Skip to main content

Continental US - Landscape Prints

to
5,293
5,053
1,962
1,924
1,265
939
Overall Width
to
Overall Height
to
2,607
1,613
767
739
671
628
468
372
167
70
62
45
24
15
189
169
152
130
101
374
633
7,720
2,475
79
91
592
444
530
1,041
1,272
1,171
981
541
237
5,524
5,109
484
4,107
2,042
1,895
1,460
1,202
1,130
1,021
881
771
681
680
583
520
484
467
420
363
323
314
312
5,003
1,759
1,515
1,003
843
1,599
2,276
11,206
11,207
4,949
Item Ships From: Continental US
Night, Times Square 1979 Signed Limited Edition Screen Print
Located in Rochester Hills, MI
Noel Mahaffey Night Times Square – 1979 Print – Silkscreen print on Somerset Paper 22” x 30” Edition: signed in pencil and marked PP 4/25 Noel Mahaffey was born in St. Augustine, ...
Category

1970s Photorealist Continental US - Landscape Prints

Materials

Screen

Home 2
Located in New York, NY
ABOUT THIS ARTIST: Ana Popescu is a French visual artist born in Romania. Her work has a modern charm, celebrating interior and exterior spaces with color ...
Category

2010s Continental US - Landscape Prints

Materials

Photographic Paper

Spruce Tree and Snow Clouds, Esashi, Hokkaido, Japan, limited photograph
By Michael Kenna
Located in Sante Fe, NM
"Spruce Tree and Snow Clouds, Esashi, Hokkaido, Japan. 2023." is a silver gelatin print that was printed in the darkroom by master photographer and printer Michael Kenna. The print ...
Category

2010s Minimalist Continental US - Landscape Prints

Materials

Silver Gelatin

Sedans used by the Japanese Ladies of Quality – English School, 19th century
Located in Middletown, NY
Sedans used by the Japanese Ladies of Quality; One plate from Drake's Voyages London: circa 1860. Engraving with hand coloring in watercolor on cream laid paper; 7 1/2 x 10 3/4 inch...
Category

Mid-19th Century English School Continental US - Landscape Prints

Materials

Watercolor, Handmade Paper, Engraving

"Esquimaux Curlew": A Framed Original Audubon Hand-colored Folio Engraving
By John James Audubon
Located in Alamo, CA
This is an original hand-colored folio edition John James Audubon engraving entitled "Esquimaux Curlew", Folio, Pl. CCVIII", No. 42, Plate 208, from Audubon's "Birds of America". It was engraved, printed and colored in London by Robert Havell, Jr. in 1834. It depicts a male and a female Esquimaux Curlew birds...
Category

Mid-19th Century Naturalistic Continental US - Landscape Prints

Materials

Engraving

Max Ernst, System of Solar Currency, from Natural History, 1972 (after)
By Max Ernst
Located in Southampton, NY
This exquisite collotype after Max Ernst (1891–1976), titled Systeme de monnaie solaire (System of Solar Currency), from the album Max Ernst, Histoire Naturelle (Natural History), or...
Category

1970s Surrealist Continental US - Landscape Prints

Materials

Lithograph

Bob Dylan, "Bicycle" from "The Drawn Blank Series", hand signed
By Bob Dylan
Located in Chatsworth, CA
This piece is a giclee on Hahnemuhle 350gsm Museum paper, created by Bob Dylan in 2013. It is from Dylan's series entitled The Drawn Blank Series. Bob Dylan is known as one of the ...
Category

2010s Contemporary Continental US - Landscape Prints

Materials

Giclée

Abstract Flowers II, Peter Max
By Peter Max
Located in Fairfield, CT
Artist: Peter Max (1937) Title: Abstract Flowers II Year: 2007 Edition: 500/500, plus proofs Medium: Lithograph on archival paper Size: 8 x 6 inches Condition: Excellent Inscription:...
Category

Early 2000s Pop Art Continental US - Landscape Prints

Materials

Lithograph

Henri Matisse, Crayon, from Drawings by Henri Matisse, 1925 (after)
By Henri Matisse
Located in Southampton, NY
This exquisite lithograph after Henri Matisse (1869–1954), titled Crayon (Crayon), from the album Dessins de Henri-Matisse (Drawings by Henri Matisse), originates from the 1925 edition published by Editions des Quatre Chemins, Paris, rendered by Daniel Jacomet, Paris, and printed by Atelier Daniel Jacomet et Cie, Paris, December 15, 1925. The work exemplifies Matisses mastery of pure line and the expressive economy of form that defined his graphic art of the 1920s, transforming simplicity into lyrical harmony. Executed as a lithograph on velin Lafuma Navarre paper, this work measures 8 x 10 inches (20.32 x 25.4 cm). Unsigned and unnumbered, as issued. The edition exemplifies the refined craftsmanship of the Daniel Jacomet et Cie workshops, Paris. Artwork Details: Artist: After Henri Matisse (1869–1954) Title: Crayon (Crayon), from the album Dessins de Henri-Matisse (Drawings by Henri Matisse) Medium: Lithograph on velin Lafuma Navarre paper Dimensions: 8 x 10 inches (20.32 x 25.4 cm) Inscription: Unsigned and unnumbered, as issued Date: 1925 Publisher: Editions des Quatre Chemins, Paris Printer: Atelier Daniel Jacomet et Cie, Paris Catalogue Raisonne Reference: Duthuit, Claude. Henri Matisse: Catalogue raisonne des ouvrages illustres. Editions Claude Duthuit, Paris, 1988, illustration 3. Condition: Well preserved, consistent with age and medium Provenance: From the album Dessins de Henri-Matisse (Drawings by Henri Matisse), published by Editions des Quatre Chemins, Paris; rendered by Daniel Jacomet, Paris; printed by Atelier Daniel Jacomet et Cie, Paris, December 15, 1925 Notes: Excerpted from the album (translated from French), This album was printed in C examples on velin d'Arches with an original example by Henri-Matisse, numbered from I to C, and M examples on velin Lafuma. Printing was completed on December Fifteenth, One Thousand, Nine Hundred and Twenty-Five by F. Dutal et Cie, in Paris; the boards having been executed by the Daniel Jacomet et Cie workshops in Paris. About the Publication: Dessins de Henri-Matisse (Drawings by Henri Matisse), published by Editions des Quatre Chemins, Paris, in 1925, is a landmark early graphic portfolio that captures the artist’s mastery of contour and proportion through a series of delicately rendered lithographs. Realized under the direction of the Daniel Jacomet et Cie workshops—renowned for their exceptional skill in fine art printmaking—the album showcases Matisse’s fascination with the purity of line and the human form. Issued in a limited printing of examples on both velin d’Arches and velin Lafuma papers, it reflects the refined aesthetics and technical excellence that characterized the interwar Parisian print ateliers. The publication represents a pivotal stage in Matisse’s evolution as a draughtsman, bridging the intimate immediacy of his drawings with the permanence of fine print. About the Artist: Henri Matisse (1869–1954) was a French painter, sculptor, draughtsman, and printmaker whose revolutionary vision redefined modern art through his daring use of color, line, and form. Celebrated as one of the greatest artists of the 20th century, Matisse led the Fauvist movement and devoted his life to the pursuit of balance, beauty, and emotional expression in visual art. His early works burst with vibrant hues and liberated brushwork, while his later “cut-out” compositions achieved a poetic simplicity that transformed the relationship between color and space. Deeply influenced by the work of Paul Cezanne, Vincent van Gogh, and Georges Seurat, as well as by the rhythmic patterns of Islamic art, Byzantine mosaics, and Japanese prints, Matisse forged a new visual language that celebrated joy, movement, and serenity. He was part of an extraordinary generation of artists who shaped the evolution of modernism, maintaining lifelong dialogue and friendly rivalry with contemporaries such as Pablo Picasso, Georges Braque, Marc Chagall, Andre Derain, Albert Marquet, and Raoul Dufy—peers who, like him, sought to expand the expressive potential of color and composition. Matisses influence extended across generations, inspiring modern and contemporary masters including Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom drew upon his fearless experimentation and refined visual harmony. His paintings, sculptures, and works on paper are held in the most prestigious museums in the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Hermitage Museum, where his art continues to symbolize the essence of creativity and human emotion. The highest price ever paid for a Henri Matisse artwork is approximately 80.8 million USD, achieved in 2018 at Christies New York for Odalisque couchee aux magnolias (1923). Henri Matisse Crayon...
Category

1920s Modern Continental US - Landscape Prints

Materials

Lithograph

Early 20th Century British Street Scene - 1920s Figurative Landscape Etching
By E. Mary Shelley
Located in Soquel, CA
Highly detailed figurative landscape lithograph of a street in London with a towering cathedral, old buildings, and figures walking the street below by E. Mary Shelley (English, late...
Category

1920s Impressionist Continental US - Landscape Prints

Materials

Paper, Etching

Reds and Black August 20, 2020
By Donald Sultan
Located in Calabasas, CA
Artist: Donald Sultan Title: Reds and Black August 20, 2020 Year: 2020 Medium: Silkscreen with enamel inks, flocking, and tarlike texture on Rising 4-ply Museum Board Sheet: 44 x 84...
Category

2010s Contemporary Continental US - Landscape Prints

Materials

Screen

Cloudy Day Prairie II, by John Hogan, New Mexico Landscape, Color Etching, blues
By John Hogan (American)
Located in Santa Fe, NM
Cloudy Day Prairie II, by John Hogan, New Mexico Landscape Color Etching, blues edition 13/50 matted and framed John Hogan A graduate of Northeast Louisiana State University with a...
Category

1980s Contemporary Continental US - Landscape Prints

Materials

Etching

Hollywood - large format photograph of iconic California landmark in Los Angeles
By Christian Stoll
Located in San Francisco, CA
large scale photograph of the iconic HOLLYWOOD sign in golden California sunlight with downtown Los Angeles in the distance HOLLYWOOD by Christian Stoll 48 x 48 inches (122 x 122c...
Category

21st Century and Contemporary Contemporary Continental US - Landscape Prints

Materials

Archival Paper, Photographic Paper, Archival Pigment, Archival Ink, Giclée

Original Vichy stone lithograph vintage French poster
Located in Spokane, WA
Original vintage poster: Vichy travel poster. This is a stunning stone-lithographic turn-of-the-century poster. It advertises a train route to Vichy, France. The poster has been a...
Category

1890s Art Nouveau Continental US - Landscape Prints

Materials

Lithograph

Chrysanthemum: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
By Johann Wilhelm Weinmann
Located in Alamo, CA
This is an original antique hand-colored botanical mezzotint and line engraving of flowering Chrysanthemum matricaria plants. It is entitled "A. Chrysanthemum Matricarice Folus Flore...
Category

Mid-18th Century Naturalistic Continental US - Landscape Prints

Materials

Engraving, Mezzotint

Original Impermeaili Moretti Italian art deco vintage poster
By Leopoldo Metlicovitz
Located in Spokane, WA
Original Italian poster: Impermeabili Moretti by Leopoldo Meticovitz. Archival linen-backed original Italian vintage poster IMPERMEABILI MORETTI. This pre-art deco poster is in v...
Category

1920s Art Deco Continental US - Landscape Prints

Materials

Lithograph

Beach Goals - large format photograph of iconic yellow soccer goals
By Erik Pawassar
Located in San Francisco, CA
an homage to the photo realism + pop art color palette of artist David Hockney Beach Goals by Erik Pawassar 29 x 40 inches (74 x 102cm) signed edition of 25 48 x 67 inches (122 x...
Category

21st Century and Contemporary Contemporary Continental US - Landscape Prints

Materials

Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment

View of Imagiri , After Utagawa Hiroshige 歌川廣重, Ukiyo-e Woodblock, Tokaido
By Utagawa Hiroshige (Ando Hiroshige)
Located in Santa Cruz, CA
An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing a view of Imagiri Beach and Promontory near Maisaka, circa 1850. Signed in Kanji center left, "Hiroshige Ga" for Uta...
Category

Mid-20th Century Continental US - Landscape Prints

Materials

Sumi Ink, Washi Paper

Icart, Composition, Le Sopha (after)
By Louis Icart
Located in Southampton, NY
La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...
Category

1930s Modern Continental US - Landscape Prints

Materials

Drypoint, Etching

Tortoise-shell Butterfly, Hawk Moth: Antique Hand-colored Engraving by M. Harris
By Moses Harris
Located in Alamo, CA
This is a hand-colored antique engraving depicting the natural history of the Tortoise-shell Butterfly and Privet Hawk Moth, which is plate 2 from Moses Harris' publication "The Aure...
Category

Mid-19th Century Realist Continental US - Landscape Prints

Materials

Engraving

Here is the Sea, by Jos Sances
Located in Palm Springs, CA
One print from Jos Sances cycle concerning Moby Dick. A vast sperm whale drifts below the surface, scarred by harpoons, while above floats a lone survivor on a coffin raft—a haunting...
Category

2010s Contemporary Continental US - Landscape Prints

Materials

Screen

Toulouse-Lautrec, Composition, Les Affiches De Toulouse-Lautrec (after)
By Henri de Toulouse-Lautrec
Located in Fairfield, CT
Medium: Lithograph on grand vélin Filigrané a sa marque paper Year: 1950 Paper Size: 12.5 x 9.75 inches; image size: 9.05 x 6.3 inches Inscription: Signed in the plate and unnumbered...
Category

1950s Post-Impressionist Continental US - Landscape Prints

Materials

Lithograph

Seascape XIV - large format photograph of monochrome blue water surface
By Frank Schott
Located in San Francisco, CA
Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and cloudscapes Seascape ...
Category

21st Century and Contemporary Contemporary Continental US - Landscape Prints

Materials

Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment

Georges Braque, The Tree, from Le Solitaire, XXe siecle, 1959 (after)
By Georges Braque
Located in Southampton, NY
This exquisite lithograph and pochoir after Georges Braque (1882–1963), titled L’arbre (The Tree), from the album Georges Braque, Le Solitaire (The Solitary), originates from the 195...
Category

1950s Cubist Continental US - Landscape Prints

Materials

Lithograph

Dufy, Composition, Les Côtes Normandes (after)
By Raoul Dufy
Located in Southampton, NY
Lithograph on grand vélin d'Arches spécial paper. Unsigned and unnumbered, as issued. Good condition with centerfold, as issued. Notes: From the folio, Les Côtes Normandes 1961. Publ...
Category

1960s Modern Continental US - Landscape Prints

Materials

Lithograph

The Gothic Spirit
By John Taylor Arms
Located in Storrs, CT
The Gothic Spirit (also called A Gargoyle, A Gothic Spirit). 1922. Etching and stipple. Fletcher 120. 11 5/8 x 7 (sheet 15 1/4 x 11 1/4). Gargoyle Series #8. Edition 130. Illustrated...
Category

1920s American Modern Continental US - Landscape Prints

Materials

Drypoint, Etching

Les Bles Dans Le Perche Vlaminck (aft.) wood engraving 1950 Estampes signed
By (after) Maurice de Vlaminck
Located in Paonia, CO
Dans Le Perche after Maurice de Vlaminck ( 1876 – 1958)  depicts a stormy sky above a wind swept field of golden vegetation. There is a house on the distant horizon. One of 12 wood e...
Category

1950s Continental US - Landscape Prints

Materials

Woodcut

Raoul Dufy, The Birds, from Letter to My Painter Raoul Dufy, 1965 (after)
By Raoul Dufy
Located in Southampton, NY
This exquisite lithograph after Raoul Dufy (1877–1953), titled Les Oiseaux (The Birds), from the folio Lettre a mon peintre Raoul Dufy (Letter to My Painter Raoul Dufy), originates f...
Category

1960s Fauvist Continental US - Landscape Prints

Materials

Lithograph

Leaf
By Christine Ravaux
Located in New Orleans, LA
This image is #17 of an edition of 35 Born in Charleroi, Belgium, Ravaux is an artist who mirrors her surroundings in the mezzotints she creates. She has portrayed the black hills t...
Category

1990s Contemporary Continental US - Landscape Prints

Materials

Mezzotint

Leaf
Leaf
$90 Sale Price
25% Off
Original Fight or Buy Bonds, Third Liberty Loan, Large Format vintage poster
By Howard Chandler Christy
Located in Spokane, WA
Original. FIGHT OR BUY BONDS. THIRD LIBERTY LOAN. Linen backed. Lithograph. World War 1 authentic vintage poster. ARTIST: Howard Chandler Christy. Linen-backed, larger size format for this poster. Ready to frame. Despite minor edge wear touch-up from linen backing, this poster presents very well and is in above-average condition. You can be confident in the quality of this piece. One of the most famous and powerful WW1 propaganda images, this flag-waving Ms. Liberty (aka Columbia) poster is unusual in that it urged both recruitment and bond sales. The US had just entered the war when this poster appeared and it is one of the earliest examples of myriad illustrations that were used to motivate both troops and the American public. It's designer, Howard Chandler Christy, was at the height of his fame. He earned his spurs as a wartime artist when he accompanied US troops to Cuba in 1898, an experience that stood him in good stead when he was called on to create his famed series of patriotic WW1 posters...
Category

1910s American Realist Continental US - Landscape Prints

Materials

Lithograph

Somewhere in France
By John Taylor Arms
Located in Middletown, NY
Etching on antique cream laid paper with a partial watermark (likely Arches), 12 1/8 x 6 1/8 inches (308 x 156 mm), full margins. Signed and dated in pencil in the lower right margin...
Category

Mid-20th Century American Modern Continental US - Landscape Prints

Materials

Handmade Paper, Laid Paper, Etching

Original "Cycles Omnium" turn of the century vintage bicycle poster
Located in Spokane, WA
Original Cycles Omnium antique vintage French bicycle poster from the late 1880s-1890s. Printer: N. Weill, Paris, France. Archival linen backed and ready to frame. There was an area in the right-hand sky (creamish yellow) top area that had had some restoration. Touched up the border in the upper right corner. The poster was folded in half, with the fold mark restored during linen backing. Artist is: F. Capelli. Printer: Imp. N. Weill, Paris The image of a couple with their child on a bicycle ride out in the countryside of France, all in art nouveau clothing...
Category

1890s Art Nouveau Continental US - Landscape Prints

Materials

Lithograph

Fernand Leger, Objects in Space, from Cahiers d Art, 1928 (after)
By Fernand Léger
Located in Southampton, NY
This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Objets dans l’espace (Objects in Space), from the album Fernand Leger (Fernand Leger), originates from t...
Category

1920s Modern Continental US - Landscape Prints

Materials

Lithograph

Village of Montmarte, Paris
By Shungo Sekiguchi
Located in Belgrade, MT
This piece is part of my private collection since the 1970's. It is an original color lithograph signed and numbered by the Japanese artist Shungo Sekiguchi. In 1935 Shungo Sekiguchi...
Category

Mid-20th Century Modern Continental US - Landscape Prints

Materials

Woodcut, Lithograph

The plan of St. Martin s Church, St. Martin in the Fields
By George Vertue
Located in Middletown, NY
London: Society of Antiqauries London, 1744. Engraving on buff wove paper with a large heraldic watermark with Strasbourg lily with a crown and shied and the letters LVG, 9 1/2 x 14 ...
Category

Mid-18th Century English School Continental US - Landscape Prints

Materials

Engraving, Handmade Paper

Original San Diego (Home Federal) 1974 vintage poster
Located in Spokane, WA
Original travel poster: San Diego (Home Federal), artist: Robert Kinyon, 24.25" x 38", 1974; original Southern California poster. Excellent condi...
Category

1970s American Modern Continental US - Landscape Prints

Materials

Offset

The Mill, Amsterdam, 1889
By James Abbott McNeill Whistler
Located in New York, NY
James Whistler (1834-1903), The Mill, 1889, etching and drypoint, signed in pencil with the butterfly on the tab and inscribed “imp”, and inscribed “first state” (twice) and annotated “Wunderlich” and signed again with the butterfly verso. Reference: Kennedy 413, first state (of 5). Glasgow 457, second state (of 6; see discussion below) (cf. Margaret F. MacDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock, James McNeill Whistler: The Etchings, a catalogue raisonné, University of Glasgow, 2011) On laid paper, in very good condition, trimmed just outside of the platemark all around except for the tab by the artist, 6 1/4 x 9 3/8 inches. A very fine impression of this great rarity, printed in black/brown ink with a slight veil of plate tone. provenance: H. Wunderlich & Co., New York Louis B. Dailey, New York (Lugt 4500) sale, Sotheby’s, New York, October 31, 2003, lot 69 literature; Neue Lagerliste 122: James McNeill Whistler – Etchings...
Category

1880s Impressionist Continental US - Landscape Prints

Materials

Drypoint, Etching

Gas Line, Photorealist Silkscreen by Ron Kleemann
By Ron Kleemann
Located in Long Island City, NY
Artist: Ron Kleemann, American (1937 - ) Title: Gas Line from the CityScapes Portfolio Year: 1981 Medium: Serigraph on Somerset Paper, signed and number...
Category

1970s Photorealist Continental US - Landscape Prints

Materials

Screen

Four Koa Wood Framed 18th C. Engravings from Captain Cook s 3rd Voyage Journal
By John Webber
Located in Alamo, CA
A grouping of four framed engravings of Hawaii, Tahiti, Tonga and Vancouver Island from the atlas of the official British Admiralty sanctioned journal of Captain Cook's 3rd Voyage entitled "A Voyage to the Pacific Ocean Undertaken by the Command of His Majesty, for Making Discoveries in the Northern Hemisphere", published upon completion of the voyage in London in 1784 by Strahan & Cadell. These engravings were made from drawings by John Webber (1752-1793), who was the artist on Captain James Cook's 3rd and final voyage of discovery. The set of engravings includes: "A Canoe of the Sandwich Islands, the Rowers Masked", Plate 65 in the atlas; "A Dance in Otaheite" (Tahiti), Plate 28; "King of the Friendly Islands" (Tonga), plate 20; "Inside of a House in Nootka Sound" (Canada), plate 42. These engravings are professionally framed in Koa wood, the same wood as was used to make the canoes of the ancient Hawaiians. Koa wood is legendary in Hawaii. Not only is this amazing wood native to Hawaii, but it is known for the deep rich colors and varied grain pattern. Koa has an honored heritage in Hawaii and is highly revered and sacred. The word “koa” means “warrior” in Hawaiian. The warriors of King Kamehameha the Great, created canoes and weapons from a wood plentiful on the Big Island of Hawaii. This wood became synonymous with the warriors themselves, and it became known as koa. These four engravings would make a wonderful grouping for a display of 2, 3 or 4 prints. They may be purchased separately or in groups on 1stDibs. Their listing Reference #'s are: LU117324682432, LU117324682022, LU117324684052 and LU117324684062. A discount is available for a grouping depending on the number of items included. Hawaii was discovered by Captain Cook (1728-1779) during this voyage. Hawaii was originally called The Sandwich Islands in honor of The Earl of Sandwich...
Category

1780s Other Art Style Continental US - Landscape Prints

Materials

Engraving

Rare 1923 Cubist Reuven Rubin Woodcut Woodblock Print Israeli Hasidic Judaica
By Reuven Rubin
Located in Surfside, FL
This is from the original first edition 1923 printing. there was a much later edition done after these originals. These are individually hand signed in pencil by artist as issued. This listing is for the one print. the other documentation is included here for provenance and is not included in this listing. The various images inspired by the Jewish Mysticism and rabbis and mystics of jerusalem and Kabbalah is holy, dramatic and optimistic Rubin succeeded to evoke the spirit of life in Israel in those early days. They are done in a modern art style influenced by German Expressionism, particularly, Ernst Barlach, Ernst Ludwig Kirchner, and Franz Marc, as introduced to Israel by Jakob Steinhardt, Hermann Struck and Joseph Budko. Reuven Rubin 1893 -1974 was a Romanian-born Israeli painter and Israel's first ambassador to Romania. Rubin Zelicovich (later Reuven Rubin) was born in Galati to a poor Romanian Jewish Hasidic family. He was the eighth of 13 children. In 1912, he left for Ottoman-ruled Palestine to study art at Bezalel Academy of Art and Design in Jerusalem. Finding himself at odds with the artistic views of the Academy's teachers, he left for Paris, France, in 1913 to pursue his studies at the École Nationale Supérieure des Beaux-Arts. He was of the well known Jewish artists in Paris along with Marc Chagall and Chaim Soutine, At the outbreak of World War I, he was returned to Romania, where he spent the war years. In 1921, he traveled to the United States with his friend and fellow artist, Arthur Kolnik. In New York City, the two met artist Alfred Stieglitz, who was instrumental in organizing their first American show at the Anderson Gallery. Following the exhibition, in 1922, they both returned to Europe. In 1923, Rubin emigrated to Mandate Palestine. Rubin met his wife, Esther, in 1928, aboard a passenger ship to Palestine on his return from a show in New York. She was a Bronx girl who had won a trip to Palestine in a Young Judaea competition. He died in 1974. Part of the early generation of artists in Israel, Joseph Zaritsky, Arieh Lubin, Reuven Rubin, Sionah Tagger, Pinchas Litvinovsky, Mordecai Ardon, Yitzhak Katz, and Baruch Agadati; These painters depicted the country’s landscapes in the 1920s rebelled against the Bezalel school of Boris Schatz. They sought current styles in Europe that would help portray their own country’s landscape, in keeping with the spirit of the time. Rubin’s Cezannesque landscapes from the 1920s were defined by both a modern and a naive style, portraying the landscape and inhabitants of Israel in a sensitive fashion. His landscape paintings in particular paid special detail to a spiritual, translucent light. His early work bore the influences of Futurism, Vorticism, Cubism and Surrealism. In Palestine, he became one of the founders of the new Eretz-Yisrael style. Recurring themes in his work were the bible, the prophet, the biblical landscape, folklore and folk art, people, including Yemenite, Hasidic Jews and Arabs. Many of his paintings are sun-bathed depictions of Jerusalem and the Galilee. Rubin might have been influenced by the work of Henri Rousseau whose naice style combined with Eastern nuances, as well as with the neo-Byzantine art to which Rubin had been exposed in his native Romania. In accordance with his integrative style, he signed his works with his first name in Hebrew and his surname in Roman letters. In 1924, he was the first artist to hold a solo exhibition at the Tower of David, in Jerusalem (later exhibited in Tel Aviv at Gymnasia Herzliya). That year he was elected chairman of the Association of Painters and Sculptors of Palestine. From the 1930s onwards, Rubin designed backdrops for Habima Theater, the Ohel Theater and other theaters. His biography, published in 1969, is titled My Life - My Art. He died in Tel Aviv in October 1974, after having bequeathed his home on 14 Bialik Street and a core collection of his paintings to the city of Tel Aviv. The Rubin Museum opened in 1983. The director and curator of the museum is his daughter-in-law, Carmela Rubin. Rubin's paintings are now increasingly sought after. At a Sotheby's auction in New York in 2007, his work accounted for six of the ten top lots. Along with Yaacov Agam and Menashe Kadishman he is among Israel's best known artists internationally. Education 1912 Bezalel Academy of Arts and Design, Jerusalem 1913-14 École des Beaux Arts, Paris and Académie Colarossi, Paris Select Group Exhibitions Eged - Palestine Painters Group Eged - Palestine Painters Group, Allenby Street, Tel Aviv 1929 Artists: Chana Orloff, Abraham Melnikoff, Rubin, Reuven Nahum Gutman, Sionah Tagger,Arieh Allweil, Jewish Artists Association, Levant Fair, Tel Aviv, 1929 Artists: Ludwig Blum,Eliyahu Sigad, Shmuel Ovadyahu, Itzhak Frenel Frenkel,Ozer Shabat, Menahem Shemi...
Category

1920s Abstract Continental US - Landscape Prints

Materials

Woodcut

November
By Stephen Parrish
Located in Middletown, NY
A beautiful and delicate 19th century image of late autumn in New England. Boston: Estes & Lauriat Editons, 1888. Etching on cream laid paper, 6 x 11 inches (150 x 278 mm), full ma...
Category

Early 20th Century American Realist Continental US - Landscape Prints

Materials

Laid Paper, Etching

One Hundred Aspects of the Moon, Mt Otawa Moon - Bright God Tamura
By Tsukioka Yoshitoshi
Located in Soquel, CA
"Mount Otawa Moon: Bright God Tamura" - Woodblock on Paper by Tsukioka Yoshitoshi From the series "One Hundred Aspects of the Moon" This piece depicts the general Sakanoe no Tamura...
Category

1880s Edo Continental US - Landscape Prints

Materials

Paper, Ink, Woodcut

Maurice de Vlaminck, Woman with Dog, from Vlaminck, 1958 (after)
By Maurice de Vlaminck
Located in Southampton, NY
This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Femme au Chien (Woman with Dog), from the album Vlaminck, originates from the 1958 edition published by Andre ...
Category

1950s Fauvist Continental US - Landscape Prints

Materials

Lithograph

Aspen Study I - large scale photograph of Indian summer autumnal color palette
By Frank Schott
Located in San Francisco, CA
Aspen Study I by Frank Schott a series of images capturing the yellow golden Indian summer foliage palette of aspen trees in California's Sierra Nevada ...
Category

21st Century and Contemporary Contemporary Continental US - Landscape Prints

Materials

Archival Paper, Photographic Paper, Archival Pigment, Giclée

Afternoon Reverie
By Kerry Hallam
Located in Greenwich, CT
Afternoon Reverie is a serigraph on paper, image size 27 x 36 inches, signed ‘Kerry Hallam’ lower right and numbered lower left. From the edition of 550, numbered CXCIII/CC (there we...
Category

20th Century Contemporary Continental US - Landscape Prints

Materials

Paper, Screen

David Feinstein, Negro District, Brooklyn, 1936-39, WPA lithograph
Located in New York, NY
David Feinstein's Negro District, Brooklyn, a lithograph of 1936-39, is a marvel. It's a construction of every detail the artist could think of to show the nature of the locale: The ...
Category

1930s Ashcan School Continental US - Landscape Prints

Materials

Lithograph

Flashback VI, Flashback Series, John Chamberlain
By John Chamberlain
Located in Fairfield, CT
Artist: John Chamberlain (1927-2011) Title: Flashback VI Year: 1979 Medium: Lithograph on vélin d’Arches paper Edition: 151/175, plus proofs Size: 28 x 20 inches Inscription: Signed ...
Category

1970s Abstract Expressionist Continental US - Landscape Prints

Materials

Lithograph

Original Chicago Fly TWA vintage travel poster
By David Klein
Located in Spokane, WA
Original vintage travel poster: Chicago - Fly TWA. UP UP and Away Trans World Airline. Artist: David Klein. Size 25" x 40" Dated 1960's. ...
Category

1960s American Modern Continental US - Landscape Prints

Materials

Offset

Pierre-Auguste Renoir, Pierre with Three Sketches, 1951 (after)
By Pierre-Auguste Renoir
Located in Southampton, NY
This exquisite lithograph after Pierre-Auguste Renoir (1841–1919), titled Pierre aux trois croquis (Pierre with Three Sketches), from the album Les Lithographies de Renoir (The Litho...
Category

1950s Impressionist Continental US - Landscape Prints

Materials

Lithograph

Madison Square, N.Y.C.
Located in Middletown, NY
New York: 1947. Etching on white wove paper, 7 x 5 inches (752 x125 mm), full margins. Signed and titled in pencil, lower margin. In very good condition with some minor spots of ligh...
Category

Mid-20th Century American Modern Continental US - Landscape Prints

Materials

Etching

Pierre Bonnard, Women in the Garden, from Derriere le Miroir, 1966 (after)
By Pierre Bonnard
Located in Southampton, NY
This exquisite lithograph after Pierre Bonnard (1867–1947), titled Femmes au jardin (Women in the Garden), originates from the 1966 folio Derriere le Miroir, No. 158–159, published b...
Category

1960s Post-Impressionist Continental US - Landscape Prints

Materials

Lithograph

Marfa { The Road } - large scale photograph of endless road and horizon sunset
By Frank Schott
Located in San Francisco, CA
The Road by Frank Schott country road outside of town, from a series of impressions captured in and around the artist community of Marfa, Texas, longtime residence of minimalist art...
Category

21st Century and Contemporary Contemporary Continental US - Landscape Prints

Materials

Photographic Paper, Archival Pigment, Archival Paper, Giclée

Nizza - large format photograph of summer beach observation in South of France
By Frank Schott
Located in San Francisco, CA
Large scale highly detailed photograph of European summer beach scene captured in coastal Nice, France, along the Mediterranean Côte d’Azur. Nizza (2006) by Frank Schott 44 x 69 in...
Category

21st Century and Contemporary Contemporary Continental US - Landscape Prints

Materials

Archival Paper, Photographic Paper, Archival Pigment, Giclée, Archival Ink

The Enchanted Doorway; Venezia
By John Taylor Arms
Located in Middletown, NY
Etching and drypoint on antique cream laid paper, 12 3/8 x 6 9/16 inches (315 x 167 mm), full margins. Signed, dated, and inscribed "Edition 100" in pencil, lower margin. In very goo...
Category

Early 20th Century American Modern Continental US - Landscape Prints

Materials

Handmade Paper, Etching, Drypoint

RED ROCK CANYON
By Frances H. Gearhart
Located in Santa Monica, CA
FRANCES H. GEARHART (1869 – 1958) RED ROCK CANYON ca 1936 Color block print. Signed and titled in pencil. 10 x 11” on fibrous paper, sheet 13 3/8 x 15...
Category

1920s Continental US - Landscape Prints

Materials

Linocut

Rio del Santi Apostoli, Venice.
By John Taylor Arms
Located in Storrs, CT
Rio del Santi Apostoli, Venice. 1930. Etching. Fletcher catalog 22 state .ii. 8 x 6 (sheet 11 x 7 3/16). Italian series #4. Illustrated: Dorothy Noyes Arms, Hill Towns and Cities of...
Category

1920s American Modern Continental US - Landscape Prints

Materials

Etching

19th C. Currier Ives lithograph "Celebrated Trotting Team Edward Swiveller"
By Currier Ives
Located in Alamo, CA
This is an original 19th century Currier and Ives hand-colored lithograph entitled "The Celebrated Trotting Team Edward and Swiveller, Owned by Frank Work Esq. N.Y.: Winning their ma...
Category

1880s Continental US - Landscape Prints

Materials

Lithograph

Original Washington D.C. American Airlines vintage travel poster Midcentury
By Edward McKnight Kauffer
Located in Spokane, WA
Original Washington (D.C.) American Airlines mid-century vintage travel poster. Professional archival linen backed in very fine condition, ready to frame. Featuring one of the ...
Category

1940s American Modern Continental US - Landscape Prints

Materials

Lithograph

Georges Braque, Seaside, from Varengeville, 1968 (after)
By Georges Braque
Located in Southampton, NY
This exquisite lithograph after Georges Braque (1882–1963), titled Bord de mer (Seaside), originates from the 1968 folio Varengeville, published by Maeght Editeur, Paris, and printed...
Category

1960s Cubist Continental US - Landscape Prints

Materials

Lithograph

Original Jungfrau Railway Bernese Oberland vintage 1913 poster
By Emile Cardinaux
Located in Spokane, WA
The original vintage poster by Emil Cardinaux for the Jungfrau Railway in the Bernese Oberland, Switzerland, is a classic example of early 20th-century travel advertising. Emil Cardi...
Category

1910s Art Nouveau Continental US - Landscape Prints

Materials

Lithograph

Still Thinking About These?

All Recently Viewed