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Item Ships From: Continental US
Mini moon 1.5 - J. Margulis - kinetic wall sculpture
By Jose Margulis
Located in New York, NY
This unique piece by Margulis is from his latest body of works and is part of an edition of 9. After assembling the Plexiglas sheets onto the aluminium core, he uses acrylic paints t...
Category
21st Century and Contemporary Contemporary Continental US - Abstract Sculptures
Materials
Stainless Steel
Jo Yarrington, See-matics - Voice, 2019, acrylic, 9 x 22 inches
By Jo Yarrington
Located in Darien, CT
Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Y...
Category
2010s Conceptual Continental US - Abstract Sculptures
Materials
Plexiglass
Untitled #1
By Arnold A. Grossman
Located in San Francisco, CA
This artwork titled "Untitled #1" c.1980 is a painted wood bas-relief by noted California artist Arnold A. Grossman, 1923-2016. It is signed at the lower right corner by the artist. ...
Category
Late 20th Century American Impressionist Continental US - Abstract Sculptures
Materials
Mixed Media
With Hidden Noise
By Mike Saijo
Located in Santa Monica, CA
Brass, twine, stainless steel long screws in acrylic display box on mdf wood pedestal.
Sculpture is 6" x 6" x 6"
Total dimensions including pedestal: 61" x 13" x 13"
Category
2010s Abstract Continental US - Abstract Sculptures
Materials
Brass, Stainless Steel
$3,600 Sale Price
20% Off
Colorful Abstract Ceramic Form, Stoneware, Gold Luster, Glaze, Jose Sierra 2023
Located in St. Louis, MO
Colorful Abstract Ceramic Form, Stoneware, Gold Luster, Glaze, Jose Sierra 2023
José Sierra is a self-taught artist and ceramicist, born in Mérida, Venezuela in 1975. His work draws...
Category
2010s Contemporary Continental US - Abstract Sculptures
Materials
Ceramic, Luster, Stoneware, Glaze
Patricia Miranda, Lamentations for Rebecca; 2020, lace, cochineal dye, thread
By Patricia Miranda
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research.
Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium.
The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth.
Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio.
She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth.
Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace.
Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category
2010s Feminist Continental US - Abstract Sculptures
Materials
Ceramic, Fabric, Thread, Dye, Found Objects
"Framed
Draped: Material Collection" Lia Cook, Contemporary Wall Textile
By Lia Cook
Located in Wilton, CT
"Framed and Draped: Material Collection", acrylic on abaca, dyes on rayon; woven, 63" x 38", 1989.
This contemporary abstract mixed media tapestry was done by California-based Ameri...
Category
1980s Abstract Geometric Continental US - Abstract Sculptures
Materials
Fabric, Tapestry, Thread, Dye, Mixed Media, Acrylic
Red Excess (thick vibrant impasto painting square monochrome pop design)
By Chloe Hedden
Located in Quebec, Quebec
Red Excess by Chloe Hedden is a bold exploration of passion and intensity. The deep crimson hue radiates warmth, evoking emotions of love, power, and raw energy. The sculptural textu...
Category
2010s Pop Art Continental US - Abstract Sculptures
Materials
Wood, Acrylic
"JAMÓN JAMÓN VIII", glaze ceramic sculpture, table, food, bait, identity, vessel
By Andrew Cornell Robinson
Located in Toronto, Ontario
"JAMÓN JAMÓN VIII", 2019, in slipcast glazed ceramic by artist Andrew Cornell Robinson, is one of a series of sculptural objects that include c...
Category
21st Century and Contemporary Contemporary Continental US - Abstract Sculptures
Materials
Ceramic, Slip, Glaze
Bronze Architectural Model Sculpture Tempio Bretton Architecture Maquette
Located in Surfside, FL
TEMPIO BRETTON: from the catalogue MONUMENTA, 19th International Sculpture Biennale, Antwerp, Belgium.
Tempio Bretton was created in homage to the celebrated English landscapist Capability Brown for the occasion of an exhibition at Bretton Hall in the Yorkshire Sculpture Park , a park in the style of the great master of English garden design. The inclusion in the English garden of a temple ruin, or "eye-catcher," (architectural folly) was used to draw the eye and mind to a focus in time and space, present the beholder with an immediate relationship to an historic past made new within his or her own surroundings, and create a depth of space never before seen in garden design.
I took the idea of the temple ruin eye-catcher and reduced it to a scale at the point where architecture and sculpture merged. Tempio Bretton is not capacious enough to walk into, yet it is considerably larger than a man.
One view of it presents a knot of golden columns clustered together, topped by a dome shape. The only clue from this side to the temple's non-conformity to historic principle is a sharp notch cut into the square base.
Viewed from the opposite side, the cluster of columns capped by an angular top opens up as if to welcome someone in, yet the mysterious core is still impenetrable. These contradictions articulate a confrontation between past and present, and an exciting truth. The past is always at the heart of our constructions in the present.
Walter Dusenbery (born September 21, 1939 in Alameda, California) is an American sculptor. He attended the San Francisco Art Institute, earned an MFA from California College of Arts and Crafts, and then studied in Japan and Italy under Isamu Noguchi. He also held teaching positions at Harvard University and University of California, Berkeley Graduate School of Design. From 1971 to 1988, he lived both in Pietrasanta,Italy, and in Little Italy, New York City. Dusenbery's preferred material is stone, particularly travertine or granite. Dusenbery has a particular interest in adding sculpture to public places, such as federal buildings, to humanize the space, but in 1988, he assembled a show of small, entirely hand-carved alabaster sculptures, called "Walter Dusenbery, The Personal Side," at the Fendrick Gallery in Washington, D.C.. In 1977, Dusenbery created Pedogna, on permanent loan from The Metropolitan Museum of Art to Landmarks, the public art program of The University of Texas at Austin.
That same year, 1988, he was awarded a large commission for the Fulton County Building Atrium in Atlanta, Georgia. The commission was for three fountains and related structures over three stories in height, designed for informal and ceremonial public events, Limestone, marble, granite and travertine fountains, pavilions, seating and meeting areas, performance and concert platforms, staircases and planters for hanging gardens. After completion of the "Atlantacropolis," Dusenbery withdrew from the gallery world and focused his energy on site-specific commissions. (like the landscape works of Maya Lin and Beverly Pepper) Seeking a large-scale stone studio for projects closer to home, he discovered there were none. In 1995, he approached sculptor and patron of sculpture J. Seward Johnson Jr. with the idea of creating a state-of-the-art stone-carving studio, so that American sculptors would not have to travel abroad to realize their work. Johnson agreed to fund such a facility, if Dusenbery would direct it. In 1996, Dusenbery designed the facility for the Stone Division at Johnson Atelier Technical Institute of Sculpture, and was its first director. The facility was situated in "a building resembling an airplane hangar," The studio offered the ability to digitally scan three-dimensional forms. The Stone Division was a success and attracted a strong group of sculptors: Magdalena Abakanowicz, Lawrence Argent, Barry X Ball...
Category
20th Century American Modern Continental US - Abstract Sculptures
Materials
Bronze
"Duke", Large-Scale, Abstract, Outdoor Steel Metal Sculpture in red
Located in New York, NY
"Duke" by John Clement
Abstract Metal Sculpture in red painted steel
In his sculptures, John Clement bends stainless steel into fanciful curvilinear forms focused on essential quest...
Category
Early 2000s Continental US - Abstract Sculptures
Materials
Metal, Steel
Infinite Drifter 1
By Lizzie Scott
Located in Dallas, TX
textile & mixed media
Category
2010s Abstract Continental US - Abstract Sculptures
Materials
Muslin, Silk, Nylon
Hannah
By Carol Gold
Located in Loveland, CO
"Hannah" by Carol Gold
Bronze 10.5" x 5" x 5" ed/30
Bust of a woman with hat
ABOUT THE ARTIST: Carol Gold was born in Hartford, Connecticut and grew up on a dairy farm in western M...
Category
Early 2000s Contemporary Continental US - Abstract Sculptures
Materials
Bronze
$1,600
Pink Ice, Contemporary Cast Glass Sculpture by David Ruth
By David Ruth
Located in Long Island City, NY
Pink Ice
David Ruth, American
Portfolio: Sea Passage Series
Date: 1980
Cast Glass, Signed
Edition of AP
Size: 9 x 4 x 5 in. (22.86 x 10.16 x 12.7 cm)
Category
1980s Abstract Continental US - Abstract Sculptures
Materials
Glass
Yvette Cohen, Ara Pacis - Zen Corner, 2009, Minimalist sculpture
By Yvette Cohen
Located in Darien, CT
My work bridges the divide between
sculpture and painting and drawing.
Paintings are geometric masses
of color in oil paint and wood dowels,
on shaped canvas. Often grouped in
d...
Category
2010s Minimalist Continental US - Abstract Sculptures
Materials
Acrylic, Canvas, Wood
Untitled figure by Robert "BOB" Brady
By Robert Brady
Located in Morton Grove, IL
ROBERT BRADY
terracotta
20.75 x 5 x 7.5”
signed by artist
date unknown
Category
Early 2000s Contemporary Continental US - Abstract Sculptures
Materials
Ceramic
Yvette Cohen, Thin Air 2
3, 2011, oil, shaped canvas, wood dowel, Minimalist
By Yvette Cohen
Located in Darien, CT
Yvette Cohen’s oil paintings of geometric masses of color on shaped canvas become objects that fluctuate between two and three dimensions, bridging the divide between sculpture and ...
Category
2010s Minimalist Continental US - Abstract Sculptures
Materials
Canvas, Wood, Oil
Diane Englander, White Form on Red Wood, 2018, scrapwood and acrylic, 12 x 13 in
By Diane Englander
Located in Darien, CT
Diane Englander uses formal means to create a place between discord and tranquility, a zone with a charged harmony that energizes as it also provides refuge. That often requires that the prettiness of an initial surface is made ugly, or there’s a conscious choice to avoid balance in the composition.
Hers is a largely intuitive process, the materials entice her. Inspiration from the world that we don't call “art” is where she finds her muse: a wall, a landscape, a window shade transfused with light, a stretch of sand and shadow. Most influential are predecessors like Burri, Vicente, Tapies, Motherwell, Rauschenberg, medieval cloisonné, Vermeer, Breughel, and many, many more.
A native New Yorker, Diane had an earlier career including 17 years as a management consultant to local nonprofits concerned with poverty or disenfranchisement; work in NYC government; and several years as a lawyer at a large NYC law firm.
“I was brought up going to galleries and museums, a sometimes reluctant attendant to my parents’ passion for looking and for collecting. My own expressive energy must have simmered internally for years, occasionally emerging in photography, in quilt-making, in other tentative explorations, and certainly in providing opportunity and materials for my children to create. Not until those children were nearly grown did I come unequivocally to the need to make art myself.”
In late 2006 Diane began making collages that started her on her current path; in late 2007 she left her consulting job to focus on her artwork full-time.
She has studied with Bruce Dorfman at the Art Students League in New York, and has had solo exhibits at the Alexey von Schlippe...
Category
2010s Abstract Geometric Continental US - Abstract Sculptures
Materials
Acrylic, Wood
#53
Located in Dallas, TX
cold rolled steel wall sculpture
Category
2010s Abstract Continental US - Abstract Sculptures
Materials
Steel
$4,100
Abstract Wall Sculpture "Synopsis" - Early Hologram Effect
By Halvorsen Vever, Elsbeth
Located in Soquel, CA
"Synopsis" by Elsbeth Halvorsen Vever (American, b. 1929). Box sculpture combines aluminum, sand, bone, glass and a magnifier. Signed "Elsbeth Vever 1982" on verso. Image, 24.50"L x 13.75"H x 4"W.
Using bone as the central image Elsbeth has assembled an optical and visual experience. One view is the magnification and juxtaposition of the floating effect of the curvature in the stainless steel background; stand back and it's a hologram effect. The first image shows clearly the hologram effect available to the eye of the viewer.
From a review of her show of box constructions in Providence, Rhode Island: "Viewing her box constructions is a lot like a walk in the moonlight. What we know, or think, to be true in the hard brightness of daytime reality dissolves into an amorphous space of multiple possibilities and perspectives."
Born in Purdys, New York, Elspeth Halvorsen is the daughter, granddaughter, and mother of professional artists. She has studied at prestigious academic and artistic institutions includingthe New School for Social Research, the Art Students League, and the Académie de la Grande Chaumière. In 1955, she moved to Provincetown, Massachusetts, establishing her home and studio in the former residence of Mark Rothko. Provincetown not only remains her home but also acts as a personal, social, and artistic source of inspiration for her work.
Shortly after arriving in Provincetown, Halvorsen and her husband, the late Tony Vevers...
Category
1980s Abstract Expressionist Continental US - Abstract Sculptures
Materials
Stainless Steel
$1,480 Sale Price
20% Off
Patricia Miranda, Lamentations for Ermenegilda; 2020, lace, cochineal dye, thread
By Patricia Miranda
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research.
Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium.
The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth.
Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio.
She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth.
Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace.
Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category
2010s Feminist Continental US - Abstract Sculptures
Materials
Ceramic, Fabric, Thread, Dye, Found Objects
Own Path
By Olga Skorokhod
Located in Santa Monica, CA
Hand cut paper
Category
21st Century and Contemporary Abstract Geometric Continental US - Abstract Sculptures
Materials
Handmade Paper, Paper
$432 Sale Price
20% Off
Gil Scullion, You Forget, 2017, 20 sheets of stacked hand-cut paper
By Gil Scullion
Located in Darien, CT
Where do we come from? Where are we going? What the hell is going on here? 2017-2018 Hand cut paper in wood box
Gil Scullion’s conceptual text-based work has been featured in exhibi...
Category
2010s Conceptual Continental US - Abstract Sculptures
Materials
Paper
Karen Schiff, Space Eyes, 2016, Wood, Gouache
By Karen Schiff
Located in Darien, CT
Karen Schiff is an artist and wordsmith based in New York; she has always been a reader as well as a visual artist. Her drawings, paintings, installations, and performances combine t...
Category
2010s Abstract Geometric Continental US - Abstract Sculptures
Materials
Wood, Gouache
"JAMÓN JAMÓN I (Reliquary Generalife)", ceramic sculpture, porcelain vessel, urn
By Andrew Cornell Robinson
Located in Toronto, Ontario
"JAMÓN JAMÓN I (Reliquary Generalife)", 2019, sold in the frame shown, is one in a series of ceramic sculptures by artist Andrew Cornell Robinson...
Category
21st Century and Contemporary Contemporary Continental US - Abstract Sculptures
Materials
Enamel
Large Abstract White Onyx Sculpture by Leonardo Nierman
By Leonardo Nierman
Located in Long Island City, NY
Artist: Leonardo Nierman (1932 - )
Title: Untitled
Year: circa 1979
Medium: White Onyx, signature engraved
Size: 24 x 43.5 x 7.25 inches
Base: 4 x 13.25 x 13.25 inches
Category
1970s Modern Continental US - Abstract Sculptures
Materials
Stone, Marble
Santiago Medina - RED PINNACLE TABLE TOP, Sculpture 2022
By Santiago Medina
Located in Stamford, CT
Edition of 7
Sculptor Santiago Medina Italian stainless steel sculptures are at marquee public art venues worldwide such as Harvard, Stanford University, City of Miami-Pinecrest Circ...
Category
2010s Contemporary Continental US - Abstract Sculptures
Materials
Stainless Steel
Santiago Medina - COSMOS TABLE TOP, Sculpture 2022
By Santiago Medina
Located in Stamford, CT
Italian Stainless Steel With Hyperthermal Prismatic Patina
This sculpture will be shipped directly from the artist's studio.
Category
2010s Abstract Continental US - Abstract Sculptures
Materials
Metal, Stainless Steel
Santiago Medina - Blue Secrets, Sculpture 2019
By Santiago Medina
Located in Stamford, CT
Italian stainless steel with turquoise tinting.
This sculpture will be shipped directly from the artist's studio.
Category
2010s Abstract Continental US - Abstract Sculptures
Materials
Stainless Steel
Santiago Medina - Red Fortitude, Sculpture 2018
By Santiago Medina
Located in Stamford, CT
Italian stainless steel with red tinting.
This sculpture will be shipped directly from the artist's studio.
Category
2010s Abstract Continental US - Abstract Sculptures
Materials
Stainless Steel
Santiago Medina - Blue Serenity, Sculpture 2020
By Santiago Medina
Located in Stamford, CT
Special suspended/hanging Italian stainless steel with turquoise tinting.
Category
2010s Abstract Continental US - Abstract Sculptures
Materials
Stainless Steel
John Van Alstine - Lunge V, Sculpture 2006
By John Van Alstine
Located in Stamford, CT
Stone and metal,usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the most basic level the work is ...
Category
Early 2000s Abstract Geometric Continental US - Abstract Sculptures
Materials
Slate, Steel
"Swarming Bulge", Abstract, Gestural, Ceramic, Cream, Stoneware, Sculpture
By Sara Fine-Wilson
Located in Franklin, MA
Sara Fine-Wilson's “Swarming Bulge" is a gestural 22 x 7 x 6 inch ceramic sculpture in cream and warm gray. It is hand built and wheel constructed in white stoneware. Individual hand formed details are layered over the entire surface creating a graceful and fluid form. The surface is coated in a warm cream matte glaze that becomes darker gray and glossy along the edges that have been caught during the soda firing process. The glaze emphasizes the contrast between surfaces and edges. Fine Wilson’s ceramic work contains elements of both raw and refined surfaces including cracks, ruptures and pooling of glaze.
Sara Fine-Wilson is a contemporary sculptor based in the Boston area...
Category
Early 2000s Abstract Continental US - Abstract Sculptures
Materials
Stoneware, Glaze, Ceramic
John Van Alstine - East River Landscape, Sculpture 2015
By John Van Alstine
Located in Stamford, CT
Stone and metal,usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the most basic level the work is ...
Category
2010s Abstract Geometric Continental US - Abstract Sculptures
Materials
Slate, Steel
John Van Alstine - River Angler, Sculpture 2015
By John Van Alstine
Located in Stamford, CT
Stone and metal,usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the most basic level the work is ...
Category
2010s Abstract Geometric Continental US - Abstract Sculptures
Materials
Slate, Steel
John Van Alstine - Sacandaga River Landscape II, Sculpture 2012
By John Van Alstine
Located in Stamford, CT
Pigmented and Sealed Steel
Stone and metal,usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the m...
Category
2010s Abstract Geometric Continental US - Abstract Sculptures
Materials
Slate, Steel
John Van Alstine - Implement 39, Sculpture 2015
By John Van Alstine
Located in Stamford, CT
Stone and metal,usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the most basic level the work is ...
Category
2010s Abstract Geometric Continental US - Abstract Sculptures
Materials
Slate, Steel
John Van Alstine - Taughannock, Sculpture 2005
By John Van Alstine
Located in Stamford, CT
Stone and metal,usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the most basic level the work is ...
Category
2010s Continental US - Abstract Sculptures
Materials
Slate, Steel
John Van Alstine - Lunge IV (Red Tail), Sculpture 2006
By John Van Alstine
Located in Stamford, CT
Stone and metal,usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the most basic level the work is ...
Category
2010s Abstract Geometric Continental US - Abstract Sculptures
Materials
Slate, Steel
John Van Alstine - Pique A Terre IV, Sculpture 1991
By John Van Alstine
Located in Stamford, CT
Stone and metal,usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the most basic level the work is ...
Category
1990s Abstract Geometric Continental US - Abstract Sculptures
Materials
Slate, Steel
John Van Alstine - Stormwarning V (Red Rain 3.14), Sculpture 2015
By John Van Alstine
Located in Stamford, CT
Stone and metal,usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the most basic level the work is ...
Category
2010s Abstract Geometric Continental US - Abstract Sculptures
Materials
Slate, Steel
"Caterpillar", Abstract, Ceramic, White, Gray, Brown, Mixed Media Sculpture
By Sara Fine-Wilson
Located in Franklin, MA
Sara Fine-Wilson's "Caterpillar" is a small 16 x 6 x 6 inch abstract mixed media sculpture in neutral white, gray and brown with a playful, raw and refined quality. In this whimsica...
Category
2010s Contemporary Continental US - Abstract Sculptures
Materials
Stoneware, Plaster
"Navarro" Wall Sculpture-wood, minimalism, mid century modern, white, monochrome
By Scott Troxel
Located in Marmora, NJ
"Navarro"- From the Small Pops Collection
"Navarro" is a minimalist and modernist solid wood wall sculpture that brings bold statement to wherever it is placed. The piece was inspir...
Category
2010s Modern Continental US - Abstract Sculptures
Materials
Wood, Paint
Cabinet of Wonders, Persistence and the Fugitive
By Greg Garvey
Located in Darien, CT
This flat file installation is a kind of Wunderkammer – a Cabinet of Wonder or Curiosity containing a small idiosyncratic collection of select wonders and oddities of the natural wor...
Category
2010s Conceptual Continental US - Abstract Sculptures
Materials
Wood, Video, Found Objects
Red and Black Vase, Contemporary Blown Glass Sculpture by David Ruth
By David Ruth
Located in Long Island City, NY
Red and Black Vase
David Ruth, American
Blown Glass, Signed
Size: 10 x 3.25 x 3.25 in. (25.4 x 8.26 x 8.26 cm)
Category
1980s Abstract Continental US - Abstract Sculptures
Materials
Blown Glass
Black Grey Vase Sculpture 1026 - Lathe-Turned
Sandblasted wood Oak
Located in New York, NY
Inspired by the effect nature has on materials, Pascal Oudet’s wood sculptures are intricate filled with complex yet simple details. Born in 1972 in Vesou...
Category
21st Century and Contemporary Contemporary Continental US - Abstract Sculptures
Materials
Oak
Pair of Chinese Cloisonne Tall Incense Urns (Censers)
Located in Long Island City, NY
Origin: Chinese
Artist: Unknown
Dates: Early-Mid 20th Century
Title: Pair of Cloisonne Tall Urns
Medium: Enameled Copper on Carved Wood base
Size: 56 in. x 26 in. x 26 in. (142.24 cm...
Category
20th Century Folk Art Continental US - Abstract Sculptures
Materials
Copper, Enamel
"Taddington" - Abstract Earthtone Patterned Wall Sculpture
Located in Soquel, CA
Paisley and floral patterned wall sculpture by Jessica Godisak (American, b. 1977). This dimensional piece is constructed of several wood forms joined together. There is empty space ...
Category
Late 20th Century Contemporary Continental US - Abstract Sculptures
Materials
Wood, Acrylic, Fiberboard, Cardboard, Lacquer
$1,720 Sale Price
20% Off
"Large Orange Hive", Contemporary, Ceramic, Sculpture, Stoneware, Underglaze
By Bean Finneran 1
Located in St. Louis, MO
"Large Orange Hive", Contemporary, Ceramic, Sculpture, Stoneware, Underglaze
Category
2010s Contemporary Continental US - Abstract Sculptures
Materials
Ceramic, Stoneware, Glaze, Underglaze
"Coastal Span" Mixed Media Wall Sculpture (wood, blue, coastal, monochrome)
By Scott Troxel
Located in Marmora, NJ
Coastal Span is a vibrant, bold, monochromatic wall sculpture made from acrylic washes, enamel and latex paints on Birch panels and MDF. The varying opacities of blue washed paint ov...
Category
2010s Modern Continental US - Abstract Sculptures
Materials
Wood, Paint
$1,350 Sale Price
25% Off
Peace
By Eileen Braun
Located in Atlanta, GA
Eileen Braun delights in creating biomorphic or organic sculptural forms. Although they may look as though they're constructed of metal rods, they're actually created from rattan ree...
Category
2010s Abstract Continental US - Abstract Sculptures
Materials
Mixed Media
$3,250
"Solstice", Richard Heinrich, Abstract Contemporary Steel Sculpture, Metal
By Richard Heinrich
Located in New York, NY
"Solstice" by Richard Heinrich, 2011
Steel
Contemporary Abstract Sculpture, Industrial, Modern, Indoor, Outdoor
Category
2010s Abstract Continental US - Abstract Sculptures
Materials
Steel
Fritz Horstman, Formwork for a Rectangle 2, 2014, Wood, Plywood
By Fritz Horstman
Located in Darien, CT
While working on a large building project several years ago the artist, Fritz Horstman was struck by the poetry in the unfinished state of the construction site. He was drawn specifically to the space between the plywood walls that were raised as formworks for the pouring of cement. That space could only exist for a few hours before the cement truck...
Category
2010s Conceptual Continental US - Abstract Sculptures
Materials
Wood, Plywood
Jo Yarrington, Mute-Ability_Composition 2, 2019_acrylic, steel, player piano rol
By Jo Yarrington
Located in Darien, CT
Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others.
International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia.
Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others.
International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City.
STATEMENT
In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components.
In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...
Category
2010s Conceptual Continental US - Abstract Sculptures
Materials
Steel
Unique White Marble OP Art Sculpture by Domenico Casanta
By Domenico Casasanta
Located in Long Island City, NY
A unique carved marble sculpture by well-known Italian/Venezuelan Kinetic Artist, Domenico Casasanta (1935 - ). It is signed and dated 1972.
Artist: Domenico Casasanta, Italian (1...
Category
1970s Op Art Continental US - Abstract Sculptures
Materials
Marble
Blue Mercury Glass Gazing Ball
Located in Palm Beach, FL
Two-piece mercury glass gazing ball or sculpture with an alluring ice blue color and modern graceful form.
Category
20th Century Abstract Continental US - Abstract Sculptures
Materials
Glass
Jazz Musicians, Terracotta Vase by Mirkò Guida
By Mirko Guida
Located in Long Island City, NY
Artist: Mirkò Guida (Italian, b. 1980)
Title: Jazz Musicians
Year: circa 2007
Medium: Painted terracotta jug, signed
Size: 27.5 x 9 x 9 in. (69.85 x 22.86 x 22.86 cm)
Category
Early 2000s Continental US - Abstract Sculptures
Materials
Terracotta
"PLUG-N-PLAY I", stoneware glazed sculpture, green, yellow, blue, white, wheel
By Andrew Cornell Robinson
Located in Toronto, Ontario
"PLUG-N-PLAY I (Yellow, Black and White)", 2019, in wheel-formed stoneware, glaze, stain and cork by artist Andrew Cornell Robinson, is one of ...
Category
21st Century and Contemporary Contemporary Continental US - Abstract Sculptures
Materials
Glaze, Stoneware
Glory
By Eileen Braun
Located in Atlanta, GA
Eileen Braun delights in creating biomorphic or organic sculptural forms. Although they may look as though they're constructed of metal rods, they're actually created from rattan ree...
Category
2010s Abstract Continental US - Abstract Sculptures
Materials
Mixed Media
$4,200
Andra Samelson, Microcosm 3, 2016, Canvas, Found Objects, Acrylic Paint
By Andra Samelson
Located in Darien, CT
Andra Samelson’s work explores the relationship of microcosm and macrocosm, the celestial and terrestrial. Her imagery is often associated with molecular and galactic systems. Combin...
Category
2010s Abstract Geometric Continental US - Abstract Sculptures
Materials
Canvas, Found Objects, Acrylic
