Continental US - Vitrines

Italian Mid-Century (1950s) walnut and maple vitrine cabinet with a Pair of sliding glass doors and 2 interior shelves with a blue glass top (Attributed to VITTORIO DASSI) (Enzo Ferr...

A fine 19th century Louis XVI mahogany and gilt bronze mounted vitrine . Signed Francois Linke . Locks also signed . Original Breccia marble top

French fruitwood wooden showcase vitrine with four-drawer Measures: Height to the drawers 33.46in.

Pair of English Chinese Chippendale-style (19/20th Century) mahogany curio display cabinets with glass door and pagoda top. (PRICED AS Pair)

A dramatic neoclassic style mahogany cabinet by Lorin Jackson designed in 1940 for the "Glassic" line of Grosfeld House furniture. The exterior of the...

This antique French Louis XV walnut china cabinet, circa 1890s, is a remarkable example of Old World craftsmanship and timeless elegance. Hand-carved from solid walnut, the cabinet f...

Art Deco, in cerused oak, the upper part is opening by a bronze framed glass door. The upper inside part with glass shelf is lighted from the top. Locked with an adorable small bron...

Vintage Chrome etagere, each shelf has removable glass with brass finials.

A Fine French 19th Century Louis XIV Style Baroque Revival Figural Carved Walnut Two-Door Vitrine. The finely carved body, crowned with a pair of male busts, the doors with symmetric...

A dynamic Western theme display case with Cut steel horses, welded steel stacked horseshoe legs and gun form handles. The latched top (includes one key) opens to reveal a large displ...

An Exceptional Late 19th Century Louis XV Style Gilt Bronze Mounted Mahogany Vitrine By François Linke François Linke – Variant to Index no. 1552 The shaped fleur de pecher marble ...

An extremely high quality and elegant French late 19th century Louis XVI period mahogany and ormolu-mounted cabinet vitrine which is finished on all sides. The cabinet is raised by t...

Elevate your living space with this Antique Louis XV Style Bronze-Mounted Curio Vitrine Cabinet, a piece of furniture that exudes elegance, craftsmanship...

Antique RJ Horner Diminutive Oak Display Vitrine China Cabinet with Mirrored Back, Curved Glass and Carved Foliate Elements, C1910 Measures- 51''H x 33.5''W x 16.5''D This antique vi...

This Fine Gilded Figural Walnut Ebonized Vitrine in the manner of Charles-Honoré Lannuier is an exceptional example of early 19th-century inspired Neoclassical craftsmanship. The vit...

This outstanding inlaid Edwardian china cabinet or vitrine, attributed to Edwards and Roberts, exemplifies the refined craftsmanship and timeless beauty for which the famed London ca...

A French 19th-20th century Baroque Revival carved oak Bombé figural vitrine. The single front-door display cabinet with bowed front and side beveled glass panels, with two interior g...

Stunning vintage mid-century modern to modern chrome & mirrored one-piece etagere or room divider with lower enclosed cabinet portion in the style of DIA or Ello. Beautiful condition...

Louis XV style bronze mounted China display cabinet / vitrine with exterior inlaid design details. The interior of the cabinet has two glass she...

A pair of unusual obelisk shaped étagères. Polished aluminum (aluminuim), with glass shelves and hard plastic capped feet.

A dynamic Western theme display case with Cut steel horses, welded steel stacked horseshoe legs and gun form handles. The latched (includes one key) top opens to reveal a large displ...

A Qing Dynasty style Thai vitrine cabinet from the late 20th century, with glass as well as wooden doors, retrofitted with glass shelves, spot lights and mirrored wall. This Qing Dyn...

Tall and elegant, this vintage vitrine makes an ideal display case. Built in France in the 20th century, the design has an attractive simplicity: clean lines and the stylish black fi...

Louis XVI style marble and ormolu bronze mounted mahogany vitrine display table with mirrored interior , supported by four tapering legs . The vitrine is in great condition . Minor w...

A stylish etagere, obelisk shaped, in polished aluminum, glass shelves, in the style of Milo Baughman.

Dimensions: H: 66 1/2in W: 31 1/4in D: 15 3/4in This French Louis XVI Style Ebonized and Ormolu Mounted Vitrine or Display case is made of the highest quality and is perfect for yo...

A fine 19th century French Louis XVI knigwood and marquetry viewing cabinet with fine gilt bronze mounts . Exotic woods used for marquetry urn design. ...

Burmese hand-carved Buddha temple shrine featuring gilded wood, glass and a metal repoussé interior back. Visit our other 1STDIBS storefront Moxie Interiors to shop a vast array of...

Elevate your interior with this Gorgeous French Marble Top Gilt Bronze Vitrine, an exquisite example of 19th-century craftsmanship blending artistry, luxury, and function. Crafted fr...

This French Art Deco vitrine with faux ivory trim has been professionally refinished by a third generation restorer. Having glass sliding doors with glass shelves. Cabinet doors open...

A very fine and palatial French 19th century Louis XV style giltwood ornately carved two-door vitrine display cabinet of serpentine form with foliate and shell carvings, surrounding ...

A fine and rare Italian 19th century Baroque style carved oak figural single-door vitrine cabinet. The upper surmounted on each side with a figure of a young fisherman holding a fish...

This Italian vitrine from 1852 is actually four separate parts, it towers over you at ten feet high, and is absolutely majestic. It features a dove in flight on top of a cameo of foliage and garlands that rest upon the upper cabinet. This upper section is adorned with a large rams head in the center of the upper band. The front has two glazed door with etched glass flanked by Acanthus scrollwork and two corner shelves. Two gorgeous hand carved grotesques in the form of Wolfhounds support the upper case. The base cabinet has two hand-scalloped drawers separated by a large bull-calf’s head...

Exceptionally rare Romeo Rega design for Mario Sabot, Obelisk curio etagere'. Made in Italy, circa 1970's. Perfect for display of rare collectables, perfumes or even for use as a ce...

Tall narrow Woodard etagere plant or cocktail stand . Half inch round stock wrought iron supports four steel mesh 16" diameter round shelves . Recent...

Add timeless elegance and French-inspired flair to your interior with this Silver Leaf Bombe Form Distressed Vitrine China Cabinet. Showcasing an exquisite bombe silhouette, this stu...

A very fine French Louis XV style ormolu and jasperware-mounted mahogany single door vitrine, attributed to François Linke (1855-1946). The two upper front corners surmounted with or...

Vintage French Louis XVI Vitrine With 2 Drawers & Gilt Trim C1950 Measures - 71 1/2" x 34 1/4" x 16 3/4" A vintage French Louis XVI style vitrine, dating to circa 1950. This piece ...

A fine quality French gilt bronze mounted Vitrine with Brèche d'Alep marble top attributed to François Linke. This fine gilt bronze mounted king...

Chic green lacquered iron vitrine, adorned with rivet detailing. A rare find from the souvenir boutique on the second level of the Eiffel Tower. Set of three available. France, ci...

This exquisite French Louis XVI style gilt wood vitrine, crafted by the esteemed Geo. C. Flint Co. of New York, radiates the elegance and refined taste characteristic of the early 20...

Condition: Original Vintage Condition Materials: Hand Painted Wood, Original Curved Glass, Brass Accents, Original Skeleton Key Style: French Louis XV This elegant curio vitrine ...

Antique French Gold Bronze Mounted Kingwood Display Cabinet, Circa 1860-1870. Exceptional Quality Bronze

66" gilded Mid-Century iron four-tier shelf.

Exceptional display cabinet with center opening door to fitted interior with three glass shelves that are moveable. It has a mirror back and mirror on the bottom. Two doors open on e...

A rare etagere by Tommi Parzinger for Parzinger Originals in brushed steel (hand machined, seemless edges), with glass shelves and a single pull out drawer in a tall pyramid shape.

PAIR of Italian Baroque-style (Mid-19th Century) bone inlaid, ebony & rosewood cabinets with an arched "broken" pediment over a glazed front door & lower door with inlaid design (PR...

Raffia cloth wrapped Mid-Century Modern display wall unit étagère shelves.

A very well made Sinuous French Vitrine Cabinet topped with a Colorful veined Marble in Pinks, Browns and White. The Cabinet has French type motifs of Bundled Reed corner supports ...

Drexel Pair of Large Tortoise Finish Vitrines Etageres Cupboards Showcases Glass Door Cabinets MINT!

French Art Deco elegant rosewood showcase, display cabinet from the 1940's, attributed to Jules Leleu in a very good condition. Features intricate inlay marquetry details on both doo...

Asian Chippendale 4 Doors Carved Teak 5 Shelves 2 Bottom Drawers 72" Tall Curio Cabinet Showcase MINT!

American Victorian Country antique white painted apothecary-style cabinet with 24 pigeon hole shelves

A fine French 19th-20th century kingwood and tulipwood marquetry and gilt-bronze mounted vitrine, in the manner of François Linke (1855-1946). The slender single door display cabinet with a red-velvet backing and bowed glass panels surmounted with acanthus and floral gilt-bronze mounts in the style of Léon Messagé (French, 1842-1901), the serpentine shaped front door with an ornate marquetry and ink colored panel depicting wreaths, ribbons and tied acantus leaves, all raised on four cabriolet legs ending with gilt-bronze paw-feet, Paris, circa 1900. Linke was born on 17 June 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinet maker, Neumann, which he completed in 1877. Linke’s work book or Arbeits-Buch records that he was in Vienna from July 1872 to October 1873 at the time of the International Exhibition held there in 1873. He subsequently travelled to Prague, Budapest & Weimar before finally arriving in Paris in 1875. It is documented that he obtained employment with an unknown German cabinetmaker in Paris, and stylistic similarities, photographs and geographical proximity have led some to suggest that Emmanuel Zwiener was the most likely candidate. After a period back in his home town of Pankratz, he returned once and for all to Paris in 1877. In 1878 Paris hosted the third great International Exhibition, a remarkable success for a country ravaged by war only seven years earlier. It is known that the fledgling Linke workshops were active in the Faubourg St. Antoine as early as 1881, during this time he supplied furniture for other more established makers such as Jansen and Krieger. By 1889 another World’s Fair, as they were often referred to in America, took place in Paris. Monsieur Eiffel erected what has become the most iconic building in Paris for the exhibition and the atmosphere of wealth and confidence may well have encouraged Linke to think that he could contribute an important part to the next great exhibition. As early as 1892 this was decreed to take place at the end of the century, in an attempt to pre-empt Berlin from staging the last great show of the century. In 1892, Victor Champier (fr) one of the commissioners for the 1900 Paris Fair had appealed, “Create in the manner of the masters, do not copy what they have made”. It was an appeal against mere reproduction and Linke rose to this challenge in an unparalleled way with his unique display that was to include the Grand Bureau. Determined to outshine the competition at the Exhibition, Linke had set about creating the most ambitious pieces he could envisage, and more extravagant than had ever been displayed before. The items he exhibited marked a transition from the historicist interpretation of Louis XV and Louis XVI styles, an interpretation that was the mainstay of his nearest rivals, to something startlingly new and vital in its immediacy. [6] Together with Léon Messagé he developed a new style for the 1900 Exhibition that paid homage to the Louis XV rococo in the fluidity of its approach, but an approach fused with the lively flowing lines of the contemporary and progressive 'art nouveau'. The Art Journal reported in 1900 on Linke's stand: "The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed". Linke's stand would have appeared refreshingly new to contemporary onlookers, the traditional designs of the eighteenth century melting seamlessly into an exuberant naturalism. The 'Revue' described Linke's style as 'entièrement nouveaux' and noted "This opinion is universally accepted. Linke's stand is the biggest show in the history of art furniture in the year 1900". It is perhaps the most extraordinary and remarkable aspect of Linke’s personal history that he produced such expensive and luxurious furniture of exquisite quality for the 1900 exhibition without any commission or any potential buyer in mind. [9] At a time when other more established furniture businesses such as those of Beurdeley and Dasson were closing down, he made a huge investment in his stand and the furniture he supplied for it. Linke recognised that to move his business forward he needed to appeal to a more International clientele and the new emerging rich who were at this time amassing fortunes on an unprecedented scale. For this reason he gambled everything he had on his display for the 1900 exhibition. Had this not succeeded he would almost certainly have succumbed to bankruptcy. Linke’s notebook records visitors to his stand from England, Europe, the Americas, Egypt and Japan and including; the King of Sweden, three visits from the King of Belgium, Prince Radziwill, the Prince d’Arenberg, the Comte Alberic du Chastel, Miss Anna May Gould, the American heiress, distinguished furniture makers and the President of France Emile Loubet. This risky endeavour was a resounding success, and with his reputation established, La Maison Linke became the pre-eminent furniture house until outset of the Second World War. The technical brilliance of his work and the artistic change that it represented was never to be repeated. His showrooms expanded into prestigious premises in Paris, in the Place Vendôme as well as the Faubourg St. Antoine where his workshop had been established. He embarked on many important commissions in the years up to the outbreak of the First World War, making and designing furniture for leading international industrialists and bankers. After the 1914-1918 World War, Linke undertook the extraordinary commission to furnish the Ras al-Tin Palace in Alexandria for King Fuad of Egypt, possibly the largest single furniture commission ever conceived, eclipsing even Versailles. Linke flourished and remained active until the middle years of the 1930s and died in 1946 Léon Messagé (1842-1901) was a French sculptor, best known for his sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. Messagé was also responsible for much of the design and creative work for Roux et Brunet...

Pair of Grey Glass and Polished Brass Vitrines Retailed by Mario Sabot, Italy, 1970s A striking pair of sleek, modernist vitrines composed of smoked grey glass and substantial polis...

Rare stunning French Art Deco burl Amboyna vitrine or dry bar. Beautiful mother-of-pearl inlay with gorgeous marquetry. Sliding glass doors open for plenty of space for display. In t...

Originally purchased from the eponymous West Hollywood design shop Hollyhock. A two part cabinet in a carved castle form with overall linear brick pattern. The castle with twin turre...

Rustic Continental German (19th Century) oak and horn trimmed 4 door bookcase cabinet with small interior drawers and antler pediment with carved dogs ...

A fine and rare English 19th-20th century Chippendale style carved oak and parcel-gilt console vitrine. The narrow upper two-door vitrine crowned with a carved parcel-gilt peacock fe...

Antique French Louis XVI Kingwood and Bronze D'Oré Vitrine with Beveled Glass, Circa 1890.