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Continental US - Landscape Prints

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Item Ships From: Continental US
L eglise de Villeneuve sur Bellot, Seine-et-Marn
Located in San Francisco, CA
Artist: August Lepere – French (1849-1918) Title: L'eglise de Villeneuve sur Bellot, Seine-et-Marn Year: 1915 Publisher: Edmond Sagot (blindstamp, lower ...
Category

1910s Realist Continental US - Landscape Prints

Materials

Etching

Toulouse-Lautrec, Composition, Les Affiches De Toulouse-Lautrec (after)
By Henri de Toulouse-Lautrec
Located in Fairfield, CT
Medium: Lithograph on grand vélin Filigrané a sa marque paper Year: 1950 Paper Size: 12.5 x 9.75 inches; image size: 10.63 x 7.87 inches Inscription: Signed in the plate and unnumber...
Category

1950s Post-Impressionist Continental US - Landscape Prints

Materials

Lithograph

Toulouse-Lautrec, Composition, Images de Lautrec (after)
By Henri de Toulouse-Lautrec
Located in Fairfield, CT
Medium: Lithograph and stencil on vélin Polifilo paper Year: 1947 Paper Size: 13.78 x 10.24 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, I...
Category

1940s Post-Impressionist Continental US - Landscape Prints

Materials

Lithograph

50x40 Pillars of Creation James Webb Telescope Space Photography NASA Photo Art
Located in Los Angeles, CA
The WEBB imagery is of the most important imagery every taken. The finest museum quality WEBB images available. Printed on archival paper using archival inks. 50x40 Edition of 150 ...
Category

21st Century and Contemporary American Modern Continental US - Landscape Prints

Materials

Archival Ink, Archival Pigment

Manet, Composition, Édouard Manet, Letters with Aquarelles (after)
By Édouard Manet
Located in Southampton, NY
Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, ...
Category

1940s Impressionist Continental US - Landscape Prints

Materials

Lithograph

Rembrandt, Composition, Rembrandt, Drawings from the Bible (after)
By Rembrandt van Rijn
Located in Fairfield, CT
Medium: Lithograph on vélin Hamilton Kilmory paper Year: 1947 Paper Size: 9.5 x 12.5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Rembrandt, Drawings...
Category

1940s Baroque Continental US - Landscape Prints

Materials

Lithograph

Flores para la Ñusta II
By Ana Maria Hernando
Located in Lyons, CO
Color lithograph with cut outs, Edition 30. Flores para la Ñusta translates as "Flowers for the Ñusta". The artist states: "In the Andean cosmology, the Ñusta is the feminine ...
Category

21st Century and Contemporary Contemporary Continental US - Landscape Prints

Materials

Lithograph

"Winter in Flanders" by Pieter Brueghel, Limited Edition Litho, Printed in USA.
By Pieter Bruegel the Elder
Located in Chesterfield, MI
"Winter in Flanders" by Pieter Brueghel, Limited Edition Litho, 4751 Published by New York Graphic Society, 1950 Printed in USA. Measures 16 in x 18 in Print is in good/fair condition
Category

20th Century Continental US - Landscape Prints

Materials

Lithograph

"Nightrise" Public Works Art Color Woodcut
By Ruth Chaney
Located in Soquel, CA
Bold woodblock serigraph by Ruth Chaney (American, 1908-1973). Numbered (#17), titled, signed, and dated along the bottom edge. The Smithsonian American Art Museum has an edition of...
Category

1930s American Impressionist Continental US - Landscape Prints

Materials

Paper, Ink, Woodcut

Turtle Release, Todos Santos
Located in Palm Springs, CA
Medium: Screenprint Year: 2021 Image Size: 11 x 18 inches Edition of 25 After over-exploitation led to a collapse in the green turtle population, the area is now used by conservatio...
Category

2010s Contemporary Continental US - Landscape Prints

Materials

Screen

19th century engraving landscape bridge industrial river scene ink signed
By James Abbott McNeill Whistler
Located in Milwaukee, WI
"Fulham A.K.A. Chelsea" is an original etching by James Abbott MacNeill Whistler. The artist signed the piece in the plate with his butterfly monogram in the lower right. IT was publ...
Category

1870s Impressionist Continental US - Landscape Prints

Materials

Etching

Degas, Femme dans la Baignoire, E. Degas Monotypes (after)
By Edgar Degas
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 8.75 x 6.375 inches Inscription: Unsigned and unnumbered, as issued Notes: From th...
Category

1940s Impressionist Continental US - Landscape Prints

Materials

Engraving

Degas, Famille Cardinal, E. Degas Monotypes (after)
By Edgar Degas
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 6.375 x 8.5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the...
Category

1940s Impressionist Continental US - Landscape Prints

Materials

Engraving

Degas, La Chanteuse du Cafe-Concert, E. Degas Monotypes (after)
By Edgar Degas
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 6.5 x 5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the vol...
Category

1940s Impressionist Continental US - Landscape Prints

Materials

Engraving

Degas, Dans l Omnibus, E. Degas Monotypes (after)
By Edgar Degas
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 6.5 x 7 inches Inscription: Unsigned and unnumbered, as issued Notes: From the vol...
Category

1940s Impressionist Continental US - Landscape Prints

Materials

Engraving

Degas, La Toilette, E. Degas Monotypes (after)
By Edgar Degas
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 6.42 x 7.25 inches Inscription: Unsigned and unnumbered, as issued Notes: From the...
Category

1940s Impressionist Continental US - Landscape Prints

Materials

Engraving

Degas, Femme sortant du bain, E. Degas Monotypes (after)
By Edgar Degas
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 6.5 x 4.75 inches Inscription: Unsigned and unnumbered, as issued Notes: From the ...
Category

1940s Impressionist Continental US - Landscape Prints

Materials

Engraving

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
By Henri de Toulouse-Lautrec
Located in Southampton, NY
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-Lautrec, 1950. Published by Librairie Au Pont des Arts, Paris; rendered by Daniel Jacomet; and, printed by Ateliers Daniel Jacomet et Cie, Paris, Monday, October 30, 1950. Excerpted from the folio (translated from French), This album, including all the prints dedicated by Toulouse-Lautrec to Yvette Guilbert, was printed for the Librairie Au Pont des Arts, by D. Jacomet. The color state of the Colombine plate in Pierrot and the twenty-seven plates of the French and English series were executed according to the original lithographs (before the letter for the French suite) from the Toulouse-Lautrec workshop and kept in the Cabinet des Stampes of the National Library. The collection includes three plates in color and twenty-eight plates in black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization from the Musée d'Albi, on the original stone of Toulouse-Lautrec, by Lucien Détruit. It was taken from this album: A non-trade and nominative example; L examples on a large vélin of Rives including: III proofs of the lithography Colombine à Pierrot printed...
Category

1950s Post-Impressionist Continental US - Landscape Prints

Materials

Lithograph, Stencil

Dufy, Composition, Les Côtes Normandes (after)
By Raoul Dufy
Located in Southampton, NY
Lithograph on grand vélin d'Arches spécial paper. Unsigned and unnumbered, as issued. Good condition with centerfold, as issued. Notes: From the folio, Les Côtes Normandes 1961. Publ...
Category

1960s Modern Continental US - Landscape Prints

Materials

Lithograph

Decent - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman
By Marc Zimmerman
Located in Carmel, CA
Decent - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman Limited Edition 01/04 This masterwork is exhibited in the Zimmerman Gallery, Carmel CA. Immerse yourself in the...
Category

2010s Contemporary Continental US - Landscape Prints

Materials

Woodcut

Fernand Leger, The Airplanes, America, from My Travels, 1970 (after)
By Fernand Léger
Located in Southampton, NY
This exquisite lithograph after Fernand Leger (1881–1955), titled Les Avions, Amerique (The Airplanes, America), originates from the 1970 folio Fernand Leger mes voyages avec un poem...
Category

1970s Modern Continental US - Landscape Prints

Materials

Lithograph

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
By Henri de Toulouse-Lautrec
Located in Southampton, NY
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category

1950s Post-Impressionist Continental US - Landscape Prints

Materials

Lithograph, Stencil

Delaunay, Ponts et passerelle de Passy (Habasque 720-728), Allo! Paris! (after)
By Robert Delaunay
Located in Southampton, NY
Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Allo! Paris!, 1926. Published by Éditions des ...
Category

1920s Modern Continental US - Landscape Prints

Materials

Lithograph

Great American Perspective, Op Art Screenprint by Roy Ahlgren
By Roy Ahlgren
Located in Long Island City, NY
Artist: Roy Ahlgren, American (1927 - 2011) Title: Great American Perspective Year: 1973 Medium: Silkscreen, signed and numbered in pencil Edition Size: 60 Size: 20.5 x 20.5 in. (52....
Category

1970s Op Art Continental US - Landscape Prints

Materials

Screen

Seurat, Saltimbanques: la danseuse et le caissier, Seurat (after)
Located in Fairfield, CT
Medium: Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper Year: 1948 Paper Size: 12.5 x 9.75 inches Inscription: Unsigned and unnumbered, as issued Notes: From th...
Category

1940s Post-Impressionist Continental US - Landscape Prints

Materials

Lithograph

Henri Matisse, Crayon, from Drawings by Henri Matisse, 1925 (after)
By Henri Matisse
Located in Southampton, NY
This exquisite lithograph after Henri Matisse (1869–1954), titled Crayon (Crayon), from the album Dessins de Henri-Matisse (Drawings by Henri Matisse), originates from the 1925 editi...
Category

1920s Modern Continental US - Landscape Prints

Materials

Lithograph

Over the River (From Above) Project for the Arkansas River, CO, Signed Print
By Christo and Jeanne-Claude
Located in San Rafael, CA
Christo (1935 - 2020) and Jeanne-Claude (1935 - 2009) Over the River (From Above) Project for the Arkansas River, Colorado Offset lithograph in colors on smooth paper Signed by Chris...
Category

21st Century and Contemporary Contemporary Continental US - Landscape Prints

Materials

Archival Paper

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
By Henri de Toulouse-Lautrec
Located in Southampton, NY
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-Lautrec, 1950. Published by Librairie Au Pont des Arts, Paris; rendered by Daniel Jacomet; and, printed by Ateliers Daniel Jacomet et Cie, Paris, Monday, October 30, 1950. Excerpted from the folio (translated from French), This album, including all the prints dedicated by Toulouse-Lautrec to Yvette Guilbert, was printed for the Librairie Au Pont des Arts, by D. Jacomet. The color state of the Colombine plate in Pierrot and the twenty-seven plates of the French and English series were executed according to the original lithographs (before the letter for the French suite) from the Toulouse-Lautrec workshop and kept in the Cabinet des Stampes of the National Library. The collection includes three plates in color and twenty-eight plates in black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization from the Musée d'Albi, on the original stone of Toulouse-Lautrec, by Lucien Détruit. It was taken from this album: A non-trade and nominative example; L examples on a large vélin of Rives including: III proofs of the lithography Colombine à Pierrot printed...
Category

1950s Post-Impressionist Continental US - Landscape Prints

Materials

Lithograph, Stencil

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
By Henri de Toulouse-Lautrec
Located in Southampton, NY
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-Lautrec, 1950. Published by Librairie Au Pont des Arts, Paris; rendered by Daniel Jacomet; and, printed by Ateliers Daniel Jacomet et Cie, Paris, Monday, October 30, 1950. Excerpted from the folio (translated from French), This album, including all the prints dedicated by Toulouse-Lautrec to Yvette Guilbert, was printed for the Librairie Au Pont des Arts, by D. Jacomet. The color state of the Colombine plate in Pierrot and the twenty-seven plates of the French and English series were executed according to the original lithographs (before the letter for the French suite) from the Toulouse-Lautrec workshop and kept in the Cabinet des Stampes of the National Library. The collection includes three plates in color and twenty-eight plates in black. All copies also include a lithograph: Colombine à Pierrot, taken, after special authorization from the Musée d'Albi, on the original stone of Toulouse-Lautrec, by Lucien Détruit. It was taken from this album: A non-trade and nominative example; L examples on a large vélin of Rives including: III proofs of the lithography Colombine à Pierrot printed...
Category

1950s Post-Impressionist Continental US - Landscape Prints

Materials

Lithograph, Stencil

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
By Henri de Toulouse-Lautrec
Located in Southampton, NY
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category

1950s Post-Impressionist Continental US - Landscape Prints

Materials

Lithograph, Stencil

Max Eisler Eine Nachlese folio "Houses in Unterach on Lake Attersee" collotype
By (after) Gustav Klimt
Located in Palm Beach, FL
After Gustav Klimt, Max Eisler Plate #29, Am Attersee; brown-toned monochrome collotype after the 1915-16 painting in oil on canvas. GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN AFTERMATH), a portfolio of 30 collotypes prints, 15 are multi-color and 15 are monochrome, on chine colle paper laid down on heavy cream-wove paper with deckled edges; Max Eisler, Editor-Publisher; Osterreichischer Staatsdruckerei (Austrian State Printing Office), Printer; in a limited edition of 500 numbered examples of which: 200 were printed in German, 150 were printed in French and 150 were printed in English; Vienna, 1931. 2018 marks the 100th anniversary of Gustav Klimt’s death. It is a fitting time to reflect upon the enduring legacy and deep impact of his art. Recognizing this need for posterity with uncanny foresight, the publication of Gustav Klimt: An Aftermath (Eine Nachlese) provides a rare collection of work after Klimt which has proven to be an indispensable tool for Klimt scholarship as well as a source for pure visual delight. Approximately 25 percent of the original works featured in the Aftermath portfolio have since been lost. Of those 30, six were destroyed by fire on 8 May 1945. On that fateful final day of WWII, the retreating Feldherrnhalle, a tank division of the German Army, set fire to the Schloss Immendorf which was a 16th century castle in Lower Austria used between 1942-1945 to store objects of art. All three of Klimt’s Faculty Paintings: Philosophy, Medicine and Jurisprudence (1900-1907), originally created for the University of Vienna, were on premises at that time. Also among the inventory of Klimt paintings in storage there was art which had been confiscated by the Nazis. One of the most significant confiscated collections was the Lederer collection which featured many works by Gustav Klimt such as Girlfriends II and Garden Path with Chickens. In many instances, Aftermath is our only link to these lost treasures. Max Eisler (1881-1937), the publisher of the 1931 Aftermath portfolio, was an art historian at Vienna University specializing in modern and contemporary arts and crafts whose 1920 book on Klimt was the first Klimt monograph. He saw An Aftermath as filling-in important gaps left by the earlier print portfolios which had only featured Klimt up to 1913 and which had glossed over major art projects such as the Tree of Life frieze for the Palais Stoclet. And whereas only 10 of the 50 prints from the earlier portfolios published by H.O. Miethke were made in intricate multi-color images, Eisler augmented the earlier format by featuring half of the 30 images in stunning multi-colored collotypes. Understanding the fragile nature of the collotype printing process also reinforces this project’s distinctive and exceptional characteristics. Fragile collotype plates can not be reused. As such, this necessitates the completion of a run on the first go and also dictates a limited production number. Printed by hand, the collotypes required deft handling by the printer, Osterreichische Staatsdruckerei. A complicated and lengthy process involving gelatin colloids mixed with dichromates, the creation of 16 color separation thin glass filters to achieve the light-sensitive internegative images which could faithfully capture all of the painting’s tonal gradations and colors, exposure to actinic light, and delicate chine collie papers which allowed for greater color saturation, the printer’s collaborative role in capturing and transmitting Klimt’s nuanced paint strokes is nothing short of remarkable. The Österreichische Staatsdruckerei (Austrian State Printing Office), was the successor to the KK Hof -und Staatsdruckerei which was founded by Emperor Franz I in 1804 and whose collotype printing innovations of Klimt’s art...
Category

1930s Vienna Secession Continental US - Landscape Prints

Materials

Archival Paper

Toulouse-Lautrec, Composition, Yvette Guilbert vue par Toulouse-Lautrec (after)
By Henri de Toulouse-Lautrec
Located in Southampton, NY
Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...
Category

1950s Post-Impressionist Continental US - Landscape Prints

Materials

Lithograph, Stencil

Christo and Jeanne-Claude Wrapped Coast Little Bay, Australia Signed Print
By Christo and Jeanne-Claude
Located in San Rafael, CA
Christo (1935 - 2020) and Jeanne-Claude (1935 - 2009) Early Works, 'Wrapped Coast (1968-1969)' Project for Little Bay, Australia Offset lithograph in colors on smooth paper Signed in blue crayon, upper right, within image Original photograph by Harry Shunk...
Category

Late 20th Century Contemporary Continental US - Landscape Prints

Materials

Offset

Beach at Brighton, Folk Art Lithograph by Mary Faulconer
By Mary Faulconer
Located in Long Island City, NY
Mary Faulconer, American (1912 - 2011) - Beach at Brighton, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: AP 18/30, Image Size: 15.5 x 20 inches, ...
Category

1980s Folk Art Continental US - Landscape Prints

Materials

Lithograph

Aftermath
By Roy Ahlgren
Located in San Francisco, CA
This artwork titled "Aftermath" 1981 is a color serigraph on Wove paper by noted American artist Roy Ahlgren, 1927-2011 It is hand signed, titled, dated and numbered 2/150in pencil b...
Category

Mid-20th Century Op Art Continental US - Landscape Prints

Materials

Screen

Untitled (Moulin Rouge and other Paris landmarks)
By Robert Delaunay
Located in Fairlawn, OH
Untitled (Moulin Rouge and other Paris landmarks) Lithograph, 1926 Rare signed in pencil proof on chine paper (see photo) Lithograph from Joseph Delteil's "Allo, Paris," published by...
Category

1920s Modern Continental US - Landscape Prints

Materials

Lithograph

Sag Harbor Antique Shop, Folk Art Lithograph by Mary Faulconer
By Mary Faulconer
Located in Long Island City, NY
Mary Faulconer, American (1912 - 2011) - Sag Harbor Antique Shop, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 250, AP 35, Image Size: 12 x 15.5 ...
Category

1980s Folk Art Continental US - Landscape Prints

Materials

Lithograph

Degas, Le Coucher, E. Degas Monotypes (after)
By Edgar Degas
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 8.625 x 6.375 inches Inscription: Unsigned and unnumbered, as issued Notes: From t...
Category

1940s Impressionist Continental US - Landscape Prints

Materials

Engraving

FULL MOON BAY
Located in Aventura, FL
Lithograph on paper. Hand signed, titled and numbered by the artist. Edition of 350. Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable offers will be considered. About the artist: As a self taught artist, Jake's style has developed over many years, evolving since childhood. Early in life he nurtured a bond with nature and wildlife that eventually became the basis for his artistic endeavors. Jake captures the landscape with striking compositions emphasizing light and color. Among the artist\'s favorite subjects are serene lakes, forests, and mountains of North America. Jake has enjoyed a popular following throughout the past 23 years that he has been showing, and his art continues to attract collectors throughout Canada and beyond. His art has found homes in his native province of Ontario, as well as internationally. He is honored to have collectors as far away as Japan, Dubai, Europe, as well as a growing clientele in Western Canada.
Category

1990s Realist Continental US - Landscape Prints

Materials

Paper, Lithograph

FULL MOON BAY
$150 Sale Price
50% Off
Dufy, L atelier de Perpignan, Vacances forcées (after)
By Raoul Dufy
Located in Fairfield, CT
Medium: Lithograph on papier bouffant des Papeteries de Casteljoux paper Year: 1970 Paper Size: 12 x 9.25 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio...
Category

1970s Modern Continental US - Landscape Prints

Materials

Lithograph

Seurat, Le Moissonneur, Seurat (after)
Located in Fairfield, CT
Medium: Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper Year: 1948 Paper Size: 12.5 x 9.75 inches Inscription: Unsigned and unnumbered, as issued Notes: From th...
Category

1940s Post-Impressionist Continental US - Landscape Prints

Materials

Lithograph

Michael Gross Israeli Minimalist Conceptual Art, Abstract Jerusalem Silkscreen
By Michael Gross
Located in Surfside, FL
Michael Gross (Hebrew: מיכאל גרוס‎; 1920 – 4 November 2004) was an Israeli painter, sculptor and conceptual artist. Michael Gross was born in Tiberias in the British-administered Palestine in 1920. He grew up in the farming village of Migdal. In 1939-1940, he left to study at the Teachers’ Training College in Jerusalem. In 1939, while he was away, his father was murdered by Arabs, and the family farm and home were destroyed. This event impacted on his work as an artist. From 1943 to 1945, he studied architecture at Technion – Israel Institute of Technology in Haifa. From 1951 to 1954, he studied art at the École nationale supérieure des Beaux-Arts in Paris. He returned to Israel in 1954 and settled in the artists’ village of Ein Hod. Gross's works are imbued with the light and spirit. They are minimalist, but never pure abstraction, always tied to natural form and laden with feeling. In his early paintings, Gross simplified form in order to concentrate on proportion, broad areas of color, and the size and placement of each element. This reductive process was also notable in his sculptures, whether in painted iron or other materials such as white concrete. In later paintings, he often juxtaposed large off-white panels with patches of tone, adding textured materials such as wooden beams, burlap and rope. Gross’s rough, freely-brushed surfaces, along with the use of soft pastel coloring, conjure up images of the Israeli landscape. Education 1936-1940 Teachers Seminary, Jerusalem 1943-1945, Technion, Haifa, architecture, studied sculpture with Moshe Ziffer. 1951-1954 Beaux Arts, Paris with Michel Guimond Teaching 1954 - 1954 Higher School of Education, Haifa. 1957-1960 Bezalel Academy of Arts and Design, Jerusalem 1960-1980 Oranim Art Institute, Tivon Awards 1964: Hermann Struck Prize 1967: Dizengoff Prize 1971...
Category

1970s Modern Continental US - Landscape Prints

Materials

Lithograph, Screen

Morning Walk. [Central Park.]
By Harold Altman
Located in New York, NY
Signed and titled in pencil. Inscribed "192/285." Edition 285.
Category

1980s Naturalistic Continental US - Landscape Prints

Materials

Lithograph

Alhambra XII
By Antonio Frasconi
Located in New York, NY
Antonio Frasconi created the color woodcut entitled “Alhambra XII” in 1963. This piece is signed titled, and dated in pencil. The edition is 12, and paper size is 18 x 24 inches. “...
Category

1960s American Modern Continental US - Landscape Prints

Materials

Woodcut

van Dongen, La Matchiche, Fauves, Collection Pierre Lévy (after)
By Kees van Dongen
Located in Fairfield, CT
Medium: Lithograph on vélin d'Arches paper Year: 1972 Paper Size: 26 x 20 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Fauves, VII, Collec...
Category

1970s Fauvist Continental US - Landscape Prints

Materials

Lithograph

Museum-Published Lt d Ed. 60 s Litho Set of As I Opened Fire
By (after) Roy Lichtenstein
Located in New Orleans, LA
This is a lithographically printed reproduction of a sensationally fun Lichtenstein triptych he painted in 1964, produced by the Stedelijk Museum...
Category

1960s Pop Art Continental US - Landscape Prints

Materials

Archival Paper, Lithograph

Sorrento Courtyard (Amalfi Coast)
By Thomas McKnight
Located in Greenwich, CT
Sorrento Courtyard from the Amalfi Coast collection is a serigraph on paper with an image size 16 x 18 inches, signed 'McKnight' lower right and numbered lower left. Framed in a cont...
Category

20th Century Contemporary Continental US - Landscape Prints

Materials

Paper, Screen

Toulouse-Lautrec, Composition, Images de Lautrec (after)
By Henri de Toulouse-Lautrec
Located in Fairfield, CT
Medium: Lithograph and stencil on vélin Polifilo paper Year: 1947 Paper Size: 13.78 x 10.24 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, I...
Category

1940s Post-Impressionist Continental US - Landscape Prints

Materials

Lithograph

Lovers in Monet s Garden Signed Limited Edition Lithograph
By Tony Bennett
Located in Rochester Hills, MI
Tony Bennett Title: Lovers in Monet's Garden Lithograph Signed and Marked PP  1/10 ( Printers Proof ) Paper Size: 30" x 24" inches Image Size : 25" x 20" inches Anthony...
Category

1980s American Impressionist Continental US - Landscape Prints

Materials

Lithograph

Some Los Angeles Apartments - True, Stated 1st Edition of only 700 Artist Book
By Ed Ruscha
Located in New York, NY
Ed Ruscha Some Los Angeles Apartments (Unsigned), 1965 True First Edition Artist Book: Stated Limited Edition of only 700 7 × 5 1/2 inches Unframed A rare and elusive 1960s Artist Bo...
Category

1960s Pop Art Continental US - Landscape Prints

Materials

Mixed Media, Lithograph, Offset

Awakening
By Kazuhisa Honda
Located in Fairlawn, OH
Each print signed and numbered in pencil by the artist Total edition: 92: 75 with Arabic numerals; 10 Artist's proofs with Roman numerals; 7 Hors Commerce with Roman numerals Image...
Category

1980s Contemporary Continental US - Landscape Prints

Materials

Mezzotint

Invader Rubik Camouflage NVDR1-2 Giclée print on aluminium panel Signed
By Invader
Located in Draper, UT
Invader’s Rubik Camouflage print is emblematic of the artist’s career as an urban disruptor. For decades he has raided cities around the world with his p...
Category

2010s Continental US - Landscape Prints

Materials

Metal

Degas, Dancer touching her earring, Ten Ballet Sketches (after)
By Edgar Degas
Located in Fairfield, CT
Medium: Lithograph and stencil on vélin paper Year: 1945 Paper Size: 17 x 13 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Degas, Ten Balle...
Category

1940s Impressionist Continental US - Landscape Prints

Materials

Lithograph

Henri de Toulouse-Lautrec, Clowness, from The Circus, 1952 (after)
By Henri de Toulouse-Lautrec
Located in Southampton, NY
This exquisite lithograph after Henri de Toulouse-Lautrec (1864–1901), titled Clownesse (Clowness), originates from the 1952 album The Circus of Toulouse-Lautrec. Published by Paris ...
Category

1950s Post-Impressionist Continental US - Landscape Prints

Materials

Lithograph

View Near Greve, Impressionist Screenprint by Milton Glaser
By Milton Glaser
Located in Long Island City, NY
A simplified, illustration-style landscape by American artist Milton Glaser. This print is signed and numbered in pencil by the artist. View near Greve Milton Glaser, American (1929...
Category

1980s Impressionist Continental US - Landscape Prints

Materials

Screen

HM Lewis Building, Folk Art Screenprint by Jack Hofflander
Located in Long Island City, NY
Jack Hofflander, American (1920 - 2003) - HM Lewis Building, Year: 1979, Medium: Screenprint, signed in pencil, Edition: AP 30, Image Size: 22 x 30 inches, Size: 26 in. x 33 in....
Category

1970s Folk Art Continental US - Landscape Prints

Materials

Screen

Toulouse-Lautrec, Composition, Les Affiches De Toulouse-Lautrec (after)
By Henri de Toulouse-Lautrec
Located in Fairfield, CT
Medium: Lithograph on grand vélin Filigrané a sa marque paper Year: 1950 Paper Size: 12.5 x 9.75 inches; image size: 11.02 x 7.87 inches Inscription: Signed in the plate and unnumber...
Category

1950s Post-Impressionist Continental US - Landscape Prints

Materials

Lithograph

Orient Point, Folk Art Screenprint by Ted Jeremenko
By Ted Jeremenko
Located in Long Island City, NY
Ted Jeremenko, Yugoslavian/American (1938 - ) - Orient Point. Year: circa 1985, Medium: Screenprint, signed and numbered in pencil, Edition: 175, Image Size: 21 x 34 inches, Size: 30...
Category

1980s Folk Art Continental US - Landscape Prints

Materials

Screen

Soutine, Nature morte à la pipe, Soutine, Collection Pierre Lévy (after)
Located in Fairfield, CT
Medium: Lithograph on vélin d'Arches paper Year: 1966 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Soutine, I, Collect...
Category

1960s Post-Impressionist Continental US - Landscape Prints

Materials

Lithograph

Country Balloon Fair, Folk Art Screenprint by Jack Hofflander
Located in Long Island City, NY
Jack Hofflander, American (1920 - 2003) - Country Balloon Fair, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: 250, AP 30, Image Size: 22 x 30 inches, S...
Category

1980s Folk Art Continental US - Landscape Prints

Materials

Screen

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