Continental US - Wall Decorations

Important early original poster by Picasso, printed by his lithographer, Mourlot. Paris, for an exhibition of paintings at Galerie Louise Leiris, 1957. Literature: Bloch, 1275; Mo...

A wonderful 19th century antique Imari plate with a reticulated edge. Featuring vibrant oranges, blues, and green. The center of the plate depicts a hand-painted spray of flowers and...

A very large and impressive vintage pair of Maitland Smith hand painted art panels featuring a French Neoclassical / Renaissance eglomise style mo...

Mid-Century French Majolica Pink Wild Rose Flower Plate signed Maunier Vallauris.

French Majolica cornflower and wheat plate Sarreguemines, Circa 1890.

A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. A retailer's label reads " Fred K/ Keer's Sons - Framers and Fine Art Dealers - 917 Broad St. Newark, N.J." - Another label from the gilder reads "Carlo Bartolini - Doratore e Verniciatori - Via Maggio 1924 - Firenze". Circa: 1890-1900. Subject: Religious painting Canvas diameter: 28 inches (71.1 cm) Frame height: 54 inches (137.2 cm) Frame width: 42 1/2 inches (108 cm) Frame depth: 5 1/2 inches (14 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

Wall-mounted shelf in .125 thick blackened steel plate. This 5-bay shelf is made of laser-cut, bent and welded steel plate with a blackened finish. Recessed steel mounting brackets a...

This painting by Libertad Gomez, 1983 is a breath of fresh air. We like the use of colors and the artist's rendition of an outside in environment. Frame...

After Pablo Picasso (Spanish/ French, 1881-1973), Buste de Femme au Chapeau Bleu, serigraph on silk. A hand-colored and hand pulled scarf in 12 color...

Majolica dish leaf Villeroy & Boch, Circa 1890.

17th Century Flanders Biblical Tapestry ( 10' x 12'8" - 305 x 385 ) Subject: Scene from a life of Moses Series, probably the reconciliation of Miriam and Zipporah Period: Late 16th ...

A fine antique miniature portrait painting, John Smart (1741-1811). The painting circa 1780. A very handsome portrait miniature of a young military officer...

A pair of 19th century English framed watercolor landscapes each with a medieval castle towering a river. The first one depicts a castle illuminated by the sunshine breaking through the foliage on the opposite bank in the foreground. The crenellated towers stand out against an expansive sky reflected in the calm waters beneath. The second watercolor shows another Gothic castle...

This striking wooden wall sculpture is a one-of-a-kind statement piece that embodies the bold aesthetics of brutalist design. Meticulously constructed from reclaimed wood, the comp...

This is a gorgeous antique late 17th Century French Aubusson historical tapestry depicting a beautiful and rich summer scene of a countryside with lush trees and vegetation, with a m...

19th century American framed still life depictions of fruit, set of 10. Group of 10 small framed still life depictions of fruit, to include: watercolor theorem depicting apples on a...

This six panel Italian screen is from the Baroque period, circa 1700. The four central panels have been affixed to a foldable frame, while the two outer panels are detached. When all...

Striking large plaster 3-D wall sculpture of a neoclassical style head, perhaps of Apollo or other God with handsome chiseled physiognamy.  

This remarkable and stunning set of six sensuous prints, highlighted in gold and silver ink, was published and bound by John Henry Nash in 1926 to honor the life of his frequent collaborator, Ray Frederick Coyle. Coyle had died an early death, prompting Nash to issue this volume in a limited edition of 210 (this example is number 54), dedicating it to Albert Maurice Bender and William Randolph Keltie Young. Nash had established his own press 10 years before, and was dubbed by one admirer "The Aldus of San Francisco." Coyle illustrated several books published by Nash, including "Jurgen: A Comedy of Justice" and "The Sermon on the Mount...

Magnificent vintage Mid-Century Modern fine art prints Alfonso Vila Shum framed sketches set of 4 printed from his original sketches but have no pencil signature as they were printed...

Keith Haring 'Debbie Dick' Vintage 1988 Keith Haring Safe Sex promotional item: Offset printed sticker featuring a Classic Keith Haring imag...

Shield form with a crown over a coat of arms with different symbols, the frame carved and gilded in the baroque style. From the Michael Kittredge collection.

Keep a view of Paris in your home with this oil on canvas painting by French painter, Lucien Delarue (circa 1970). Set inside a carved gilt frame, this detailed, architectural painti...

Clearly showing the influence of modern dance, William Blake and early 19th century Classicism, Art Deco stylization and Surrealism, this remarkable, brilliantly hued painting by Mil...

Calman Shemi (Argentina/Israel, b. 1939), Musical Notes #9, Painted Steel Wall Piece, 1995, signed and numbered 9/9. Provenance: Purchased from Circle Gallery February 29, 1996. Thi...

Mid 19th Century French Empire Style Portrait of a Lady with Coral Jewelry. Beautiful piece purchased in France. Age appropriate wear, please see detailed photos or message us with q...

Vintage Framed and Signed Joan Miro Lithograph “La Danse Nupitale” This lithograph depicts an abstract multicolor work by Joan Miro. Miro artfully introduces a rainbow of blotchy co...

Friedel Dzubas Lithograph, Abstract, Blue, Orange, Green, Signed. Large color lithograph printed on heavy Authenticated brand wove paper and floating inside a period 1970's plexibox....

Set Of 300 Midnight Bloom Wall Sculpture in Porcelain by Natalya Sevastyanova Dimensions: D 275 x W 275 x H 152 cm. Materials: Porcelain. Based in, produced, and shipped from the US...

A magnificent American folk art headdress mask by P.J. Stover, signed, titled "Visions", circa 2008. Remarkably executed, the eclectic, sculptural mixed media wall hanging display is...

The Vintage Boho Original Male Nude Painting on Canvas captures the essence of American artistic expression with its bold and evocative portrayal. T...

An incredible design, a cityscape wall shelf designed by Paul Evans in the 1970's. The set features fine heavy construction with chrome clad patchwork design. Includes two L shaped w...

French artist Jacques Potage (1931-) designed this striking Brutalist wall art sculpture. The art piece was crafted circa 1970. Mounted on a wood plank covered with textured pewter, ...

French vintage framed landscape painting on board of a mountain range with a river flowing through the steep valley and a bridge crossing to a small village. The contemporary palette...

Oil on board painting by Pieter Jacobsz Codde, 1599 to 1678, a Dutch artist. The artwork represents an interior genre scene, a company drinking and playing cards. The artist's monogr...

This is a lovely antique 19th century square French Aubusson tapestry depicting a on a beautiful spring day in the countryside with lush trees and vegetation with a woman on a swing and her husband and two children beside her. It is a lovely silk and wool tapestry with in the classic Rocco style...

Antique Kuba Shoowa Cut-Pile & Embroidered Cloth, DR Congo A graphically compelling example of a Kuba raffia fiber prestige cloth with cut pile and stitched embroidery. In very good...

A finely embroidered silk civil rank badge panel presented in a giltwood frame circa mid-late 19th century. The square rank badge is known in Chinese ...

The Minimalist wall-mounted G shelf is sculpted out of 1/4 inch thick, wax-polished aluminum with two Minimalist pin-hinged doors. Each shelf has an inset welded U-channel that spans...

A set of three mounted hand painted wallpaper panels in simple wood frames. Beautifully and elaborate painted scenes with birds, flowers,...

29 x 23 Signed Original Abstract Painting by Serge Paquet (Paque) Abstract original acrylic painting by Quebec artist Serge "Paque" Paquet circa 1970s ...

Edition: Patti Smith Sumo-size: 50.0 x 69.0 cm (19.7 x 27.2 in.), 476 pages, Hardcover (incl. 6 fold-outs) with supplement book (INT-Edition) and bookstand designed by Marc Newson Editor: Annie Leibovitz, Benedikt Taschen, Simone Philippi Contributing authors: Steve Martin, Graydon Carter, Annie Leibovitz, Hans Ulrich Obrist, Paul Roth Limited to a total of 10,000 copies, all signed by Annie Leibovitz: (No. 1,001–10,000 Collector‘s Edition) is available in 4 different dust jackets that collectors can choose from: Whoopi Goldberg; Keith Haring; David Byrne and Patti Smith and (No. 1–1,000 Art Edition) is limited to 1,000 copies, bound in leather, each numbered and signed by Annie Leibovitz, comes with all 4 dust jackets and a Fine art print: Keith Haring, New York City, 1986, size: 50,0 x 69,0 cm (19,7 x 27,2 in.) The ultimate portrait collection of the most famous celebrities, by the most well known photographer in the world, from Annie Leibovitz's 40 years in photography (including a large number of previously unseen images from her archives). 500 of the most celebrated people from the worlds of music, cinema, TV, art, fashion, theater, literature, politics, and sports are featured in a size, scale and printing quality never before seen. 240 photos in total. Comes with specially designed limited edition Marc Newson book Stand...

Mid Century Brutalist Floral Wall Sculpture in the style of Curtis Jere . Nice light silvery gold finish. Brutalist torch cut and welded. Perfect for above a mantel or bed. Nice text...

An Old master manner mixed media painting on paper depicting an interior genre scene in a castle. The painting is adorned with a hand painting frame featuring animal, floral, foliage...

AMBIANIC presents Vintage Fan Wall Art Decor Stamped People's Republic of China 20 h x 31.25 w x .5 d Preowned original vintage condition See images listed

Large French Cubist Abstract Painting, 2008 — Manner of Picasso, Framed Mixed-Media Work, French Cubist Abstract Painting, Picasso-Inspired Modernist Artwork, 2008, Contemporary Fren...

1-128 large Italian frames with elaborate cast detailing. Overall size 40 x 34 x 1" Inside rabbit 30 x 24"  

Oil on canvas, signed and dated in the lower right. Measures 28" x 32" including the frame. A view of the village of Ceret in France. Pinchus Kremegne was a Latvian painter and ...

A beautiful hand painted blue, cream, and green faience pottery wall plate featuring a coat of arms crest with a swan. By Veschini Deruta Italy, Late-20th Century Measures: 10"W x...

Command attention in any room with this arresting vintage original oil portrait. The painting features a striking male figure, shirtless and rendered with skilled attention to anatom...

A Belgian framed oil on canvas painting by Charles Van den Eycken (1859 – 1923), depicting two dogs in an interior. Created in Belgium during th...

Complete Set of 6 Guggenheim Museum Retrospective Limited Edition Robert Rauschenberg porcelain plates dated 1997. Each plate features a different screen-printed image of Rauschenb...

This vintage Judaica tapestry has a bit of Hollywood history. It was framed and sold on Melrose avenue during the 1960s by the actress who played the ...

A large and impressive antique reclaimed altar wall shelf / sconce / corbel / or bracket. Made of pine featuring ornate sawtooth and scrolled design Dimensions: 37.5" h x 22.5"d ...

Edo Period, Bronze Japanese Samurai Stirrups, Japan, 18th c. A pair of Japanese bronze abumi (samurai stirrups), featuring the characteristic deep, boat-shaped form designed for sta...

Based on an archival 1947 Josef Frank print, this hand-drawn pattern bears the designer’s signature modernity, whimsy, and warmth. Panel Width: 27...

Italian tapestry, circa 1920s.

French Majolica Frog Wall Pocket Jerome Massier Fils Vallauris, circa 1900. The Massier are known for the quality of their unique enamels and paintings. The Massier family produced d...

An antique hand stiched 18th Century Italian armorial heraldic embroidered coat of arms. Features a knights helmet over a shield with star of...