Skip to main content

Continental US - Still-life Prints

to
891
1,011
506
621
384
279
Overall Width
to
Overall Height
to
784
530
171
160
120
84
65
42
39
25
16
14
12
11
94
72
62
34
33
128
64
1,687
921
2
13
25
17
75
190
238
304
438
188
106
1,654
888
247
555
518
512
324
264
208
208
175
161
130
109
108
107
104
100
98
91
91
91
88
978
546
402
341
291
394
732
2,801
2,801
1,222
Item Ships From: Continental US
60x40 "Dr Dre The Chronic Cassette" Photomosaic Pop Art Photography Signed
By Destro
Located in Los Angeles, CA
"Dr Dre The Chronic Cassette" is a photomosaic artwork by Destro. This image is made up of 100's of smaller images of Dr Dre imagery. Archival photographic paper Signed edition of...
Category

21st Century and Contemporary American Modern Continental US - Still-life Prints

Materials

Archival Pigment

Oh Deer ( Japan ) - still life of urban observation in contemporary Japan
By Erik Pawassar
Located in San Francisco, CA
Oh Deer (Japan) by Erik Pawassar from a series of urban observations of contemporary Japan 40 x 27 inches (102 X 69cm) signed edition of 25 71 x 48 inches (180 x 122cm) signed edition of 7 archival fine art pigment print signed & numbered by artist on certificate label ____________________________ Erik Pawassar's work focuses on the beauty of the disregarded or mundane object. The subjects for his striking and captivating visuals are typically set in the most ordinary environments, drawing the viewer into a charged but serene experience based on composition, palette and formal lines. Saturated in color, the nominal subjects gather a haunting and mesmerizing quality, creating a poignant pretext for the making of a formal color photograph. Decisively capturing the traces left by humanity, Pawassar's images are filled with a sense of universal nostalgia and pay homage to the passage of time and the extinguished moment, referencing documentary and street photographers like Henri Cartier-Bresson, Sebastian Salgado, Raghubir Singh...
Category

21st Century and Contemporary Contemporary Continental US - Still-life Prints

Materials

Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée

Aspen Trail- Fall, color etching, John Hogan, yellows, gold, landscape forest
By John Hogan (American)
Located in Santa Fe, NM
Aspen Trail- Fall, color etching,John Hogan, yellows, gold, landscape forest hand pulled limited edition color etching 22 x 30 paper size 18 x 24 image size unframed edition signed ...
Category

1990s Contemporary Continental US - Still-life Prints

Materials

Etching

Florals Carnation Keys
By Salvador Dalí­
Located in Hollywood, FL
ARTIST: Salvador Dali TITLE: Florals Carnation Keys MEDIUM: Etching SIGNED: Hand Signed by Salvador Dali PUBLISHER: Editions Graphiques Internationals EDITION NUMBER: 62/350 ME...
Category

1970s Surrealist Continental US - Still-life Prints

Materials

Etching

A Sledge of Kamtschatka – An image of a relic from Captain Cook s third voyage
By John Webber
Located in Middletown, NY
London: Scatcherd & Whitaker, 1784. Etching with hand coloring in watercolor on cream wove paper, 7 1/2 x 10 (190 x 255); sheet 16 1/4 x 22 (414 x 560 mm), full margins. In good cond...
Category

Late 18th Century English School Continental US - Still-life Prints

Materials

Watercolor, Handmade Paper, Etching

Frogs and Toad, Signed lithograph (AP), from Conspiracy: The Artist as Witness
By Jack Beal
Located in New York, NY
Jack Beal Frogs and Toad, 1971 Hand signed in pencil by Jack Beal, annotated AP One-color lithograph proofed by hand and pulled by machine from a zinc plate on Arches buff paper with deckled edges at the Shorewood Bank Street Atelier Stamped, hand numbered AP, aside from the regular edition of 150 Stamped on reverse: COPYRIGHT © 1971 BY JACK BEAL, bears blind stamp 18 × 24 inches Unframed 18 x 24 inches Stamped on reverse: COPYRIGHT © 1971 BY JACK BEAL, bears distinctive blind stamp of publisher (shown) Publisher: David Godine, Center for Constitutional Rights, Washington, D.C. Jack Beal's "Frogs and Toads" is a classic example of protest art from the early 1970s - the most influential era until today. This historic graphic was created for the legendary portfolio "CONSPIRACY: the Artist as Witness", to raise money for the legal defense of the Chicago 8 - a group of anti-Vietnam War activists indicted by President Nixon's Attorney General John Mitchell for conspiring to riot during the 1968 Democratic National Convention. (1968 was also the year Bobby Kennedy was killed and American casualties in Vietnam exceeded 30,000.) The eight demonstrators included Abbie Hoffman, Jerry Rubin, David Dellinger, Tom Hayden, Rennie Davis, John Froines, Lee Weiner, and Bobby Seale. (The eighth activist, Bobby Seale, was severed from the case and sentenced to four years for contempt after being handcuffed, shackled to a chair and gagged.) Although Abbie Hoffman would later joke that these radicals couldn't even agree on lunch, the jury convicted them of conspiracy, with one juror proclaiming the demonstrators "should have been shot down by the police." All of the convictions were ultimately overturned by the 7th Circuit Court of Appeals. This lithograph has fine provenance: it comes directly from the original Portfolio: "Conspiracy The Artist as Witness" which also featured works by Alexander Calder, Nancy Spero and Leon Golub, Romare Bearden Sol Lewitt, Robert Morris, Claes Oldenburg, Larry Poons, Peter Saul, Raphael Soyer and Frank Stella - as well as this one by Jack Beal. It was originally housed in an elegant cloth case, accompanied by a colophon page. This is the first time since 1971 that this important work has been removed from the original portfolio case for sale. It is becoming increasingly scarce because so many from this edition are in the permanent collections of major museums and institutions worldwide. Jack Beal wrote a special message about this work on the Portfolio's colophon page. It says, "In 1956, shortly after Sondra and I moved to New York, two friends were arrested and jailed for protesting air-raid drills. From them and their friends came our education. This work is dedicated to them and their families. "In Memory of Patricia McClure Daw and AL Uhrie" - This print was made for their children. Jack Beal Biography: Early in his career Walter Henry “Jack” Beal Jr. painted abstract expressionist canvases, because he believed it was “the only valid way to paint.” By the early 1960s he totally altered his approach and fully repudiated abstraction. Turning to representation, he painted narrative and figurative subjects, often enhanced by bright colors and dramatic perspectives. Beal was born in Richmond, Virginia, and from 1950 to 1953 he attended the Norfolk Division of William and Mary College Polytechnic Institute, (now Old Dominion University) where he studied biology and anatomy. Shifting gears, he sought art training at the School of the Art Institute of Chicago where he focused on drawing, and met his wife, artist Sondra Freckelton. His art history instructor encouraged her students to paint in the manner of established artists, and to that end he frequented the Institute’s galleries. For Beal this was significant: “Until I saw pictures of real quality I had tended to think of painting as just so much self-indulgent smearing around, but when I saw masterpieces by Cézanne and Matisse, and other painters of similar stature, I was bowled over; suddenly I realized the force of art.” After spending three years (1953–1956) at the Art Institute, Beal concluded his studies there without getting a terminal degree, thinking it was only useful if he wanted to teach, which, at the time, he did not. He also took courses at the University of Chicago in 1955 and 1956. During this period he married Freckelton, a fellow student and sculptor who began her career working in wood and plastic. Together they moved to New York’s SoHo District before its transformation from a wasteland of sweatshops and small factories into an arts district. They were active with the Artist Tenants Association which was instrumental in getting zoning laws changed so that artists could live and work in the well-lit lofts. Embracing what came to be called “New Realism,” Beal initially painted an occasional landscape as well as earthy-toned still lifes which consisted of jumbled collections filled with personal objects. His signature style started with a series of female nudes—all modeled by Freckelton—based on Greek mythology. These were large canvases with flat paint surfaces, dramatic foreshortening, and unusual perspectives. He further enlivened them with vivid colors, stark lighting, and dynamic patterns derived from textiles and overstuffed furniture. He stopped painting nudes after two episodes. The first came as he was loading a canvas of his naked wife onto a truck in lower Manhattan; several laborers walked by and started to fondle and kiss the painting. On the one hand he felt his wife had been violated, while on the other he was pleased that his realism was so convincing. The second occurred after a solo exhibition in Chicago at which the reception had been sponsored by Playboy magazine. A few days later he was approached by a publicist and asked if Playboy bunnies could be photographed in front of his paintings. He refused. Some portrait commissions came Beal’s way, but he preferred only portraying friends. More significant were four large murals on the History of Labor in America, the 20th Century: Technology (1975), which he undertook for the headquarters of the United States Department of Labor in Washington. Following a historical timeline, the themes were: colonization, settlement, nineteenth century industry, and twentieth century technology. The unveiling ceremony was attended by government officials and Joan Mondale, an arts advocate and wife of the vice-president. The reviewer for the Washington Post wrote enthusiastically: “They’re heartfelt and they’re big (each is 12 feet square). Their many costumed actors (the Indian, the trapper, the scientist, the hardhat, the capitalist in striped pants, the union maid, etc.) strike dramatic poses in dramatic settings (a seaside wood at dawn, an outdoor blacksmith’s forge, a 19th-century mill, a 20th-century lab). The lighting is theatrical. Beal’s compositions, with their swooping curves and bunched diagonals, are as complicated as his interwoven plots.” To accomplish the murals Beal assembled a team of assistants and models, much in the manner of Renaissance masters, which included artist friends and Freckelton. who by then was painting brightly colorful still lifes. A second mural commission ensued from New York City’s Metropolitan Transit Authority for two twenty-foot long installations for the Times Square Interborough Rapid Transit Company subway station. Beal’s designs for The Return of Spring (installed in 2001, three days after the terrorist attacks in New York, Washington, DC and Philadelphia) and The Onset of Winter (installed in 2005), Beal captured the appearance of his models in an oil painting made to the scale of the intended mosaic. A collaboration with Miotto Mosaics, the canvases were shipped to the Travisanutto Workshop, in Spilimbergo, Italy, where craftsmen fabricated the design to glass mosaics. The Return of Spring depicted construction workers and other New Yorkers in front of a subway kiosk and an outdoor produce market and in The Onset of Winter, a crowd watches a film crew recording a woman entering the subway as snow falls against the city’s skyline. Harkening back to some of his early nudes based on Greek myth, Persephone, goddess of fertility and wife of Hades, appears in both. The symbolism is pertinent, since she spent six months each year below ground. Although he disparaged teaching early on, Beal and Freckelton offered four summertime workshops on their farm in Oneonta, New York. He was an instructor at the New York Academy of Art, a graduate art school he helped to establish in 1982. Returning to Virginia, he taught at Hollins College...
Category

1970s Realist Continental US - Still-life Prints

Materials

Lithograph

Ford Bronco 36x48 Photomosaic Photography Pop Art Aluminum Print Ford Bronco
By Destro
Located in Los Angeles, CA
"Bronco" is an acrylic photomosaic artwork by Destro. The first release in a series mosaic works called "Icons". Destro has created large prints which are made up of many hundreds o...
Category

21st Century and Contemporary American Modern Continental US - Still-life Prints

Materials

Archival Pigment

Framed one-of-a kind botanical ink monoprint w/ collage abstract yellow leaves
By Deirdre Murphy
Located in Bryn Mawr, PA
"Joe Pye Weed" by Deirdre Murphy is a framed, one-of-a-kind monoprint with collage (chine collé - applied Japanese colored Gampi papers) in a range of lemon yellows on archival paper...
Category

2010s Abstract Continental US - Still-life Prints

Materials

Ink, Archival Paper, Monoprint

Henri Matisse, Series S.A., Var. 1, 1943 (after)
By Henri Matisse
Located in Southampton, NY
This exquisite lithograph after Henri Matisse (1869–1954), titled Serie S.A., var. 1 (Series S.A., Variation 1), from the album Henri Matisse, Dessins, Themes et Variations (Drawings...
Category

1940s Fauvist Continental US - Still-life Prints

Materials

Lithograph

Horse Blinders (south) and Horse Blinders (east)
By James Rosenquist
Located in New York, NY
Lithograph and screenprint with collage (silver foil) Prints are different sizes: 36 1/2 x 68 inches (92.7 x 172.7 cm) and 36 5/8 x 64 inches (93 x 162.6 cm) Published by Multiples...
Category

1970s Pop Art Continental US - Still-life Prints

Materials

Silver

"Nature morte" original lithograph
By Maurice Denis
Located in Henderson, NV
Medium: original lithograph. Catalogue reference: Cailler 135. This is an interpretation by Maurice Denis of one of Paul Cezannes's still life compositions, printed in 1914 and publi...
Category

1910s Continental US - Still-life Prints

Materials

Lithograph

Alexander Calder, Prickly Pig, from Derriere le Miroir, 1963
By Alexander Calder
Located in Southampton, NY
This exquisite lithograph by Alexander Calder (1898–1976), titled Porc qui pique (Prickly Pig), originates from the historic 1963 folio Derriere le Miroir, No. 141. Published by Maeg...
Category

1960s Surrealist Continental US - Still-life Prints

Materials

Lithograph

"Lilium Persicum" Ehret 18th Century Hand Colored Botanical Engraving
By Georg Dionysius Ehret
Located in Alamo, CA
A beautiful and important 18th century hand colored copperplate engraving of lillies which was most likely designed by Georg Dionysius Ehret (1708-1770) and engraved by Johann Michae...
Category

Late 18th Century Naturalistic Continental US - Still-life Prints

Materials

Engraving

Birthday Cake Strawberry Ice Cream
By Kendyll Hillegas
Located in New York, NY
THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: As a kid the ice cream truck was a nei...
Category

2010s Continental US - Still-life Prints

Materials

Photographic Paper

Multicolor Bathing Cap
By Carole Feuerman
Located in North Adams, MA
Silkscreen on 2-Ply Museum Board 38 x 30 inches Edition of 10 2014 Carole Feuerman is one of the world’s foremost hyperrealist sculptors. Her resin, bronze and marble sculptures of swimmers and bathers evoke notions of tranquility and serenity. Feuerman’s life-like works are nearly indistinguishable from the subjects that inspire them. Her newest silkscreen edition is a testament to the same sense of realism. Soft and subtle blends of color support the tactile qualities of her bathing caps...
Category

21st Century and Contemporary Contemporary Continental US - Still-life Prints

Materials

Screen

Two botanical prints after Cornelisi Bloemaert Vincenzo Leonardi
Located in Middletown, NY
Two botanical prints after Cornelis Bloemaert & Vincenzo Leonardi "Lemon", from Hesperides. Reproductive print on thick C.M. Fabriano cotton wove paper; and Pierre Joseph Buchot (17...
Category

Late 17th Century French School Continental US - Still-life Prints

Materials

Watercolor, Engraving

Atraphaxis (Shrub); Cabomba (Carolina Fanwort) /// Botanical Botany Plants Art
By Georges-Louis Leclerc, Comte de Buffon
Located in Saint Augustine, FL
Artist: Georges-Louis Leclerc, Comte de Buffon (French, 1707-1788) Title: "Atraphaxis (Shrub); Cabomba (Carolina Fanwort)" (Hexandrie, Digynie, Plate 265) Portfolio: Histoire Naturel...
Category

2010s Old Masters Continental US - Still-life Prints

Materials

Watercolor, Laid Paper, Engraving, Intaglio

"Air Jordan" 50x60 Nike Michael Jordan, Sneakers, Photography Fine Art Signed
By Destro
Located in Los Angeles, CA
"Air Jordan" is an acrylic photomosaic artwork by Destro. The first release in a series mosaic works called "Icons". Destro has created large prints which are made up of many hundre...
Category

21st Century and Contemporary American Modern Continental US - Still-life Prints

Materials

Archival Pigment

Florals Erotic Lily
By Salvador Dalí­
Located in Hollywood, FL
ARTIST: Salvador Dali TITLE: Florals Erotic Lily MEDIUM: Etching SIGNED: Hand Signed by Salvador Dali PUBLISHER: Editions Graphiques Internationals EDITION NUMBER: 62/350 MEAS...
Category

1970s Surrealist Continental US - Still-life Prints

Materials

Etching

"Ali vs Frazier" Muhammad Ali Portrait 40x60 Photomosaic Pop Art Signed
By Destro
Located in Los Angeles, CA
"Ali vs Frazer" is a photomosaic artwork by Destro. The first release in a series mosaic works called "Icons". Destro has created large prints which are made up of many hundreds of ...
Category

21st Century and Contemporary American Modern Continental US - Still-life Prints

Materials

Archival Pigment

Krasner, Sans titre, In Memory of My Feelings (after)
By Lee Krasner
Located in Southampton, NY
Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 11.937 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the fo...
Category

1960s Abstract Expressionist Continental US - Still-life Prints

Materials

Lithograph

Elvis Presley Andy Warhol 20x10 Photomosaic Photography Aluminum Metal Pop Art
By Destro
Located in Los Angeles, CA
"Elvis by Warhol " is an acrylic photomosaic artwork by Destro. The first release in a series mosaic works called "Icons". Destro has created large prints which are made up of many ...
Category

21st Century and Contemporary American Modern Continental US - Still-life Prints

Materials

Archival Pigment

LeWitt, Composition, Ficciones (after)
By Sol LeWitt
Located in Southampton, NY
Silkscreen on vélin Saunders Waterford, St Cuthberts Mill paper. Paper Size: 8 x 7.625 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Ficciones, 1984...
Category

1980s Conceptual Continental US - Still-life Prints

Materials

Screen

4 plates from The Wondrous Transformation of Caterpillars their Strange Diet..
By Maria Sibylla Merian
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: LIV, LV, LVI, & LVII. MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation. Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category

Early 18th Century Naturalistic Continental US - Still-life Prints

Materials

Watercolor, Engraving

Autumn Trees, Print on Satin Paper, Framed
By Vahe Yeremyan
Located in Granada Hills, CA
Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 037 Subject: Autumn Trees, Framed Size: 24.5" x 17.5" x 0.8''inch, 62x44x2cm, Ready to Hang, Wooden Frame. All works are...
Category

2010s Impressionist Continental US - Still-life Prints

Materials

Paper, Satin Paper, Color

Irises, Indigo and Gold , Kyoto National Museum, Japanese Silk Screen, Nihonga
Located in Santa Cruz, CA
Signed lower right, in graphite, 'K. Suguira' for Kazutoshi Sugiura (Japanese, born 1938) and dated 1992. Titled lower left, in Kanji, 'Hanashōbu' (J...
Category

1990s Continental US - Still-life Prints

Materials

Paper, Screen

"The Fern Gatherers" 18th Century Antique Mezzotint Engraving by John R. Smith
By George Morland
Located in Carmel, CA
"The Fern Gatherers" After a painting by George Morland. 1763-1804. - Mezzotint engraving by John Raphael Smith. 1752-1812. Print: 20.75" x 26" - With Frame: 28" x 33.5" Published:...
Category

Late 18th Century Realist Continental US - Still-life Prints

Materials

Engraving, Mezzotint

ABSTRACT TEAPOT, ORGANIC FORM Set of 2 Signed Handmade Lithographs, Black White
Located in Union City, NJ
Artist: "Ariel" (unknown woman artist) Title: ABSTRACT TEAPOT, ORGANIC FORM, Set of 2 Signed Lithographs Medium: Lithograph on printmaking paper, 100% acid free Paper Size: 14 x 11 i...
Category

1980s Abstract Continental US - Still-life Prints

Materials

Lithograph

Misty Agapanthus ( 24 x 18 inch hand-printed cyanotype)
Located in Oakland, CA
Though this unique monotype looks like a woodcut or linocut, it is not. This is a cyanotype, a kind of lensless photography dating back to the 1800s, but the artist altered the ratio...
Category

2010s Contemporary Continental US - Still-life Prints

Materials

Paper, Archival Paper, Rag Paper, Monotype, Photogram

Burger King Baja Breaker
By Matthew Carden
Located in New York, NY
THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: This image comes from the series "Fast Food Fast Cars: The Pursuit of Happiness" in which Carden photographs one icon of American childhood- a Hot Wheels...
Category

21st Century and Contemporary Continental US - Still-life Prints

Materials

Plexiglass

POMEGRANATES
By Donald Sultan
Located in Aventura, FL
Hand titled, dated, initialed and numbered by the artist. From the Fruits and Flowers suite. Sheet size 23 x 22 inches. Image size 12 x 12 inches. Frame size approx 31 x 30 inches. A...
Category

1990s Pop Art Continental US - Still-life Prints

Materials

Paper, Screen

POMEGRANATES
POMEGRANATES
$1,762 Sale Price
25% Off
Fight For Your Right
By Floyd P. Stanley
Located in New York, NY
ABOUT THIS PIECE: Let's not pretend that we don't enjoy 80's music. ABOUT THIS ARTIST: Floyd P. Stanley is an LA based photographer creating product shot photographs of mixed tapes....
Category

21st Century and Contemporary Continental US - Still-life Prints

Materials

Photographic Paper

Promenade Danis Le Parc
Located in Belgrade, MT
This etching by Dimitrios Galanis , Greek early 20th century artist is part of my private collection and there is only one available. Dimitrios Galanis was a good friend of Picasso. ...
Category

Early 20th Century Modern Continental US - Still-life Prints

Materials

Paint, Ink, Etching, Lithograph

A Bowl of Pomegranates , Academie Chaumiere, Paris, Ecole des Beaux-Arts, MoMA
By Pierre Garcia Fons
Located in Santa Cruz, CA
Signed lower right, 'Garcia Fons' for Pierre Garcia-Fons (French, 1928-2016), and inscribed lower left with edition number and limitation, '115/170'. Pierre Garcia-Fons left Spain d...
Category

1970s Continental US - Still-life Prints

Materials

Laid Paper, Lithograph

Christo, Wrapped Armchair, 1977, lithograph
By Christo
Located in New York, NY
It's wonderful for us to have work by Christo (1935-2020). He and Jeanne-Claude were the most international of artists while NYC based. In particular this lithograph, Wrapped Armchai...
Category

1970s Contemporary Continental US - Still-life Prints

Materials

Lithograph

Chiquita Banana, Pop Art Print by Mimmo Rotella
By Mimmo Rotella
Located in Long Island City, NY
Artist: Mimmo Rotella Title: Chiquita Year: 1979 Medium: Screenprint, signed and numbered in pencil Edition: 300 Size: 30 x 26 inches (76.2 x 66 cm)
Category

1970s Pop Art Continental US - Still-life Prints

Materials

Screen

Bowl of Cherries (Contemporary Blue and White Cyanotype Still Life Photo)
By David Sokosh
Located in Hudson, NY
Bowl of Cherries Contemporary Still Life Cyanotype Photograph of a bowl of cherries Image is 20 x 16 inches, paper size is 24 x 18 inches, ed of 5 Unframed David Sokosh is a storyteller with a unique ability to internalize, synthesize, and recollect. If one of his tenderly photographed stills lifes was a tiny window into the workings of his mind, then on the other side you would discover a trove of collected treasures. Vintage teacups...
Category

2010s Abstract Continental US - Still-life Prints

Materials

Archival Paper

Green Flame, Modern Lithograph by Robert Beauchamp
By Robert Beauchamp
Located in Long Island City, NY
Robert Beauchamp, American (1923 - 1995) - Green Flame, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: AP 25, Image Size: 25 x 24.5 inches, Size: 33 in....
Category

1980s Modern Continental US - Still-life Prints

Materials

Lithograph

Florals Tiger Lilies of The Theatre
By Salvador Dalí­
Located in Hollywood, FL
ARTIST: Salvador Dali TITLE: Florals Tiger Lilies of The Theatre MEDIUM: Etching SIGNED: Hand Signed by Salvador Dali PUBLISHER: Editions Graphiques Internationals EDITION NUMBE...
Category

1970s Surrealist Continental US - Still-life Prints

Materials

Etching

Bluhm, Sans titre, In Memory of My Feelings (after)
By Norman Bluhm
Located in Southampton, NY
Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 11.937 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the fo...
Category

1960s Abstract Expressionist Continental US - Still-life Prints

Materials

Lithograph

Rene Magritte, Untitled, from Poems 1923-1958, 1959 (after)
By René Magritte
Located in Southampton, NY
This exquisite lithograph after Rene Magritte (1898–1967), titled Sans titre (Untitled), from the album Poems 1923-1958, Dix dessins de Rene Magritte (Ten Drawings by Rene Magritte),...
Category

1950s Surrealist Continental US - Still-life Prints

Materials

Lithograph

Nature morte still life, original lithograph
By Georges Rohner
Located in Belgrade, MT
Georges Rohner ( French, 1913-2000)was a Paris born painter and printmaker of international repute. Known stylistically as a realist, his creative endeavors often edged toward surre...
Category

Mid-20th Century Surrealist Continental US - Still-life Prints

Materials

Lithograph

[ Bird of Paradise] La Pie de paradise, vue par derriere, No.21
By Jacques Barraband
Located in Paonia, CO
[ Bird of Paradise] La Pie de paradise, vue par derriere , No.21, Paris 1801-1806 [Astrapia nigra]. Color-printed engraving with hand-coloring. French botanical and zoological illustrator Jacques Barraband (1767-1809) was known as one of the finest ornithological artists of his time .He is best known for his watercolors and engravings that were commissioned by François LeVaillant, French explorer, naturalist, zoological collector , noted ornithologist and author. Levaillant’s Histoire naturelle des perroquets (1801-05) and his Histoire naturelle des oiseaux de paradis (Birds of Paradise, 1801-06), both of which Barraband contributed to, are still considered some of the most beautiful bird books of all times because of their exceptional scientific accuracy, rich color and detail. The Astrapia nigra is a Bird of Paradise that inhabits the Vogelkop Peninsula of West Papua...
Category

Early 18th Century Other Art Style Continental US - Still-life Prints

Materials

Engraving

Rome (Homage to Franz Kline) 67
By Aaron Siskind
Located in New York, NY
Silverprint photograph, 1973 (printed later). Signed by the artist in pencil, lower right. Titled and numbered 2/90 in pencil in lower left. Published in 1987 by Palm Press. Full...
Category

1970s American Modern Continental US - Still-life Prints

Materials

Silver Gelatin

Vase aux orchidées
By Laurent Schkolnyk
Located in Dallas, TX
This is a three-plate color mezzotint. The mat dimensions are 20 x 16 inches. Signed "Schkolnyk" at lower right.
Category

Late 20th Century Art Deco Continental US - Still-life Prints

Materials

Mezzotint

Combination Knit, mezzotint by Katsunori Hamanishi, rope, Japan, black and white
By Katsunori Hamanishi
Located in Santa Fe, NM
Combination Knit, mezzotint by Katsunori Hamanishi, rope, Japan, black and white edition number 8/30
Category

1990s Contemporary Continental US - Still-life Prints

Materials

Mezzotint

Moonlight Magnolia (30 x 22.5 inch hand-printed cyanotype)
Located in Oakland, CA
This is a hand-printed photograph using the 170-year-old cyanotype process. This is a negative (reversal of the dark and light tones) of the original photograph of a branch of a magn...
Category

2010s Contemporary Continental US - Still-life Prints

Materials

Paper, Archival Paper, Rag Paper, Photogram

"Like a Pen VE 6/18" Intaglio, hand colored, tool motifs
By Katie VanVliet
Located in Philadelphia, PA
This piece titled "Like a Pen VE 6/18" is a variable edition piece by Kate VanVliet and is made from hand-colored etching on Rives BFK with an artist-made frame. This piece is an edi...
Category

21st Century and Contemporary Contemporary Continental US - Still-life Prints

Materials

Archival Paper, Color, Etching, Intaglio

Saul Steinberg, Untitled, from Derriere le Miroir, 1982
By Saul Steinberg
Located in Southampton, NY
This exquisite lithograph by Saul Steinberg (1914–1999), titled Sans titre (Untitled), originates from the historic 1982 folio Derriere le Miroir, No. 250, Hommage a Aime et Margueri...
Category

1980s Modern Continental US - Still-life Prints

Materials

Lithograph

"Extraordinary Machine VE 4/6" Intaglio, hand colored, Industrial, egg motif
By Katie VanVliet
Located in Philadelphia, PA
This piece titled "Extraordinary Machine VE 4/6" is a variable edition piece by Kate VanVliet and is made from Intaglio with soft ground and chine colle on Rives BFK. This piece is a...
Category

21st Century and Contemporary Contemporary Continental US - Still-life Prints

Materials

Archival Paper, Color, Etching, Intaglio

Autumn, Print on Satin Paper, Framed
By Vahe Yeremyan
Located in Granada Hills, CA
Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 020 Subject: Autumn, Framed Size: 17.5" x 24.5" x 0.8''inch, 44x62x2cm, Ready to Hang, Wooden Frame, Glass. All works ar...
Category

2010s Impressionist Continental US - Still-life Prints

Materials

Paper, Satin Paper, Color

"Light Bulb" Jasper Johns, Mid-Century, Pop Art, Dada, Black Silhouette
By Jasper Johns
Located in New York, NY
Jasper Johns Light Bulb, 1966 Signed and dated in pencil, numbered "36/45" in lower margin Lithograph on J. Whatman paper Image: 8 1/2 x 14 5/8 inches Sheet: 19 1/2 x 24 1/4 inches ...
Category

1960s Pop Art Continental US - Still-life Prints

Materials

Lithograph

Found Object B - large format observation of abstract urban color vignettes
By Frank Schott
Located in San Francisco, CA
Large scale photograph from a series of photographic still life observations capturing found conceptual objects and urban objet trouvé vignettes in European cityscapes Found Object ...
Category

21st Century and Contemporary Contemporary Continental US - Still-life Prints

Materials

Archival Paper, Photographic Paper, Giclée, Archival Pigment

Original Vintage Poster: "Come to Puerto Rico, U.S.A. Caribbean Playground
Located in Spokane, WA
Original Vintage Poster: "Come to Puerto Rico, U.S.A. - All-Year Playground of the Caribbean." This serigraph is archivally linen-backed and ready for framing. It is in B+ condition,...
Category

1950s American Modern Continental US - Still-life Prints

Materials

Screen

"I ll Be Your Mirror", Intaglio Print, Still Life Print
By Katie VanVliet
Located in Philadelphia, PA
This piece titled "I'll Be Your Mirror" is a limited edition piece by Kate VanVliet and is made from intaglio with soft ground, sugarlift, aquatint and spit bite on Rives BFK. This p...
Category

21st Century and Contemporary Contemporary Continental US - Still-life Prints

Materials

Etching, Aquatint, Intaglio

La Femme En Bleu
By Francisco Bores
Located in Washington, DC
Artist: Francisco Bores Medium: Lithograph Title: La Femme En Bleu Portfolio: Verve Vol VII No. 27-28 Year: 1952 Edition: 6000 Signed: Signed in the plate Framed Size: 22" x 18 1/4" ...
Category

1950s Continental US - Still-life Prints

Materials

Lithograph

"Astonishing, Health and Sunshine" framed limited edition triptych by Jim Dine
By Jim Dine
Located in Boca Raton, FL
"Astonishing, Health and Sunshine" triptych by artist Jim Dine. Three spitbite aquatint, drypoint and lithographs with additional hand coloring on Shiramibe paper mounted onto three ...
Category

2010s Contemporary Continental US - Still-life Prints

Materials

Paper, Drypoint, Aquatint, Lithograph

6 Camellias After An Unknown Japanese Artist
By Gary Bukovnik
Located in San Francisco, CA
This artwork titled "6 Camellias After An Unknown Japanese Artist" 1988 is a original color lithograph on Wove paper by noted American artist Gary Bukovni...
Category

Mid-20th Century American Realist Continental US - Still-life Prints

Materials

Lithograph

Yellow Double Poppies
By Donald Sultan
Located in Washington, DC
Artist: Donald Sultan Title: Yellow Double Poppies Portfolio: Double Poppies Medium: Silkscreen with enamel inks, flocking, and sand on Rising 4-ply museum board Date: 2025 Edition: ...
Category

2010s Contemporary Continental US - Still-life Prints

Materials

Enamel

Truth
By Marc Dennis
Located in New York, NY
ABOUT THE ARTIST: Marc Dennis is an American artist renowned for his paintings of subtly staged and slightly voyeuristic images of contemporary American culture. Interested in the tr...
Category

2010s Continental US - Still-life Prints

Materials

Photographic Paper

Still Thinking About These?

All Recently Viewed