Continental US - Still-life Prints

The pale gray-green of this monotype calls to mind the celadon glaze of Japanese pottery. Each was made using freshly-cut long-stemmed wild iris (iris douglasiana) that grow along th...

This exquisite lithograph by Jules Cavailles (1901–1977), titled Interieur a la Fenetre (Interior by the Window), from the folio Les Peintres mes amis (The Painters My Friends), orig...

ABOUT THE ARTIST: Gaia Barnatan explores surreal, dreamlike spaces through the medium of digital collage. Her work aims to create a sense of balance, playfulness and curiosity, and e...

Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With one 1.5 inch inch tear across the area of the top-left corner, well outside of image area. Handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: CXXI, CXXII, CXXIII, & CXXIV. MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation. Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...

Jean-Antoine Watteau Winter – Spring 1841 Hand colored lithograph 14 x 19.5 inches Framed: 25 x 31 inches

from a series of Industrial Style still life photographs captured at a high performance race car performance garage 32 x 40 inches / 81cm x 102cm signed edition of 25 archival qual...

This early 19th century hand-colored double fold-out botanical engraving is entitled "Sempervivum Smithii" (Hispid-Stemmed Tree Houseleek), plate 1980, published in London in 1818 in...

This exquisite lithograph and pochoir after Henri Laurens (1885–1954), titled Nature morte (Still Life), from the album L'Art Cubiste, Theories et Realisations, Etude Critique (Cubis...

Alford lives and paints on the Galisteo plain just southwest of Santa Fe. His home and studio are situated on a land swell from which the view can only be described as wholly open, e...

Signed and numbered from the edition of 60. Image of a cowboy with an oversized hat. Throughout his 40 year career as an artist, Frank Romero has bee...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 8.96 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, In Memory of My Feelings,...

Lithograph on vélin paper. Paper Size: 12 x 9 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, View, Surrealism in Belgium, vol. V, n°1, March 1945. Pu...

Artist: Joseph Raffael – American (1933-) Title: Evening Lily Year: 1981 Medium: Lithograph in colors on Arches paper Sheet size: 40 x 30 inches. Framed size: 44 x 34 inches Signat...

This exquisite lithograph after Henri Matisse (1869–1954), titled La Palme (The Palm), from the folio Les Peintres mes amis (The Painters My Friends), originates from the 1965 editio...

"Butterfly Monarch #2" Print on Canvas 40x40 in Ed. of 75 by Mick Fleetwood Digital print on canvas Not framed Mick Fleetwood, the legendary drummer and founding member of Fleetwo...

This artwork titled "Pomegranates" c.1970 is an original color aquatint on Japan paper by noted Indian artist Kaiko Moti, 1921-1989. It is hand signed and numbered XXII/LXXV in White pencil by the artist. The Size is 22 x 29.25 inches. Printed to the edge. It is in excellent condition, some hanging tape remaining on the back from a previous framing. About the artist: Born (Kaikobad Motiwalla) in Bombay, India on December 15, 1921, Moti was first educated at the Bombay School of Fine Arts but his talent led him onwards to study at the University College in London (on scholarship) and at the Slade School of Fine Arts, London, where he received a Master's degree in Painting and Sculpture. While still in London he studied under MacWilliam and Reginald Butler. Eventually moving to Paris in 1950, Moti attended the Academie de la Grand Chaumiere, Atelier Zadkine, to pursue his love of sculpture but lack of space soon compelled him to turn his attention to working on copper plates and he studied engraving with William Stanley Hayter...

Silkscreen on 2-Ply Museum Board 38 x 30 inches Edition of 20 2014 Carole Feuerman is one of the world’s foremost hyperrealist sculptors. Her resin, bronze and marble sculptures of swimmers and bathers evoke notions of tranquility and serenity. Feuerman’s life-like works are nearly indistinguishable from the subjects that inspire them. Her newest silkscreen edition is a testament to the same sense of realism. Soft and subtle blends of color support the tactile qualities of her bathing caps...

This exquisite lithograph after Henri Matisse (1869–1954), titled La Religieuse Portugaise (The Portuguese Nun), originates from the 1972 edition published by Editions A. C. Mazo et Cie., Paris, in collaboration with Leon Amiel, editeurs, New York, and printed by Mourlot Freres, Paris, April 5, 1972. This serene and balanced composition captures Matisse’s mastery of line, harmony, and emotional resonance. La Religieuse Portugaise reflects the artist’s lifelong exploration of purity and rhythm through simplified form and luminous balance, revealing his belief that true beauty lies in the unity of contour, and spirit. The lithograph exemplifies Matisse’s ability to transform spiritual themes into modern expressions of grace and contemplation. Executed as a lithograph on velin d’Arches paper, this work measures 12.81 x 9.81 inches (32.54 x 24.92 cm). Unsigned and unnumbered as issued. The edition exemplifies the exceptional craftsmanship of the Mourlot Freres atelier, renowned for its collaboration with leading modern artists of the 20th century. Artwork Details: Artist: After Henri Matisse (1869–1954) Title: La Religieuse Portugaise (The Portuguese Nun), 1972 Medium: Lithograph on velin d’Arches paper Dimensions: 12.81 x 9.81 inches (32.54 x 24.92 cm) Inscription: Unsigned and unnumbered as issued Date: 1972 Publisher: Editions A. C. Mazo et Cie., Paris, in collaboration with Leon Amiel, editeurs, New York Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the edition published by Editions A. C. Mazo et Cie., Paris, in collaboration with Leon Amiel, editeurs, New York, 1972 Notes: Excerpted from the album (translated from French), This album is the album of friendship, and I want to thank all the artists who wanted to participate. Some lithographs presented here, and whose authors have left us for too long, were made at my request for an album "Adieu a la rue de Chabrol" that I intended to publish ten years ago. So it was at this time that I was able to get the lithos of Braque, Cocteau, Derain, Giacometti and Villon. Mrs. Duthuit-Matisse and her brothers authorized me to print the composition of Henri Matisse, an unused original lithograph of the album by Teriade "La Religieuse portugaise". I am happy to have brought together so many works by contemporary artists, it is a great honor for me and I am infinitely grateful to them. Finished printing in Paris on April 5, 1972, this album was printed on velin d’Arches, in DCCC numbered examples. In addition, a number of copies were printed for artists, friends and collaborators of this album. The original lithographs were printed by Mourlot, and the typography is from Fequet and Baudier. Alain A.C. Mazo, Paris, and Leon Amiel, New York, publishers. About the Publication: Souvenirs et Portraits d'Artistes (Memories and Portraits of Artists), published in 1972 by Editions A. C. Mazo et Cie., Paris, and Leon Amiel, New York, stands as one of the most distinguished collaborative albums of the postwar era. Bringing together original lithographs by some of the foremost artists of the 20th century, the portfolio celebrates artistic friendship, collaboration, and the enduring spirit of creative dialogue. La Religieuse Portugaise (The Portuguese Nun) after Henri Matisse exemplifies this spirit, blending spiritual serenity with the refined formal language that made Matisse one of the most influential artists in modern art. Printed at the renowned Atelier Mourlot, the work embodies the clarity, rhythm, and elegance that characterize Matisse’s timeless aesthetic. About the Artist: Henri Matisse (1869–1954) was a French painter, sculptor, draughtsman, and printmaker whose revolutionary vision redefined modern art through his daring use of color, line, and form. Celebrated as one of the greatest artists of the 20th century, Matisse led the Fauvist movement and devoted his life to the pursuit of balance, beauty, and emotional expression in visual art. His early works burst with vibrant hues and liberated brushwork, while his later “cut-out” compositions achieved a poetic simplicity that transformed the relationship between color and space. Deeply influenced by the work of Paul Cezanne, Vincent van Gogh, and Georges Seurat, as well as by the rhythmic patterns of Islamic art, Byzantine mosaics, and Japanese prints, Matisse forged a new visual language that celebrated joy, movement, and serenity. He was part of an extraordinary generation of artists who shaped the evolution of modernism, maintaining lifelong dialogue and friendly rivalry with contemporaries such as Pablo Picasso, Georges Braque, Marc Chagall, Andre Derain, Albert Marquet, and Raoul Dufy—peers who, like him, sought to expand the expressive potential of color and composition. Matisse’s influence extended across generations, inspiring modern and contemporary masters including Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom drew upon his fearless experimentation and refined visual harmony. His paintings, sculptures, and works on paper are held in the most prestigious museums in the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Hermitage Museum, where his art continues to symbolize the essence of creativity and human emotion. The highest price ever paid for a Henri Matisse artwork is approximately $80.8 million USD, achieved in 2018 at Christie's New York for Odalisque couchee aux magnolias (1923). Henri Matisse La Religieuse Portugaise, Matisse Mourlot...

"Andy" is a photomosaic artwork by Destro. Destro has created large prints which are made up of many hundreds of smaller images. Archival photographic paper Signed edition of 150 ...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie G, var. 3 (Series G, Variation 3), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

Afternoon Delight Wicker front porch chair and furniture. Framed 19 X 23 image is 13 x 17. Lloyd van Pitterson was born in Jamaica, West Indies. He studied art with Edna Manley...

By: Yuji Hiratsuka Medium: Intaglio and Chine Colle Year: 2024 Image Size: 16 x 11 inches Edition: 15 A Japanese celadon decorated vase with flowers hiding the face of a young woman...

This exquisite lithograph after Jean Cocteau (1889–1963), titled Manuscrit (Manuscript), originates from the 1972 edition published by Editions A. C. Mazo et Cie., Paris, in collabor...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 11.937 inches, with centerfold, as issued. Inscription: Signed in the plate and unnumbered, as issued. Notes: ...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 11.937 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the fo...

Linda Stein, Spoon to Shell 818 - Mixed Media Shell Wood Contemporary Assemblage Sculpture Spoon to Shell 818 is from Linda Stein's Holocaust Heroes: Fierce Females series, which hi...

This exquisite lithograph after Fernand Leger (1881–1955), titled Feuilles vertes et fond orange (Green Leaves and Orange Background), from the album XXe Siecle, numero special hors abonnement, Cahiers d'art publies sous la direction de G. di San Lazzaro, Hommage a Fernand Leger, originates from the 1971 edition published by Societe Internationale d'Art XXe siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris, and printed by Mourlot Freres, Paris, 1971. Feuilles vertes et fond orange exemplifies Leger’s mastery of modern form and color, uniting bold geometry and organic vitality in a celebration of rhythm, balance, and the harmony between nature and mechanized abstraction. Executed as a lithograph on velin paper, this work measures 9.75 x 12.5 inches. Unsigned and unnumbered, as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: After Fernand Leger (1881–1955) Title: Feuilles vertes et fond orange (Green Leaves and Orange Background), from the album XXe Siecle, numero special hors abonnement, Cahiers d'art publies sous la direction de G. di San Lazzaro, Hommage a Fernand Leger Medium: Lithograph on velin paper Dimensions: 9.75 x 12.5 inches (24.77 x 31.75 cm) Inscription: Unsigned and unnumbered, as issued Date: 1971 Publisher: Societe Internationale d'Art XXe siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne reference: Leger, Fernand, and Lawrence Saphire. Fernand Leger: The Complete Graphic Work. Blue Moon Press, 1978, illustration 120. Condition: Well preserved, consistent with age and medium Provenance: From the album XXe Siecle, numero special hors abonnement, Cahiers d'art publies sous la direction de G. di San Lazzaro, Hommage a Fernand Leger, published by Societe Internationale d'Art XXe siecle, Paris; printed by Mourlot Freres, Paris, 1971 About the Publication: Gualtieri di San Lazzaro's XXe Siecle (Twentieth Century) was one of the most influential art journals of the modern era, founded in Paris in 1938 as a platform for the greatest painters, sculptors, and writers of the 20th century. San Lazzaro, a visionary editor, critic, and champion of modernism, believed that art and literature should coexist as expressions of a shared human imagination. Under his direction, XXe Siecle became a cultural bridge between Europe and the wider world, publishing special issues devoted to leading figures such as Picasso, Matisse, Chagall, Braque, Calder, Miro, Kandinsky, and Leger. Each edition combined essays by renowned critics and poets with original lithographs printed by the foremost ateliers of Paris, London, and New York, including Mourlot, Curwen, and Universal Graphics, creating a uniquely rich dialogue between text and image. Through XXe Siecle, San Lazzaro preserved the creative spirit of the avant-garde during and after World War II, championing freedom of expression and the evolution of abstraction, surrealism, and modern thought. Over nearly four decades, the journal shaped international taste and defined the intellectual landscape of postwar art publishing. Today, XXe Siecle remains celebrated for its extraordinary synthesis of art, literature, and design, an enduring testament to Gualtieri di San Lazzaro's belief that the visual arts are the soul of the modern age. About the Artist: Fernand Leger (1881–1955) was a French painter, sculptor, and filmmaker whose pioneering fusion of modern life, mechanization, and visual abstraction made him one of the most influential artists of the 20th century. Emerging from the Cubist movement, Leger developed a highly personal style distinguished by bold contrasts, cylindrical forms, and rhythmic compositions that celebrated the beauty of industrial progress and the vitality of modern urban life. Deeply influenced by the innovations of Paul Cezanne and the structural experimentation of Pablo Picasso and Georges Braque, Leger transformed Cubism’s fragmented perspective into a dynamic, machine-age aesthetic that bridged fine art, architecture, and design. His work often depicted workers, machinery, and everyday objects as monumental symbols of harmony between humanity and technology, reflecting both his optimism for modernity and his belief in the democratization of art. During his career, Leger was part of an extraordinary artistic circle that included Henri Matisse, Marc Chagall, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—visionaries who shared his commitment to pushing the boundaries of artistic form and expression. A leading figure in the international avant-garde, Leger also explored large-scale murals, public art, and film, expanding the reach of modern art beyond the gallery. His works are represented in major museum collections worldwide, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire admiration for their bold geometry, humanist vision, and timeless modernity. The highest price ever paid for a Fernand Leger artwork is approximately $70 million USD, achieved in 2017 at Christie's New York for Contraste de formes (1913). Fernand Leger Feuilles vertes et fond orange, Leger Green Leaves and Orange Background, Leger 1971 XXe siecle, Leger Mourlot...

Brad Davis’s "Bob’s Used Auto Parts" is an oil painting on wood panel measuring 18 x 14 inches, presented in a contemporary frame with overall dimensions of 20 x 16 inches. Framed an...

This is a striking original antique colored botanical mezzotint and line double page engraving of banana plants, which is finished with hand-coloring. It is entitled "Banana 1. Musa,...

Byron Bratt, American (1952 - 2020) - Solar Wind: I Only Count The Sunny Hours, Year: circa 1970, Medium: Mezzotint, signed, titled and numbered in pencil, Edition: 30/100, Image ...

Lowell Nesbitt Untitled Flower, 1975 Etching on wove paper Hand signed, numbered AP and dated on the front 24 × 19 inches Image alone: 9.5 inches (vertical) x 5.75 inches (horizontal...

Double Poppies Red 2025 
Color silkscreen with enamel inks, flocking and sand on Rising 4-ply museum board 
Sheet size: 52.5 x 30 inches (133 x 76 cm)
 Image size: 48.5 x 26 inches (...

Guy Charon, French (1927 - 2021) - View of Florence, Year: circa 1975, Medium: Lithograph, signed and numbered in pencil, Edition: 250, Image Size: 18 x 22 inches, Size: 22 x 3...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with quadfold, as issued. Notes: From Derrière le miroir, N° 55-56, 1953. Published by Aim...

"Dr Dre The Chronic Cassette" is a photomosaic artwork by Destro. This image is made up of 100's of smaller images of Dr Dre imagery. Archival photographic paper Signed edition of...

"Biltmore" Photography 14.5" x 20" inch Edition of 20 by Oleg Char Medium: Hahnemühle Baryta Paper Not framed. Ships in a tube. Signed and numbered by the artist. Comes with COA is...

Automobili III by Frank Schott, from a series of environmental still life photographs at a high performance race car body shop 48 x 72inches / 122cm x 183cm signed edition of 7 27 ...

QUIET ZONE is a hand drawn limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on archival Arche...

Brad Davis presents "Rehab," a 2025 oil on wood panel measuring 18 x 18.50 inches, framed to 20 x 20.50 inches and ready to hang. This compelling contemporary work captures a moment ...

This piece titled "Watch for the Next Bloom" is an original print by Jun Lee and is made by reduction woodcut. This piece measures 35"h x 26"w framed...

Brad Davis’s "Still Life with Pet Coke", a 2025 oil painting on wood panel, is a hauntingly atmospheric composition that blurs the line between classical still life and contemporary ...

This artwork "Still Life #2" 1989 is an original color lithograph by American artist Audean Johnson. It is hand signed and numbered 207/275 in pencil by...

Shadow of Her Former Self Photograph of Found Objects Printed in Cyanotype Panel is 10 x 8 inches, 12 x 10 inches framed Wire backing, ready to hang Signed, verso (lower right) Sok...

This signed and numbered limited edition print was commissioned by Lincoln Center for the Performing Arts in 2012. This impression has never been framed and is in excellent condition...

Antique hand colored engraving of grass or Panicum Sanguinale by W.Curtis, circa 1820. Artwork was intended to be actual size of specimen. Original artwork on paper displayed on a w...

FLORA lI by Christian Stoll from a series of colorful floral explosions, flower power and liquid clouds captured in water 48 x 71.5 inches (122 x 182cm) signed edition of 7 27 x 40...

Oh Deer by Erik Pawassar 71 x 48 inches (180 x 122cm) signed edition of 7 40 x 27 inches (102 X 69cm) signed edition of 25 archival fine art pigment print signed & numbered by a...

"Queen Anne's Lace" (2000) by Kate Breakey is a limited-edition archival pigment print that is hand colored using pencil and pastel that depicts a vase of wilted plants. About the a...

David Lee, Chinese (1944 - ) - Pink Roses (8), Year: circa 1985, Medium: Lithograph, signed and numbered in pencil, Edition: 300, Size: 29 x 21 in. (73.66 x 53.34 cm), Descript...

This exquisite lithograph and pochoir after Albert Gleizes (1881–1953), titled Les Baigneuses (The Bathers), from the album L'Art Cubiste, Theories et Realisations, Etude Critique (C...

Original colored lithograph of a bouquet in teal by the well known French artist, Claude Gaveau. Edition 5/175 in pencil lower left margin. Signed in pencil by the artist lower right...

ARTIST: Salvador Dali TITLE: Florals Anemone per Anti-Pasti MEDIUM: Etching on Heavy Arches Paper SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: 62/350 MEASUREMENTS: 29....

Signed lower right, 'Lavernia' for Angelina Lavernia (Spanish, b. 1925) with number and limitation, '5/375', inscribed lower left; blind stamped 'CG' for Collector's Guild lower left...

This exquisite lithograph after Georges Braque (1882–1963), titled Le Portugais (The Portuguese), originates from the 1964 folio Derriere le Miroir, Nos. 144–145–146, L’Hommage a Geo...

ABOUT THIS PIECE: 19.6x23.5, edition of 50 — FACEMOUNTED TO PLEXI This piece is available face mounted to plexi glass giving a modern, durable, and sleek finish. Every print is fully authenticated with a signed and numbered Certificate of Authenticity. This image comes from the series "Fast Food Fast Cars: The Pursuit of Happiness" in which Carden phot...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition; with centerfold, as issued. Notes: From Derrière le miroir, N° 48-49, 1952. Published by A...

Signed lower right, 'Margie Dickson' (American, 20th century) and dated 1990; additionally inscribed lower center 'hand colored screen print' with number and limitation, '5/20' and t...

This piece titled "Ancient Walls of Flowers" is a limited edition piece by Kate VanVliet and is made from intaglio with soft ground on Rives BFK, artist-made frame. This piece is an ...

This exquisite lithograph and pochoir after Juan Gris (1887–1927), titled Nature morte (Still Life), from the album L'Art Cubiste, Theories et Realisations, Etude Critique (Cubist Ar...

intaglio with a la poupée on Somerset paper, unframed, edition of 6 Please message us directly if you are interested in a framed print. Bio // Katie VanVliet is a sculptor and printmaker based in Philadelphia, PA. Found and collected objects are the main component of her work, as the drawn components of her prints and the physical components of her sculptures and installations. After studying at Moore College of Art & Design, she founded BYO Print as a collective studio with the mission to keep artists printing on their own time, within a reasonable budget. More than 30 printmakers have been involved with the shop over the years, with 15 current members. She studied with Shelley Thorstensen at Moore as well as at Printmakers' Open Forum in Oxford, PA. She occasionally teaches workshops about about using reclaimed objects effectively in an art practice. In her studio, she is interested in engaging her audience in narrative. Like many artists, she has always been a collector of things. Aside from unique curiosities, she collects leftovers of routines and rituals, and incorporates them into ongoing bodies of work, most notably, the pill project. "The Only Reason I'm Still on The Pill is for the Art Project" began in 2006, when classmates started giving her empty birth control...