, Plate CXLII from John James Audubon's Quadrupeds of North America, published...
Category

Mid-19th Century Naturalistic Continental US - Animal Prints

Materials

Lithograph

Keith Haring Subway Drawings 1983 (exhibition catalog)
By Keith Haring
Located in NEW YORK, NY
Keith Haring New York City Subway Drawings, 1983: Rare early exhibition catalog/pamphlet illustrated by Keith Haring on the occasion of: "Keith Haring / New-York City Subway Drawings...
Category

1980s Pop Art Continental US - Animal Prints

Materials

Lithograph, Offset

Black-billed Cuckoo: An Original 1st Ed. Audubon Hand-colored Bird Lithograph
By John James Audubon
Located in Alamo, CA
This is an original 1st octavo edition John James Audubon hand-colored lithograph entitled "Black-billed Cuckoo, 1. Male, 2, Female, Magnolia Grandiflora", No. 56, Plate 276 from Audubon's "Birds of America, lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1840-1844. It depicts a female black-billed cuckoo perched on a branch of a magnolia tree reaching for a flying insect. The male appears to be in flight in front of magnolia leaves on the right, perhaps after the same insect. Magnolia flowers are depicted, as well. This original 1st octavo edition hand-colored Audubon Black-billed Cuckoo lithograph is in excellent condition, other than a few tiny spots in the upper margin and a tiny faint spot in the lower inscription area. The sheet measures 6.5" high by 10.13" wide. The original text pages, 300-302, from Audubon's 19th century publication are included with the lithograph. John James Audubon (1785-1851) was a naturalist and artist. He was initially unsuccessful financially prior to the publication of his famous work “The Birds of America”, spending time in debtor’s prison, once stabbing a disgruntled investor in self-defense. However, his obsession with birds and art motivated him to persist in his goal of documenting every bird in America via his watercolor paintings and publishing his works for all to enjoy. Audubon's first illustrations were published in a large elephant folio size. Due to their expense they were purchased in rather small numbers by the wealthy. To reach a larger audience, Audubon, with the help of his sons and J. T. Bowen, published a smaller octavo sized lithograph version, which were much more affordable. With the success of his bird projects, Audubon then turned his attention to four-legged animals. He explored the Missouri River in 1843 sketching the four-legged animals he encountered in their natural setting. His expedition covered some of the same regions recently explored by Lewis and Clark, traveling from present day Alaska to Mexico. Audubon realized that this was an opportunity to document these animals in the still relatively pristine American wilderness, before man encroached on their environment. Between 1845 and 1848, Audubon and his sons John Woodhouse Audubon and Victor Gifford Audubon produced a set of elephant folio sized lithographs that were primarily engraved and hand colored by J. T. Bowen in Philadelphia. The publication, which included text descriptions of the animals was published 3 years before Audubon died. As with the birds, this was followed by a three-volume set of 155 octavo-sized plates entitled “The Quadrupeds of North America” completed and published by Audubon’s sons, John, Jr. and Victor. Audubon prints continue to be popular and a wise investment. The double elephant folio set...
Category

Mid-19th Century Naturalistic Continental US - Animal Prints

Materials

Lithograph

"Cheveaux Et Cavalier (Horse Rider) VI, " Lithograph signed by Marino Marini
By Marino Marini
Located in Milwaukee, WI
"Cheveaux Et Cavalier (Horse & Rider) VI (Black, Red, Blue, White)" is an original color lithograph signed in pencil by the artist Marino Marini in the lower right. Reference: Guasta...
Category

1970s Post-Modern Continental US - Animal Prints

Materials

Lithograph

Mark Drew Diptych Print Set Exclusive Time to Grind Keep Their Heads Ringing
By Mark Drew
Located in Draper, UT
TITLE Mark Drew Diptych Print Set Exclusive "Time to Grind" & "Keep Their Heads Ringing" The Peanuts Charles Schulz YEAR 2019 CLASSIFICATION Limited editio...
Category

2010s Street Art Continental US - Animal Prints

Materials

Screen

Alexander Calder Circus Reproduction Lithograph after a Drawing
By (after) Alexander Calder
Located in Surfside, FL
(after) Alexander Calder "Calder's Circus" offset lithograph on wove paper reproduction after drawings by the artist Published by Art in America and Perls gallery in 1964 (from drawi...
Category

1930s American Modern Continental US - Animal Prints

Materials

Lithograph

Island Light, by Stephen McMillan
By Stephen McMillan
Located in Palm Springs, CA
Medium: etching and aquatint Edition of 120 Year: 2023 Image Size: 4 x 5 inches Signed, titled and numbered by the artist. The view west from Cypress Island off the coast of Washin...
Category

2010s Contemporary Continental US - Animal Prints

Materials

Etching, Aquatint

Framed Karl Wirsum Ink Drawing of Dog, Chicago Imagist, Signed Dedicated, 2009
By Karl Wirsum
Located in Palm Springs, CA
This lively 2009 ink drawing by Karl Wirsum—one of the seminal figures of the Chicago Imagist movement—features a stylized dog set against an energetic, pattern-filled abstract backg...
Category

Early 2000s Pop Art Continental US - Animal Prints

Materials

Ink

Nocturne
By David Everett
Located in Dallas, TX
David Everett was born in Beaumont, Texas, and received both his B.F.A. and M.F.A. from The University of Texas in Austin. Valley House began showing his multi-articulated, painted w...
Category

1990s Contemporary Continental US - Animal Prints

Materials

Woodcut

Hummingbirds - Brown Violet Ear or Petasophora Delphinae
By John Gould and Henry Constantine Richter
Located in San Francisco, CA
Title: Brown Violet Ear or Petasophora Delphinae. Plate 229 from: A Monograph of the Trochilidae, or Family of Humming-birds. Drawn and lithographed by John Gould, Elizabeth Gould, H.C. Ritcher, and W. Hart. Published by John Gould. Printed by Hullmandel and Walton. London, 1849-61. Lithographs with original hand-color. Medium: Stone lithograph with hand coloring Sheet size: 21.5 x 14 inches Sight Size: 15 x 10.5 inches Condition: Good. This stone lithograph is immediately recognizable as a Gould Hummingbird print...
Category

Mid-19th Century Realist Continental US - Animal Prints

Materials

Paper, Lithograph

The Wild Cat (Chat Sauvage)
By Karl Bodmer
Located in Middletown, NY
Etching on cream laid paper, full margins. From Eaux-Fortes Animaux & Paysages. [Beraldi II.140.34] Henri Béraldi Les graveurs du XIXe siècle: Guide de l'amateur d'estampes modernes. Librairie L. Conquet, vol. XII, Paris, 1885–1892, cat. no. 34, p. 140. __________ Well known in his native Germany as a watercolorist, Karl Bodmer had a rich experience exploring in North America in the 19th century, accompanying German explorer Prince Maximilian zu Wied-Neuwied as the official artist on an expedition which toured the Missouri River...
Category

Mid-19th Century Barbizon School Continental US - Animal Prints

Materials

Laid Paper, Etching

Jose Bedia Original Signed 2019 Large 46x78in Woodcut Serigraph Cuban Artist
By Jose Bedia
Located in Miami, FL
Jose Bedia (Cuban, 1959) 'Animal Armado', 2019. Woodcut and serigraph. Limited edition of 30 Overall size: 118 x 199 cm. (46.5 x 78.3 in.). Surface: Feltmark Paper 300 g. Hand-signed...
Category

2010s Contemporary Continental US - Animal Prints

Materials

Screen, Woodcut, Ink

Aegiothus Linaria (Common Redpoll) /// John Gould Ornithology Bird Lithograph
By John Gould
Located in Saint Augustine, FL
Artist: John Gould (English, 1804-1881) Title: "Aegiothus Linaria (Common Redpoll)" (Vol. 3, Plate 51) Portfolio: The Birds of Great Britain Year: 1862-1873 Medium: Original Hand-Colored Lithograph on wove paper Limited edition: approx. 750 Printer: Walter or Walter & Cohn, London, UK Publisher: Taylor and Francis, John Gould, London, UK Reference: Sauer No. 23; Ayer/Zimmer page 261; Wood page 365; Nissen No. IVB 372; Sitwell page 78 Sheet size: 21.63" x 14.75" Image size: 13.75" x 10.5" Condition: Faint UV stain to sheet. Remnants of mounting tape from previous framing on verso. Has been professionally stored away for decades. In excellent condition with strong colors Very rare Notes: Provenance: private collection - Aspen, CO. Lithography and hand-coloring by John Gould and English artist Henry Constantine Richter (1821-1902). Comes from Gould's five volume "The Birds of Great Britain", (1862-1873) (First edition), which consists of 367 hand-colored lithographs. Other contributing lithographers were German artist Joseph Wolf (1820-1899) and Irish artist William Hart (1830-1908). "The Birds of Great Britain" is recognized as Gould's greatest work. Gold gilded edges as issued. The common redpoll or mealy redpoll is a species of bird in the finch family. It breeds somewhat further south than the Arctic redpoll, also in habitats with thickets or shrubs. Biography: John Gould FRS (14 September 1804 – 3 February 1881) was an English ornithologist and bird artist. He published a number of monographs on birds, illustrated by plates that he produced with the assistance of his wife, Elizabeth Gould, and several other artists including Edward Lear, Henry Constantine Richter, Joseph Wolf and William Matthew Hart. He has been considered the father of bird study in Australia and the Gould League in Australia is named after him. His identification of the birds now nicknamed "Darwin's finches" played a role in the inception of Darwin's theory of evolution by natural selection. Gould's work is referenced in Charles Darwin's book, "On the Origin of Species".
Category

1860s Victorian Continental US - Animal Prints

Materials

Watercolor, Lithograph

SHOE SHOP Signed Lithograph, Cowboy Farrier, Horseshoe, White Horse, Western Art
By Conrad Schwiering 1
Located in Union City, NJ
SHOE SHOP by the American Western artist Conrad Schwiering, is a hand drawn limited edition lithograph(not a photo reproduction or digital print) printed using hand lithography techn...
Category

1980s American Realist Continental US - Animal Prints

Materials

Lithograph

Centaure, Hommage à Picasso, Surrealist Lithograph by César Baldaccini
By César Baldaccini
Located in Long Island City, NY
Cesar Baldaccini, French (1921 - 1998) - Centaure, Hommage a Picasso, Year: 1985, Medium: Lithograph, signed and numbered in pencil, Edition: 99/99, Size: 11.75 x 15.75 in. (29.8...
Category

1980s Surrealist Continental US - Animal Prints

Materials

Lithograph

Screech Owl, American Realist Lithograph by Chris Forrest
Located in Long Island City, NY
Chris Forrest, American (1946 - ) - Screech Owl, Year: circa 1979, Medium: Lithograph, Signed and numbered in pencil, Edition: 300, AP XL, Image Size: ...
Category

1970s American Realist Continental US - Animal Prints

Materials

Lithograph

Lumbermen.
By Edmund Blampied
Located in Storrs, CT
Lumbermen. 1923. Etching. Appleby 91. 9 x 12 (sheet 12 3/8 x 18 1/8). Edition 100. A cleanly-wiped impression printed on off-white 'FG Head & Co' laid paper with full margins. Signed...
Category

1920s Modern Continental US - Animal Prints

Materials

Drypoint, Etching

Lumbermen.
Lumbermen.
$500 Sale Price
33% Off
David Burdeny - Solace, Amboseli, Kenya, Photography 2018, Printed After
By David Burdeny
Located in Stamford, CT
All available sizes editions for each size of this photograph: 27” x 48" Edition of 7 37” x 66" Edition of 10 48” x 85” Edition of 5 This project Before Ever After was less ab...
Category

2010s Contemporary Continental US - Animal Prints

Materials

Paper, Archival Ink, Archival Paper, Photographic Paper, Pigment, Digita...

David Burdeny - Cheetah Coalition, Maasai Mara, Kenya, 2018, Printed After
By David Burdeny
Located in Stamford, CT
All available sizes editions for each size of this photograph: 27” x 48" Edition of 7 37” x 66" Edition of 10 48” x 85” Edition of 5 This project Before Ever After was less ab...
Category

2010s Contemporary Continental US - Animal Prints

Materials

Paper, Archival Ink, Archival Paper, Photographic Paper, Pigment, Digita...

One Must Know the Animals from the Rilke Portfolio, Ben Shahn
By Ben Shahn
Located in Long Island City, NY
Artist: Ben Shahn, American (1898 - 1969) Title: One Must Know the Animals from the Rilke Portfolio Year: 1968 Medium: Lithograph, signed in the plate Edition: 750 Size: 22.5 x 17.7...
Category

1960s Modern Continental US - Animal Prints

Materials

Lithograph

Interloper, Sheesh Mahal, Udaipur City Palace, 2019
By Karen Knorr
Located in New York, NY
Listing includes framing with UV Plexi ($1,700 value), free shipping to the continental US and a 14-day return policy. Interloper (2019) by Karen Knorr. 31.5 x 39.5 inches, 34 x 4...
Category

2010s Continental US - Animal Prints

Materials

Photographic Paper, Color, Archival Pigment

Alexander Calder Circus Reproduction Lithograph After a Drawing
By (after) Alexander Calder
Located in Surfside, FL
(after) Alexander Calder "Calder's Circus" offset lithograph on wove paper after drawings by the artist Published by Art in America and Perls gallery in 1964 (from drawings done in the 1930's) these range slightly in size but they are all about 13 X 17 inches (with minor variations in size as issued.) These have never been framed. The outer folio is not included just the one lithograph. James Sweeny from the introduction “The fame of Calder’s circus spread quickly between the years 1927 and 1930. All the Paris art world came to know it. It brought him his first great personal success. But what was more important, the circus also provided the first steps in Calder’s development as an original sculptor” Clive Gray wrote ”A visit to the studio of Alexander Calder led to the chance discovery of some hundred masterful circus drawings completed over thirty years ago. We publish, for the first time, a choice of sixteen from that group.” With signed introduction by Miro. These whimsical drawings, done in the style of wire sculpture, include acrobats, clowns, jugglers, trapeeze artists, an elephant, dog and lion. they are great. Alexander Calder is widely considered to be one of the most important American sculptors of the 20th century. He is best known for his colorful, whimsical abstract public sculptures and his innovative mobiles, kinetic sculptures powered by motors or air currents, which embraced chance in their aesthetic. Born into a family of accomplished artists, Calder's work first gained attention in Paris in the 1930s and was soon championed by the Museum of Modern Art in New York, resulting in a retrospective exhibition in 1943. Major retrospectives were also held at the Solomon R. Guggenheim Museum (1964) and the Museum of Contemporary Art, Chicago (1974). Calder’s work is in many permanent collections, most notably in the Whitney Museum of American Art, but also the Guggenheim Museum; the Museum of Modern Art; the National Gallery of Art, Washington, D.C.; and the Centre Georges Pompidou. He produced many large public works, including .125 (at JFK Airport, 1957), Pittsburgh (Carnegie International prize winner 1958, Pittsburgh International Airport) Spirale (UNESCO in Paris, 1958), Flamingo and Universe (both in Chicago, 1974), and Mountains and Clouds (Hart Senate Office Building, Washington, D.C., 1976). Although primarily known for his sculpture, Calder was a prodigious artist with a restless creative spirit, whose diverse practice included painting and printmaking, miniatures (such as his famous Cirque Calder), children’s book illustrations, theater set design, jewelry design, tapestry and rug works, and political posters. Calder was honored by the US Postal Service with a set of five 32-cent stamps in 1998, and received the Presidential Medal of Freedom, posthumously in 1977, after refusing to receive it from Gerald Ford one year earlier in protest of the Vietnam War. Calder moved to New York and enrolled at the Art Students League, studying briefly with Thomas Hart Benton, George Luks, Kenneth Hayes Miller, and John Sloan. While a student, he worked for the National Police Gazette where, in 1925, one of his assignments was sketching the Ringling Bros. and Barnum & Bailey Circus. Calder became fascinated with the action of the circus, a theme that would reappear in his later work. In 1926, Calder moved to Paris, enrolled in the Académie de la Grande Chaumière, and established a studio at 22 rue Daguerre in the Montparnasse Quarter. In June 1929, while traveling by boat from Paris to New York, Calder met his future wife, Louisa James (1905-1996), grandniece of author Henry James and philosopher William James. They married in 1931. While in Paris, Calder met and became friends with a number of avant-garde artists, including Fernand Léger, Jean Arp, and Marcel Duchamp. Cirque Calder (on view at the Whitney Museum of American Art at present) became popular with the Parisian avant-garde. He also invented wire sculpture, or "drawing in space," and in 1929 he had his first solo show of these sculptures in Paris at Galerie Billiet. Hi! (Two Acrobats) in the collection of the Honolulu Museum of Art is an early example of the artist's wire sculpture. The painter Jules Pascin, a friend of Calder's from the cafes of Montparnasse, wrote the preface to the catalog. A visit to Piet Mondrian's studio in 1930, where he was impressed by the environment-as-installation, "shocked" him into fully embracing abstract art, toward which he had already been tending. Dating from 1931, Calder’s sculptures of discrete movable parts powered by motors were christened “mobiles” by Marcel Duchamp, a French pun meaning both "motion" and "motive." At the same time, Calder was also experimenting with self-supporting, static, abstract sculptures, dubbed "stabiles" by Jean Arp in 1932 to differentiate them from mobiles. Public commissions increasingly came his way in the 1960s. Notable examples are .125 for JFK Airport in 1957, Spirale for UNESCO in Paris 1958 and Trois disques, commissioned for Expo 67 in Montreal, Quebec, Canada. Calder's largest sculpture at 25.7 meters high was El Sol Rojo, constructed outside the Aztec Stadium for the 1968 Summer Olympics "Cultural Olympiad" events in Mexico City. Many of his public works were commissioned by renowned architects; I.M. Pei commissioned his La Grande Voile (1966), a 25-ton, 40-foot high stabile for the Massachusetts Institute of Technology. Part of Calder's repertoire includes pivotal stage sets for more than a dozen theatrical productions, including Nucléa, Horizon, and most notably, Martha Graham’s Panorama (1935), a production of the Erik Satie symphonic drama Socrate (1936), and later, Works in Progress (1968). In addition to sculptures, Calder painted throughout his career, beginning in the early 1920s. He picked up his study of printmaking in 1925, and continued to produce illustrations for books and journals.As Calder’s professional reputation expanded in the late 1940s and 1950s, so did his production of prints. Masses of lithographs based on his gouache paintings hit the market, and deluxe editions of plays, poems, and short stories illustrated with fine art prints by Calder became available for sale. One of Calder's most celebrated and unconventional undertakings was a commission from Dallas-based Braniff International Airways to paint a full-size Douglas DC-8-62 four-engined jet as a "flying canvas." Calder created over 2,000 pieces of jewelry over the course of his career, many of them as gifts for friends and relatives. For his lifelong friend Joan Miró, he set a shard of a broken porcelain vessel in a brass ring. Peggy Guggenheim received enormous silver mobile earrings and later commissioned a hammered silver headboard...
Category

1930s American Modern Continental US - Animal Prints

Materials

Lithograph

Missouri Meadow Lark: An Original 19th C. Audubon Hand-colored Bird Lithograph
By John James Audubon
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored lithograph entitled "Missouri Meadow Lark, Male", No. 98, Plate 489 from Audubon's "Birds of America, lithographed, p...
Category

Mid-19th Century Naturalistic Continental US - Animal Prints

Materials

Lithograph

Original Audubon Hand Colored Lithograph of "The Sewellel"
By John James Audubon
Located in Alamo, CA
An original John James Audubon hand colored lithograph entitled "The Sewellel", No. 25, Plate CXXIII, from John James Audubon's Quadrupeds of Nort...
Category

Mid-19th Century Naturalistic Continental US - Animal Prints

Materials

Lithograph

Bighorn — Mid-Century American Regionalism
Located in Myrtle Beach, SC
William Wind McKim, 'Bighorn', lithograph, 1940, edition c. 25. Signed and titled in pencil. A fine, richly-inked impression, on cream wove paper, the full sheet with margins (2 to 4...
Category

1940s American Realist Continental US - Animal Prints

Materials

Lithograph

36x48 Tiger Photography Photograph Tiger 1stDibs Special Price Print Wildlife
By Shane Russeck
Located in Los Angeles, CA
This is a contemporary photograph of a Tiger by Shane Russeck. Printed on archival paper using archival inks Shane Russeck is a modern day photographer, adventurer, and explorer. ...
Category

21st Century and Contemporary Continental US - Animal Prints

Materials

Archival Pigment

"Gulls On The Rocks" - Original Lithograph On Paper
Located in Soquel, CA
"Gulls On The Rocks" - Original Lithograph On Paper Original Lithograph on paper titled "Gulls On the Rocks" by artist Margaret Kilburn (American, 1891-1984). A group of seagulls ca...
Category

20th Century American Impressionist Continental US - Animal Prints

Materials

India Ink, Laid Paper, Screen

Dark Horses "36x48" Black White Photography Wild Horses, Mustangs, Photograph
By Shane Russeck
Located in Los Angeles, CA
This is a contemporary black and white photograph of Northern California Wild Mustangs. "They represent the ultimate expression of American freedom" 36 x 48 Edition of 12. Signed by...
Category

21st Century and Contemporary Continental US - Animal Prints

Materials

Archival Pigment

"Cheetah (black white)"
Located in North Adams, MA
"Cheetah (black & white)," Amir Akhavan, 2017 Silkscreen and iridescence on 290 gram Coventry Rag paper Dimensions: 25" x 19.25" Signed and numbered by the Artist in pencil An editio...
Category

21st Century and Contemporary Contemporary Continental US - Animal Prints

Materials

Screen

Chaim Soutine, Hanging Hare, from Soutine, I, 1966 (after)
Located in Southampton, NY
This exquisite lithograph after Chaim Soutine (1893–1943), titled Lievre pendu (Hanging Hare), from the folio Soutine, I, Collection Pierre Levy, 1966, originates from the edition published by Fernand Mourlot, Paris, and printed by Mourlot Freres, Paris, on October 20, 1966. The work conveys the heightened emotional tension and expressive force characteristic of Soutines painterly vision, capturing in lithographic form the dynamic structure and psychological immediacy that define his mature still lifes. Executed as a lithograph on velin d'Arches paper, this work measures 26 x 20 inches. Signed in the plate and unnumbered as issued The edition exemplifies the technical mastery of the Mourlot atelier. Artwork Details: Artist: After Chaim Soutine (1893–1943) Title: Lievre pendu (Hanging Hare), from the folio Soutine, I, Collection Pierre Levy Medium: Lithograph on velin d'Arches paper Dimensions: 26 x 20 inches Inscription: Signed in the plate and unnumbered as issued Date: 1966 Publisher: Fernand Mourlot, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Soutine, I, Collection Pierre Levy, 1966 Notes: Excerpted from the folio (translated from French), This album, the first of a series dedicated to Mr. Pierre Levys collection, was printed in DL examples on Arches velin. Printing was finished on October 20, 1966 by Mourlot for lithographs of the canvases of Soutine, and by Fequet and Baudier for Waldemar Georges unpublished text. Fernand Mourlot, Paris 1966. About the Publication: Soutine, I, Collection Pierre Levy, published in 1966 by Fernand Mourlot, Paris, is the first album in the important series devoted to the Pierre Levy collection, one of the most significant private collections of twentieth century French painting. Conceived as a scholarly and visual record, the album was designed to present key works by Chaim Soutine in lithographic form at a time when renewed international interest in the artist was expanding. Created in collaboration with Mourlot Freres, the foremost lithographic atelier in France, the publication reflects the printers commitment to translating Soutines canvases into richly tonal lithographs that preserve the emotional intensity and structural drama of the originals. Issued in a single edition on Arches velin, the album stands as an essential document of postwar art publishing, illuminating the historical partnership between artist, collector, and master printer, and contributing to the larger historiography of modern French Expressionism and museum quality print albums of the mid twentieth century. About the Artist: Chaim Soutine (1893–1943) was a Belarus-born French Expressionist painter whose explosive brushwork, emotionally charged distortions, and uncompromising commitment to depicting the psychological intensity of human experience have secured his place as one of the most vital and transformative figures in twentieth century art, creating his legacy within the same revolutionary modernist environment defined by Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray; after leaving his impoverished childhood in Smilavichy and arriving in Paris in 1913, Soutine immersed himself in the School of Paris circle at La Ruche—an incubator of international avant garde talent—where he developed formative friendships with Amedeo Modigliani, Marc Chagall, Jules Pascin, and other pioneering artists whose daring approaches inspired him to push color, gesture, and form into new emotional territories. His portraits of cooks, choirboys, servants, and village residents; his tempestuous landscapes of Cagnes, Chartres, and Ceret; and his deeply visceral still lifes—most famously his monumental depictions of slaughtered carcasses—reveal a singular ability to transform ordinary subjects into raw, pulsing, almost metaphysical dramas, building on the influence of Rembrandt, Goya, Velazquez, and El Greco while departing radically from academic restraint. His paintings vibrate with psychological tension, their twisted perspectives, molten colors, and trembling outlines capturing an inner world marked by anxiety, longing, resilience, and profound empathy. Soutines originality profoundly shaped the evolution of modern painting: Francis Bacon cited him as one of his greatest influences, Willem de Kooning and the Abstract Expressionists admired his gestural ferocity, and later artists—including Frank Auerbach, Leon Kossoff, Lucian Freud, Jenny Saville, and Adrian Ghenie...
Category

1960s Modern Continental US - Animal Prints

Materials

Lithograph

Chaim Soutine, The Hare at the Green Shutter, from Soutine, I, 1966 (after)
Located in Southampton, NY
This exquisite lithograph after Chaim Soutine (1893–1943), titled Le Lievre au volet vert (The Hare at the Green Shutter), from the folio Soutine, I, Collection Pierre Levy, 1966, originates from the edition published by Fernand Mourlot, Paris, and printed by Mourlot Freres, Paris, on October 20, 1966. The work conveys the heightened emotional tension and expressive force characteristic of Soutines painterly vision, capturing in lithographic form the dynamic structure and psychological immediacy that define his mature still lifes. Executed as a lithograph on velin d'Arches paper, this work measures 26 x 20 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the technical mastery of the Mourlot atelier. Artwork Details: Artist: After Chaim Soutine (1893–1943) Title: Le Lievre au volet vert (The Hare at the Green Shutter), from the folio Soutine, I, Collection Pierre Levy Medium: Lithograph on velin d'Arches paper Dimensions: 26 x 20 inches Inscription: Signed in the plate and unnumbered as issued Date: 1966 Publisher: Fernand Mourlot, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Soutine, I, Collection Pierre Levy, 1966 Notes: Excerpted from the folio (translated from French), This album, the first of a series dedicated to Mr. Pierre Levys collection, was printed in DL examples on Arches velin. Printing was finished on October 20, 1966 by Mourlot for lithographs of the canvases of Soutine, and by Fequet and Baudier for Waldemar Georges unpublished text. Fernand Mourlot, Paris 1966. About the Publication: Soutine, I, Collection Pierre Levy, published in 1966 by Fernand Mourlot, Paris, is the first album in the important series devoted to the Pierre Levy collection, one of the most significant private collections of twentieth century French painting. Conceived as a scholarly and visual record, the album was designed to present key works by Chaim Soutine in lithographic form at a time when renewed international interest in the artist was expanding. Created in collaboration with Mourlot Freres, the foremost lithographic atelier in France, the publication reflects the printers commitment to translating Soutines canvases into richly tonal lithographs that preserve the emotional intensity and structural drama of the originals. Issued in a single edition on Arches velin, the album stands as an essential document of postwar art publishing, illuminating the historical partnership between artist, collector, and master printer, and contributing to the larger historiography of modern French Expressionism and museum quality print albums of the mid twentieth century. About the Artist: Chaim Soutine (1893–1943) was a Belarus-born French Expressionist painter whose explosive brushwork, emotionally charged distortions, and uncompromising commitment to depicting the psychological intensity of human experience have secured his place as one of the most vital and transformative figures in twentieth century art, creating his legacy within the same revolutionary modernist environment defined by Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray; after leaving his impoverished childhood in Smilavichy and arriving in Paris in 1913, Soutine immersed himself in the School of Paris circle at La Ruche—an incubator of international avant garde talent—where he developed formative friendships with Amedeo Modigliani, Marc Chagall, Jules Pascin, and other pioneering artists whose daring approaches inspired him to push color, gesture, and form into new emotional territories. His portraits of cooks, choirboys, servants, and village residents; his tempestuous landscapes of Cagnes, Chartres, and Ceret; and his deeply visceral still lifes—most famously his monumental depictions of slaughtered carcasses—reveal a singular ability to transform ordinary subjects into raw, pulsing, almost metaphysical dramas, building on the influence of Rembrandt, Goya, Velazquez, and El Greco while departing radically from academic restraint. His paintings vibrate with psychological tension, their twisted perspectives, molten colors, and trembling outlines capturing an inner world marked by anxiety, longing, resilience, and profound empathy. Soutines originality profoundly shaped the evolution of modern painting: Francis Bacon cited him as one of his greatest influences, Willem de Kooning and the Abstract Expressionists admired his gestural ferocity, and later artists—including Frank Auerbach, Leon Kossoff, Lucian Freud, Jenny Saville, and Adrian Ghenie...
Category

1960s Modern Continental US - Animal Prints

Materials

Lithograph

4 plates from The Wondrous Transformation of Caterpillars their Strange Diet..
By Maria Sibylla Merian
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: CI; CII; CIII & CIV. MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation. Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category

Early 18th Century Naturalistic Continental US - Animal Prints

Materials

Watercolor, Engraving

"The Pugilist" - 40x60 Black and White Photography of Wild Horses, Mustangs
By Shane Russeck
Located in Los Angeles, CA
This is a contemporary black and white photograph of Wild Mustangs. "They represent the ultimate expression of American freedom" 40x60 Edition of 10. Signed by artist. Framing avai...
Category

21st Century and Contemporary Continental US - Animal Prints

Materials

Archival Pigment

Triptych "Running Mustangs" Fine Art Photography Wild Horses 24x36 (Each print)
By Shane Russeck
Located in Los Angeles, CA
"Running Free" - Triptych 32 in. H x 48 in. W (each) Archival Pigment Print Limited Edition of 12 + 2AP Each print hand signed and numbered on back. Northern California Wild Horses...
Category

21st Century and Contemporary Continental US - Animal Prints

Materials

Archival Pigment

Horseback Rider at the Great Pyramid of Giza, Surrealist Print
Located in New York, NY
Mystery Artist Untitled (Great Pyramid), c. late 20th/early 21st century Possibly C-Print or Lithograph? Sight: 9 1/2 x 9 1/2 in. Framed: 13 x 13 x 1 1/8 in. Signed lower left This...
Category

21st Century and Contemporary Surrealist Continental US - Animal Prints

Materials

C Print

La Pique (The Pike)
By Pablo Picasso
Located in Fairlawn, OH
La Pique (The Pike) Lithograph, 1950 Original lithograph drawn with chalk and "frottage textures" transferred to stone, 1950. Unsigned printer's proof Inscribed on the verso in Mourl...
Category

1950s French School Continental US - Animal Prints

Materials

Lithograph

"Unicorn Moebius II" - Trial Proof Lithograph in Ink on Laid Paper
By Bruce Weinberg
Located in Soquel, CA
"Unicorn Moebius II" - Trial Proof Lithograph in Ink on Laid Paper High contrast, multi-layer etching by Bruce Weinberg (American, 1942-1994). A moebius strip is shown against a dar...
Category

1980s American Modern Continental US - Animal Prints

Materials

Laid Paper, Lithograph

"Gangs All Here" - 40x25 Wild Horses Photography Photograph Mustangs Unsigned
By Shane Russeck
Located in Los Angeles, CA
This is a contemporary photograph of a American Wild Mustangs. "They represent the ultimate expression of American freedom" Printed on archival paper using only archival ink. Frami...
Category

21st Century and Contemporary Continental US - Animal Prints

Materials

Archival Pigment

Lilypad Swans
By Francois Soulas
Located in Houston, TX
Elegant etching of pair of swans by French artist Francois Soulas, 1969. Signed in pencil lower right. Original artwork on paper displayed on a white mat with a gold border. Mat f...
Category

1960s Continental US - Animal Prints

Materials

Etching

Pheasant, American Realist Lithograph by Chris Forrest
Located in Long Island City, NY
Chris Forrest, American (1946 - ) - Pheasant, Year: Circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, Image Size: 18 x 22 ...
Category

1980s American Realist Continental US - Animal Prints

Materials

Lithograph

The Winds of Change, Villa Farnese, Caprarola, 2014
By Karen Knorr
Located in New York, NY
Listing includes free shipping, and a 14-day return policy. 24 x 30 inch archival pigment print Edition 4 of 5 Signed on artist certificate Also available in 3 other sizes. Arti...
Category

2010s Continental US - Animal Prints

Materials

Photographic Paper, Color

Cudham, Kent
By Graham Sutherland
Located in Storrs, CT
Cudham, Kent. 1924. Etching. Tassi 15; Cooke 20. 3 1/8 x 4 (sheet 4 3/8 x 6 7/16). Edition of 42, including some artist's proofs. Published by the Twenty-One Gallery in London. Slight paper loss in the top left-hand corner. A rich impression with plate tone, printed by the artist on antique laid paper...
Category

Early 20th Century Modern Continental US - Animal Prints

Materials

Etching

Cudham, Kent
Cudham, Kent
$2,800 Sale Price
20% Off
"On the Go" 40x55 Wild Horses, Mustangs Fine Art Print Photography Photograph
By Shane Russeck
Located in Los Angeles, CA
Wild Mustangs just Carson Nevada 40x55 Edition of 10. Singed and numbered by Shane Printed on archival paper using archival inks Framing available. Inquire for rates. Shane Rus...
Category

21st Century and Contemporary Continental US - Animal Prints

Materials

Archival Pigment

Randal Ford - Mountain Lion No. 2, Photography 2018, Printed After
By Randal Ford
Located in Stamford, CT
Available Sizes: 37.5 x 30 in Edition of 15 50 x 40 in Edition of 10 60 x 48 in Edition of 5 Over 40,000 years ago, we began to depict animals in cave drawings. Throughout history, ...
Category

2010s Contemporary Continental US - Animal Prints

Materials

Luster, Archival Ink, Archival Paper, Photographic Paper, Color, Digital...

Signed poster Plants and Animals
By Jonas Wood
Located in Los Angeles, CA
Produced on the occasion of Jonas Wood's 2022 exhibition, Plants and Animals, at David Kordansky Gallery, Los Angeles, CA. 24 x 28 inches. Signed by Jonas Wood in 2023 In Plants and ...
Category

2010s Contemporary Continental US - Animal Prints

Materials

Digital

Hiding From the Lord
By Stan Washburn 1
Located in Palm Springs, CA
Adam and Eve hiding from the Lord (and hiding their nudity with branches) after being successfully tempted by the serpent that lays nearby watching the scene. Signed, titled and num...
Category

1970s Contemporary Continental US - Animal Prints

Materials

Etching

"#MONKEYPOP", Figurative, Monkey Motif, Depictions of Animals, Lithography
Located in Philadelphia, PA
This piece titled "#MONKEYPOP" is an original print by Jun Lee and is made from stone lithography. This piece measures 30"h x 20"w framed, and is shipped in the pictured black frame....
Category

21st Century and Contemporary Contemporary Continental US - Animal Prints

Materials

Lithograph

Long-Haired Squirrel: Original 19th Century Hand-colored Lithograph by Audubon
By John James Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Long Haired Squirrel, No. 6, Plate XXVII", from John James Audubon's Quadrupeds of North America, published i...
Category

Mid-19th Century Naturalistic Continental US - Animal Prints

Materials

Lithograph

60x40 Black White Photography, Bear Photograph, Kodiak Grizzly Bear Wildlife
By Shane Russeck
Located in Los Angeles, CA
This is a contemporary photograph of a Kodiak Bear. This was shot on Kodiak Island in 2019. Unsigned Print Archival pigment paper Archival Inks Framing available. Inquire for rat...
Category

21st Century and Contemporary Continental US - Animal Prints

Materials

Archival Pigment

Jackall Fox: An Original 19th C. Hand-colored Lithograph by John J. Audubon
By John James Audubon
Located in Alamo, CA
This is an original 19th century John James Audubon hand colored lithograph entitled "Jackall Fox", No. 31, Plate CLI, 151, from Audubon's "Quadrupeds of North America", printed and ...
Category

Mid-19th Century Naturalistic Continental US - Animal Prints

Materials

Lithograph

Randal Ford - African Crane No. 4, Photography 2018, Printed After
By Randal Ford
Located in Stamford, CT
Available Sizes: 37.5" x 30" Edition of 15 50" x 40" Edition of 10 60" x 48" Edition of 5 Over 40,000 years ago, we began to depict animals in cave drawings. Throughout history, man...
Category

2010s Contemporary Continental US - Animal Prints

Materials

Paper, Archival Ink, Archival Paper, Photographic Paper, C Print

Kenny Scharf, silkscreen on Fabriano paper Rare signed Printers Proof Rainforest
By Kenny Scharf
Located in New York, NY
Kenny Scharf Untitled from the environmental portfolio "Columbus: In Search of a New Tomorrow", 1992 Color silkscreen on Fabriano paper with blind stamp, held in the original portfol...
Category

1990s Pop Art Continental US - Animal Prints

Materials

Screen

"Roar" - 40x60 Black White Lion Photography , Africa, Lion Photograph Unsinged
By Shane Russeck
Located in Los Angeles, CA
This is a black and white photograph of an African Lion. 40x60 Unsigned Test Print Printed on archival paper and using archival inks Framing available. Inquire for rates. Sha...
Category

21st Century and Contemporary Continental US - Animal Prints

Materials

Archival Pigment

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