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Item Ships From: Continental US
Original Philadelphia Fly TWA Superjets vintage travel poster
By David Klein
Located in Spokane, WA
Original Philadelphia Fly TWA vintage American travel poster created by master artist David Klein. Professional, acid-free, linen-bac...
Category

1960s American Modern Continental US - Landscape Prints

Materials

Offset

New York (from Ports of America)
By Louis Orr
Located in Myrtle Beach, SC
Louis Orr, 'New York' (from the portfolio 'Ports of America', published by Yale University Press, 1928), etching, 1925, edition not stated. Signed and titled in pencil. Signed in the...
Category

1920s Realist Continental US - Landscape Prints

Materials

Etching

Joan Miro, Untitled, from Tarragona Tapestry, 1972 (after)
By Joan Miró
Located in Southampton, NY
This exquisite lithograph after Joan Miro (1893–1983), titled Sans titre (Untitled), from the folio Tapis De Tarragona, illustrations, Joan Miro (Tarragona Tapestry, Illustrations), ...
Category

1970s Modern Continental US - Landscape Prints

Materials

Lithograph

Ellsworth Kelly, Three Panels (Black), from Derriere le Miroir, 1964
By Ellsworth Kelly
Located in Southampton, NY
This exquisite lithograph by Ellsworth Kelly (1923–2015), titled Trois panneaux (noir) (Three Panels [Black]), originates from the historic 1964 folio Derriere le Miroir, No. 149. Pu...
Category

1960s Hard-Edge Continental US - Landscape Prints

Materials

Lithograph

Fish Washing Tank, Sunjeongmaeul Go-Heung Jeollanam, South Korea, b&w photograph
By Michael Kenna
Located in Sante Fe, NM
"Fish Washing Tank, Sunjeongmaeul Go-Heung Jeollanam-do South Korea, 2023 is a silver gelatin print that was printed in the darkroom by master photographer and printer Michael Kenna....
Category

2010s Minimalist Continental US - Landscape Prints

Materials

Silver Gelatin

The Lonely Tower
By Percival Gaskell
Located in New Orleans, LA
This is a fine aquatint etching by British artist Percival Gaskell. The title is: The Lonely Tower, Roman Campagna, it was created and printed in 1924 in an edition of 150. The ima...
Category

1930s English School Continental US - Landscape Prints

Materials

Aquatint

The Grand Coronation Banquet of King George IV at Westminster Hall, 17 July 1821
By Johannes Kip
Located in Middletown, NY
The Grand Coronation Banquet of King George IV at Westminster Hall, the oldest building on the Parliamentary estate. A Prospect of the Inside of Westminster Hall; The Grand Coronati...
Category

Early 19th Century English School Continental US - Landscape Prints

Materials

Handmade Paper, Engraving, Watercolor

Kynance Cove Giclée Print, 2023
By Damien Hirst
Located in New York, NY
Kynance Cove which is part of the ’Coast Paintings’ series. Created in 2019, ’Coast Paintings’ are colourful action paintings which convey the energy, excitement and change experienc...
Category

2010s Contemporary Continental US - Landscape Prints

Materials

Giclée

The White House — Vintage Washington D.C.
By Anton Schutz
Located in Myrtle Beach, SC
Anton Schutz, 'White House', etching, edition not stated, c. 1928. Signed in pencil. A fine, richly-inked impression, with skillfully-controlled plate tone, on cream wove Japan paper; the full sheet with margins (1 to 2 1/8 inches), in excellent condition. Matted to museum standards, unframed. Image size 8 7/8 x 11 7/8 inches; sheet size 11 1/4 x 15 3/8 inches. ABOUT THE ARTIST Etcher, painter, and architect Anton Schutz was born in Germany in 1894. He studied at the University of Munich, earning a double degree in mechanical engineering...
Category

1920s American Realist Continental US - Landscape Prints

Materials

Etching

Joan Miro, Lithograph II, from Lithographs II, 1975
By Joan Miró
Located in Southampton, NY
This exquisite lithograph by Joan Miro (1893–1983), titled Lithograph II, from the album Joan Miro Lithographs, Volume II, originates from the 1975 edition published by Leon Amiel, New York, and printed by Mourlot Freres, Paris, 1975. Lithograph II reflects Miros poetic mastery of line, movement, and color, capturing his lifelong pursuit of visual rhythm and lyrical abstraction. Combining spontaneity and control, this composition embodies Miros signature balance of playful geometry and poetic energy—translating instinct and imagination into a harmonious field of motion and light. Executed as a lithograph on velin paper, this work measures 12.5 x 9.625 inches. Unsigned and unnumbered as issued. The edition exemplifies the refined craftsmanship and technical mastery of Mourlot Freres, Paris, one of the foremost printmaking ateliers of the 20th century. Artwork Details: Artist: Joan Miro (1893–1983) Title: Lithograph II, from the album Joan Miro Lithographs, Volume II, 1975 Medium: Lithograph on velin paper Dimensions: 12.5 x 9.625 inches (31.8 x 24.4 cm) Inscription: Unsigned and unnumbered as issued Date: 1975 Publisher: Leon Amiel, New York Printer: Mourlot Freres, Paris Catalogue raisonne references: Cramer, Patrick, and Joan Miro. Joan Miro, Catalogue Raisonne Des Livres Illustres. P. Cramer, 1989, illustration 198. Cramer, Patrick. Joan Miro: Lithographs Volume V 1972–1975. Maeght, 1992, illustration 1038. Condition: Well preserved, consistent with age and medium Provenance: From the album Joan Miro Lithographs, Volume II, published by Leon Amiel, New York; printed by Mourlot Freres, Paris, 1975 Notes: Excerpted from the album, The original Joan Miro lithographs were printed by Mourlot, the illustrations by Arte Adrien Maeght, and the text by Imprimerie Union, Paris, France. V̅ examples of this English-language edition, numbered I-V̅, have been printed. A deluxe French edition of CL examples, numbered I-CL, with II additional original lithographs signed by Joan Miro, and LXXX suites, numbered I-LXXX, containing the XIII original lithographs on velin with wide margins and with each lithograph signed by the artist, have also been printed. About the Publication: Joan Miro Lithographs, Volume II, published in 1975 by Leon Amiel, New York, with lithographs printed by Mourlot Freres, Paris, is the second installment in the monumental four-volume series documenting Miros complete lithographic work. The project was conceived as both an artistic and scholarly endeavor, uniting Miro’s technical innovation with comprehensive cataloguing of his print oeuvre. Volume II chronicles an essential period in Miros career—from 1950 to 1956—when his exploration of symbolic abstraction, vibrant color, and gestural spontaneity reached new levels of expressive freedom. The collaboration between Miro and the master lithographers at Mourlot resulted in works of exceptional brilliance and vitality, capturing the artist’s playful yet deeply spiritual sensibility. The album was produced with meticulous attention to detail, printed on the highest-quality velin paper, and accompanied by essays and documentation that provide historical and artistic context. Issued in English and French-language editions, Joan Miro Lithographs, Volume II stands as a landmark in 20th-century printmaking—testament to the enduring creative partnership between Miro, Mourlot, and the publishers Maeght and Amiel. About the Artist: Joan Miro (1893–1983) was a Catalan painter, sculptor, printmaker, and ceramicist whose visionary imagination and lyrical abstraction made him one of the most influential and beloved artists of the 20th century. Born in Barcelona, Miro drew inspiration from Catalan folk art, Romanesque frescoes, and the luminous landscapes of Mont-roig del Camp, developing a deep connection to nature that infused his work with vitality and symbolism. After formal training at the Escola d'Art in Barcelona, he absorbed the lessons of Post-Impressionism and Cubism before moving to Paris in the early 1920s, where he became a leading figure in the Surrealist movement. There, Miro forged a personal visual language of biomorphic shapes, floating symbols, and radiant color harmonies that reflected both spontaneity and spiritual depth. In creative dialogue with peers such as Alexander Calder, Alberto Giacometti, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he helped revolutionize modern art by dissolving the boundaries between abstraction and dream imagery. Miros inventive approach extended far beyond painting, embracing sculpture, ceramics, and monumental public commissions that redefined how art could interact with space and emotion. His expressive freedom and gestural abstraction profoundly influenced later artists including Jackson Pollock, Mark Rothko, Alexander Calder, Jean Dubuffet, Antoni Tapies, and Joan Mitchell, inspiring generations who sought to merge instinct, color, and imagination. Today, Miros work remains a cornerstone of modernism, prized by collectors and celebrated in major museums worldwide. His highest auction record was achieved by Peinture (Etoile Bleue) (1927), which sold for 23,561,250 GBP (approximately 37 million USD) at Sotheby's, London, on June 19, 2012. Joan Miro Lithograph II...
Category

1970s Surrealist Continental US - Landscape Prints

Materials

Lithograph

Georges Braque, Composition, L édition de tête (after)
By Georges Braque
Located in Southampton, NY
Lithograph on vélin de Lana paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, tête edition, Consacré a Georges Braque, Derniers messages,...
Category

1960s Modern Continental US - Landscape Prints

Materials

Lithograph

Porta del Paradiso, Venezia
By John Taylor Arms
Located in Middletown, NY
Etching on cream laid paper, 1930. 7 1/2 x 3 7/8 inches (190 x 970 mm), full margins. Signed and inscribed "Edition 100" in pencil, lower margin. In very good condition with minor s...
Category

Early 20th Century American Modern Continental US - Landscape Prints

Materials

Laid Paper, Etching

The Weary Blues, Sunrise Is Coming After While
Located in Southampton, NY
Silkscreen on vélin d’Arches paper. Paper Size: 14 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Bookmarks in the Pages of Life, 1998. Published by The Limited Editions Club, New York; printed by Drexel Press, Inc. Long Island City, 1998. Excerpted from the folio, CCC examples, designed, hand-set in Monotype Perpetua, printed, and hand-bound by Michael and Winifred Bixler, Skaneateles, New York. Paper made in France at Arches. Silkscreens printed by the Drexel Press, Inc. Long Island City, New York. PHOEBE BEASLEY...
Category

1990s Expressionist Continental US - Landscape Prints

Materials

Screen

Spirit of Buffalo — Urban Realism
By Anton Schutz
Located in Myrtle Beach, SC
Anton Schutz, 'Spirit of Buffalo', etching, edition not stated, c. 1927. Signed in pencil. Annotated 'Spirit of Buffalo 522', in another hand, in the bottom right margin. A fine, richly-inked impression, with skillfully-controlled plate tone, on cream wove Japan paper; the full sheet with margins (1 5/8 to 2 inches), in excellent condition. Matted to museum standards, unframed. Image size 8 7/8 x 11 7/8 inches; sheet size 12 1/4 x 15 7/8 inches. ABOUT THE ARTIST Etcher, painter, and architect, Anton Schutz was born in Germany in 1894. He studied at the University of Munich, earning a double degree in mechanical engineering...
Category

1920s American Realist Continental US - Landscape Prints

Materials

Etching

Swainson s Warbler: A Framed Original Hand-colored Audubon Folio Bird Engraving
By John James Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored folio sized lithograph entitled "Swainson's Warbler, Male, Sylvicola Swainsonia, Tree: Vulgo, White Oak", No. 10, Plate 50, from A...
Category

Mid-19th Century Naturalistic Continental US - Landscape Prints

Materials

Engraving

DAITOKUJI KYOTO
By Kiyoshi Saitō
Located in Santa Monica, CA
KIYOSHI SAITO (Japanese 1907 - 1997) DAITIKUJI KYOTO, 1957 Color woodcut, signed, titled, dated and no. 42/100 in pencil. Edition 100. Image 15 x 20 5/8 inches. Full margins with de...
Category

1950s Modern Continental US - Landscape Prints

Materials

Woodcut

Dejeuner sur l Herbe
By After Paul Cezanne
Located in Fairlawn, OH
Dejeuner sur l'Herbe Lithograph, c. 1914 Edition: c. 100 Unsigned as issued by Vollard References And Exhibitions: Commissioned from Cezanne by Ambrose Vollard in the late 1890s Prin...
Category

1910s French School Continental US - Landscape Prints

Materials

Lithograph

Fountains of Rome
By Giovan Battista Falda
Located in Middletown, NY
A charming scene with romping dogs and spectators watching the cascading water play a trick on an unsuspecting man who is sprayed as he descends the steps, ...
Category

Early 17th Century Old Masters Continental US - Landscape Prints

Materials

Laid Paper, Engraving, Etching

The Pump House, Notre Dame, Paris
By Charles Meryon
Located in Storrs, CT
La Pompe Notre Dame. (The Pumphouse, Notre Dame). Schneiderman catalog 26.x. 1861. Etching. Image 6 3/4 x 10. Edition of 30 in this state. Series: Eaux-Fortes sur Paris . Initial...
Category

Mid-19th Century Old Masters Continental US - Landscape Prints

Materials

Etching

MAYBE - large format photograph of conceptual motivational billboard at night
By Frank Schott
Located in San Francisco, CA
large scale photograph of a billboard signage against ultramarine blue night sky, from a series of conceptual motivational messages on iconic Americana roadside signs and billboards ...
Category

21st Century and Contemporary Conceptual Continental US - Landscape Prints

Materials

Archival Paper, Photographic Paper, Archival Pigment, Giclée

Centre Noeuds (Sabatier 393), Roberto Matta
By Roberto Matta
Located in Fairfield, CT
Artist: Roberto Matta (1912-2002) Title: Centre Noeuds (Sabatier 393) Year: 1974 Edition: 38/125, plus proofs Medium: Etching on Arches paper Size: 23.875 x 17.5 inches Inscription: ...
Category

1970s Surrealist Continental US - Landscape Prints

Materials

Etching

Luigi Lucioni Vermont Barn
By Luigi Lucioni
Located in San Francisco, CA
Luigi Lucioni: 1900-1988. Very well listed American Painter and etcher. He has Auction results as high as $4600 for an etching. This adding is most likely a barn in Vermont.. It meas...
Category

1950s American Realist Continental US - Landscape Prints

Materials

Etching

Marc Chagall, Swan Lake, from The Ceiling of the Paris Opera, 1965 (after)
By Marc Chagall
Located in Southampton, NY
This exquisite lithograph after Marc Chagall (1887–1985), titled Le Lac des Cygnes (Swan Lake), from the album Le plafond de l’Opera de Paris par Marc Chagall (The Ceiling of the Par...
Category

1960s Expressionist Continental US - Landscape Prints

Materials

Lithograph

Nocturne V (Belknap 354-380; Engberg/Banach 415-441), Three Poems
By Robert Motherwell
Located in Southampton, NY
Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...
Category

1980s Abstract Expressionist Continental US - Landscape Prints

Materials

Lithograph

New York Skyline 1980 Cityscape Signed Limited Edition Lithograph
By Han Hsiang-ning
Located in Rochester Hills, MI
H.N. Han Han Hsiang-Ning (Chinese b.1939) New York Skyline 1980 From the Cityscape Portfolio Pencil signed, dated and marked PP 4/25 in the margin Color lithograph on Somerset. Pape...
Category

1980s Photorealist Continental US - Landscape Prints

Materials

Lithograph

Seasons Quartet IV Red Lithograph AP 6
By Sebastian Spreng
Located in West Palm Beach, FL
Seasons Quartet IV Red Lithograph AP 6 The French fine art paper is BFK Rives and is 33 X 22 inches. The image is 17 X 17. This signed Artist Proof lithograph depicts Sebastian Spr...
Category

Early 2000s Contemporary Continental US - Landscape Prints

Materials

Lithograph

Marc Chagall, Before the Painting, from The Lithographs of Chagall, 1963
By Marc Chagall
Located in Southampton, NY
This exquisite lithograph by Marc Chagall (1887–1985), titled Devant le Tableau (Before the Painting), from the album The Lithographs of Chagall, Volume II, originates from the 1963 ...
Category

1960s Expressionist Continental US - Landscape Prints

Materials

Lithograph

Max Ernst, Homage to San Lazzaro, from San Lazzaro et ses Amis, 1975
By Max Ernst
Located in Southampton, NY
This exquisite lithograph by Max Ernst (1891–1976), titled Hommage a San Lazzaro (Homage to San Lazzaro), from the album San Lazzaro et ses Amis, Hommage au fondateur de la revue XXe...
Category

1970s Constructivist Continental US - Landscape Prints

Materials

Lithograph

Back in 10 - large format photograph of conceptual message sign in landscape
By Frank Schott
Located in San Francisco, CA
large scale photograph from a series of conceptual motivational messages on classic Americana billboard signs in landscape of the American West BACK IN 10 by Frank Schott 58 x 77.3...
Category

21st Century and Contemporary Conceptual Continental US - Landscape Prints

Materials

Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment

Ceiling plan of Crosby Hall, Bishopsgate Street
Located in Middletown, NY
Robert Wilkinson, 1816. Copperplate engraving on buff wove paper with hand coloring in watercolor, 10 7/8 x 13 /4 inches (275 x 336 mm), full margins. In good condition with some sc...
Category

Early 19th Century English School Continental US - Landscape Prints

Materials

Handmade Paper, Engraving, Watercolor

Andre Derain, The Bathers, from Verve, Revue Artistique et Litteraire, 1940
By André Derain
Located in Southampton, NY
This exquisite lithograph by Andre Derain (1880–1954), titled Les Baigneuses (The Bathers), from Verve, Revue Artistique et Litteraire, Vol. II, No. 8, originates from the 1940 issue...
Category

1940s Modern Continental US - Landscape Prints

Materials

Lithograph

Centre Noeuds (Sabatier 393), Roberto Matta
By Roberto Matta
Located in Fairfield, CT
Artist: Roberto Matta (1912-2002) Title: Centre Noeuds (Sabatier 393) Year: 1974 Edition: 38/125, plus proofs Medium: Etching on Arches paper Size: 23.875 x 17.5 inches Inscription: ...
Category

1970s Surrealist Continental US - Landscape Prints

Materials

Etching

North and South America: An 18th Century Hand-colored Map by Johann Homann
By Johann Baptist Homann
Located in Alamo, CA
This early 18th century hand-colored copperplate map of North and South America entitled "Totius Americae Septentrionalis Et Meridionalis Novissima Repraesentatio" was created by Johann Baptist Homann and published in Nuremberg, Germany, between 1710 and 1731. The map details cities, forts, mountains, forests and lakes, as well as districts. There is a decorative cartouche in the lower left which depicts a volcano, scenes representing the people in their native costumes, as well as animals and plants of the Americas. A village is seen in the background on the left. A second smaller decorative cartouche in the upper right includes text and a series of allegorical figures. A large portion if the north central and western portions of North America is left without detail, because the region was largely unexplored at the time this map was created. The map also shows "Terra Esonis Incognita", representing a mythical continuous land bridge from North America to Asia, a northwest passage. The map preceded the French and...
Category

Early 18th Century Old Masters Continental US - Landscape Prints

Materials

Engraving

Max, Tennessee State Museum, Hand Signed, Official Edition, Peter Max (after)
By Peter Max
Located in Fairfield, CT
Title: Tennessee State Museum Year: 1993 Medium: Offset lithograph in colors on gloss archival paper Size: 36 x 20 inches Inscription: Hand signed by Peter Max in ink and unnumbered,...
Category

1990s Pop Art Continental US - Landscape Prints

Materials

Offset

Joan Miro, Untitled, from The Sun Bird, The Moon Bird, Sparks, 1967 (after)
By Joan Miró
Located in Southampton, NY
This exquisite lithograph and pochoir after Joan Miro (1893–1983), titled Sans titre (Untitled), from the album Miro, L'Oiseau solaire, L'Oiseau lunaire, Etincelles (Miro, The Sun Bi...
Category

1960s Surrealist Continental US - Landscape Prints

Materials

Lithograph

Ancient Roman Architecture: Framed Original 18th C. Etching by G. Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
"A sua Eccellenza il Signor Henry Hope Cav. Scozzese Amatore delle Belle Arti from "Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, Ed Ornamenti Antichi", (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ancient ornaments) is an etching by Giovanni Battista Piranesi, published in 1778. It depicts stone caryatids...
Category

1770s Old Masters Continental US - Landscape Prints

Materials

Etching

Francois Auguste Rene Rodin, Untitled, from The Varende, 1944 (after)
By Auguste Rodin
Located in Southampton, NY
This exquisite lithograph after Francois Auguste Rene Rodin (1840–1917), titled Sans titre (Untitled), from the folio La Varende, Rodin (La Varende, Rodin), originates from the 1944 ...
Category

1940s Modern Continental US - Landscape Prints

Materials

Lithograph, Stencil

Manhattan - Fifth Avenue Mirror Effect
By Wolff Buchholz
Located in Kansas City, MO
Wolff Buchholz Title: Manhattan - Fifth Avenue Mirror Effect Medium: Photograph Year: 1990 Signed, dated and titled by hand Edition: 6 Size: 11.9 × 16.4 inches COA provided
Category

1990s Contemporary Continental US - Landscape Prints

Materials

Silver Gelatin

Andrew Wyeth, Early October, from The Four Seasons (after)
By Andrew Wyeth
Located in Southampton, NY
This exquisite lithograph after Andrew Wyeth (1917–2009), titled Early October, originates from the distinguished 1962 folio The Four Seasons: Paintings and Drawings by Andrew Wyeth....
Category

1960s American Realist Continental US - Landscape Prints

Materials

Lithograph

1920s Deco etching aquatint Lake Shore Drive, Chicago by S. Chester Danforth
Located in Chicago, IL
A 1920s, Art Deco etching & aquatint of Lake Shore Drive -- Chicago, by notable print maker S. Chester Danforth. Image size: 8 1/4" x 10 1/4". Archivally matted to 14" x 16". Mandel Brothers...
Category

1920s Art Deco Continental US - Landscape Prints

Materials

Paper, Etching, Aquatint

Topiary V - large format photograph of ornamental shaped tree
By Frank Schott
Located in San Francisco, CA
from a series of photographic observances capturing the antics of urban gardening's tree trimming and striking art of topiaries' green minimalism Topiary V by Frank Schott 40 x 30 ...
Category

21st Century and Contemporary Contemporary Continental US - Landscape Prints

Materials

Photographic Paper, Giclée, Archival Pigment

Saw-bill Hummingbirds and Nest: Framed 19th C. Hand-colored Lithograph by Gould
By John Gould and Henry Constantine Richter
Located in Alamo, CA
This is a hand-colored folio sized lithograph entitled "Grypus Naevius" (Saw-bill Hummingbird with Nest & Eggs) by John Gould, published in his "A Monograph of the Trochilidae, or Family of Humming-birds", published in London in 1850. The print, which was drawn by Gould and Henry Richter and lithographed by Hullmandel and Walton, depicts three black, brown and peach-colored hummingbirds about a nest, containing at least two eggs. The beautiful soft grey-green foliage includes a white, soft pink and cranberry-colored flower. This beautiful Gould hand-colored hummingbird lithograph is augmented with iridescent gum-arabic paint. It is in excellent condition. The original text page is included, which has extensive foxing, as lower quality paper was used for the text pages. There are several other unframed Gould hummingbird lithographs available via our 1stdibs storefront. Two or more of these would make an attractive display grouping. A discount is available for purchase of a set depending on the number. These additional Gould hummingbirds...
Category

Mid-19th Century Naturalistic Continental US - Landscape Prints

Materials

Lithograph

Joan Miro, Limestone Fault, from Memories and Portraits of Artists, 1972
By Joan Miró
Located in Southampton, NY
This exquisite lithograph by Joan Miro (1893–1983), titled Faillie du calcaire (Limestone Fault), originates from the 1972 edition published by Editions A. C. Mazo et Cie., Paris, in...
Category

1970s Surrealist Continental US - Landscape Prints

Materials

Lithograph

Navajo Horse Race — Southwest Regionalism, American Indian
By Ira Moskowitz
Located in Myrtle Beach, SC
Ira Moskowitz, 'Navajo Horse Race', lithograph, 1946, edition 30, Czestochowski 204. Signed and titled in pencil. Signed and dated in the stone, lower le...
Category

1940s American Modern Continental US - Landscape Prints

Materials

Lithograph

Pougny, Composition, Pougny, dix linogravures originales, 1914-1920 (after)
By Jean Pougny
Located in Southampton, NY
Linocut on vélin vergé ancien paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Pougny, dix linogravures originales, 1964. Published by Au Vent d'Arle...
Category

1960s Cubist Continental US - Landscape Prints

Materials

Linocut

16th c. woodcut map - Tabula Asiae Vlll
By Sebastian Münster
Located in Santa Monica, CA
SEBASTIAN MUNSTER (1488-1652) ASIAE TABVLA Vlll 1540 (45) Woodcut from Munster's edition of Geographia Universalis, Basel, Henri Petri. 1545 edit...
Category

16th Century Old Masters Continental US - Landscape Prints

Materials

Woodcut

The Gates (e), Project for Central Park
By Christo and Jeanne-Claude
Located in New York, NY
This offset lithograph in colors on wove paper from the Project for Central Park, New York City, was created by the artist in 2005. One of 300 hand-signed (in pencil) prints from an ...
Category

21st Century and Contemporary Contemporary Continental US - Landscape Prints

Materials

Lithograph

Original Orangina Lady on the beach suntan, orange drink poster
By Bernard Villemot
Located in Spokane, WA
Original Orangina vintage horizontal poster. This poster is not linen-backed and is in Grade A—A—condition, ready to be framed. It was designed in 1984 and is documented as image #38...
Category

1980s Pop Art Continental US - Landscape Prints

Materials

Offset

HILLTOPPER Signed Lithograph, Winter Landscape, Horse, Equestrian English Riding
By Peter Sculthorpe
Located in Union City, NJ
Hilltopper is an original, hand drawn, limited edition lithograph(not a photo reproductioon or digital print) by Peter Sculthorpe (b.1948 Ontario, Canada) printed using hand lithography techniques on archival Arches paper, 100% acid free. Hilltopper is a finely detailed winter landscape drawing depicting a snow covered hilltop with a lone, English style horseback rider and nature details including dried grasses, branches, and large bare tree firmly anchored to the frozen earth. Print size - 32 x 27 inches, unframed, excellent condition, hand signed in pencil by Peter Sculthorpe, numbered PP (Printers Proof) aside from the edition of 275 Edition size - 275, plus proofs Year published - 1989 Printer - J K Fine Art Editions Co. NY Peter Sculthorpe's paintings are well known for their true to life depictions of rural stone barns, color changing shadowy skies, snow covered landscapes, cows, horses, lone figures that capture the countryside and stone architecture of the Brandywine Valley...
Category

1980s Realist Continental US - Landscape Prints

Materials

Lithograph

"The Bridge of Narni" by Camille Corot. Limited Edition Lithograph: TP 666
By Jean-Baptiste-Camille Corot
Located in Chesterfield, MI
Limited Edition Print of "The Bridge of Narni" by Camille Corot Published by The Twin Editions, New York Graphic Society, 1959. Print measures 19 in x 26.2 in. Printed in Switzerland...
Category

20th Century Continental US - Landscape Prints

Materials

Lithograph

LIGHT AND SHADE TAXCO - J. T. Arms Mexican Masterpiece with Striking Detail
By John Taylor Arms
Located in Santa Monica, CA
JOHN TAYLOR ARMS (1887 – 1953) LIGHT AND SHADE TAXCO, 1946 (F. 394: (#2 from the Mexican series.) Etching and aquatint signed and dated in pencil. Image 10 ½ x 13 5/8, sheet 14 1/...
Category

1940s American Realist Continental US - Landscape Prints

Materials

Etching

"Confidences" James Abbott McNeill Whistler Conversation with a Fellow Artist
By Paul Albert BESNARD
Located in Soquel, CA
"Confidences" James Abbott McNeill Whistler Conversation with a Fellow Artist "Confidences" James Abbott McNeill Whistler Conversation with a Fellow Artist A Drypoint etching on Wove...
Category

Early 1900s Impressionist Continental US - Landscape Prints

Materials

Handmade Paper, Drypoint, Etching

The South East Prospect of Westminster Bridge
By Alfred Benjamin Cole
Located in Middletown, NY
After Giovanni Antonio Canal, called Canaletto Copper plate engraving with hand coloring on cream laid paper with the Arms of France watermark (a crown in shield topped by a fleur-de-lys and the letters GR), 22 3/4 x 15 3/4 inches (576 x 400 mm), wide to full margins. Multiple vertical and horizontal creases from folding and rolling; none appear to be particularly hard, there is however some associated cockeling. While there is some minor mat tone visible around the perimeter of the sheet, the extensive handcoloring remains extremely fresh and saturated in the intended areas. There are edge tears at each the right and left sheet edge (outside of the image area) due to an improper effort to mount the sheet to a mat. Otherwise in very good condition with all issues being consistent with age. The print is wrongly titled "The South East Prospect of Westminster Bridge...
Category

Mid-18th Century English School Continental US - Landscape Prints

Materials

Laid Paper, Engraving, Watercolor

A Pair of Woodpeckers: An 18th Century Hand-colored Bird Engraving by Martinet
By François Nicolas Martinet
Located in Alamo, CA
This is an original 18th century hand-colored copperplate engraving of male and female woodpecker birds entitled "1. Pie Male de la Encenada, 2. Petit Pic des Moluques (Woodpeckers)"...
Category

1760s Naturalistic Continental US - Landscape Prints

Materials

Engraving

Marc Chagall, Cain and Abel, from Drawings for the Bible, 1956
By Marc Chagall
Located in Southampton, NY
This exquisite lithograph by Marc Chagall (1887–1985), titled Cain et Abel (Cain and Abel), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique...
Category

1950s Expressionist Continental US - Landscape Prints

Materials

Lithograph

St. Marks on the Bowery - Famed New York City Landmark
By Leon Dolice
Located in Myrtle Beach, SC
'St. Mark's Church on the Bowery', aquatint with etching, edition not stated but small, 1932. Signed in pencil. Signed in the plate lower left and titled in the plate lower right. A superb, atmospheric impression, on cream wove paper, with full margins (1 1/8 to 2 inches), in excellent condition. Matted to museum standards, unframed. Image size 9 3/4 x 7 3/8 inches (248 x 187 mm); sheet size 13 1/8 x 10 inches (333 x 254 mm). Impressions of this work are held in the collections of the Princeton University Art Museum and the Five College Museums. ABOUT THE ARTIST Born in Vienna, Leon Dolice left a secure position in the family business to pursue his artistic interests. He began his art education in his teens and early twenties when he traveled through Europe to study the works of the Old Masters. He immigrated to America in 1920 and made his home in Manhattan. As a printmaker, he chose as his subjects the architecture, back streets, dock scenes, and other aspects of New York City life that were being overtaken by the modern world. In 1950, learning of the coming demolition of the Third Avenue El, Dolice created a series of Third Avenue and other New York City landmarks that were threatened with extinction. His images from that period provide a record of a New York that has passed into history. During his lifetime, Dolice exhibited throughout Europe and the United States. Retrospectives of his work include a one-man show of his graphic work at Tribeca Gallery, New York; the traveling exhibition ‘Vintage New York’ with the New Rochelle Council on the Arts; and the Hofstra Museum, Hempstead. Dolice's works are in the permanent collections of the Museum of the City of New York, the National Gallery of Art, the New York Historical Society, Georgetown University, the Philadelphia Print Club, and the New York Public Library, as well as private and corporate collections. ABOUT ST. MARKS CHURCH St. Mark's Church in-the-Bowery is a parish of the Episcopal Church located at 131 East 10th Street, at the intersection of Stuyvesant Street and Second Avenue in the East Village neighborhood of Manhattan in New York City. The property has been the site of continuous Christian worship since the mid-17th century, making it New York City's oldest site of continuous religious practice. The structure is the second-oldest church building in Manhattan. In 1651, Petrus Stuyvesant, Director General of New Netherland, purchased land for a bowery or farm from the Dutch West India Company and, by 1660, built a family chapel at the present-day site of St. Mark's Church. Stuyvesant died in 1672 and was interred in a vault under the chapel. Stuyvesant's great-grandson, Petrus "Peter" Stuyvesant, sold the chapel property to the Episcopal Church for $1 in 1793, stipulating that a new chapel be erected to serve Bowery Village, the community which had coalesced around the Stuyvesant family chapel. In 1795, the cornerstone of the present-day St. Mark's Church was laid, and the fieldstone Georgian-style church, built by the architect and mason John McComb Jr., was completed and consecrated on May 9, 1799.[4] Alexander Hamilton provided legal aid in incorporating St. Mark's Church as the first Episcopal parish independent of Trinity Church in New York City. By 1807, the church had as many as two hundred worshipers at its summer services, with 70 during the winter. While the 19th century saw St. Mark's Church grow through its many construction projects, the 20th century was marked by community service and cultural expansion. Today, the rectory houses the Neighborhood Preservation Center, the Greenwich Village Society for Historic Preservation, and the Historic Districts Council, as well as other preservation and community organizations such as the Poetry Project, the Millennium Film Workshop, and the Danspace Project. St Mark's has supported an active artistic community since the 19th century. In 1919, poet Kahlil Gibran was appointed a member of the St. Mark's Arts Committee, and the next year, the two prominent Indian statues, "Aspiration" and "Inspiration" by sculptor Solon Borglum...
Category

1930s American Modern Continental US - Landscape Prints

Materials

Etching, Aquatint

Marc Chagall, Angel of Paradise, from Drawings for the Bible, 1956
By Marc Chagall
Located in Southampton, NY
This exquisite lithograph by Marc Chagall (1887–1985), titled Ange du Paradis (Angel of Paradise), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Art...
Category

1950s Expressionist Continental US - Landscape Prints

Materials

Lithograph

7th Avenue Canyon
By Anton Schutz
Located in Fairlawn, OH
7th Avenue Canyon Etching, 1927 Signed and titled in pencil by the artist (see photo) Depicts what was then referred to s the Garment Disctrict in New York City. References And Exhib...
Category

1920s American Modern Continental US - Landscape Prints

Materials

Etching

CALLE EX CONVENTO, TASCO.
Located in Portland, ME
Pappe, Carl. CALLE EX CONVENTO, TASCO. Woodcut, c.1940s-60s. Edition unstated. This print is one of a series of 16 images, all of scenes in Taxco, distinguished by the strength of the carving and the richness of the blacks. 12 x 14 1/4 inches (image), 13 1/2 x 15 3/4 (sheet). Titled and signed in pencil. In excellent condition. Carl Pappe...
Category

1940s Continental US - Landscape Prints

Materials

Woodcut

Roy Lichtenstein Mountain Village Pop Art Vintage
By (after) Roy Lichtenstein
Located in Brooklyn, NY
Mountain Village is a 1980 vintage blank greeting card, originally printed for the Guggenheim Museum. The card is framed in a white wood frame with a front profile of 1 inch and a si...
Category

1980s Pop Art Continental US - Landscape Prints

Materials

Offset

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