England - Portrait Paintings

Jean La Forgue (French 1901-1975) circa 1930's oil on unstretched canvas, unframed painting: 22.5 x 19 inches provenance: the artists estate, France condition: the painting is on uns...

The Family Portrait British School, 20th century (painted in an earlier style) oil on canvas, unframed canvas: 30 x 24 inches provenance: private collection, England condition: overa...

Artist/ School: French School, circa 1970's Title: Abstract portrait of a woman Medium: oil painting, on canvas. Size: canvas: 27.5 x 31.5 inches Provenance: private col...

French character portrait French school, mid 20th century Gouache paint on unframed paper stamped Image : 25.5 x 19.5 inches Superbly decorative 1960's French portrait painting. I...

French Character Portrait French school, Mid 20th Century Gouache paint on unframed paper Image : 11 x 10 inches Superbly decorative 1960's French portrait painting. Ideal for man...

'Expressions in Bloom: Portraits from the 20th Century XIV', oil on canvas mounted on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings thro...

Putto Playing, 19th Century Bolognese School - Huge Piece & Stunning Antique Gilt Frame Fine huge 19th Century Bolognese School Old Master depiction of putto playing, oil on canva...

Artist/ School: Italian School, 20th century, indistinctly signed Title: Mother & Child Medium: oil on canvas, unframed Canvas : 32 x 25.5 inches Provenance: private collection...

Self Portrait of the Artist by Colbert Cassan (French 1899-1979) signed oil on canvas, unframed canvas: 24 x 20 inches provenance: private collection condition: very good and sound c...

An intimate 19th century portrait capturing a tender moment between a mother and child, with the child's arms gently wrapped around the mother's neck as they pose in an affectionate ...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Oil on canvas Canvas size: 23 x 19.25 inches Framed size: 30 x 26 inches Signed lower right

French Character Portrait French school, Mid 20th Century Gouache paint on unframed paper Inscribed verso stamped to the reverse Image : 25.5 x 19.5 inches Superbly decorative 196...

Josine Vignon (French 1922-2022) ...

Open Blue, Abstract Oil Painting, Signed By British Schooled artist, 21st Century Signed indistinctly on the back top corner Oil painting on canvas, unframed Canvas size: 23 x 19.5 inches Undeniably stylish abstract oil painting, using a rich palette of blue hues. I see the objects portrayed in the painting as fish in the deepest, darkest part of the sea. But as all abstract...

"A Room with a View" by Geneviève Zondervan (French 1922-2013) oil painting on board, stamped verso board: 8.5 x 10.5 inches Original oil painting on board by the French artist, Ge...

French Character Portrait French school, Mid 20th Century Gouache paint on unframed paper signed lower corner Image: 12.5 x 9.5 inches Superbly decorative 1960's French portrait pai...

French Character Portrait French school, Mid 20th Century Gouache paint on unframed paper signed lower corner Image : 12 x 9.5 inches Superbly decorative 1960's French portrait p...

French Character Portrait French school, Mid 20th Century Gouache paint on unframed paper Image : 12. x 19.5 inches Superbly decorative 1960's French portrait painting. Ideal for ...

French character portrait. French school, mid-20th century Gouache paint on unframed paper. Image : 12 x 9.5 inches. Superbly decorative 1960's French portrait painting. Ideal for...

French character portrait French school, Mid 20th Century Gouache paint on unframed paper signed lower corner Image : 12 x 9.5 inches. Superbly decorative 1960's French portrait p...

"Portrait of a Woman" by Akos Biro (Hungarian 1911-2002) Oil painting on card, unframed Painting: 15.75 x 13.75 inches Provenance: the artists estate, France Original oil painting...

Portrait of a Man with Pipe signed by Regine David (female French artist, 1910-2018) oil painting on canvas, unframed measures: 18 x 15 inches condition: This painting is in very goo...

'Portrait of Renée', oil on board, by Louis Latapie (1941). When combined with the artist's passionate brush strokes, the wood panel upon which this piece is painted, creates both a ...

Title: Portrait of a Gentleman in Blue with Glasses - Expressive Oil Painting Artist: Roland Pichard Signed: Bottom right Medium: Oil on oil paper, mounted on card Size: 14 (heig...

Portrait of a Man French artist, circa 1800's period oil on wood panel, unframed panel: 23 x 18 inches provenance: private collection, Honfleur, Normandy, France condition: some sur...

The Castle By Norman Lindsay (1879-1969), Watercolour painting on canvas mounted on board and framed signed to lower right painting measures: 30.5cm x 23.5cm framed: 77.5cm x 70.5cm ...

This intimate early 20th-century portrait captures a figure with tousled golden-brown hair against a shadowy background. The artist's skilled use of light and shadow brings focus to ...

Huge Colourful Male Portrait, Geometric, Cubist Original Oil Painting By European schooled artist, Mid 20th Century Oil painting on board, unframed Board size: 60 x 48 inches A fab...

Artist/ School: French School Title: Portrait of Man in Flat Cap Medium: oil on board Size: 12 x 10 inches Provenance: private collection, France Condition: The painting is in o...

The work is unsigned. Provenance: Given directly by the artist to the present owner who was a friend of the model. Condition: Good condition apart from some scratches and pressure ...

This striking British Edwardian religious oil painting is by noted artist Francis 'Frank' Owen Salisbury or Frank O'Salisbury as he is largely known. Painted in 1911 it is a figurative landscape of soldiers on the battlefield. The two central characters, the 'Christian Soldiers' from the early crusades have halos and ride through the chaos on white horses. Shafts on light with angels illuminate them and also a crucifix. A very powerful Edwardian religious oil painting and an excellent example of O'Salisbury's work. painted in oil and illuminated in gold leaf. Signed and dated with monogram lower right 1911. Provenance. From Castle of Park, Aberdeenshire. A version of this painting was exhibited at the Royal Academy London in 1911 entitled the Passing of War. Condition. Oil on canvas, 36 inches by 24 inches unframed and in good condition. Frame. Housed a complementary frame, 44 inches by 32 inches framed and in good condition. Francis ("Frank") Owen Salisbury (18 December 1874 – 31 August 1962) was an English artist who specialised in portraits, large canvases of historical and ceremonial events, stained glass and book illustration. In his heyday he made a fortune on both sides of the Atlantic and was known as "Britain’s Painter Laureate". His art was steadfastly conservative and he was a vitriolic critic of Modern Art – particularly of his contemporaries Picasso, Chagall and Mondrian. His father, Henry Salisbury, described himself as a "plumber, decorator and ironmonger" (his mother was Susan Hawes), yet his son Frank would become one of the greatest society artists of his generation. One of 11 children, Salisbury was such a delicate child that he was educated at home, in the main by his student teacher sister, Emilie. He had only a few weeks formal schooling and began work by repairing bicycles at his father’s Cycle Depot in Harpenden. Uncertain as to his ability to find and maintain a job, the family determined that he be apprenticed, at the age of 15, to Henry James Salisbury, his eldest brother, who managed a major stained glass company in Alma Road, St Albans. He rapidly acquired all the practical skills of a stained glass artist and exhibited exceptional skills in the painterly detail that was applied to glass before its final firing. This led to his brother sponsoring him to attend Heatherley’s School of Art three days a week to further a career in painting. He then won a scholarship to the Royal Academy Schools which he attended for five years and where he won two silver medals and two scholarships, including the Landseer scholarship which funded his to travel to Italy in 1896. In due course he would have seventy exhibits accepted for the annual Royal Academy Summer Exhibitions, from 1899 until 1943, though he was never offered membership, which reportedly disappointed him very much. In 1901 he married Alice Maude (d. 1951), daughter of C. Colmer Greenwood, with whom he had several children, including twin daughters Monica and Sylvia. His first Royal Academy exhibit was a portrait of Alice and he often painted pictures of their children. It is for portraiture that he is best known. His speed in producing portraits stemmed from his painting his own twin daughters every morning for an hour and his career began with child portraiture and his painting the Hertfordshire gentry and members of the Harpenden Methodist Church. He had a studio at his home, Sarum Chase. A providential meeting with Lord Wakefield, founder of Castrol Oils and a Methodist philanthropist, saw his introduction to society portraiture. Salisbury’s being selected to paint the Boy Cornwell in the Battle of Jutland then brought him to the notice of Royalty. Lord Wakefield then arranged for him to paint President Woodrow Wilson whilst he was in London, but Wilson departed for Paris and the opportunity was lost. It was to be John W. Davis, American Ambassador to London, who encouraged Salisbury to go to the USA; Davis had met Salisbury at art receptions and had admired his child portraits. Twenty-five members of the Royal House of Windsor sat for Salisbury and he was the first artist to paint HM Queen Elizabeth II. In 1919 he painted a mural for the Royal Exchange, London National Peace Thanksgiving Service on the steps of St Paul’s Cathedral, 6th July 1919. He painted Winston Churchill on more occasions than any other artist; the two iconic images of Churchill – The Siren Suit and Blood, Sweat and Tears are both Salisbury images. Mayoral regalia was a ready made requisite for the Salisbury style with Councillor Sam Ryder (of Ryder Cup fame) as Mayor of St Albans being the most famous of his civic images. Other significant portraits include those of Richard Burton, Andrew Carnegie (posthumous), Sir Alan Cobham, Sir Robert Ludwig Mond, Maria Montessori...

'Balinese Pottery Market', oil on canvas, by Régine van den Broek d'Obrenan (1931). The artist visited Bali in 1931 (among other islands) with her new husband, Charles. The naive pai...

Flemish School, Early 17th Century Portrait of a Boy in a Black Tunic Oil on panel Image size: 15¾ x 13⅛ inches This accomplished portrait of an unknown boy in his early teens was p...

Portrait of a Lady by Annie Faure (French 1940-2021) signed lower corner oil painting on canvas, framed framed: 46 x 26 inches canvas size: 39 x 20 inches condition: overall very goo...

Huguette Ginet-Lasnier (French 1927-2020) framed signed oil painting on textured board framed: 22 x 19 inches board: 18 x 15 inches. All the paintings we have for sale by this artis...

A delightful 19th-century portrait of a young farm boy holding a hunting rattle and horn. These rattles were traditionally used to mimic the clash of antlers, luring bucks into displ...

Striking Portrait, Cubist Abstract, Red Colour, Original Oil Painting By French artist Beatrice Werlie, early 21st Century Oil painting on canvas, unframed Canvas size: 22 x 18 inche...

Portrait, Lady in Red, Oil Painting, French Artist, Signed By French artist Beatrice Werlie, early 21st Century Signed by the artist on the lower right hand corner Oil painting on ca...

This charming oil on canvas Impressionist painting is by British artist Philip Wilson Steer and has excellent provenance. The painting is circa 1920 and of a demure seated nude young...

A delightful Victorian portrait of an elderly woman in a darkened interior. She wears a laced cap that attaches under the chin and looks down at the bowl of seashells...

Bearded Fisherman English artist, second half 19th century inscribed 'W.M.Wyllie' to the frame Oil painting on board, framed Framed: 12 x 12 inches Board: 10 x 10 inches Condition: ...

All Blue, Abstract Oil Painting, Signed By British Schooled artist, 21st Century Signed indistinctly on the back top corner Oil painting on canvas, unframed Canvas size: 23 x 19.5 inches Undeniably stylish abstract oil painting, using a rich palette of blue hues. This beautiful painting is one of three abstract blue oil...

Artist/ School: Claudine Riboulet (French 1924-2013), signed Title: Portrait of a Woman Medium: oil painting on canvas, unframed, signed. Size: ...

The Harvest View French artist, 'Chevalier' signed and dated 1958 oil on canvas, unframed canvas: 29 x 23.5 inches Provenance: private collection, France Condition: very good condit...

The News Paper Vendors by Annie Faure (French 1940-2021) signed lower corner oil painting on canvas, unframed canvas size: 36 x 29 inches condition: overall very good, minor surface ...

"The Badminton Player" French School, 19th century unsigned oil painting on canvas, framed painting: 24 x 14 inches framed: 28.5 x 18.5 inches Very rare early portrayal of a young ...

1950’s Parisian Girl - Collage Painting By Edward Fish, Mid 20th Century Signed on the top left hand corner Oil painting on canvas, framed with applied collage items Framed size: 29...

'Portrait of President Joko Widodo' by Pandi, acrylic on stretched canvas, unframed. This piece was finished in early 2018 in Bali. It is a charming depiction of the very popular Pre...

The painting is hand signed by the artist at the lower left part "I. Ryback". It was probably painted between 1925 to 1935 in France. Provenance: Josef Steiglitz Gallery, Tel Aviv. ...

Trout Painting by Josine Vignon (French 1922-2022) stamped verso oil painting on board, unframed board: 22 x 18 inches Colors: Red colors, brown, grey...

Portrait of a Woman by Jonathan ZUTTER (Monegasque, 1928-1998) signed oil on canvas, framed Canvas: 22 x 15 inches Provenance: Private collection, France This modern portrait featur...

Charming work in the Regency style, mid 19th Century after Sir Thomas Lawrence. High quality painting. Old Christie's Stencil to verso. Would grace any home, suitable for contempor...

Attributed to, Alessandro Longhi 1733-1813, was a prominent Venetian portrait painter, printmaker, and biographer. The son of the famous genre painter Pietro Longhi, he is known for his detailed oil portraits of the Venetian aristocracy and his valuable book on contemporary Venetian painters. Longhi early life and training Born: Alessandro Longhi was born on June 12, 1733, in Venice. He received his initial training from his father, Pietro Longhi. He later studied under Giuseppe Nogari, a respected portraitist in Venice during the 18th century, and was elected to the Venetian Academy in 1759. Longhi specialized in portraiture, primarily depicting the nobles and officials of the Republic of Venice. His paintings are a valuable record of the social and political structure of 18th-century Venice. Rococo aesthetic: Working in the Rococo style, he was adept at capturing the elegance and social status of his subjects. He paid meticulous attention to the elaborate robes, wigs, and emblems of office that signified his subjects' power. While his official state portraits could be stiff and formal, his portraits of less noble patrons demonstrated a greater sense of realism and psychological insight. Longhi was also an accomplished printmaker, particularly in etching. His etching technique showed an awareness of Rembrandt's work, and he used this skill to reproduce his and his father's paintings. In 1762, he published Compendio delle vite de' pittori veneziani istorici più rinomati del presente secolo, a biographical dictionary of contemporary Venetian painters that is still an important resource for art historians. Longhi illustrated the book with etched portraits of the artists. The portrait of Carlo Goldoni: One of his most celebrated paintings is his portrait of the Venetian playwright and librettist Carlo Goldoni. For his election to the Venetian Academy, he painted this allegory, which features a personified figure of Painting. His known portraits include Portrait of a Lady (Uffizi Gallery, Florence), Portrait of a Musician, and various portraits of Venetian nobles and officials. I have included further albeit identical biographies of Alessandro Longhi. Alessandro Longhi (born June 12, 1733, Venice—died 1813, Venice) was a painter, etcher, and biographer of Venetian artists, and was the most important Venetian portrait painter of his day. The son of the painter Pietro Longhi, he was given his first training by his father, who quite soon put him to study under the portrait painter Giuseppe Nogari. In 1759 he was elected a member of the Venetian academy, for which he painted one of his rare allegorical pictures, “Painting and Merit.” In 1762 Longhi issued his book Compendio delle Vite de’ Pittori Veneziani Istorici piu rinomati del presente secolo con sui ritratti dal naturale delineati ed indisi, one of the most important source books for the history of Venetian 18th-century painting. Both portraits and text were printed from plates he etched. Longhi’s facilely rendered portraits are largely generalized likenesses lacking any acuity of character observation. He mainly portrayed the leading Venetian luminaries and dignitaries of his day in a style that drew upon his father’s Rococo manner and 16th-century traditions of Venetian Renaissance portraiture. The personal details available for the painter Alessandro Longhi are limited, but his biography is intertwined with that of his family and the city of Venice. He was the son of a successful painter, which set his artistic path, and is known for creating sensitive and realistic portraits that captured the social atmosphere of 18th-century Venice. Alessandro was born in Venice in 1733 to the celebrated genre painter Pietro Longhi. He received his early training from his father before studying under another prominent portraitist, Giuseppe Nogari. A contrast to his father: While his father was known for painting scenes of everyday Venetian life, Alessandro focused almost exclusively on portraiture. His skill enabled him to capture the intimate psychology and character of his subjects, a quality especially evident in his portraits of less noble patrons. Election to the academy: In 1759, Alessandro was elected to the Accademia dei Pittori, the Venetian Academy of Painting. His election solidified his reputation as a master of the Rococo style. Beyond painting, Longhi was an accomplished printmaker, primarily producing etchings that reproduced his own works and those of his father. In 1762, he published the Compendio delle vite de' pittori veneziani, a collection of biographies of contemporary Venetian painters, which is an important historical resource. He became a prominent portraitist for Venice's upper class, including nobles and state officials. His official state portraits featured grand, full-length depictions of his subjects in their elaborate robes and emblems of office. Emphasis on realism: In contrast to the stylized nature of official portraits, Alessandro was praised for the "reality" he captured in works featuring common people. For example, his 1760 portrait of an innkeeper was celebrated for its realistic subject matter and "nuova maniera" (new manner). The art historian Olimpia Theodoli noted that Longhi's etching technique showed he had a firsthand knowledge of Rembrandt's work. Among his more famous works are a sensitive portrait of playwright Carlo Goldoni and the painting Portrait of a Wine Butler. He also produced religious and allegorical works, including paintings of the "Apostles" for the church of San Pantalon in Venice. This painting has been carefully conserved and the frame also, the frame looks to be original to the picture but we have no way of confirming this but we believe it to be so. 18th Century Italian portraits...

Artist/ School: Claude Benard, signed and dated 1952 Title: Ladies in Yellow Medium: oil painting on board, unframed Size: board : 16 x 13 inches Provenance: private collection...

The Fruit Table Artist: Pierre Neveu (French b.1929) signed lower right Medium: oil on canvas, unframed Canvas: 24 x 29 inches Condition: Good and sound condition Provenance: From t...

The Legal Gentleman portrait of a lawyer/ barrister by Victor Hume Moody (British 1896-1990) *see notes below signed and dated 1974 oil on canvas, unframed canvas: 36 x 28 inches pro...

Superb mid 20th century Irish oil painting on canvas, depicting this young lady seated in a chair. She wears an emerald green scarf tied round her ...

Portrait of a Lady by Maria Tort Xirau (Catalan, 1924-2018) signed lower corner dated 1991 oil painting on canvas canvas: 44 x 30 inches Very good condition. Provenance: from the...

Red Rose Boquet by Annie Faure (French 1940-2021) signed lower corner oil painting on canvas, unframed canvas size: 24 x 19.5 inches condition: overall very good, minor surface scuff...