Continental US - Abstract Sculptures

Large Abstract Expressionist Welded Assemblage Sculpture. it appears unsigned. it is on a found wood original base. it has a Brutalist quality to it. It commands a lot of presence

Contemporary, Mixed Media, Hanging, Sculpture, Wood, Metal, Glass, Found Objects John Garrett was raised in southern New Mexico by parents who were both educators. They instilled i...

Excerpts from William Peterson, Tom Waldron, 1985 They cut through space like beautiful and efficient tools. No bases or pedestals are required. They sit ...

Sara Fine-Wilson's "Veer" is a 18.5 x 12 x 20 inch ceramic gestural sculpture in neutral whites and variegated shades of brown constructed by combining three different colored clay b...

Image, Imagination, Imitation: we can think these three words come from the roots √Im, but it’s not true. It’s necessary to combine the proposition in with mi, that is, √Mei, to obta...

Sculpted out of steel, Sarah Alexander’s Relentless grassy shapes twist and dance as if they were alive, defying the nature of the iron that has been hand hammered and formed appears...

Alan Johnston (Scottish, born 1945), Untitled, 1988, cast bronze, edition of 2, cast #2 Incised A.J. 2/2 88 on underside Provenance: Jack Tilton Galler...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

Monumental Val Bertoia sculpture 60 Beryllium copper rods silvered in a brass base in two square columns. Makes a beautiful resonating tone. Title: 'Two walking squares for sounds...

This work titled "Elevate No. 4" is an original artwork by Huy Lam made of burnt wood and copper inlay. The piece measures 16" x 12" x 4.75". The sculpture may be displayed in multip...

Chloe Hedden’s Forget Me Not Blue Excess from her Excess series continues her exploration of Excessivism, using thick, sculptural paint to express themes of overindulgence and emotio...

'Flamingo' is an original springstone sculpture signed by the Zimbabwean artist Brian Nehumba. Brian was trained in the Shona stone carving tradi...

Here are three cut crystal obelisks with the unexpected pagodas appearing inside. By cutting stylized geometrics into the back the results in the fronts are truly magic.

In 1983, returning to one of his earliest concepts, the standing figure, Barrett cast five small upright pieces that would become the Grande series. Barrett’s work became more organ...

Joan Lurie Untitled #1 Pale Green Glazed Porcelain 23" x 12" x 10" 2019 Artists Statement: My interest is in exploring ways of building structural forms in ceramics. Many ideas for ...

MATT BILFIELD '2550-FLORAL-01 Diptych' 5,100 Painted Wooden Dowels and Architectural Plywood 58 x 8 in each panel 58 x 16 inches diptych size _________________ My creative jour...

Hand Built and glazed ceramic. Free standing, safe for outdoors. My interest in clay as an artistic medium began in 1984. Like most beginners in the medium, I focused on creating ...

"Golden Dreams" is a contemporary and parametric wall sculpture. Made from oil lacquer paint and acrylic mirror on carved maple, this body of work is c...

The ’Pumpkin' sculpture is a polka-dotted painted lacquer resin collectible art object by the legendary contemporary Artist, Yayoi Kusama. Published by Benesse Holdings, Inc., Naosh...

Artist: Ellen Brenner-Sorensen, American Year: circa 1970 Title: Abstract Medium: White Marble Sculpture Size: 24 x 18 x 18 in. (60.96 x 45.72 x 45.72 cm)

'Johnny' by Futura: Futura Figurative Pop Art Sculpture. The ‘Johnny’ vinyl art figure from NYC graffiti legend Futura is inspired by a classic 80s horror...

Eileen Braun delights in creating biomorphic or organic sculptural forms. Although they may look as though they're constructed of metal rods, they're actually created from rattan ree...

Drape in Blue by Ted VanCleave transforms a single sheet of metallic leather into a sinuous, process-driven study of material and form. Its creased, crinkled, and softly wrinkled sur...

Tarkka is an aggressive, angular minimalist, monochromatic contemporary wall sculpture. It is constructed with birch panels, acrylic washes, walnut hardwood and completed with a sem...

In the first of his newest series, Light-Glyphs, a range of colors illuminate the interior of translucent sculptural boxes. The color is muted and light diffused through frosted surf...

Custom handblown glass wall installation completed for a hospital in Atlanta, Georgia, in 2007 comprised of approximately 400 individual pieces...

This geometric wall sculpture features blue hues. Atlanta-based artist Mitchell Biggio’s “Fault” is a series of complex three-dimensional wall sculptures that navigate the expansiv...

"Jumble" Abstract Sculpture 64" x 18" x 18" in by Shawn Kolodny Medium: Stainless Steel & Automotive Paint Creating art to reflect the times we live in, Kolodny creates art for our...

"Fernande" by Kevin Barrett Large Abstract Wall Scupture in Aluminum Barrett is noted for creating unique, rhythmic, abstract indoor and outdoor sculptu...

NEW YORK NIGHTS, a ceramic relief sculpture of high-fired clay pigmented with oxides, is a work by artist Harold Wortsman. The relief is ready to be mo...

"Woman Figure" Ceramic Abstract Sculpture 10" x 4" inch by Lika Brutyan Medium: Clay, underglaze Lika Brutyan is American photographer, was born in a family of scientists and artis...

Miriam Sommerburg (American female artist, born Germany, Hamburg, 1900–1980 New York) Modernist Wood Carved Sculpture, Carving depictin...

'Stretching' is an original opal serpentine sculpture signed by the Zimbabwean artist Canaan Musiyiwa Ngandu. The sculpture presents an abstract figure in Ngandu's quintessential sty...

Ben Young Split Sea, 2021 Laminated Float Glass, Cast Concrete and Stainless Steel Frame

"Eidolon" Minimalist Abstract Metal Sculpture by Michael Enn Sirvet Nickel-plated steel About Michael Enn Sirvet's Eidolon Series This is a ghostly blade in reflective steel. Its o...

Abstract steel sculpture by Naomi Press. Signed with initials. Naomi Press is a female abstract sculptor, who was one of the very few women working in large scale with steel in the ...

Blue Elephant Artist signed and dated 23.3.2000 Walter Furlan was born (1931-2018) in Chioggia, a small town near Venice. He started to work in a furna...

"Geisha" by Abstract Metal Sculpture by Kevin Barrett Unique bronze Kevin Barrett is noted for creating unique, rhythmic, abstract indoor and outdoor sculpture and wall reliefs. Br...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

"SNAP PEA" Abstract Wall Sculpture 58" x 12" x 12" in by Shawn Kolodny Medium: Stainless Steel Creating art to reflect the times we live in, Kolodny creates art for our short atten...

Large scale one of a kind abstract bronze Mid-Century Modern sculpture commissioned by the CHICU corporation in LA and executed by Chicago artist Abbott Pattison in 1977. Masterful...

Angela Lane’s three-dimensional abstract canvases are organic structures that synthesize distinct elements. The core of the work is the painter’s pursuit ...

Folded Flat Linen 01 2016 Dimensions: H: 36 cm / W: 35 cm / D: 9 cm Materials: architectural wire mesh, raw linen Born in 1962 in Boulogne-Billancourt, France, Sebastien De Ganay studied political science and film at Columbia University in New York 1986-1990 ( (Bachelor of Political Science, Master of Fine Arts in Cinema) and is co-founder and editor of the art book publishing house onestar press. In addition to numerous exhibition participations, including the Centre Pompidou in Paris and the Landesmuseum Österreich in St. Pölten, Austria, the Institut Français in Vienna showed a comprehensive solo exhibition of the artist in 2014. In 2017, de Ganay realized a highly acclaimed installation for the Kunsthalle Krems. de Ganay lives and works in Austria. de Ganay produces minimalist abstract art works, painting, relief and wall sculpture. Sculptures made of aluminum, linen fabric, plastic, oil painting, wood and other materials. de Ganay joins a tradition of experimental artists. In this sense, for example, the Achromes by the Italian Arte-Povera artist Piero Manzoni, created in the 1960s, point the way for de Ganay's examination of folded linen fabric. "The process of de Ganay's Painting is the process of thought itself; it is a process which turns not away from painting, but towards it. And rather than seeing painting as closure, he presents his work to us as a space of multiple openings, layers, shadows and reflections. Painting is, as much as an object or a process, a state of flux." (Adrian Searle, art critic for The Guardian, London (1994)) In the style of Readymades and Arte Povera, de Ganay starts out from a simple utility material and combines this with an examination of the surface in the tradition of Minimal Art. He designed a limited edition chair "PLEASE" a “4 Piece Chair” customized by John Baldessari, Lawrence Weiner and Rirkrit Tiravanija. SELECT SOLO EXHIBITIONS: 2019 CRISS CROSS - Sébastien de Ganay, Raffaella della Olga, Galerie Steinek, Wien, Österreich "Flip, Flop, Flux", Galerie Ruzicska, Salzburg, Austria 2018 "und, und, und", rauminhalt harald bichler, Vienna, Austria 2017 "Fold on Fold", Häusler Contemporary, Lustenau, Austria "Transposition an Reproduction", Kunsthalle Krems in der Dominikanerkirche, Krems, Austria 2016 "Space on the Move", Hausler Contemporary, Zurich, Switzerland 2015 "Fold", Häusler Contemporary, Munich, Germany "Folded Flat" Galerie Ruzicska, Salzburg, Austria 2014 "Turn the green light on", Institut Français in Palais Clam-Gallas, Vienna, Austria "over again forever" Galerie Steinek, Vienna, Austria 2013 Sébastien de Ganay, "Carton Sculptures", rauminhalt harald bichler, Vienna, Austria St. Moritz Art Masters, Schlosserei, St. Moritz, Switzerland "you are here", Galerie Günter Salzmann, Innsbruck, Austria 2010 Presentation of the "All in one"-project, Galerie Renos Xippas, Paris, France 2009 "Catalogue", Daniel Abate Galeria, Buenos Aires, Argentina 2005 "Máscaras, más cajas, más caras", Daniel Abate Galeria, Buenos Aires, Argentina 2004 "Artist Quarterly", Sotheby’s, Vienna, Austria 2002 Galerie Jacqueline Rabouan-Moussion, Paris, France 2001 "Blanchiment d’argent et haute couture", Galerie Jacqueline Rabouan-Moussion, Paris, France SELECT GROUP EXHIBITIONS: 2019 "THE OTHER IS ONESELF", FRANZ JOSEFS KAI 3, Vienna, Austria "Sculptura", Iris Andraschek, Babi Badalov, Khaled Barakeh, Bernhard Cella, Adriana Czerni, Ramesch Daha, Sébastien de Ganay, Raffaella della Olga, Julius Deutschbauer, Sylvia Eckermann, Anna Jermolaewa, Bouchra Khalili, Thomas Locher, Jonathan Monk, Klaus Mosettig, Rudolf Polansky, Hans Schabus, Slavs & Tatars Gerold Tagwerker, Florian Unterberger, Costa Vece, Martin Walde, Lawrence Weiner, Nil Yalter...

Recycled textiles, thread, batting, glazed ceramic, metal table, spray paint 34 x 22 x 18 inches Artist Statement I hand-sew compound sculptural forms that are constructed from clot...

This sculpture is titled "Sounds Like A Tall Tower" and is crafted from 49 silicon-bronze rods affixed with silver to a solid brass base. The work was created in 2014 by Val Bertoia ...

Hand Forged Iron Stone Mosaic Pricket Sconce Candelabra Holocaust Memorial Judaic Wall Sconce Sculpture David Palombo was an Israeli sculptor and painter. He was born in Turkey a...

Medium: Charred wood dye and lacquer As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the ...

"Coral Orchid" by Rogan Brown Laser and hand cut paper, framed in a plexiglass shadow box Available by commission. Please allow 8-12 weeks production time. Rogan Brown creates abstr...

"The Wall" by Dwight Davidson is an original, handmade glazed stoneware sculpture that depicts a herd of cows attempting to pile up and climb over a brick wall.

Judy Chicago Logo Pin and Pendant, 1993 Enameled pin with pendant loop in original presentation box 2 1/2 × 2 1/2 × 1/5 inches Judy Chicago's incised name and date on the verso Comes...

Wheel, Christie Joy, willow, beeswax, damar resin, 24.25” x 28” x 9”, 2013. This abstract woven willow sculpture was created by American fiber artist, Ch...

Measures about 4.25 X 2.25 inches. Box frame is 17 X 13 inches. Signed by artist verso. From the literature that I have seen I believe the edition size was limited to 10, I do not kn...

This beautiful laser cut sculpture is part of Ilanit`s Calligraphy series. It is made of laser cut aluminium and covered with automotive paint. The pieces can be hung horizontally or vertically as seen in the images. The length of each piece is 20.5" and each has a different height: 25.5", 27.5" and 28.3". The size written in the description of the work is if all 3 are placed horizontally with 6" gap in between them. The pieces can also be custom sized!!! As all of Ilanit`s works, this work is based on a poem Ilanit wrote. At first, it looks as an abstract wall sculpture, but as you dive into it you start recognizing the Hebrew letter of the poem. The words of the poem that are hidden in this work are: "Excuse/ pardon me miss, Where did you say it feels good...

Multi dimensional tower sculpture (polymorph screen print on folded PVC) on brass base. Hand signed by Yaacov Agam. Hand numbered 66/150 (slightly faded - see pic). Size: 34.25 x ...

"Cocoon (1990)" by Suzanne Anker Suzanne Anker (born August 6, 1946) is an American visual artist and theorist. Considered a pioneer in Bio Art. She has been working at the relationship of art and the biological sciences for more than twenty five years. Her practice investigates the ways in which nature is being altered in the 21st century. Concerned with genetics, climate change, species extinction and toxic degradation, she calls attention to the beauty of life and the "necessity for enlightened thinking about nature’s 'tangled bank'.” Anker frequently works with "pre-defined and found materials"botanical specimens, medical museum artifacts, laboratory apparatus, microscopic images and geological specimens. Suzanne Anker was born in Brooklyn, New York on August 6, 1946. She earned a B.A. in Art from Brooklyn College of the City of New York and an M.F.A. from the University of Colorado in Boulder (1976). She also completed independent Studies with Ad Reinhardt (1966-1967) and studied at the Brooklyn Museum Art School (1968). She lives with the artist Frank Gillette in Manhattan and East Hampton, NY. During the mid 70s to the mid 80s, Anker worked almost exclusively on sculptural handmade paper reliefs. She started papermaking in 1974 on the basis of reading Dard Hunter's and Claire Romano's books. In 1975 she worked with Garner Tullis at the Institute of Experimental Printmaking in Santa Cruz, California. The paper reliefs produced at his institute were exhibited at the Martha Jackson Gallery in New York City in 1976.[ The same year, she participated in the North American Hand Papermaking exhibition organized by Richard Minsky at the Center for Book Arts in New York City. From a background as a printmaker, Anker initially worked with cast paper, made in latex molds. Subsequently, she incorporated limestone and fossils in her experiment with combinations of paper and stone. For her 1979 solo exhibition at the Walker Art Center, Anker installed large limestone planks that extended from the interior to the exterior of the gallery. The same year, she presented an installation of limestone and its residual chalk dust at P.S. 1’s "A Great Big Drawing Show" curated by Alanna Heiss with artists Vito Acconci, Alice Aycock, Frank Gillette, Sol LeWitt, Robert Morris, Bruce Nauman, Dennis Oppenheim, Richard Serra, and others. Suzanne Anker is considered "one of the pioneers in the broader field of art, science, and technology", particularly in the burgeoning field of Bio Art. In 1994, Suzanne Anker curated Gene Culture: Molecular Metaphor in Visual Art – one of the first art exhibitions on the subject of art and genetics – at Fordham University’s Lincoln Center Campus in New York. The exhibition investigated "the ways in which genetic imaging operates as aesthetic signs". From 2004 to 2006, Suzanne Anker hosted twenty episodes of the Bio-Blurb Show, a 30-minute-long internet radio program originally broadcast on WPS1 Art Radio, in collaboration with MoMA. The show focused on the intersection of art and the biological sciences, and the ethical and aesthetic dimensions therein. It is currently archived on Alanna Heiss’ Clocktower Productions. In 2006, Anker co-curated the exhibition Neuroculture: Visual Art and the Brain, at the Westport Arts Center with Giovanni Frazzetto. The exhibition presented an investigation of aspects of the human brain, and its attendant representations. Suzanne Anker is the Chair of the School of Visual Arts (SVA)'s BFA Fine Arts Department in New York City (2005-present). She previously chaired the SVA BFA Art History Department (2000-2005). In 2011, Anker founded the SVA Bio Art Lab, the first Bio Art laboratory in a Fine Arts Department in the United States. The SVA Bio Art Lab is located in Chelsea, New York City and has been conceived as a place where "scientific tools and techniques become methodologies in art practice". Anker has participated in lectures and symposia in prominent institutions around the world, including Harvard University, Boston; University of Cambridge, Cambridge, UK; Yale University, New Haven; Art-Sci UCLA, Los Angeles; Maryland Institute College of Art (MICA), Baltimore; Rensselaer Polytechnic Institute, New York; Museum of Arts and Design, New York; Nanyang Technological University, Singapore; London School of Economics, London; European Molecular Biology Laboratory- EMBL, Monterotondo, Italy; Max Planck Institute of Molecular Cell Biology and Genetics, Dresden; Leiden University, NL; Hamburger Bahnhof, Berlin; Dundee Contemporary Arts, Dundee; Courtauld Institute of Art, London; Banff Art Center, Alberta; The National Academies of Sciences, Engineering, and Medicine, Washington, D.C.; Berlin-Brandenburg Academy of Sciences and Humanities, Berlin;[ University of Amsterdam, NL; New York Academy of Sciences, Institute for the Humanities, New York University; DLD, Munich. Selected artworks Gene Pool Anker’s interests in the natural world extended her investigation into the microscopic domain of chromosomes and genes. Appropriating scientific images, she created Gene Pool in 1991, a body of work that includes suspended pigment on large vellum sheets and expansive sculptural arrays employing metallic fibers of stainless steel, copper, aluminum and bronze. Other works that reflect scientific representations of chromosomes include Chromosome Chart of Suzanne Anker –a presentation of her own DNA sequence as a self-portrait– and Cellular Script, in which she displays chromosome patterns as a kind of calligraphy. Biota (2011) is a sculptural installation by Suzanne Anker composed of porcelain sculptures and silver-leaf figurines. The porcelain objects are fabricated by immersing natural sea sponges into a mixture of kaolin, feldspar, and quartz. "The organic material of the sponge burns away in the process, leaving behind only the perfect replica of nature". Exhibitions Selected one-person exhibitions "The Biosphere Blues Mending an Unhinged Earth", O'NewWall, Seoul, Korea (2017). “Culturing Life”, Sam Francis Gallery...

Bronze sculpture with patina on base. Incised "Moore" outer right leg. Executed in 1952-1953, this work is from an edition of 9 plus 1 artist's proof. Size approx 8.25 x 3.5 x 4 in...

David Patchen creates vivid and luminous glass works using the time-honored techniques of cane and murrine glass blowing, originally discovered in the glass blowing studios of Venic...

Typewriter Machine Guns by Eric Nado - "Remington Rand A - Mitra Lettres" is created from very unusual material - a vintage typewriter. The series ...

Mario Almaguer (b. Marianao, Cuba, 1955) He moved to the U.S. in 1994 to Miami where since has been living and working. Essentially self-taught, he embraced sculpture as his mean for expression. Without any kind of formal academic education or training in the arts, perseverance and praxis made him an artist. His work has been influenced by cuban master Agustin Cardenas and british Henry Moore. In his early years until 1994 he produced a large amount of small and medium scale wooden sculptures. From 1994 to the present, Almaguer creates and produces steel sculptures. It's with his works on steel where he encounters a strong expression with a striking liberty hard to deliver in wood. His monumental sculptures were recently exhibited at Miami Dade...

Trinity 2025 Edition 2/10 Brushed aluminum, clear coated, each piece spins 360 degrees, the sculpture is 4 parts base and 3 irregular circles each on a pin. Dimensions 58"x19"x base...