Continental US - Still-life Prints

Lithograph on Auvergne du Moulin Richard de Bas filigrané paper. Inscription: Watermarked with the artist's signature and unnumbered, as issued. Good condition. Notes: From the folio...

Still Life No. 5 Lithograph, 1978 Signed, dated and numbered in pencil (see photos) Edition: 50 (24/50) Published by Solo Press, New York, 1978 Printer: Judith Solodkin, first femal ...

From an edition of 25., signed, titled and numbered by the artist Photography and digital print of trees with moss in a foggy California landscape. Based in San Francisco, Mark Jenk...

From an edition of 25. Photography and digital print of two backlit magnolia blossoms. Based in San Francisco, Mark Jenkins has spent the majority of his career working as a commerc...

Lorna Patrick, American - Geraniums, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: 295, Image Size: 24 x 26 inches, Size: 32 x 42 in. (81.28 x 106.6...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 121-122, 1960. Published by Aimé Maeght, Éditeur, Paris...

Artist: Lowell Blair Nesbitt, American (1933 - 1993) Title: Multicolor Iris Year: 1981 Medium: Screenprint, signed and numbered in pencil Edition: 200 Size: 36 x 25 in. (91.44 x 63.5...

This artwork "Still Life #3" 1989 is an original color lithograph by American artist Audean Johnson. It is hand signed and numbered 227/275 in pencil by...

"Larkspur Blue" by Deirdre Murphy is a framed, one-of-a-kind monoprint with collage (chine collé - applied Japanese colored Gampi papers) in a range of blues on archival paper. The w...

Artist: Ben Shahn, American (1898 - 1969) Title: Many Things from the Rilke Portfolio Year: 1968 Medium: Lithograph on Arches, signed in the plate Edition: 750 Size: 22.5 x 17.75 in....

A series of ghostly Morning Glory blooms set against a rich black background. These moon-toned flowers are rendered as a screenprint by Lowell Blair Nesbitt. This print is signed and...

Margaret Roleke has created the sculpture “Pop,pop” specifically for the Las Gravitas exhibition at ODETTA. The title refers both to the fun and colorful hues of the piece that pop ...

Mary Faulconer, American (1912 - 2011) - Marigolds, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 250, AP 35, Image Size: 17 x 13 inches, Size: 3...

Vasilios Janopoulos, Greek (1953 - ) - Untitled IV, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: AP, Image Size: 22 x 17 inches, Size: 28.5 in. ...

Karl Kasten, American (1916 - 2010) - Purple Egg, Year: 1968, Medium: Lithograph on Arches, signed, numbered and dated in pencil, Edition: 6/20, Size: 19 x 21.75 in. (48.26 x 55....

Artist: Joel Stewart – American (1959- ) Title: Eclipse Year: circa 1997 Medium: Aquatint on heavy paper Sheet size: 34.5 x 28 inches. Signature: Signed, dated lower right. Numbered lower left Edition:14. This one: 5/14 Condition: Very good Unframed This large aquatint is by the noted American artist, Joel Stewart (1959- ). The print is a bold composition with rich, yet soft colors. Stewart has lived and worked in Kyoto, Japan since the early 1990s. This print was printed in Kyoto in 1997 in a very small edition of 14. It is in very good condition with no flaws to note. JOEL STEWART – BIOGRAPHY (source: Artist's website) SELECTED EXHIBITIONS 2008 “MAKING WAVES – CONTEMPORARY JAPANESE PRINTS”, PHOENIX ART MUSEUM, Phoenix, AZ., Group exhibition Solo exhibitions on hold while construction of “Crossroads” folding screen installation project (begun January 2007) continues. Kyoto, Japan 2007 “ON THE CUTTING EDGE: CONTEMPORARY JAPANESE PRINTS”, LIBRARY OF CONGRESS, Washington D.C., Group exhibition “Crossroads”- Folding screen installation project initiated in January – Kyoto, Japan 2006 “MAHAFFEY FINE ART: 14 YEARS, 14 ARTISTS”, PORTLAND ART MUSEUM, Portland, OR., Group Exhibition “MODERN JAPANESE PRINTS: ETCHINGS”, LOS ANGELES COUNTY MUSEUM OF ART, Los Angeleges CWAJ NATIONAL PRINT SHOW , Tokyo, Japan, Group exhibition 2005 “JOEL STEWART – RECENT WORKS”, AZUMA GALLERY, Seattle, WA., Solo exhibition CWAJ NATIONAL PRINT SHOW , Tokyo, Japan, Group exhibition 2004 “NEW PAINTINGS”, KATO GALLERY, Tokyo, Japan, Solo exhibition CWAJ NATIONAL PRINT SHOW , Tokyo, Japan, Group exhibition 2003 “20 YEARS”, VERNE GALLERY, Cleveland, OH, Group exhibition CWAJ NATIONAL PRINT SHOW , Tokyo, Japan, Group exhibition 2002 “JOEL STEWART: NEW WORKS ON PAPER”, AZUMA GALLERY, Seattle, WA, Solo exhibition “RECENT PAINTINGS”, KATO GALLERY, Tokyo, Japan, Solo exhibition CWAJ NATIONAL PRINT SHOW , Tokyo, Japan, Group exhibition 2001 “JOEL STEWART – PAINTINGS”, KEIHAN ART GALLERY, Osaka, Japan, Solo exhibition CWAJ NATIONAL PRINT SHOW , Tokyo, Japan, Group exhibition 2000 “EAST MEETS WEST: TRADITION AND INNOVATION IN MODERN JAPANESE PRINTS”, CLEVELAND MUSEUM OF ART, Cleveland, OH “NEW WORKS ON PAPER”, AZUMA GALLERY, Seattle, WA. Solo exhibition CWAJ NATIONAL PRINT SHOW , Tokyo, Japan, Group exhibition “JOEL STEWART – PAINTINGS AND PRINTS”, REN BROWN...

Artist: Alex Katz Title: Peonies (from Flowers Portfolio) Year: 2021 Medium: Archival pigment ink on Innova Etching Cotton Rag 315 gsm fine art paper Edition: 86/100; signed and num...

A colorful pop art drawing of a whimsical landscape scene featuring red flowers, green trees, yellow sun, and blue sky and clouds with cubist furniture on a front porch. Two flies converse over bentwood chairs drawn in black, red and white, in this whimsical work by famed New York artist Michael Hurson. Framed in white enamel. Paper 23.5 x 32.5 in. / 59.5 x 82.5 cm Frame 27 x 35 x 2 in. / 68.5 x 89 x 5 cm Two Flies on a Bentwood Chair by Michael Hurson. Lithograph on white paper with silkscreen on plexiglass, in a cream-colored lacquer frame. Edition 70: this impression 56/70. Signed by the artist with initials and numbered 56/70 in pencil lower right. Prepackaged and framed: ready to ship immediately, and ready to hang out of the box. This mixed-media lithograph with silkscreen portrays the colorful scene of a lush, sun-drenched front porch. Hurson's whimsical play on geometry and three-dimensionality is enhanced by the layers of plexiglass and paper upon which the image is printed. In the center of the composition, printed on the base layer of paper, a bright yellow sun sits atop a liquid, sky-blue background, and a jaunty, crayon-textured cloud. A porch door...

Artist: George Braque – French (1882-1963) Title: Les Marguerites (Daisies) Year: circa 1952 Medium: Color etching and aquatint Publisher: Maeght, Paris (bears Maeght blindstamp in ...

This artwork titled "Larry's Drums" c.2010 is an offset lithograph on paper by Japanese artist Kaoru Mansour, b.1956. It is hand signed and numbered 378/400 in pencil by the artist. ...

Artist: Ellen Gunn (1951- ) Title: Old Roses Medium: Screenprint Image size: 11 x 14 inches Sheet size: 18 x 20 inches Signature: lower right Edition: 375 ...

Bicentennial Dawn Silk screen and gold foil collage element, 1976 Signed and dated lower right in gold foil (see photo) Edition 100 (57/100) original label attributes this image as b...

Artist: Hunt Slonem, American (1951 - ) Title: Ocelot Medium: Serigraph, signed and numbered in pencil Edition: AP 30 Image Size: 27.5 x 24 inches Size: 31 in. x 26.5 in. (78.7...

BAZURTO is an original hand drawn lithograph by renowned Colombian woman artist Ana Mercedes Hoyos, (b.1942-2014) printed using traditional hand lithography techniques on archival printmaking paper, 100% acid free. Hoyos' colorful lithograph, Bazurto, is a creative combination of a female figure and still-life composition depicting a seated woman beside a bowl of fresh fruit - green avocados, yellow bananas, brown coconuts and tropical green leaves. Ana Mercedes Hoyos is most known and recognized for her explosive use of color and rhythm in expressing the culture of the Afro-Colombian community. Her work is part of major Museums as well as important private collections throughout the world. Print size - 30.5 x 29 inches, unframed, excellent condition, hand signed, titled and dated in pencil by Ana Mercedes Hoyos, unique 1992 B.A.T Proof (Bon á tirer proof) Ana Mercedes Hoyos (29 September 1942 – 5 September 2014) was a Colombian painter...

Jack Hofflander, American (1920 - 2003) - Floral Balloons, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: 250, 30 AP, Image Size: 30 x 22 inches, Size: ...

Still Life #2 Juan Manuel Gomez-Quiroz Chilean (1939–2021) Date: 1981 Hand-Colored Etching, signed, titled, numbered and dated in pencil Edition of 19/65 Image Size: 19.75 x 29 inc...

Morris Broderson, American (1928 - 2011) - Roses, Portfolio: The Atelier Portfolios, Number One: Morris Broderson, Year: 1961, Medium: Lithograph, signed and dated in the plate lo...

Christine Ravaux, Belgian (1961 - 2021) - Ivy, Year: 2002, Medium: Mezzotint, signed, numbered and dated in pencil, Edition: 41/100, Image Size: 4.25 x 4.25 inches, Frame Size: ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 115, 1959. Published by Aimé Maeght, Éditeur, Paris; pr...

Medium: Intaglio Year: 2023 Image Size: 16" H x 11" W Edition Size: 20 Portrait of a young woman with floral decor and a bouquet of flowers hiding her face. While Hiratsuka's images...

Signed and numbered lithograph from the edition of 250. Intimate grouping of two peart. A whole series of different fruits and vegetables from this series are available. Eva Boströ...

Melanie Lundquist "Kimono" Original Framed Serigraph C.1990 Fine vintage serigraph with gold tones and beautiful blues on a cream background Housed...

Wonderful and evocative abstracted dry point etching of honey bee drinking water and barbed wire titled "Rebirth" by Tomoya Uchida (Japanese, b. 1947). Presented in new double mat. Unframed. Image size: 8.5"H x 7.5"W Titled "Rebirth" along the bottom edge. Signed and dated "T. Uchida" in the lower right corner. Presented in a new double mat mat with foam core backing. Tomoya Uchida (Japanese, b. 1947) was born in Tsuyama City in the Okayama prefecture in Japan. He graduated from Doshisha University, Kyoto, in 1970, and went on to become the artist-in-residence at the KALA Institute of Prints in Berkeley, CA, in 1989. He then moved to Australia, where he studied under Prof. Jorg Schmeisser...

"Night Moves" - Abstract Etching in Ink on Paper (Artist's Proof) Textural abstract print by Doris Ann Warner (American, 1925-2010). This piece is composed of overlapping fabric patt...

Gina Lombardi Bratter, American - Beautiful Brunette, Year: 1979, Medium: Lithograph, signed and numbered in pencil, Edition: AP 30, Size: 33 in. x 2...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 211, 1974. Published by Aimé Maeght, Éditeur, Paris; pr...

Artist: Salvador Dali Portfolio: Les diners de Gala Title: Les Suprenes de Maillaise Liliputiens Year: 1975 Medium: Lithograph and Engraving, signed and...

Abstracted drypoint etching by Tomoya Uchida (Japanese, 20th Century). Two cottonballs on the stalk sit in a minimalist space. Titled "II Cottonballs" along the bottom edge. Signed and dated "T. Uchida - 89" in the lower right corner. Presented in a new light grey mat with foamcore backing. Tomoya Uchida (Japanese, b. 1947) was born in Tsuyama City in the Okayama prefecture in Japan. He graduated from Doshisha University, Kyoto, in 1970, and went on to become the artist-in-residence at the KALA Institute of Prints in Berkeley, CA, in 1989. He then moved to Australia, where he studied under Prof. Jorg Schmeisser...

Mary Faulconer, American (1912 - 2011) - Mustard for Blue Flowers, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 250, AP 35, Image Size: 12 x 16.5...

Moody depiction of a press by Doris Ann Warner (American, 1925-2010). This piece is dark and saturated, giving the impression that the press is located in a dark room. The press is d...

HOMAGE TO DE CHIRICO is an original, hand drawn, stone lithograph by the Italian artist Antonio Recalcati (1938-2022) printed in Paris France c. 1973 using hand lithography techniques on archival printmaking paper, 100% acid free. HOMAGE TO DE CHIRICO presents a pop art style, surreal landscape depicting an ancient Roman monument and empty town square with a lone shadowy figure visible in the upper window; a mysterious still life arrangement is set in the foreground featuring a sandwich on a roll and drinking goblet positioned in the center. HOMAGE TO DE CHIRICO is very intriguing and somewhat amusing composition that keeps us guessing. Print size - 20.25 x 28.75 in., unframed, very good condition, vivid colors, pencil signed by Antonio Recalcati, Printer's Proof dedicated "Pour Joseph" In 1973, Paris Recalcati painted a series of pictures titled “The Boheme de Chirico”. It is an unconventional and ironic reading of the great Giorgio de Chirico. The metaphysical monuments in the squares are transformed into physical objects such as a sandwich, macaroni dish, Parma ham, etc. The exhibition at the “Galérie Mathias Fels” in Paris received great success from the critics. The text in the exhibition catalogue is by Alain Jouffroy. President Georges Pompidou, had sent a jeep from Élysée Palace to have some paintings to view. Recalcati took up the theme of "ham" several times, for example in a painting from 1973, "La bohème de Chirico, place d'Italie" or in the work "Jambon de Paris" from 1972. Recalcati often exhibited in the 1970's in Italy, Paris, Caracas, and New York. During this time the 'Ham series' was created. About the artist - Antonio Recalcati (2 May 1938 – 4 December 2022) was an Italian painter and sculptor, born in a working-class family in Bresso, a suburb of Milan. Born in 1938 in Bresso, near Milan, who died on 4 December 2022, Antonio Recalcati was a major artist of the second half of the 20th century. Known first as a painter of the New Figuration in Paris, he was later more closely related to the movement of the Narrative Figuration. Without an artistic background, he was noted in the first half of the 1960s by his "Imprections" (Impronte), paintings made by applying directly to the canvas and in oil his own body or empty clothes (shirts, underpants, body jerseys). This process is then of total originality. It carries an unprecedented expressionist charge, and it becomes enigmatic when combined with abstract shapes or narrative devices (space of the canvas separated into several boxes, such as a page of comics). Exhibited both in Italy; in Paris in the salons and galleries (Gallery Mathias Fels, gallery Claude Levin, Galerie André Schoeller); in Brussels (Fragmy Gallery, Lanzberg Gallery); in New York (Odissey gallery); he participates in historical exhibitions such as: (Paris, 1964); and , During these same years, he befriended poets (Jacques Prévert) and novelists (Dino Buzatti), and he participated – with other artists such as Gilles Aillaud, Eduardo Arroyo, and Jean-Jacques Lebel – in several collective works that had become emblematic of the commitment of a new generation of painters: Grand Tableau...

Artist: William Curtis (English, 1746-1799) Titles: "Epilobium Tetragonum (Square Stalked Willow Herb)" (Vol. 2, Plate 131), "Stellaria Holostea (The Greater Stitchwort)" Vol. 2, Pla...

Mortar and Pestle with Funnel Mezzotint on BFK Rives paper, c. 1973 Signed and editioned in pencil by the artist Edition: 150 (41/150) Condition: Mint, never framed or matted Image: ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 48-49, 1952. Published by Aimé Maeght, Éditeur, Paris; ...

Artist: Muhammad Ali, American (1942 - ) Title: Under the Sun Year: 1979 Medium: Serigraph, signed and numbered in pencil Edition: 500 Size: 22 x 30 in. (55.88 x 76.2 cm) Frame: 36 ...

Medium: mezzotint and aquatint Year: 2014 Edition: 30, signed in pencil. Image Size: 12 x 15.75 inches Signed, titled and numbered by the artist. The illusions and reflections in Si...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 157, 1966. Published by Aimé Maeght, Éditeur, Paris; pr...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 157, 1966. Published by Aim...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 157, 1966. Published by Aimé Maeght, Éditeur, Paris; pr...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 157, 1966. Published by Aimé Maeght, Éditeur, Paris; pr...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 115, 1959. Published by Aimé Maeght, Éditeur, Paris; pr...

This artwork is an original color etching with aquatint by artist Georges Braque (French, 1882-1963). Titled Vase De Fleurs Jaune, created in 1958, hand signed in pencil by the artis...

Karl Kasten, American (1916 - 2010) - Reliquary Ouest, Year: 1968, Medium: Lithograph, signed, numbered and dated in pencil, Edition: 11/20, Size: 30 x 21.75 in. (76.2 x 55.25 cm)

Swings (Print) by Kathleen Beausoleil Print, Amusement Park, Outdoors, Architectural, Human Figures

Gina Lombardi Bratter, American - Gabrielle, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: AP 30, Size: 33 in. x 21 in. (83...

Artist: Kate Delos – Mexican/American (1945- ) Title: Untitled – Abstract Flower Year: 1983 Medium: Monotype Image size: 15.5 x 11.75 inches. Paper si...

Vibrant multi-layer woodblock print by Robin Blake (American, 1955). Three layers of neon ink (yellow, magenta, and blue) form a zoomed-in composition of pills. The bright colors cre...

Richard Claude Ziemann (American, b 1932) 'Ferns' 1978-79 Etching on wove paper Edition 16/100 Titled in pencil lower left Signed and dated in pencil lower right Image (plate) : 10in...

This artwork "Lily" C.1975 is an original colors serigraph by noted American artist Lowell Nesbitt, 1933-1993. It is hand signed, dated and numbered A.P. 6/30 in pencil by the artist. The image size is 23.75 x 26 inches, sheet size is 29.35 x 31.25 inches. It is in excellent condition, it has a very light printing ink soiling at the left margin, see picture #6 and a light crease at the lower center margin. About the artist: Lowell Nesbitt, who was born in Baltimore on Oct. 4, 1933, was a graduate of the Tyler School of Art at Temple University in Philadelphia and also attended the Royal College of Art in London, where he worked in stained glass & etching. In 1964, the Corcoran Gallery or Art in Washington gave him one of his first museum exhibitions, and by the mid 1970's he had decided to leave the museum a bequest of more than $1 million. But in 1989, he publicly revoked the bequest after the Corcoran canceled a disputed exhibition of photographs by Robert Mapplethorpe, who was an old friend. Mr. Nesbitt named the Phillips Collection as a beneficiary instead. He was frequently grouped with the Photo Realists, but his images were more interpretively distorted, somewhat loosely painted and boldly abbreviated. He had many subjects: studio interiors, articles of clothing, piles of shoes and groupings of fruits and vegetables. He also painted his dog, a Rottweiler named Echo, the Neoclassical facades of SoHo's 19th century cast-iron buildings and several of Manhattan's major bridges. Despite such variety, Lowell Nesbitt was best known for gargantuan images or irises, roses, lilies and other flowers, which he often depicted in close up so that their petals seemed to fill the canvas. Dramatic, implicitly sexual and a little ominous, they earned the artist a popularity with the general public that tended to overshadow his reputation within the art world. In 1980, the United States Postal Service issued four stamps based on Mr. Nesbitt's floral paintings. He also served as the official artist for the space flights of Apollo 9 and Apollo 13. SELECTED CORPORATE COLLECTIONS -Amerada Hess Corporation, New York, New York -AT&T, New York, New York -Atlantic Richfield, Los Angeles, California -Bank of New York, New York, New York -Biblioteque Nationale, Paris, France -Celenese Corporation, New York, New York -Chase Manhattan Bank, New York, New York -Citicorp, New York, New York -Florists Trans World Delivery Collection of Contemporary Art, Detroit, Michigan -Ford Motor Company, Dearborn, Michigan -General Mills, Minneapolis, Minnesota -Hess Shoe Corporation, Baltimore, Maryland -Lehman Brothers Kuhn Loeb, Chicago, Illinois, New York, New York -Maryland National Bank, Baltimore -Mutual of Omaha, Washington D.C. -Neiman-Marcus, Atlanta, Georgia -Northern Trust Company, Chicago, Illinois -J.C. Penny Corporation, New York, New York -Prudential Insurance Company, Newark, New Jersey -Schroeder Bank and Trust Company, New York, New York SELECTED MUSEUM AND GOVERNMENT COLLECTIONS. -American Embassies: Monrovia, Dar es Salaam, Tel Aviv, Sao Paulo -The Art Institute of Chicago, Illinois -Baltimore Museum of Art, Maryland -Castel Gandolfo, Rome, Collection of Pope Paul II -Corcoran Gallery of Art, Washington D.C. -Dallas Museum of Fine Arts, Dallas, Texas -Detroit Institute of Art, Detroit, Michigan -Edwin A. Ulrich Museum of Art, Wichita State University, Kansas -Enviromental Protection Agency, Washington D.C. -Federal Reserve Bank, Baltimore, Maryland -Fogg Art Museum, Cambridge, Mass. -Fort Worth Art Center, Texas -The High Museum of Art, Atlanta, Georgia -Hirshhorn Museum and Sculpture Garden, Washington D.C. -International Monetary Fund, Washington D.C. -Israel Museum, Jerusalem -John and Mable Ringling Museum of Art, Sarasota, Florida -Library of Congress, Washington D.C. -Loch Haven Art Center, Florida -Massachusetts Institute of Technology, Boston SELECTED SOLO EXHIBITIONS 1958: Baltimore Museum of Art, Baltimore, MD 1971: -Gimpel Fils, London, England -Gimpel and Weitzenhoffer, New York, NY 1972: -Kunstverein, Frieburg, Germany -Galerie Arneson, Copenhagen, Denmark -Gerlerie Aronovitsch, Stockholm, Sweden 1973: The Corcoran Gallery of Art, Washington D.C. 1974: Gimpel Fils, London, England 1975: The Corcoran Gallery of Art, Washington D.C. 1976: Hayden, Massachusetts Institute of Technology, Cambridge, MA 1977: Edwin A. Ulrich Museum of Art, Wichita KS 1978: Kent State University, Kent, OH 1979: Selby Botanical Gardens, Museum of Botany and the Art's, Sarasota, FL 1980: Marion Koogler Mcnay Art Institute, San Antonio, TX 1981: Editions Inc, Houston TX 1982: Butler Institute of American Art, Youngstown, OH 1983: Atlantic Center for the Art, New Smyrna Beach, FL 1984: Oklahoma Art Center, Oklahoma City, OK 1989: Tyler Gallery...

Still life etching by Doris Ann Warner (American, 1925-2010). Several ornate bottles are arranged on a shelf. There is a splatter effect in this piece, c...