Continental US - Still-life Prints

Artist: Hunt Slonem, American (1951 - ) Title: Pocahontas Pillow Year: 1980 Medium: Serigraph, signed and numbered in pencil Edition: AP 30 Size: 26 x 29 inches

Highly detailed large format photograph of the iconic marble sculpture of Urbano VIII by Bernini at the Palazzo dei Conservatori, from a series of photographic observances capturing ...

ABOUT THIS ARTIST: Ezequiel Montero Swinnen is a visual artist from La Pampa, Argentina. His work is based across photography, video and installation. His fav...

ABOUT THIS ARTIST: Ezequiel Montero Swinnen is a visual artist from La Pampa, Argentina. His work is based across photography, video and installation. His fav...

ABOUT THIS ARTIST: Ezequiel Montero Swinnen is a visual artist from La Pampa, Argentina. His work is based across photography, video and installation. His fav...

The artist describes this work as follows: “In Rondo I hope to evoke spring and summer in Italy. A simple glass of wild poppies, gathered in a morning walk. A fresh lemon yellow lem...

Biagio Civale, Italian/American (1936 - ) - Interior at Valencia, Medium: Screenprint, Signed, numbered, and titled in pencil, Edition: 15/100, Image Size: 20 x 13.5 inches, Size:...

Mireille Kramer, Egyptian/American (1932 - ) - Biblical V, Year: Circa 1980, Medium: Etching, signed and numbered in pencil, Edition: 300, Image Size: 14 x 17 inches, Size: 22.5...

Mireille Kramer, Egyptian/American (1932 - ) - Untitled - Flowers and Birds, Year: circa 1980, Medium: Aquatint Etching, signed and numbered in pencil, Edition: AP, Image Size: 1...

Stamped on the Verso of the print and in Mint Condition. From the David Kordansky Gallery show in 2017. Very rare poster that has been stored flat since purchase. One of his most ...

ABOUT THIS ARTIST: Ezequiel Montero Swinnen is a visual artist from La Pampa, Argentina. His work is based across photography, video and installation. His fav...

ABOUT THIS ARTIST: Ezequiel Montero Swinnen is a visual artist from La Pampa, Argentina. His work is based across photography, video and installation. His fav...

Poster. Measures 19 x 25 in. Unframed. Printed in Holland. Image is in Good/Fair Condition-indentation in the lower-left edge. The white border has (minor) signs of age and handling.

Flowers / Bouquet / Flora 29.75 x 29.75 inches framed Artist Statement Rachel Burgess makes autobiographical works on paper of landscapes and domestic scenes. Window-like in scale...

This Limited Edition Lithograph by Marcel Mouly is pencil-signed and numbered by the artist. The image size is 19.25 x 25 in. The full size (with border) is 23 x 30 in. The image is ...

Artist: Ben Shahn, American (1898 - 1969) Title: Of Light, White Sleeping Women in Childbed from the Rilke Portfolio Year: 1968 Medium: Lithograph on Arches, signed in the plate Edit...

Photogram on Polaroid Type 809 (Unique) Signed, titled, and dated in black ink, verso This artwork is offered by ClampArt, located in New York City. Brian Buckley’s work has alway...

Cyanotype (Unique) Signed, titled, and dated in pencil, verso This artwork is offered by ClampArt, located in New York City. These cyanotype prints of botanical...

Cyanotype (Unique) Signed, titled, and dated in pencil, verso This artwork is offered by ClampArt, located in New York City. These cyanotype prints of botanical specimens were made ...

Cyanotype (Unique) Signed, titled, and dated in pencil, verso This artwork is offered by ClampArt, located in New York City. These cyanotype prints of botanical specimens were made ...

Cyanotype (Unique) Signed, titled, and dated in pencil, verso This artwork is offered by ClampArt, located in New York City. These cyanotype prints of botanical...

Six pinhole camera Chromogenic prints (Each unique) Signed and dated, verso 24 x 20 inches, each 24 x 120 inches, overall $10,000.00 + $1500.00 mounting/framing This artwork is offe...

Cyanotype (Unique) Signed, titled, and dated in pencil, verso This artwork is offered by ClampArt, located in New York City. These cyanotype prints of botanical specimens were made ...

Bodegon 36 Juan Manuel Gomez-Quiroz, Chilean (1939) Date: circa 1979 Lithograph, signed and numbered in pencil Edition of 300, AP 40 Image Size: 25.5 x 17 inches Size: 29 in. x 20.5 ...

Flowers V. Beffa Date: circa 1977 Lithograph on Arches, Signed and numbered in pencil Edition of 250 Image Size: 24 x 17.5 inches Size: 29.5 in. x 21.5 in. (74.93 cm x 54.61 cm)

Flowers / Bouquet / Flora 40 x 40 inches framed Artist Statement Rachel Burgess makes autobiographical works on paper of landscapes and domestic scenes. Window-like in scale, her ...

Artist: Francesco Scavullo Title: Roses and Poppies in Spotted Vase (Black) Year: 1987 Medium: Screenprint on Lennox Museum Board, Signed and dated in Pencil, numbered verso Edition:...

"Butterfly Monarch #2" Photography 40x40 in Ed. of 75 by Mick Fleetwood Digital print on Aluminum Signed and numbered by the artist Mick Fleetwood, the legendary drummer and foundi...

Limited Edition Giclee on Paper (104/150). Signed by the artist and comes with a Certificate of Authenticity. The print measures 34 x 26 inches (including white border) and is unfram...

Buds Color lithograph, 1980 Signed, titled, and editioned in pencil by the artist Publisher: Art Matters Printer: Bud Shark, Shark's Ink, Lyons, CO Condition: Excellent Image: 31-1/8 x 41-1/4" (79 x 104.7 cm.) "An Abstract Expressionist when he left the Art Institute of Chicago in 1956, Beal has since become a dedicated realist who sees art as a potentially powerful moral force. He has great regard for Platonic ideals of truth, beauty, and goodness, and admires both the realism of seventeenth-century Dutch painting and the compositional authority of Renaissance art. Since moving to New York in the late 1950s with his wife, painter Sondra Freckelton, Beal has painted still lifes, portraits, and landscapes, although in recent years his most ambitious undertakings have been large-scale allegories and myths. In describing his approach, Beal calls himself a "life painter" and says he is committed to human over aesthetic concerns. Yet his intricate complexes of figures and surface patterns, along with his adroit handling of space, reveal his sophisticated, accomplished sense of composition. Virginia M. Mecklenburg Biography Jack Beal (1931-2013) was born and raised in Richmond, Virginia. He briefly attended the College of William and Mary, studying biology, but dropped out after two years. A decision to take evening art classes lead to his attending the Art Institute of Chicago, where he studied from the old masters in the Institute’s collection and with Isobel Steele MacKinnon, a student of Hans Hoffman. His classmates there included Red Grooms, Richard Estes, Claes Oldenberg and Robert Barnes, and while abstract expressionism remained “the only valid way to paint,” it was a style that all would eventually reject. In 1956 Beal left the Art Institute and moved to New York with the aim of finding success as a painter, eventually becoming one of the first artists to settle in the SoHo neighborhood. A turning point came in 1962 when, spending the summer in upstate New York, Beal decided to begin painting outdoors. Dissatisfied with abstract painting, he “wanted to give Art one more try” and in working from nature “fell in love with painting all over again.” Over the next few years Beal worked toward a balance between expressionistic paint handling and realistic, narrative pictures. Clement Greenberg’s pronouncement around this time, that the figure was no longer a valid subject was taken as a challenge by many artists, Beal included. His subsequent adoption of the female nude - modeled by his wife, the artist Sondra Freckelton - was a break-through. Though the paintings retained the sensuousness of his earlier canvases, the rigorous formality of their composition and the masterful treatment of light and shadow offered a new approach to realist painting. Indeed, Beal was not alone in this transformation; friends and colleagues in New York were coming to similar conclusions and the group, who included painters such as Philip Pearlstein, Alfred Leslie, Yvonne Jacquette, Alex Katz, Jack Tworkov, Nell Blaine and Fairfield Porter, would eventually be considered the ‘New Realists.’ With the resurgence of figurative painting, Beal distinguished himself for his skillful handling of color and modeling as well as what was later described as his “pushing of representational forms to their interface with abstraction”. Through the later half of the 1960s, while his subject matter remained unchanged, his paintings were increasingly given over to wide areas of flat color. In 1969, he exhibited a series of Table Paintings which, with their hard-edge style and near complete abstraction of the form, were a radical departure for Beal. So radical in fact, he was accosted by fellow realist painters Alfred Leslie and Sidney Tillim, who berated him “for betraying realism and betraying [himself], for moving away from ‘the true path’.” The incident had its intended effect and Beal did return to a more naturalistic and humanistic style, eventually abandoning the nude in favor of increasingly allegorical portraits. In 1974, the United States General Services Administration commissioned Beal to produce a series of murals for the U.S. Department of Labor headquarters in Washington D.C. The result was The History of Labor, four, 12 x 13 foot paintings in the vein of George Caleb Bingham, each illustrating a century of American development. Following the completion of the murals in 1977, Beal continued to make use of narrative in his paintings, with portraiture and self-portraiture as a means of exploring moral and didactic themes. He and Sondra had purchased an old mill in upstate New York in 1974 and after extensive renovations, it became their permanent residence. Unsurprisingly, many of his later paintings are pastoral scenes based on his rural surroundings or still lives including flowers which they grew on the property. In 1986, Beal was commissioned by the Art in Transit Initiative to create a large-scale mural as part of the redevelopment of the Times Square Subway Station. The proposed mosaic mural, The Return of Spring, took over fifteen years to complete, with the two, 7 x 20 foot sections finally installed in 2001 and 2005. Together they update the Greek myth of Persephone with a New York setting, showing her abduction by Hades, initiating the arrival of winter, and her release, bringing the bountiful return of spring. Beal was a founder of the Artist’s Choice Museum, New York and the New York Academy of Art as well as the recipient of numerous grants and awards, including honorary degrees from the Art Institute of Boston and the Hollins College...

Artist: Hunt Slonem Title: Lobster Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 250; AP 30 Image: 19 x 19 inches Paper Size: 22 x 30 inches

Artist: Lowell Blair Nesbitt, American (1933 - 1993) Title: Lilium Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 200 Image Size: 30 x 39 inches Size: 37 x 45...

Craggula Tree, Crassula cotyledon Plate 384 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

Monotype 47 x 34 inches framed

Watercolor on paper 32 x 25 inches framed

Watercolor on paper

Heath Recurved, Erica retorta Plate 362 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

Brunfelsia American, Brunfelsia americana Plate 393 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

—– Shining-leaved, Salvia formosa Plate 376 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

"Orange Leaves" (2000) by Kate Breakey is a limited-edition archival pigment print that is hand colored using pencil and pastel that depicts a vase of wilted plants with orange leave...

—–---Pyramidal, -------Pyramidalis Plate 366 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

Cyrilla Scarlet-flowered, Cyrilla pulchella Plate 374 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

Xavier Viramontes "Chocolate Kisses" Studio Proof Pencil Signed Color Etching Mexican American artist, printmaker and art instructor Xavier Viramontes Studio proof color etching P...

Artist: Mihail Chemiakin, Russian (1943 - ) Title: Harlequin Year: Circa 1980 Medium: Lithograph, signed and numbered in pencil Edition: 68/78 Image Size: 18 x 25 inches Size: 21.5 x...

Star Wars (R2-D2 new) by Tom Schierlitz still life photograph of the iconic Star Wars robot, delivered in elegant archival gift artwork portfolio binde...

Star Wars (C-3PO) by Tom Schierlitz still life photograph of the original iconic golden Star Wars humanoid robot delivered in classic archival gift artwork portfolio binder - the per...

Artist: Ron Kleemann (1937-2014) Title: White Knight Year: 1980 Medium: Silkscreen on Somerset paper Edition: 208/250, plus proofs Size: 22 x 30 inches Condition: Good Inscription: ...

Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 011 Subject: Aspen, Framed Size: 20'' x 28." x 0.8''inch, 51x71x3cm, Ready to Hang, Wooden Frame. Glass, Plastic Wrapped ...

Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 011 Subject: Cliffs in Cobalt, Framed Size: 20.5" x 28.5" x 0.8''inch, 52x72x3cm, Ready to Hang, Wooden Frame. Glass, Plas...

Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 027 Subject: Grand Canyon, Framed Size: 17" x 21" x 0.8''inch, 23x53x2cm, Ready to Hang, Wooden Frame. Glass, Plastic Wrap...

Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 032 Subject: Village, Framed Size: 17.5" x 24.5" x 0.8''inch, 44x62x2cm, Ready to Hang, Wooden Frame. All works are copy...

Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 022 Subject: Village, Framed Size: 17.5" x 24.5" x 0.8''inch, 44x62x2cm, Ready to Hang, Wooden Frame. All works are copy...

Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 019 Subject: Autumn, Framed Size: 17.5" x 24.5" x 0.8''inch, 44x62x2cm, Ready to Hang, Wooden Frame, Glass. All works ar...

M (ULAE 113), 1972 Jasper Johns (American, b. 1930) Lithograph in Colors on Angoumois a la Main Paper Hand Signed and Dated Lower Right Numbered 56/67 Lower Left 38.5 x 29 inches 39....

Lowell Blair Nesbitt: 1933-1993. Well listed American painter and printmaker. He has auction records for paintings over $43,000 and for a print over $3300. This lithograph is of tuli...

Dining Room with Horse Painting Aquatint on Hahnemuhle Copperplate paper, 2008 Signed in pencil and numbered lower left Published by the Print Club of Cleveland, Publication No.88, 2...

Hand signed and dated intaglio etching in color. 1982 Corner Reflections #2 Jane E. Goldman was born in Dallas, Texas in 1951 and received her Bachelor of Arts degree from Smith College and a Master of Fine Arts from the University of Wisconsin. She is known for her high color floral and nature design painting, printmaking and teaching. Goldman's media include watercolor, oil painting, silkscreen, intaglio print, lithograph, relief, screenprint,. aquatint etching and terrazzo. "Lyrical realism," based on a combination of free association and direct observation, best describes her style. Goldman’s luminous prints reveals the artist’s muse in a graphically novel way. Her work pays homage to 19th-century naturalist and artist John James Audubon. Goldman’s sun-dappled still life compositions, sprays of cut flowers in glass vases and lush flora growing in natural environments frame each setting and cast shadows across opened books that display images from Audubon’s Birds of America. Jane Goldman...

a series of large scale observations on iconic old master paintings and their opulent gilded artwork frames FRENCH MASTER by Frank Schott 40 x 32 inches / 102 cm x 81cm signed e...

"Tilted Tree, Mendocino, California" (2000) by Kate Breakey is a limited-edition archival pigment print that is hand colored using pencil and pastel. About the artist: Kate Breakey...

Schrag, Karl. MY ROOM - BRIGHT NIGHT. Lithograph, 1993. Edition of 200 published by the Print Club of New York. Signed, dated, titled and numbered 83/200....