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Item Ships From: Continental US
FISH MARKET
By Frances H. Gearhart
Located in Santa Monica, CA
FRANCES H. GEARHART (1869 – 1958) FISH MARKET 1930 Color block print, Signed and titled in pencil. Image 11 x 9 inches. Full sheet with deckle edges 14 3/...
Category

1930s Continental US - Landscape Prints

Materials

Woodcut

Liberty Head VIII, Peter Max
By Peter Max
Located in Fairfield, CT
Artist: Peter Max (1937) Title: Liberty Head VIII Year: 2003 Edition: 455/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 3.43 x 2.62 inches Condition: Excellent Ins...
Category

Early 2000s Pop Art Continental US - Landscape Prints

Materials

Lithograph

Castle, Folk Art Aquatint Etching by Keiko Minami
By Keiko Minami
Located in Long Island City, NY
Artist: Keiko Minami, Japanese (1911 - 2004) Title: Castle Year: circa 1985 Medium: Aquatint Etching, Signed and numbered in pencil Edition: 120 Image Size: 12 x 11 inches Size: 22 ...
Category

1980s Folk Art Continental US - Landscape Prints

Materials

Etching, Aquatint

San Francisco Sicilian and Italian Fishermen: A 19th C. Hand-colored Woodcut
Located in Alamo, CA
This is a framed hand-colored woodcut engraving entitled "Sicilian and Italian Fisherman's Dock - San Francisco", created by Henry François Farny ...
Category

Late 19th Century Continental US - Landscape Prints

Materials

Woodcut

Original "Gone With The Wind" vintage movie poster 1980 excellent conditio
Located in Spokane, WA
Original GONE WITH THE WIND, U. S. 1 sheet Clark Gable, Vivien Leigh, de Havilland, all-time movie classic! Conservation linen backed and ready to frame. Original issue fold marks professionally touched up. Excellent condition. Film Description: Gone With the Wind, the classic 1939 Victor Fleming Civil War romantic melodrama epic ("The Greatest Motion Picture Ever Made!"; "In the New Screen splendor… The most magnificent picture ever!"; "David O. Selznick's production of Margaret Mitchell's story of the Old South"; "Screen play by Sidney Howard") starring Clark Gable (in his nominated for Best Actor Academy Award role; "as Rhett Butler"), Vivien Leigh (in her Best Actress Academy Award winning role; "and presenting Vivien Leigh as Scarlett O'Hara"), Leslie Howard ("as Ashley Wilkes"), Olivia de Havilland (in her nominated for Best Supporting Actress Academy Award role; "as Melanie"), Hattie McDaniel ("as Mammy"), Thomas Mitchell ("as Gerald O'Hara"), Butterfly McQueen, Ann Rutherford ("as Carreen O'Hara"), George Reeves, Victor Jory, Jane Darwell, Ward Bond, Ona Munson ("as Belle Watling"), Yakima Canutt, Harry Davenport ("as Dr. Meade"), Carroll Nye ("as Frank Kennedy"), Laura Hope Crews ("as Aunt Pittypat"), Alicia...
Category

1980s American Modern Continental US - Landscape Prints

Materials

Offset

Fernand Leger, Woman with a Vase, 1929 (after)
By Fernand Léger
Located in Southampton, NY
This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled La Femme au Vase (Woman with a Vase), from the album L'Art Cubiste, Theories et Realisations, Etude Crit...
Category

1920s Cubist Continental US - Landscape Prints

Materials

Lithograph, Stencil

ROADS Signed Lithograph, Modern Landscape, Country Road, Trees, Farmhouse
By Frank Licsko
Located in Union City, NJ
ROADS is an original hand drawn lithograph(not a photo reproduction or digital print) by the artist Frank Licsko printed using traditional hand lithography techniques on archival Arc...
Category

1980s Contemporary Continental US - Landscape Prints

Materials

Lithograph

Joan Miro, Figures on a Black Background, from Cahiers d Art, 1949 (after)
By Joan Miró
Located in Southampton, NY
This exquisite lithograph and pochoir after Joan Miro (1893–1983), titled Personnages sur un fond noir (Figures on a Black Background), from the album Cahiers dArt No. 24, 1949, orig...
Category

1940s Modern Continental US - Landscape Prints

Materials

Lithograph

Hadrian s Mausoleum, Castel S. Angelo: A Framed 18th Century Etching by Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta del Mausoleo d'Elio Adriana ora chiamato Castello S. Angelo nella parte opposta alla Facciata de...
Category

1750s Old Masters Continental US - Landscape Prints

Materials

Etching

"Boat Horses" original etching
By Jules Jacques Veyrassat
Located in Henderson, NV
Medium: original etching. This impression on laid paper was printed in London in 1868 for the rare first volume of P. G. Hamerton's "Etching and Etchers". Plate size: 3 1/4 x 4 1/4 i...
Category

1860s Continental US - Landscape Prints

Materials

Etching

Pierre Soulages, Lithograph No 9, from XXe Siecle, 1959
By Pierre Soulages
Located in Southampton, NY
This exquisite lithograph by Pierre Soulages (1919–2022), titled Lithographie No 9 (Lithograph No 9), from the album XXe Siecle, Nouvelle serie, XXIe Annee, No. 13, Noel 1959, origin...
Category

1950s Modern Continental US - Landscape Prints

Materials

Lithograph

Fernand Leger, Mechanical Elements, 1929 (after)
By Fernand Léger
Located in Southampton, NY
This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Elements mecaniques (Mechanical Elements), from the album L'Art Cubiste, Theories et Realisations, Etude...
Category

1920s Cubist Continental US - Landscape Prints

Materials

Lithograph, Stencil

The Ultimate Gumball, Charles Bell
By Charles Bell
Located in Fairfield, CT
Artist: Charles Bell (1935-1995) Title: The Ultimate Gumball Year: 1981 Medium: Silkscreen with shellac overglaze on Masonite panel Size: 46.75 x 53.25 inches Inscription: Unsigned a...
Category

1980s Pop Art Continental US - Landscape Prints

Materials

Screen

Starry, Starry Night, Roy Ahlgren
Located in Fairfield, CT
Artist: Roy Ahlgren (1926-2011) Title: Starry, Starry Night Year: 1982 Edition: 7/150, plus proofs Medium: Silkscreen on Arches paper Size: 22 x 30 inches Condition: Good Inscription...
Category

1980s Pop Art Continental US - Landscape Prints

Materials

Screen

Basilica of San Lorenzo in Rome: A Framed 18th Century Etching by Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta della Basilica di S. Lorenzo fuor della mura" (Basilica of San Lorenzo Outside the Walls), published in Rome in 1750 in Piranesi's Vedute di Roma (Views of Rome), This etching depicts the Basilica of San Lorenzo Outside the Walls, which is a Roman Catholic papal basilica and parish church, located in Rome, Italy. The Basilica is one of the Seven Pilgrim Churches of Rome and one of the five "papal basilicas". It was built as a shrine to the martyred Roman deacon St. Lawrence. This Piranesi etching is held by many museums and institutions, including: The Metropolitan Museum, The British Museum, The National Gallery of Art, The Yale University Art Gallery, and The Harvard Museum of Art. This magnificent etching is presented in a brown-colored wood frame and a tan French...
Category

1750s Old Masters Continental US - Landscape Prints

Materials

Etching

Joan Miro, Constellations of a Seated Woman, from XXe siecle, 1939
By Joan Miró
Located in Southampton, NY
This exquisite lithograph by Joan Miro (1893–1983), titled Constellations d'une femme assise (Constellations of a Seated Woman), from the album XXe siecle, Chroniques du jour, 13 rue...
Category

1930s Surrealist Continental US - Landscape Prints

Materials

Lithograph

Andre Brasilier, The Black Frame, from Prints from the Mourlot Press, 1964
By André Brasilier
Located in Southampton, NY
This exquisite lithograph by Andre Brasilier (born 1929), titled Le Cadre noir (The Black Frame), from the album Prints from the Mourlot Press, exhibition sponsored by the French Emb...
Category

1960s Modern Continental US - Landscape Prints

Materials

Lithograph

Edward Hicks The Cornell Farm Vintage Americana
Located in Brooklyn, NY
This 1994 reproduction of The Cornell Farm by Edward Hicks, published by Graphique de France, highlights the artist's folk art style. Depicting a tranquil farm scene with meticulous ...
Category

1990s American Modern Continental US - Landscape Prints

Materials

Acrylic, Offset

Le Lézard Aux Plumes D or: Plate I (Mourlot 803; Cramer 148), Joan Miró
By Joan Miró
Located in Fairfield, CT
Artist: Joan Miro (1893-1983) Title: Le Lézard Aux Plumes D'or: Plate I (Mourlot 803; Cramer 148) Year: 1971 Edition: H.C.; 195, plus proofs Inscription: Signed and inscribed ‘H.C.’ ...
Category

1970s Surrealist Continental US - Landscape Prints

Materials

Lithograph

Boats of the Friendly Isles, Tonga: Original 18th C. Engraving from Captain Cook
By William Hodges
Located in Alamo, CA
"Boats of the Friendly Isles" is an original 18th century engraving from a drawing by William Hodges (1744-1797), who was the artist who accompanies Captain Cook on his second voyage...
Category

1780s Continental US - Landscape Prints

Materials

Engraving

Caminante No Hay Camino (hand-printed cyanotype, 11 x 8.5" matted to 14 x 11")
Located in Oakland, CA
A framed edition of this cyanotype sold to Timothée Chalamet at The Other Art Fair in Los Angeles. One of 10 mini editions of the same photograph printed by hand using the antique ...
Category

2010s Contemporary Continental US - Landscape Prints

Materials

Archival Paper, Paper, Rag Paper, Photogram

Marie Laurencin, Three Young Girls, from Antares, 1944
By Marie Laurencin
Located in Southampton, NY
This exquisite etching by Marie Laurencin (1883–1956), titled Trois jeunes filles (Three Young Girls), from the album Antares, eaux-fortes originales de Marie Laurencin (Antares, Ori...
Category

1940s Modern Continental US - Landscape Prints

Materials

Etching

Three Lovely Kozo Inoue Pastel Prints, 1980s
By Kozo Inoue
Located in New York, NY
Kozo Inoue (Japanese, 1937-2017) Untitled, 1980 Lithograph Sight: 22 x 31 in. (Each) Framed: 34 x 42 1/2 x 1 in. (Each) Signed and dated 1980 lower right Inscribed lower left Kozo Inoue was a contemporary Japanese printmaker. Born in Osaka, he graduated from the Department of Art History at Keio University in 1960. During life, he worked during the winter months in the Izu Peninsula and Dordogne or Paris in the summer. He is known for his surrealistic silkscreen prints. His prints can be found in the Museum of Modern Art, Paris, Royal Library of Belgium, Modern Museum of Art Osaka and the Spencer Museum of Art, to name just a few. (Bio sourced from Ronin Gallery)
Category

1980s Modern Continental US - Landscape Prints

Materials

Lithograph

"Sun Dance" Vibrant Mid Century Serigraph
By Kenneth W. Auvil
Located in Soquel, CA
Wonderful mid-century abstract serigraph by Kenneth William Auvil (American, b. 1925.) This serigraph features botanical and floral motifs in a bright color palette of yellows and or...
Category

1950s Abstract Continental US - Landscape Prints

Materials

Ink, Screen, Paper

Christo, The Gates Collage , Lithograph, 1990
By Christo and Jeanne-Claude
Located in Pembroke Pines, FL
Artist: Christo (1935 - 2020) Title: The Gates Collage Size: 39" x 27" inches Type: Lithograph Poster Hand Signed Christo was born in 1935 in Gabrova, Bulgaria. (He would drop his J...
Category

1990s Contemporary Continental US - Landscape Prints

Materials

Offset

Grand Central, Night — 1920s New York City Realism
By Walter Tittle
Located in Myrtle Beach, SC
Walter Tittle, 'Grand Central Night', drypoint, edition not stated, c. 1920s. Signed in pencil. Titled, and annotated '36.00' and with the inventory numb...
Category

1920s American Impressionist Continental US - Landscape Prints

Materials

Drypoint

Kintai Bridge at Iwakuni in Suo Province (Suo iwakuni kintai-bashi), 1859
By Hiroshige II
Located in Myrtle Beach, SC
Utagawa Hiroshige II (1829-1869), 'Kintai Bridge at Iwakuni in Suo Province' (Suo iwakuni kintai-bashi), from the series 'One Hundred Views of Famous Pla...
Category

1850s Edo Continental US - Landscape Prints

Materials

Woodcut

Campagne boisée (Wooded countryside)
By Jean-Baptiste-Camille Corot
Located in Middletown, NY
1866 Etching on cream wove paper. 5 1/2 x 4 3/8 inches (138 x 110 mm), full margins. Third state (of 4). Light scattered age tone, and time stain. Scattered extremely light areas of ...
Category

Mid-19th Century Barbizon School Continental US - Landscape Prints

Materials

Etching

Espace-temps en fusion (Michler/Löpsinger 822-831; Field 75-13)
By Salvador Dalí­
Located in Fairfield, CT
Artist: Salvador Dali (1904-1989) Title: Espace-temps en fusion (Michler/Löpsinger 822-831; Field 75-13), Imaginations et Objets du Futur (Fusing space-time, Imaginations and Objects...
Category

1970s Surrealist Continental US - Landscape Prints

Materials

Mixed Media, Drypoint, Lithograph, Screen

Original 1917 Railroad Map of Washington State railway map
Located in Spokane, WA
This is an Original Lithograph Vintage Railroad Map of Washington State; it is not a reproduction. “Railroad Map of Washington, 1917, The Public Servi...
Category

1910s Academic Continental US - Landscape Prints

Materials

Lithograph

Wassily Kandinsky, Composition IV, from Derriere le miroir, 1955 (after)
By Wassily Kandinsky
Located in Southampton, NY
This exquisite lithograph after Wassily Kandinsky (1866–1944), titled Komposition IV (Composition IV), from the folio Derriere le miroir, No. 77–78, originates from the 1955 edition ...
Category

1950s Modern Continental US - Landscape Prints

Materials

Lithograph

Leonor Fini, Untitled, from Fruits of Passion, 1980 (after)
By Leonor Fini
Located in Southampton, NY
This exquisite heliogravure, titled Sans titre (Untitled), after Leonor Fini, from the album Fruits de la passion, trente-deux variations sur un theme de Leonor Fini (Fruits of Passi...
Category

1980s Surrealist Continental US - Landscape Prints

Materials

Lithograph

SINGLIN OUT Signed Lithograph, Rocky Mountain Landscape, Cowboy, Horses
By Conrad Schwiering 1
Located in Union City, NJ
SINGLIN' OUT by the American Western artist Conrad Schwiering, is a hand drawn limited edition lithograph printed using hand lithography techniques on archival Somerset paper 100% ac...
Category

1980s American Realist Continental US - Landscape Prints

Materials

Lithograph

Vintage Rene Ricard Mal de Fin: Paintings 1989-1990 poster with poetry and ocean
By Rene Ricard
Located in New York, NY
Original poster commemorating Rene Ricard's 1990 exhibition Mal de Fin: Paintings 1989-1990 at the Petersburg Press Gallery, New York. The image reproduces his painting, Mal de Fin, ...
Category

1990s Contemporary Continental US - Landscape Prints

Materials

Lithograph, Offset

Morning Glow - large format photograph of California water surface and horizon
By Frank Schott
Located in San Francisco, CA
Morning Glow by Frank Schott 27 x 40 inches / 68cm x 101cm signed edition of 25 48 x 72 inches / 122cm x 183cm signed edition of 7 archival quality fine art pigment print limited...
Category

21st Century and Contemporary Contemporary Continental US - Landscape Prints

Materials

Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée

Yosemite Dreams
By Art Werger
Located in Palm Springs, CA
“A steady rain pelted our tent through the night. That morning a mist hung over the steep cliffs of Yosemite Valley. Gradually the skies cleared allowing the forested slopes above to...
Category

Early 2000s Contemporary Continental US - Landscape Prints

Materials

Etching, Aquatint

The Gates (c), from the Project for Central Park
By Christo and Jeanne-Claude
Located in New York, NY
This offset lithograph in colors from the Project for Central Park, New York City, was created by the artist in 2004. One of 300 hand-signed by the artist in pencil from an unnumbere...
Category

21st Century and Contemporary Contemporary Continental US - Landscape Prints

Materials

Lithograph

WESTERN PEAKS
By Harold Lukens Doolittle
Located in Santa Monica, CA
HAROLD LUKENS DOOLITTLE (1873 - 1974) WESTERN PEAKS c. 1945 Aquatint signed and titled in pencil. 6 3/4 x 8 7/8 sheet 9 5/8 x 12 3/4. Good condition save for just a hint of darkening within the window and small bits if tape on the sheet edge verso. Doolittle was a renaissance man. His day job was as an engineer for the Edison Electric Co. But he produced an outstanding body of prints for 5 decades as well as photographs. His very rare arts and crafts furniture is highly sought after. He was a long time member and officer in the California Print...
Category

1940s Realist Continental US - Landscape Prints

Materials

Aquatint

Icart, Composition, Le Sopha (after)
By Louis Icart
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category

1930s Modern Continental US - Landscape Prints

Materials

Drypoint, Etching

Rough-legged Buzzard: 19th C. Hand-colored Lithograph by J. Gould Edward Lear
By Edward Lear
Located in Alamo, CA
This is an original 19th century hand-colored folio-sized lithograph entitled "Archibuteo Lagopus" (Rough-Legged Buzzard) by John Gould and Edward Lear, from Gould's "Birds of Great Britain", published in London between 1862 and 1873. The print depicts an adult Rough-Legged Buzzard perched on a branch of a tree looking to the left. This beautiful framed Gould hand-colored lithograph is presented in a gold-colored wood frame and cream-colored French mat, embellished by a gold-colored fillet. The frame measures 33" high, 25.5" wide and 1.25" thick. It is in excellent condition There are several other unframed Gould bird lithographs available on our 1stdibs and InCollect storefronts. Two or more of these striking lithographs would make an attractive display grouping. A discount is available for purchase of a set depending on the number. These additional Gould hummingbirds may be viewed by typing Timeless Intaglio in the 1stdibs or InCollect search field to be taken to our storefront. John Gould (1804-1881]) was an English ornithologist and artist. He, like his American contemporary John James Audubon, published a number of books on birds in the mid 19th century, illustrated by hand-colored lithographs. His wife and fellow artist, Elizabeth Gould, and several other artists including Edward Lear and Henry Constantine Richter produced lithographs for his various publications. He has been considered the father of bird study in Australia and the Gould League in Australia is named after him. Charles Darwin referenced Gould’s work in his book, "On the Origin of Species" and Gould named a bird after Darwin; "Darwin's finches". Gould began his career in London as a taxidermist, but in 1827 became the first curator and conservator at the museum of the Zoological Society of London. In this position naturalists brought him collections of birds from all over the world. He began creating drawings and eventually hand-colored lithographs with his wife and Edward Lear, which were the basis for his first publications. Darwin brought him specimens from the Galapagos Islands, including 12 species of finches which had never been described. In 1838, Gould and his wife travelled to Australia and their work led to the seven volume publication of “The Birds of Australia”. Gould had a fascination for hummingbirds and collected specimens of 320 varieties before ever seeing a live hummingbird on a trip to the United States in 1857. He eventually published “A Monograph of the Trochilidae, or Family of Humming-birds". Other large publications include: "The Birds of Europe"," A Monograph of the Ramphastidae, or Family of Toucans”, “A Synopsis of the Birds of Australia, and the Adjacent Islands”, “A Monograph of the Odontophorinae, or Partridges of America”, “The Birds of Asia”, “The Birds of Great Britain” and "The Birds of New Guinea and the Adjacent Papuan Islands, including many new species recently discovered in Australia". John Gould (1804-1881) was a British ornithologist and illustrator who is best known for his monumental work, "The Birds of Europe," published between 1832 and 1837. Gould was born in Lyme Regis, Dorset, England, and began working as a taxidermist and natural history dealer in London in the 1820s. In 1827, Gould was appointed the first curator and preserver of birds at the Zoological Society of London, where he began to build his collection of specimens and began to study the birds of the world. He published his first monograph, "A Century of Birds from the Himalaya Mountains," in 1831, which included 80 plates of Himalayan birds. Gould continued to publish numerous volumes on the birds of the world throughout his life, including "The Birds of Australia" (1840-1848) and "The Birds of Great Britain" (1862-1873). His works were highly regarded for their accuracy and detail, and he was one of the most prominent ornithologists of his time. In addition to his work as an ornithologist, Gould was also a successful businessman, and he used his profits to fund expeditions and to support the scientific community. He was elected a Fellow of the Royal Society in 1843, and he was awarded the Royal Medal...
Category

Mid-19th Century Naturalistic Continental US - Landscape Prints

Materials

Lithograph

YES - large format photograph of conceptual motivational message sign at night
By Frank Schott
Located in San Francisco, CA
large scale original photograph from a series of conceptual motivational messages on iconic Americana signs in landscape of the American West YES by Frank Schott 48 x 67 inches (122 x 171cm) signed edition of 7 29 x 40 inches (74 x 102cm) signed edition of 25 archival quality fine art pigment print limited art edition published by Edition EKTAlux artist signed + numbered certificate of authenticity _______________ Frank Schott grew up in Germany and attended the prestigious Academy of Arts in Cologne, studying under Professor Arno Jansen, who was an early influence. Moving to California in 1998, Schott's work has evolved to include the epic landscapes and deserts of the American West as well as architectural, conceptual and more formal environments from both home and his travels. Influenced by a number of photographic peers and precursors such as Candida Höfer, Andreas Gursky, Thomas Struth, Jeff Wall, Ed Rusha...
Category

21st Century and Contemporary Conceptual Continental US - Landscape Prints

Materials

Giclée, Archival Ink, Archival Paper, Photographic Paper, Archival Pigment

Seascape VII - large format photograph of cloud formations and reflecting sea
By Frank Schott
Located in San Francisco, CA
large scale original photograph of dramatic cloud formations and reflecting sea SEASCAPE VII by Frank Schott 48 x 48 inches ( 122 x 122cm ) signed edition of 7 58 x 58 inches ( 14...
Category

21st Century and Contemporary Contemporary Continental US - Landscape Prints

Materials

Archival Paper, Photographic Paper, Inkjet, Archival Pigment, Black and ...

Gravity Feed, State II (Glenn 147-A), James Rosenquist
By James Rosenquist
Located in Fairfield, CT
Artist: James Rosenquist (1933-2017) Title: Gravity Feed, State II (Glenn 147-A) Year: 1978 Medium: Etching, aquatint, stencil on Pescia Italia paper Edition: 12/78 Size: 22.75 x 40 ...
Category

1970s Pop Art Continental US - Landscape Prints

Materials

Etching, Aquatint, Stencil

David Hockney, Letter H, from Hockney s Alphabet, 1991
By David Hockney
Located in Southampton, NY
This exquisite lithograph by David Hockney (born 1937), titled Letter H, from the folio Hockney's Alphabet, Drawings by David Hockney, originates from the 1991 edition published by A...
Category

1990s Contemporary Continental US - Landscape Prints

Materials

Lithograph

Plymouth Street ( a twilight scene is set in the Brooklyn section of DUMBO)
By Frederick Mershimer
Located in New Orleans, LA
This view of the Brooklyn and Manhattan Bridges is looking down "Plymouth Street" to the intersection of Jay Street. It is #35 in the catalogue raisonne by Retif Salzer and is in the permanent collection of the Museum of City of New York...
Category

1990s Contemporary Continental US - Landscape Prints

Materials

Mezzotint, Aquatint

YES (framed) - large format photograph of conceptual motivational sign at night
By Frank Schott
Located in San Francisco, CA
large scale original photograph with "frameless" glass face mounting from a series of conceptual motivational messages on classic Americana billboard signs in the iconic landscape of...
Category

21st Century and Contemporary Contemporary Continental US - Landscape Prints

Materials

Archival Paper, Photographic Paper, Archival Pigment, Plexiglass

"A Burro Train, New Mexico" original etching
By Peter Moran
Located in Henderson, NV
Medium: original etching. Catalogue reference: White 1. This impression on laid paper was printed in 1880 for The American Art Review. The plate measures 6 1/2 x 9 3/8 inches; the sh...
Category

1880s Continental US - Landscape Prints

Materials

Etching

Joan Miro, Untitled, from The Sun Bird, The Moon Bird, Sparks, 1967 (after)
By Joan Miró
Located in Southampton, NY
This exquisite lithograph and pochoir after Joan Miro (1893–1983), titled Sans titre (Untitled), from the album Miro, L'Oiseau solaire, L'Oiseau lunaire, Etincelles (Miro, The Sun Bi...
Category

1960s Surrealist Continental US - Landscape Prints

Materials

Lithograph

Road to Nablous, West Bank: A 19th C. Hand-colored Lithograph by David Roberts
By David Roberts
Located in Alamo, CA
"Entrance to Nablous, The Holy Land (West Bank)" is a framed 19th century hand-colored lithograph by David Roberts from the large folio edition of his monumental 6 volume publication...
Category

1840s Realist Continental US - Landscape Prints

Materials

Lithograph

Henry Moore, Reclining Figure, from San Lazzaro et ses Amis, 1975
By Henry Moore
Located in Southampton, NY
This exquisite lithograph by Henry Moore (1898–1986), titled Reclining Figure, from the album San Lazzaro et ses Amis, Hommage au fondateur de la revue XXe siecle (San Lazzaro and His Friends, Tribute to the Founder of the Journal XXe Siecle), originates from the 1975 edition published by XXe siecle, Paris, and printed by Curwen Studio, London, October 1975. Reclining Figure embodies Moore’s lifelong fascination with the human form in repose—a theme that became central to his sculptural and graphic work. Through elegant contours and balanced abstraction, the composition captures the harmony between body, landscape, and spirit that defined Moore’s artistic vision. Executed as a lithograph on velin d'Arches paper, this work measures 10.5 x 14 inches (26.67 x 35.56 cm). Unsigned and unnumbered as issued. The edition exemplifies the exceptional craftsmanship of the Curwen Studio in London, a distinguished atelier celebrated for its collaborations with the leading modern artists of the postwar period. Artwork Details: Artist: Henry Moore (1898–1986) Title: Reclining Figure, from San Lazzaro et ses Amis, Hommage au fondateur de la revue XXe siecle, 1975 Medium: Lithograph on velin d'Arches paper Dimensions: 10.5 x 14 inches (26.67 x 35.56 cm) Inscription: Unsigned and unnumbered as issued Date: 1975 Publisher: XXe siecle, Paris Printer: Curwen Studio, London Catalogue raisonne references: Moore, Henry, et al. Henry Moore, Catalogue of Graphic Work. Gerald Cramer, 1986, illustration 366. Condition: Well preserved, consistent with age and medium Provenance: From the album San Lazzaro et ses Amis, Hommage au fondateur de la revue XXe siecle, published by XXe siecle, Paris, October 1975 Notes: Excerpted from the folio (translated from French), Finished printing in Paris in October 1975. This album has been printed on velin d'Arches in DLXXV numbered examples. The LXXV original examples include a series of VIII original lithographs, signed and numbered by the artists. In addition, LV examples were printed for artists, authors, friends and collaborators of XXe siecle. The typography is from l'Imprimerie Union in Paris; the lithographs of Max Bill, Marc Chagall, Hans Hartung, Braque, Fontana, Magnelli, Picasso, Magritte and Poliakoff were printed by Fernand Mourlot in Paris; those of Alexander Calder and Joan Miro by l'imprimerie Arte in Paris; that of Max Ernst by Pierre Chave in Vence; that of Zao Wou-Ki by ateliers Bellin in Paris; and that of Henry Moore by the Curwen Studio in London. About the Publication: San Lazzaro et ses Amis, Hommage au fondateur de la revue XXe siecle (San Lazzaro and His Friends, Tribute to the Founder of the Journal XXe Siecle), published in 1975 by XXe siecle, Paris, represents one of the most significant collaborative tributes in modern art publishing. Created in honor of Gualtieri di San Lazzaro, the visionary editor and founder of the journal XXe Siecle, the folio unites original lithographs by the greatest modern masters—Picasso, Chagall, Miro, Calder, Hartung, Moore, and others. Printed by premier ateliers such as Mourlot, Arte, Bellin, and Curwen, the portfolio celebrates the spirit of artistic collaboration and innovation that defined mid-20th-century modernism. About the Artist: Henry Moore (1898–1986) was a British sculptor, draftsman, and modernist pioneer whose monumental bronzes and organic abstractions revolutionized 20th-century sculpture and made him one of the most influential artists of his time. Renowned for his reclining figures, mother-and-child compositions, and pierced biomorphic forms inspired by nature, Moore transformed traditional carving into a universal language of rhythm, balance, and humanity. Born in Castleford, Yorkshire, he studied at the Leeds School of Art and the Royal College of Art in London, absorbing the influences of classical sculpture, African and Pre-Columbian art, and the radical innovations of the European avant-garde. Inspired by Pablo Picasso’s Cubist fragmentation of form, Joan Miro’s lyrical biomorphism, Wassily Kandinsky’s spiritual abstraction, and Constantin Brancusi’s purity of shape, Moore developed a style rooted in the harmony between mass and void, structure and space. During the interwar years, he became part of an international circle that included Alexander Calder, Alberto Giacometti, Salvador Dali, Marcel Duchamp, and Man Ray—artists who, like Moore, expanded art’s boundaries through abstraction, surrealism, and conceptual experimentation. Like Calder, Moore explored balance and movement; like Giacometti, he sought the spiritual essence of humanity; and like Dali and Duchamp, he challenged perception and redefined modern form. His sculptures, carved in stone or cast in bronze, evoke both ancient and modern sensibilities—forms that appear to breathe with natural vitality while engaging directly with their surrounding landscapes. Moore’s “Shelter Drawings” (1940–41), created during the London Blitz, revealed his deep empathy for the human condition, marking a pivotal moment in his exploration of resilience and vulnerability. By the mid-20th century, Moore’s monumental bronzes had become landmarks around the world, from the Lincoln Center in New York to the UNESCO headquarters in Paris, embodying timeless symbols of endurance, renewal, and unity. His synthesis of organic abstraction and humanism influenced generations of sculptors including Barbara Hepworth, Isamu Noguchi, Eduardo Paolozzi, Antony Gormley, Anish Kapoor, and Rachel Whiteread. Like Kandinsky and Miro, he believed abstraction could transcend culture and time, while like Duchamp and Man Ray, he embraced experimentation as a pathway to new truths. Moore’s works, housed in major collections including the Museum of Modern Art in New York, the Tate in London, the Guggenheim Museum, and the Art Institute of Chicago, continue to define the landscape of modern sculpture for their elegance, power, and emotional depth. Standing alongside Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, Henry Moore remains a cornerstone of modern art—a sculptor whose vision united nature, form, and spirit into a universal language of beauty and meaning. His highest auction record was achieved by Reclining Figure: Festival (1951), which sold for $33.1 million USD at Christie’s, London, on June 30, 2016, reaffirming Henry Moore’s enduring legacy as one of the most visionary, influential, and collectible sculptors in the history of modern art. Henry Moore Reclining Figure...
Category

1970s Surrealist Continental US - Landscape Prints

Materials

Lithograph

The Helmsman
By Arthur John Trevor Briscoe
Located in Storrs, CT
The Helmsman. 1925. Etching. Hurst 130. 7 x 10 7/8 (sheet 11 x 5). Trial proof, apart from the edition of 75 An extremely rich impression printed cream wove paper. An exceptionally r...
Category

1920s Modern Continental US - Landscape Prints

Materials

Drypoint, Etching

Le Château des Pyrénées (The Castle of the Pyrenees)
By René Magritte
Located in Milwaukee, WI
Framed 40.50 x 30 in The lithograph features the dry stamps of the Magritte Foundation ADAGP and is countersigned in pencil by Mr. Charly Herscovici, President of the Magritte...
Category

Early 2000s Surrealist Continental US - Landscape Prints

Materials

Lithograph

Seventh Avenue Canyon, from New York in Etchings
By Anton Schutz
Located in Middletown, NY
New York: 1939. Etching on light weight wove paper, 13 3/4 x 10 3/4 inches ( 350 x 273 mm); 15 1/4 x 12 inches; sheet (383 x 300 mm); full margins. Signed in pencil in the lower mar...
Category

Early 20th Century American Modern Continental US - Landscape Prints

Materials

Etching

Cinésias et sa famille (Bloch 267-272; Cramer 24), Lysistrata, Pablo Picasso
By Pablo Picasso
Located in Southampton, NY
Etching on vélin de Rives BFK paper. Paper Size: 11.5 x 9 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Lysistrata, 1934. Published by The Limited E...
Category

1930s Cubist Continental US - Landscape Prints

Materials

Etching

Victor Vasarely, Beryll, from Memories and Portraits of Artists, 1972
By Victor Vasarely
Located in Southampton, NY
This exquisite lithograph by Victor Vasarely (1906–1997), titled Beryll, originates from the 1972 edition published by Editions A. C. Mazo et Cie., Paris, in collaboration with Leon ...
Category

1970s Op Art Continental US - Landscape Prints

Materials

Lithograph

Shadows on the Ramp
By Martin Lewis
Located in Storrs, CT
Shadows on the Ramp. 1927. Drypoint and sand ground. McCarron 64. 9 x 10 1/2 (sheet 12 3/8 x 14). Edition 75 recorded impressions. A rich, tonal impression with drypoint burr, printe...
Category

1920s American Modern Continental US - Landscape Prints

Materials

Drypoint, Etching

Hill — American Modernism, California
By Paul Landacre
Located in Myrtle Beach, SC
Paul Landacre, 'Hill', wood engraving, 1936, edition 60 (only 54 printed); only 2 impressions printed in a second edition of 150. Signed, titled, and numbered '49/60' in pencil. Wien...
Category

1930s American Modern Continental US - Landscape Prints

Materials

Woodcut

Marfa ( Prada ) - large format photograph of iconic conceptual art installation
By Frank Schott
Located in San Francisco, CA
Large scale photograph of PRADA MARFA, a permanently installed pop architectural land art project sculpture by artists Elmgreen and Dragset, inaug...
Category

21st Century and Contemporary Contemporary Continental US - Landscape Prints

Materials

Archival Ink, Archival Paper, Photographic Paper, Giclée

Destination Unknown, Ernie Barnes
By Ernie Barnes
Located in Fairfield, CT
Artist: Earnie Barnes (1938-2009) Title: Destination Unknown Year: 1979 Medium: Lithograph on archival paper Size: 25 x 19.5 inches Edition: 120/300, plus proofs Condition: Good Insc...
Category

1970s American Realist Continental US - Landscape Prints

Materials

Lithograph

Original CANABLIS or CAN-A-BLIS European Limited Edition vintage poster Large
Located in Spokane, WA
Original Rick Griffin Canablis vintage psychedelic European Limited Edition, numbered and in excellent condition. The first printing done in the US was about 14” x 20” in size, but you get the full impact of this in the larger European size format. Printed in 1967, Rick Griffin’s plate signature is in the lower right corner. The edition number is in the lower left-hand corner. Bold, playful, and unmistakably psychedelic, this limited European edition of Rick Griffin’s “Canablis — Pipe & Cigarette Tobacco” bursts with high-contrast color, hand-tooled lettering, and a lush still life framed by swaying palms. Griffin’s eye-popping typography and layered iconography channel the late-60s poster...
Category

1970s Modern Continental US - Landscape Prints

Materials

Offset

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