Continental US - Sculptures
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Item Ships From: Continental US
Salt-Glazed Solid Agateware Cat with Candle Holder, Staffordshire, Mid-18th C.
By Staffordshire
Located in Katonah, NY
Staffordshire, England, circa 1745 – 1760
This charming and unusual figure depicts a seated cat, its body marbled in tones of buff, grey, and warm brown, the patterns flowing like fur beneath a translucent salt glaze.
From the crown of its head rises a small candleholder—an enchanting, functional variation that transforms the cat into a decorative light for the Georgian home.
The salt-glazed surface has a gentle satin sheen, enlivened by a cobalt wash brushed across the ears and shoulders, a subtle touch of colour that draws the eye. The figure is compact and beautifully balanced, exuding both humor and grace: a work of wit and craftsmanship meant to charm and amuse as much as to illuminate.
As a pair, this cat with candleholder and its companion cat carrying a mouse form a dialogue of light and life—one playful, one practical—representing the Staffordshire potters’ genius for turning everyday subjects into artful curiosities.
Attribution and Significance
Within the history of English ceramics, agateware animals represent the marriage of experimentation and domestic charm.
They were objects of conversation—proof of a potter’s technical mastery and a household’s refinement.
This cat, with its delicate candleholder, captures that artistic playfulness and innovation.
The glaze’s clarity, the elegant pose, and the subtle marbling make it not only an artifact of mid-18th-century Staffordshire but also a small masterpiece of whimsy and craft.
Scholarly Analysis and Authentication
The figure is made from laminated clays of contrasting colors, known as laid agate, a technique perfected in Staffordshire workshops during the 1740s and 1750s.
Strata of buff, pale grey, and iron-bearing brown clay were rolled together, pressed into a two-part mold, and luted along the spine before firing.
The cat’s body thus shows true through-body marbling: the veining continues through the thickness of the clay, not merely applied on the surface.
The candle socket, made from a single buff clay rather than agate, was luted to the head before glazing.
This practical choice prevented distortion during firing and was a typical workshop economy seen in other mid-18th-century functional animal forms.
The piece was salt-glazed in a wood- or coal-fired kiln into which common salt was introduced near peak temperature.
Sodium vapor combined with the silica of the clay to form a thin, glassy coating.
Here, the glaze is smooth and even, suggesting the cat was fired within a protective sagger.
The underside of the figure is open, revealing the pressed-clay interior.
Two or three minute stilt contacts are visible on the bottom ledge, confirming that the figure rested on kiln props during firing rather than being supported from beneath a closed base.
The cobalt wash was brushed under the glaze before firing.
It fuses permanently into the surface, creating soft haloes of blue wholly consistent with decoration on salt-glazed figures from the Whieldon circle circa 1750-1760.
Later 19th-century reproductions employ overpainted enamels that sit atop the glaze.
The open underside, authentic stratified body, integrated socket, and original cobalt staining collectively identify this as a genuine product of Staffordshire’s mid-18th-century agateware tradition, most plausibly from the orbit of Thomas Whieldon at Fenton Vivian or a closely related potter.
The measured height, modelling, and marbling correspond closely to examples in the Burnap Collection (nos.. 362–363, Nelson-Atkins Museum) and Sotheby’s (2015) — “A Staffordshire agateware cat-form candlestick, circa 1755.
Provenance / Condition:
Current Condition: Excellent, with one ear repaired at the tip and restoration at the top of the candleholder; the glaze remains bright and continuous across the body and socket.
References:
Burnap Collection, English Pottery 1675–1825, nos. 362–363.
Sotheby’s (2015) — “A Staffordshire agateware cat-form candlestick, circa 1755.
Christie’s, London 2010, lot 82.
1stDibs “Staffordshire Agateware Pottery Saltglaze Figure of a Cat,” item ref LU95812370442 Price: $4,482.16
Chipstone Foundation, Marbled Agateware: Techniques and Identification, 2005.
Henry Sandon, Staffordshire Pottery, 1970, pp. 52–54.
John Howard Antiques, Antique Agateware...
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Silver and Turquoise Bird Sculpture by Joaquin Taller Tinta
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Dimensions: D 22.8 x 8.8 H cm
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25% Off
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12.7 cm wide x 11.5 cm tall
Ex-collection William Ferris
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$1,480 Sale Price
20% Off
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Materials
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Mid-Century Owl Sculpture by Paul Ballardo, 1970s
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1970s American Mid-Century Modern Vintage Continental US - Sculptures
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$304 Sale Price
20% Off
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20th Century Mid-Century Modern Continental US - Sculptures
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$495 Sale Price / set
66% Off
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Signed on the base at the rear of the casting: Alvan Kote.
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Mid-20th Century Art Deco Continental US - Sculptures
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French Plaster Dark Hermès Bust
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A finely cast plaster bust depicting Hermès (Mercury), modeled after a 4th-century BC Greek original.
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Pedro Friedeberg Moon Face with Hands Table Top Sculpture, 1970s, Signed.
By Pedro Friedeberg
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Pedro Friedeberg Moon Face / Half Moon Table top Sculpture. Walnut and wood with gold leaf. Very good condition. Few if any signs of handling. Signed to the back "Pedro Friedebe...
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1970s Mexican Mid-Century Modern Vintage Continental US - Sculptures
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Acteon Greek Hunter by Adrien Etienne Gaudez French Bronze Statue Sculpture 46"
By Adrien Étienne Gaudez
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30% Off
Abstract Bronze Sculpture by Pierre Dmitrienko
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Early 20th Century German Medieval Continental US - Sculptures
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Herend Hungary Porcelain Animal Set of 4
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19th Century Meissen Group of Calvary General Mikhail Kutuzov with Aide de Camp
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Located in New York, NY
A Very Large 19th century Meissen porcelain Group of Russian Calvary General, believed to be Mikhail Kutuzov, the hero of Borodino, with aide de camp, marked with the Meissen underglaze blue crossed swords, and incised and impressed with numbers. While Russia endured great hardships during Napoleon's invasion, it was the skill of her general's and a terrible Russian winter...
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Artist/Designer; Manufacturer: Rudolph Lorber (1873-1952); Weller Pottery Co.
Marking(s); signed
Materials: ceramic
Dimensions (H, W, D): 6"h, 7"w, 6.25"d
Additional Information: The...
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Early 20th Century American Arts and Crafts Continental US - Sculptures
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"First Born, " Art Deco Marble Sculpture by Chester Beach, Influenced by Rodin
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1920s American Art Deco Vintage Continental US - Sculptures
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19th Century French Belle Époque Antique Continental US - Sculptures
Materials
Bronze
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Etienne Henry
Eva Fritz Lindner
Father And Son Sculpture
Fayral Sculpture
Female Nude Figurine
Fiberglass Horse Sculpture
Figurative Chenets
Foundry Form
Franz Bergmann On Sale
Fugere Bronze
Gazelle Head
Germain Bronze