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Item Ships From: Dallas
Fishes and Pelicans
By David Everett
Located in Dallas, TX
David Everett was born in Beaumont, Texas, and received both his B.F.A. and M.F.A. from The University of Texas at Austin. Valley House began showing his multi-articulated, painted w...
Category

1990s Contemporary Dallas - Animal Prints

Materials

Woodcut

Empress of Silence
By William B. Montgomery
Located in Dallas, TX
Signed "5/75 / Empress of Silence / W. B. Montgomery 2010" Paper size is 15 x 22 1/2 inches Mat size is 18 x 24 inches Price includes 8-ply rag mat Ar...
Category

21st Century and Contemporary Contemporary Dallas - Animal Prints

I Miss You Already (Ed. 9/25)
Located in Dallas, TX
"Many of the most common flowers sold in flower shops around the world are grown in equatorial countries. Unfortunately, many of these countries have loose to no regulations on the synthetic pesticides and fertilizers used to grow the flowers. These pesticides and fertilizers find their way into waterways, and rivers and eventually make their way into our oceans, causing environmental havoc along the way. Fertilizer runoff can trigger sudden explosions of marine algae capable of disrupting ocean ecosystems and even producing "dead zones" in the sea. Pesticides can affect coral reproduction, growth, and other physiological processes. Herbicides, in particular, can affect the symbiotic algae (plants). This can damage their partnership with coral and result in bleaching. This image contemplates the connection between the flowers we buy, and the effect commercial flowers have on the majestic and fragile reef systems around the world. In keeping with one of PangeaSeed Foundation’s mottos, “As Above, So Below”, this image imagines Clownfish, an iconic reef dweller living within the flowers we consume. Their home is being threatened and altered by pesticide runoff, pictured here as a band of bleached out flowers. You can make a difference by the choices you make on a daily basis. This Valentine’s Day, consider buying local organically grown flowers. Consider picking your own wildflowers. Consider giving flower paintings and drawings…. ( i Might know a guy). Consider doing this every time you think about gifting flowers or decorating your home. The consumption choices we make have direct effects on our planet. Next time you buy flowers, think about our Mother Nature." - Jet Martinez
Category

21st Century and Contemporary Contemporary Dallas - Animal Prints

Materials

Giclée

The Celestial Hippocampus (Ed. 88/140)
Located in Dallas, TX
"The Scar by China Miéville is a novel which has been a part of my life for many years, and has travelled as my companion through since adolescence. I've attempted to depict the Avan...
Category

21st Century and Contemporary Surrealist Dallas - Animal Prints

Materials

Screen

Nocturne
By David Everett
Located in Dallas, TX
David Everett was born in Beaumont, Texas, and received both his B.F.A. and M.F.A. from The University of Texas in Austin. Valley House began showing his multi-articulated, painted w...
Category

1990s Contemporary Dallas - Animal Prints

Materials

Woodcut

Scissortails
By David Everett
Located in Dallas, TX
David Everett was born in Beaumont, Texas, and received both his B.F.A. and M.F.A. from The University of Texas in Austin. In 1978, Everett was awarded a Faculty Travel Grant from So...
Category

1990s Contemporary Dallas - Animal Prints

Materials

Paper, Woodcut

Rollover Pass
By David Everett
Located in Dallas, TX
David Everett was born in Beaumont, Texas, and received both his B.F.A. and M.F.A. from The University of Texas in Austin. Valley House began showing his multi-articulated, painted w...
Category

1990s Contemporary Dallas - Animal Prints

Materials

Woodcut

Agave Break
By David Everett
Located in Dallas, TX
David Everett was born in Beaumont, Texas, and received both his B.F.A. and M.F.A. from The University of Texas in Austin. Valley House began showing his multi-articulated, painted w...
Category

1990s Contemporary Dallas - Animal Prints

Materials

Woodcut

Barbican
By David Everett
Located in Dallas, TX
David Everett was born in Beaumont, Texas, and received both his B.F.A. and M.F.A. from The University of Texas in Austin. In 1978, Everett was awarded a Faculty Travel Grant from So...
Category

21st Century and Contemporary Contemporary Dallas - Animal Prints

Materials

Paper, Woodcut

Gibraltar
By David Everett
Located in Dallas, TX
David Everett was born in Beaumont, Texas, and received both his B.F.A. and M.F.A. from The University of Texas at Austin. Valley House began showing his multi-articulated, painted w...
Category

1990s Contemporary Dallas - Animal Prints

Materials

Woodcut

The Best Revenge (Ed. /300)
By Matt Gondek
Located in Dallas, TX
Matt Gondek is a Deconstructive Pop Artist, whose work is possessed with a punk rock spirit, celebrating rebellion and destruction. With a visceral pop color palette and a disarmingl...
Category

21st Century and Contemporary Contemporary Dallas - Animal Prints

Materials

Screen

Butterflies on Fire (Unique Print 1)
Located in Dallas, TX
Screen Print on Organic Flower Press Paper with Organic Moss Overlay. Unique 57cm x 76cm Signed and numbered by the artist Created from the butterfl...
Category

21st Century and Contemporary Contemporary Dallas - Animal Prints

Materials

Organic Material, Screen

Your Son Just Bit My Dog (Black White Varied Ed. /9)
Located in Dallas, TX
'Your Son Just Bit My Dog' is by Jacob Taylor, a young Welsh artist currently working in a care home to subsidize his early career. His first exhibition in July 2022 at Laz Emporium ...
Category

21st Century and Contemporary Contemporary Dallas - Animal Prints

Materials

Watercolor, Screen

Space Eagles
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category

1970s Surrealist Dallas - Animal Prints

Materials

Paper, Etching

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Located in Deddington, GB
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Wine
$8,883
H 29.93 in W 22.05 in
Previously Available Items
Walrus (Ed. 48/50)
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The World Is Beautiful (Unique)
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Signed to lower right ‘Mr. Brainwash’. Dated to verso '2020' with artist's thumbprint. This work is unique.
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Friends
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21st Century and Contemporary Contemporary Dallas - Animal Prints

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Butterfly Heart (Small)
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Grand Master (Timed Edition)
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Maggie / Creek
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Located in Dallas, TX
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Rooster with Thistles
By Otis Dozier
Located in Dallas, TX
This is a Printer's Proof. The price does not include a frame. The following essay by Kendall Curlee is from the Handbook of Texas Online; scroll down for complete citation. Otis Dozier, painter, printmaker, and teacher who first became prominent as a member of the Dallas Nine, a group of regionalist artists, was born on March 27, 1904, in Forney, Texas, one of four children of James M. and Valta (Farmer) Dozier. He was raised on a farm in nearby Mesquite and developed a love for wildlife and nature, which later became the primary subject matter of his art. In the early 1920's his family moved to Dallas, where Dozier received his earliest art training from Vivian Aunspaugh, Frank Reaugh, and Cora Edge. During the 1930's Dozier became involved with the circle of regionalist artists then active in Dallas. He was a charter member of the Dallas Artists League, exhibited his work in the Dallas Allied Arts exhibitions, and from 1936 to 1938 taught at the Dallas School of Creative Arts. During this period, while studying works by Matisse, Picasso, Léger, Derain, and other European artists reproduced in back issues of Dial, Dozier developed a style characterized by strong forms and brilliant colors. By the mid-1930's he had tightened up his brushwork and muted his palette to the earthy grays, beiges, greens, and browns favored by regionalist artists. Several of his major works from this era focused on the plight of farmers dispossessed by the Great Depression. In Annual Move (1936), for example, a family loads up the car with cherished possessions, ready to move on through the barren brown landscape; in Grasshopper and Farmer (1937), a baleful, outsized grasshopper pins...
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Late 20th Century American Modern Dallas - Animal Prints

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Crows
By Otis Dozier
Located in Dallas, TX
Color lithograph with collage on paper Color Trial Proof Signed "Otis Dozier '87" at lower right
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1980s Modern Dallas - Animal Prints

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Crows
H 17.25 in W 28.5 in
Archie / Aspens
By Brian Cobble
Located in Dallas, TX
Brian Cobble’s landscapes tend to particularly focus on the interplay of man and his surroundings, whether natural or built. A signature attention to the liminal aspects of a scene, ...
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Early 2000s Contemporary Dallas - Animal Prints

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Linocut, Mulberry Paper

Space Eagles
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
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1970s Outsider Art Dallas - Animal Prints

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Space Eagles
H 23.75 in W 17.75 in
Rooster with Thistles
By Otis Dozier
Located in Dallas, TX
Edition 4/10 The following essay by Kendall Curlee is from the Handbook of Texas Online; scroll down for complete citation. Otis Dozier, painter, printmaker, and teacher who first became prominent as a member of the Dallas Nine, a group of regionalist artists, was born on March 27, 1904, in Forney, Texas, one of four children of James M. and Valta (Farmer) Dozier. He was raised on a farm in nearby Mesquite and developed a love for wildlife and nature, which later became the primary subject matter of his art. In the early 1920s his family moved to Dallas, where Dozier received his earliest art training from Vivian Aunspaugh, Frank Reaugh, and Cora Edge. During the 1930s Dozier became involved with the circle of regionalist artists then active in Dallas. He was a charter member of the Dallas Artists League, exhibited his work in the Dallas Allied Arts exhibitions, and from 1936 to 1938 taught at the Dallas School of Creative Arts. During this period, while studying works by Matisse, Picasso, Léger, Derain, and other European artists reproduced in back issues of Dial, Dozier developed a style characterized by strong forms and brilliant colors. By the mid-1930s he had tightened up his brushwork and muted his palette to the earthy grays, beiges, greens, and browns favored by regionalist artists. Several of his major works from this era focused on the plight of farmers dispossessed by the Great Depression. In Annual Move (1936), for example, a family loads up the car with cherished possessions, ready to move on through the barren brown landscape; in Grasshopper and Farmer (1937), a baleful, outsized grasshopper pins...
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1980s Dallas - Animal Prints

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Lithograph

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