Continental US - Abstract Sculptures
to
565
2,174
979
743
481
1,806
Overall Width
to
Overall Height
to
2
7
1,000
5,169
2
2
4
6
13
22
95
162
222
189
2,348
2,103
511
187
102
27
27
24
11
9
6
1
1
37
19
13
11
9
8
7
7
5
5
5
5
4
4
4
4
3
3
3
3
2,774
1,377
1,247
876
772
119
111
91
68
61
6
4
6,188
6,189
1,971
Item Ships From: Continental US
Woodfall
Located in Indianapolis, IN
Signature branded to base. Signed, dated, and titled underneath.
Note: Hubert Long's work is in the collection of the Storm King Art Center, and he exhibited at Guild Hall, East Ham...
Category
20th Century Constructivist Continental US - Abstract Sculptures
Materials
Wood, Driftwood
Bodies at Rest #6, Small Ceramic Abstract Sculpture, White
By Paige Stewart
Located in SEATTLE, WA
Bodies at Rest #6, is a one-of-a-kind, ceramic abstract figurative sculpture by Paige Stewart in a creamy neutral glaze is an abstracted figural form that captures how the laws of p...
Category
2010s Abstract Geometric Continental US - Abstract Sculptures
Materials
Ceramic, Glaze
60s Kadishman Israeli sculpture in steel or aluminum Suspension
By Menashe Kadishman
Located in Surfside, FL
Beautiful table top sculpture by renowned Israeli sculptor Menashe Kadishman. Super quality, and visually stunning. it is signed and numbered and dedicated Janet love george
Menashe ...
Category
1960s Modern Continental US - Abstract Sculptures
Materials
Stainless Steel
Chimera Bad
By Niki Singleton
Located in Los Angeles, CA
Acrylic, oil, paper collage, car side mirror, branches, chimes, rag,
clock radio
(Instructions: Press “on” button on side of radio to turn on. Tune to suitable station)
A pa...
Category
21st Century and Contemporary Conceptual Continental US - Abstract Sculptures
Materials
Acrylic, Mirror, Mixed Media, Oil, Rag Paper
Patricia Miranda, Pearls Before Swine 2020, cochineal dyes, pages, sewn pearls
By Patricia Miranda
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research.
Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium.
The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth.
Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio.
She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth.
Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace.
Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category
2010s Feminist Continental US - Abstract Sculptures
Materials
Thread, Dye, Found Objects
Estate of David Hayes_Form Study_plaster coated cut styrofoam_abstract sculpture
By David Hayes
Located in Darien, CT
ODETTA is pleased to offer this important sculpture from the Estate of David Hayes.
David Vincent Hayes (March 15, 1931 – April 9, 2013) was an American sculptor..
These Form Studi...
Category
1970s Abstract Continental US - Abstract Sculptures
Materials
Plaster, Polystyrene, Acrylic
Estate of David Hayes_Form Study_carved plaster of paris_1970_abstract sculpture
By David Hayes
Located in Darien, CT
ODETTA is pleased to offer this important sculpture from the Estate of David Hayes.
David Vincent Hayes (March 15, 1931 – April 9, 2013) was an American sculptor..
Hayes received a...
Category
1970s Abstract Continental US - Abstract Sculptures
Materials
Plaster
Kiss, Contemporary Ceramic Sculpture by Mirkò Guida
By Mirko Guida
Located in Long Island City, NY
Artist: Mirkò Guida (Italian, b. 1980)
Title: Kiss
Year: 2006
Medium: Painted terracotta artistic vase, signed and dated
Size: 31 x 19 x 13 in. (78.74 x 48.26 x 33.02 cm)
Category
Early 2000s Cubist Continental US - Abstract Sculptures
Materials
Ceramic, Terracotta
$7,000 Sale Price
20% Off
“Lozenge Land 2” Modern Abstract Blue, Green, and Orange Dimensional Op Art
By Jeremy Kidd
Located in Houston, TX
Modern blue, green, and orange abstract op art landscape. Through using 3-dimensional elements and realistic shading techniques, Kidd is able to great an undulating, futuristic lands...
Category
Early 2000s Op Art Continental US - Abstract Sculptures
Materials
Resin, Plaster, Acrylic, Wood Panel, Digital
"Diary (2303), " Mixed Media Mosaic, 2023
Located in Chicago, IL
Intricate, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technica...
Category
21st Century and Contemporary Contemporary Continental US - Abstract Sculptures
Materials
Marble
Gourd Vessels (Trio)
By Michael Boroniec
Located in East Quogue, NY
Set of 3 black ceramic gourd sculptures by Michael Boroniec - ceramic, glaze
Dimensions:
Left. 17.25 x 4.5 x 4.5 in
Center. 24.5 x 6.5 x 6.5 in
Right: 20.5 x 5.25 x 5.25 in
Michael Boroniec’s "Gourd Vessels" are works that stem from a long tradition of emulating the gourd in utilitarian wares since the Neolithic age. The works are wheel thrown with a localized clay body found in Berkshire County...
Category
2010s Contemporary Continental US - Abstract Sculptures
Materials
Ceramic, Glaze
"Molten Axis" Abstract Sculpture 48" x 18" x 18" in by Shawn Kolodny
By Shawn Kolodny
Located in Culver City, CA
"Molten Axis" Abstract Sculpture 48" x 18" x 18" in by Shawn Kolodny
Medium: Steel and Automotive Paint
Creating art to reflect the times we live in, Kolodny creates art for our sh...
Category
21st Century and Contemporary Pop Art Continental US - Abstract Sculptures
Materials
Stainless Steel
Lapis 177 - white blue 3D abstract floral geometric ceramic wall composition
By Marie Laforey
Located in New York, NY
Marie Laforey is a self-taught artist based in New York, US who maintains a sustainable art practice using primarily organic material. Laforey enjoys the tactility of working with or...
Category
2010s Contemporary Continental US - Abstract Sculptures
Materials
Clay
"Queen Elizabeth, " Abstract Ceramic Vase
Located in Westport, CT
This small abstract vessel by Connecticut-based ceramicist, Jon Puzzuoli, is made with glazed ceramic and 18k gold luster. The bottom, matte white base of the vessel is exposed under...
Category
2010s Abstract Continental US - Abstract Sculptures
Materials
Gold
Bruno Mars and Jennifer Lopez, Diptych. Tridimensional Wall Sculpture Portrait
By Cristian Hunter
Located in Miami Beach, FL
This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter.
The artist's technique consists...
Category
2010s Contemporary Continental US - Abstract Sculptures
Materials
Acrylic, Photographic Paper, Black and White, Archival Pigment
"Green Tree, " Mixed Media Mosaic, 2023
Located in Chicago, IL
Intricate, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technical art of mosaic making. Clas...
Category
21st Century and Contemporary Contemporary Continental US - Abstract Sculptures
Materials
Marble
LXXV, Abstract Marble Sculpture by Domenico Casasanta
By Domenico Casasanta
Located in Long Island City, NY
This piece is a unique hand-carved white marble Modern sculpture by Spanish-Venezuelan artist, Domenico Casasanta. The artist uses simple...
Category
2010s Continental US - Abstract Sculptures
Materials
Marble
Marbles for Atlas 8
Located in Santa Fe, NM
Hand Built and glazed ceramic. Free standing, safe for outdoors.
My interest in clay as an artistic medium began in 1984. Like most beginners in the medium, I focused on creating ...
Category
2010s Abstract Continental US - Abstract Sculptures
Materials
Ceramic
Abstract Sculpture_Halfway Around the World_Matt Devine_Steel/Powdercoat/Marble
By Matt Devine
Located in Laguna Beach, CA
Matt Devine
1763 Study #1
Steel w/ Powdercoat on Marble Base (Indoors Only)
24" x 10" x 8"
Matt Devine is a self-taught sculptor working with steel, aluminum and bronze. Born and r...
Category
2010s Abstract Continental US - Abstract Sculptures
Materials
Marble, Steel
$5,280 Sale Price
20% Off
Golden Apples 41
Located in Santa Fe, NM
Hand Built and glazed ceramic. Free standing, two pieces (sphere and stand).
My interest in clay as an artistic medium began in 1984. Like most beginners in the medium, I focused ...
Category
2010s Abstract Continental US - Abstract Sculptures
Materials
Ceramic
Squamae V - red, silver and white 3D abstract geometric ceramic wall composition
By Marie Laforey
Located in New York, NY
Marie Laforey is a self-taught artist based in New York, US who maintains a sustainable art practice using primarily organic material. Laforey enjoys the tactility of working with or...
Category
2010s Contemporary Continental US - Abstract Sculptures
Materials
Clay
Gil Scullion, You First, 2017, 20 sheets of stacked hand-cut paper
By Gil Scullion
Located in Darien, CT
Where do we come from? Where are we going? What the hell is going on here? 2017-2018 Hand cut paper in wood box
Gil Scullion’s conceptual text-based work has been featured in exhibi...
Category
2010s Conceptual Continental US - Abstract Sculptures
Materials
Paper
The cover of Newsweek - 2
Located in New York, NY
Title: The cover of Newsweek - 2
Materials: Magazines, Books, Iron Mesh, Transparent sealing materials
Size: 31.4 × 33.4 × 1 inches
Rarity: Unique
Medium: Mixed Media
Signature: Can ...
Category
2010s Contemporary Continental US - Abstract Sculptures
Materials
Iron
"Study in Monochrome (II)" Abstract Sculpture 44" x 10" x 10"in by Shawn Kolodny
By Shawn Kolodny
Located in Culver City, CA
"Study in Monochrome (iI)" Abstract Sculpture 44" x 10" x 10"in by Shawn Kolodny
Medium: Steel
Automotive Paint
Shawn Kolodny is a Miami-based artist renowned for his immersi...
Category
21st Century and Contemporary Pop Art Continental US - Abstract Sculptures
Materials
Steel
"Quiet", Abstract, Gestural, Ceramic, White, Cream, Teal, Stoneware, Sculpture
By Sara Fine-Wilson
Located in Franklin, MA
Sara Fine-Wilson's "Quiet" is a gestural 17 x 12 x 7.5 inch ceramic sculpture in white and cream with accents of teal. It is constructed out of white stoneware and layered semi matte...
Category
2010s Contemporary Continental US - Abstract Sculptures
Materials
Stoneware, Glaze
"His Name Was Writ in Acrylic Paint" - Abstract Assemblage
By Michael Pauker
Located in Soquel, CA
Abstract expressionist oil painting with assembled objects by Bay Area artist Michael Pauker (American, b. 1957). Splashes of gold paint are applied to a wood panel, with a few bits of burnt umber. Several objects - including a paint tube, cotton balls, and a miniature painting - are attached to the panel.
Signed "Michael Pauker", titled "His Name Was Writ in Acrylic Paint", and dated "2017" on verso.
There is a note from the artist that this is the top of a two-part piece, but the whereabouts of the bottom half are unknown.
Unframed.
Image size: 20"H x 24"W
Bay Area artist and art educator Michael Pauker was born in New York in 1957 and knew he wanted to be an artist from the age of 15. He earned a Bachelor’s in Fine Arts at SUNY Purchase in his native state of New York. In 1989 he went on to earn an M.F.A at Mills College in Oakland and was awarded the City of Oakland Artist Fellowship in Painting. He has been a Bay Area resident since 1988. His work has been exhibited widely across the U.S., as well as in Japan and Costa Rica, and is included in the collection of the Fine Arts Museums of San Francisco.
Exhibitions include:
2007 Contemporary Art Museum, San Jose, Costa Rica
2007 “The Ebay Art Project,” Works/San Jose, San Jose, CA
2003 “Found Imagery: The Art of Collage,” Fresno Art Museum,Fresno, CA
2003 “Cut, Copy, Paste,” De Saisset Museum, Santa Clara, CA
2003 “20th Annual Exhibition,” Berkeley Art Center, Berkeley, CA
2002 “40 by 40...
Category
21st Century and Contemporary Abstract Expressionist Continental US - Abstract Sculptures
Materials
Glass, Plastic, Paper, Found Objects, Cotton, Wood Panel
$680 Sale Price
20% Off
Charles Birnbaum, 371_Wall Piece No.19_2017_porcelain_19x13x5 in_Visionary
By Charles Birnbaum
Located in Darien, CT
Charles Birnbaum is a sculptor and a self-taught photographer. He graduated from Kansas City Art Institute where he studied ceramics and was one of a select group of the esteemed Ken...
Category
2010s Baroque Continental US - Abstract Sculptures
Materials
Porcelain
The Other Side of the Moon
By John McQueen
Located in Wilton, CT
white pine bark and vine
Category
1990s Contemporary Continental US - Abstract Sculptures
Materials
Wood
#104
Located in Dallas, TX
stainless steel wall sculpture
Category
2010s Abstract Continental US - Abstract Sculptures
Materials
Steel
$5,900
"WavyBlue" Wall Sculpture-wood, orange, red, navy, blue, modernism, mid century
By Scott Troxel
Located in Marmora, NJ
"WavyBlue" is a minimalist and modernist maple wood wall sculpture that brings bold statement to wherever it is placed. The piece was inspired by my love for
simple bold colors and...
Category
2010s Modern Continental US - Abstract Sculptures
Materials
Wood, Paint
American Modernist Abstract Expressionist Oil Painting Carving William Pellicone
Located in Surfside, FL
William Pellicone (American 1915-2004)
Mixed media, pyrography, oil on wood carving painting. Dated 1958
Title - Enthymeme #14.
Oil painting on carved and burnt distressed wood panel.
Inscribed verso Enthymeme Wm. Pellicone #14, 9-4-58.
Label on reverse with a typed definition for Enthymeme.
Dimensions: 27 inches high, 42.5 inches wide.
Metal wrap frame.
Provenance: from a Shelter Island NY home that was designed by architect Henry J. Gazon - A.I.A. built in 1959.
William Pellicone (1915-2004) was an American painter known for his abstract compositions and use of vibrant colors. He was born in New York City and studied at the Art Students League and the Brooklyn Museum Art School. Pellicone's early work was influenced by the Social Realist movement of the 1930s and 1940s, with his paintings often featuring realistic depictions of urban scenes and working-class people. However, in the 1950s he shifted towards abstraction, exploring the interplay of color and form. Pellicone's mature style was characterized by his use of vibrant, saturated colors, often applied in thick layers of paint. His paintings often featured geometric shapes and organic forms, with a strong sense of movement and energy. In addition to his painting, Pellicone was also a respected teacher and arts administrator. He taught at the New York Institute of Technology and the State University of New York, and served as the director of the Islip Art Museum on Long Island. Pellicone's artwork was exhibited widely during his lifetime, and he was the recipient of numerous awards and honors, including a National Endowment for the Arts grant in 1977. Today, his paintings can be found in the collections of museums and galleries around the world, including the Smithsonian American Art Museum in Washington, D.C. and the Metropolitan Museum of Art in New York.
William Pellicone (Born 1915) is active/lives in New York. William Pellicone is known for Abstract expressionist, landscape and non-objective art. An American artist, sculptor, architect. He exhibited at Pennsylvania Academy Fine Arts...
Category
1950s Abstract Expressionist Continental US - Abstract Sculptures
Materials
Wood, Oil
Jo Yarrington, Mute-Ability_Composition 1, 2019_acrylic, steel, player piano rol
By Jo Yarrington
Located in Darien, CT
Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others.
International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia.
Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others.
International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City.
STATEMENT
In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components.
In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...
Category
2010s Conceptual Continental US - Abstract Sculptures
Materials
Steel
Rock Wall – Vibrant Painted Sculptural Wall Installation of Organic Shapes
Located in New York, NY
“Rock Wall” is a vibrant wall-mounted installation by contemporary artist Ray Beldner. Each of the 18 sculptural forms—resembling abstract, painted rocks—is individually crafted from...
Category
2010s Modern Continental US - Abstract Sculptures
Materials
Foam, Mixed Media, Archival Paper, Polyurethane
Jo Yarrington, Mute-Ability_Composition 3, 2019_acrylic, steel, player piano rol
By Jo Yarrington
Located in Darien, CT
Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Y...
Category
2010s Conceptual Continental US - Abstract Sculptures
Materials
Steel
"Milky Jumble", Contemporary, Gestural, Ceramic, Stoneware, Cream, Sculpture
By Sara Fine-Wilson
Located in Franklin, MA
Sara Fine-Wilsons ”Milky Jumble” is a gestural 12.5 x 10 x 8 inch ceramic sculpture in shades of brown, white and cream. In this powerful and evocative sculpture individual slab and ...
Category
2010s Abstract Continental US - Abstract Sculptures
Materials
Stoneware, Glaze, Clay
"Ship", from Life in Venice series
Located in Indianapolis, IN
This piece is unique in a series of only seven made. Wall-hanging sculpture, Torino, Italy, ca. 1965; Copper-washed ironwork and welded spill castings, metallic enameled copper; sign...
Category
Mid-20th Century Modern Continental US - Abstract Sculptures
Materials
Metal, Copper, Enamel
Zebrawood Torso Beige Totemic Classical Woodgrain Exotic Rare
By David Hostetler
Located in Nantucket, MA
20th Century Goddess is carved zebrawood on a black painted base 4"h x 6"diameter with a total height of 28 inches. She is a part of a series of this torso form with the tallest bein...
Category
Early 2000s Abstract Continental US - Abstract Sculptures
Materials
Wood
"Dark Star No. 1", Organic, Abstract Bronze Metal Sculpture, Tabletop Size
By Norman Mooney
Located in New York, NY
"Dark Star #1" by Norman Mooney
Edition of 10 + 2AP
Blackened bronze
In 1994 Mooney moved from Ireland to New York City and has been exhibiting locally and ...
Category
2010s Abstract Continental US - Abstract Sculptures
Materials
Metal, Bronze
The Time of Our Time Has Come and Gone, 2018, Gaffer tape on floor
By David Borawski
Located in Darien, CT
David Borawski lives and works in Hartford, Connecticut, and received his BFA from the Hartford Art School of the University of Hartford.
A multi-media installation artist, his work...
Category
2010s Conceptual Continental US - Abstract Sculptures
Materials
Tape
Red Coral Specimen on a Lucite Base
Located in Palm Beach, FL
Lofty organic red coral specimen with its ocean inspired alluring color and dramatic form. One of mother natures most iconic creations. Presented on a lucite base to enhance the scul...
Category
21st Century and Contemporary Abstract Continental US - Abstract Sculptures
Materials
Organic Material
Multicolor Brown Vase, Contemporary Blown Glass Sculpture by David Ruth
By David Ruth
Located in Long Island City, NY
Multicolor Brown Vase
David Ruth, American
Date: circa 1981
Blown Glass, Signed
Size: 8.5 x 3.25 x 3.25 in. (21.59 x 8.26 x 8.26 cm)
Category
1980s Abstract Continental US - Abstract Sculptures
Materials
Blown Glass
Liz Sweibel, Untitled (Scrapings #2), 2016, Wood, Paint, Found Objects
By Liz Sweibel
Located in Darien, CT
The freestanding sculptures in this portfolio are made from the “sticks”: a pile of found wood that Sweibel has been pulling from to make new works since about 2002. The pile consisted of more than a dozen four- to seven-foot lengths of hardwood, each an uneven inch in depth and width. The sticks were warped, with worn yellow paint on one side and raw wood on the other three. Over the years she has painted the raw sides of the sticks, cut the wood into shorter lengths, and sliced paint off – and kept the residue from these actions. Sweibel has also made sculptures ranging from full-length sticks to tiny stick splinters. She built these sculptures using sliced-off paint.
Timeworn materials and objects have an intelligence that the artist looks for and listens to. Shaping and reshaping material to find new form and elicit new insights in the material itself is the territory she is mining. The limitations of the process are its strengths. Her work is concerned with fragility, precariousness, adaptability, and strength. It is a visual response to powerful yet unseen forces - like wind and thoughts - that threaten, propel, ruin, and protect.
Liz Sweibel is a multidisciplinary artist working in drawing, sculpture, installation, and digital photography and video. Her spare, personal language of abstraction transforms ordinary materials into statements about connectedness and responsibility: every action has an impact, the effects persist in space and over time, and we are accountable. By drawing attention to simple, ordinary “stuff of life” and referencing both shared and personal history, Sweibel’s work explores and reflects back fundamental experiences in response to our world and relationships. Her intention is to reinvigorate viewers’ awareness of the everyday – in its raw beauty and precariousness – in hopes that they might bring heightened senses of sight and care to their daily lives.
Sweibel has participated in solo, two-person, and group exhibits in New York, Massachusetts, Maine, Connecticut, Michigan, and Tennessee since 1998. In 2016, Sweibel’s work was in the group shows Lightly Structured at Sculpture Space NYC, Precarious Constructs at the Venus Knitting Art...
Category
2010s Abstract Expressionist Continental US - Abstract Sculptures
Materials
Wood, Paint, Found Objects
Untitled (0389), 2022, colorful, abstract collage
By Linda Schmidt
Located in New York, NY
Linda Schmidt’s fabric sculptures intertwine public and private, luxury and common. There is a sense of egalitarianism present in both the way Schmidt so...
Category
2010s Abstract Continental US - Abstract Sculptures
Materials
Fabric, Thread, Plastic, Pins
Jose Soto, FOCUS II, 2016, Birch, Paint
By Jose Soto
Located in Darien, CT
FOCUS is a public art sculpture about the viewer’s growing visual perception and bodily experience. It consists of two large rectangular-shaped pieces, one placed in a vertical posit...
Category
21st Century and Contemporary Abstract Geometric Continental US - Abstract Sculptures
Materials
Birch, Paint
"Roland, " George Sugarman, Abstract Steel Sculpture
By George Sugarman
Located in New York, NY
George Sugarman (1912 - 1999)
Roland, 1970
Patinated steel
17 3/8 x 16 x 5 1/4 inches
Incised with the artist's signature and numbered "15/17" on the underside
Manufactured by Lippin...
Category
1970s Abstract Continental US - Abstract Sculptures
Materials
Steel
"Outlier" Monochrome Wood Wall Sculpture - tan, gold, black, elegant, modern
By Scott Troxel
Located in Marmora, NJ
"Outlier" is a modern, minimalist, wood wall sculpture made from birch, washed and metallic acrylic and finished with furniture wax. The paint has been sanded back on the edges of th...
Category
2010s Modern Continental US - Abstract Sculptures
Materials
Wood, Paint
$1,680 Sale Price
30% Off
Liz Sweibel, Untitled (Splinter 2 ), 2014, Wood, Paint, Found Objects
By Liz Sweibel
Located in Darien, CT
Liz Sweibel primarily makes sculpture, installations, and drawings. She uses a spare, personal language of abstraction to explore liminal spaces and unseen forces: wind, history, va...
Category
2010s Minimalist Continental US - Abstract Sculptures
Materials
Wood, Paint, Found Objects
Andra Samelson, Microcosm 2, 2016, Canvas, Wood, Found Objects, Acrylic Paint
By Andra Samelson
Located in Darien, CT
Andra Samelson’s work explores the relationship of microcosm and macrocosm, the celestial and terrestrial. Her imagery is often associated with molecular and galactic systems. Combin...
Category
2010s Abstract Geometric Continental US - Abstract Sculptures
Materials
Canvas, Wood, Found Objects, Acrylic
Patricia Miranda, Sentinella, 2020, Battinger lace, synthetic dyes, cast plaster
By Patricia Miranda
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research.
Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium.
The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth.
Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio.
She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth.
Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace.
Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category
2010s Feminist Continental US - Abstract Sculptures
Materials
Fabric, Dye, Plastic
Assemblage #1 (Porcelain, Glass Slide, and Tape)
By Michael Pauker
Located in Soquel, CA
Abstract expressionist oil painting with assembled objects by Bay Area artist Michael Pauker (American, b. 1957). Unsigned, but was acquired with a collection of his work. Unframed. ...
Category
21st Century and Contemporary Abstract Expressionist Continental US - Abstract Sculptures
Materials
Oil, Porcelain, Glass, Wood, Tape
Jo Yarrington, See-matics - Voice, 2019, acrylic, 9 x 22 inches
By Jo Yarrington
Located in Darien, CT
Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Y...
Category
2010s Conceptual Continental US - Abstract Sculptures
Materials
Plexiglass
One Step Forward edition 1/9 Bronze Sculpture
Located in Lake Worth Beach, FL
One Step Forward edition 1/9 Abstract Bronze Sculpture
Deborah Stern (British / Florida, born 1938), bronze abstract sculpture with a curved triangular form and central void. Incise...
Category
1970s American Modern Continental US - Abstract Sculptures
Materials
Bronze
Indian Bronze Elephant Bell
Located in Palm Beach, FL
Elephant bell and clapper that rings with a deep rich tone and cast in bronze. Having acquired a verdigris patina and presented on a rustic wood and hide swing.
Category
Early 20th Century Aesthetic Movement Continental US - Abstract Sculptures
Materials
Bronze
Patricia Miranda, Lamentations for Rebecca; 2020, lace, cochineal dye, thread
By Patricia Miranda
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research.
Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium.
The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth.
Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio.
She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth.
Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace.
Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category
2010s Feminist Continental US - Abstract Sculptures
Materials
Ceramic, Fabric, Thread, Dye, Found Objects
Emerald Green Excess (impasto thick painting monochrome pop art square design)
By Chloe Hedden
Located in Quebec, Quebec
*For questions, special requests or commission inquiries, please text the gallery directly using ASK THE SELLER button. Grouping of 3 paintings is $2000 and of 4 paintings is $2500.
...
Category
2010s Pop Art Continental US - Abstract Sculptures
Materials
Wood, Acrylic
"Ceramic Box with Lid" Stoneware Cream Glaze w/ Organic Attachments
By Gawaine Dart
Located in Detroit, MI
ONE WEEK ONLY SALE
The rich tones of the stoneware clay come through the soft creamy glaze that drips over the surface like melted vanilla ice cream over red devil cake. There are i...
Category
1980s Continental US - Abstract Sculptures
Materials
Ceramic, Stoneware, Glaze
Lip Service, Contemporary Ceramic Sculpture by Joe DiStefano
Located in Long Island City, NY
Lip Service
Joe DiStefano, American (1940–2020)
Ceramic Vase, Signed
Size: 8 x 14 x 6.5 in. (20.32 x 35.56 x 16.51 cm)
Category
1980s Abstract Continental US - Abstract Sculptures
Materials
Ceramic
Asterie
By Donald Martiny
Located in Westport, CT
Donald Martiny’s signature work is composed of dispersed pigment on aluminum. He creates immediately frozen brushstrokes that are made from his own movements. They are defined by the...
Category
2010s Abstract Continental US - Abstract Sculptures
Materials
Acrylic Polymer, Pigment
$26,250
Spoon to Shell 1003 - Mixed Media Shell Wood Contemporary Assemblage Sculpture
Located in New York, NY
Linda Stein, Spoon to Shell 1003 - Mixed Media Shell Wood Contemporary Assemblage Sculpture
Spoon to Shell 1003 is from Linda Stein's Holocaust Heroes: Fierce Females series, which ...
Category
2010s Contemporary Continental US - Abstract Sculptures
Materials
Metal
Spoon to Shell 1023 - Mixed Media Shell Wood Contemporary Assemblage Sculpture
Located in New York, NY
Linda Stein, Spoon to Shell 1023 - Mixed Media Shell Wood Contemporary Assemblage Sculpture
Spoon to Shell 1023 is from Linda Stein's Holocaust Heroes: Fierce Females series, which ...
Category
2010s Contemporary Continental US - Abstract Sculptures
Materials
Metal
