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England - Prints and Multiples

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Item Ships From: England
Cruising - Naïve art, comical, colourful, Folk art, everyday life
Located in London, GB
Printer's Proof /5 Her appeal was classless and she rapidly became Britain’s most popular artist. She was a ‘heart and soul’ painter, compelled to paint with a passion. Her painting...
Category

Early 2000s Contemporary England - Prints and Multiples

Materials

Archival Paper, Screen

Cape Cross - Studio Portrait, Stallion, Champion, Equine Art Print Unframed
Located in London, GB
Cape Cross (13 March 1994 – 21 April 2017) was an Irish-bred Thoroughbred racehorse. He is a son of the July Cup winner Green Desert and Cheveley Park Stakes, winner Park Appeal who ...
Category

Early 2000s Contemporary England - Prints and Multiples

Materials

Photographic Film, Archival Ink, Archival Paper, Photographic Paper, Bla...

Xaar - Tail, Stallion Detail horse abstract, Silver Gelatin Print on Aluminium
Located in London, GB
Xaar, ‘Tail', 2001 by John Reardon Edition of 7 (2/7) Silver Gelatin Print, Mounted on Aluminium, Custom framed, UV protective Museum AR Glass This piece...
Category

Early 2000s Contemporary England - Prints and Multiples

Materials

Silver Gelatin, Photographic Film, Archival Paper, Photographic Paper, B...

Drive Carefully, Las Vegas - American Architecture Typography Photography
By Richard Heeps
Located in Cambridge, GB
Taken upon leaving Las Vegas, photograph from Richard Heeps' 'Dream in Colour' series, this artwork features a classic American neon Googie sign, with the Las Vegas cityscape lights ...
Category

Early 2000s Contemporary England - Prints and Multiples

Materials

Photographic Paper, C Print, Color, Silver Gelatin

Reims Cathedral, France poster after Maurice Utrillo Post-Impressionism
By Maurice Utrillo
Located in London, GB
To see our other original vintage posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want. after Maurice Utrillo (1883 - 1955) France: La Cathédrale de Reims Original vintage poster 100 x 62 cm Commissioned by the Ministère des Travaux Publics et des Transports and the Commissariat général au Tourisme. Printed in France, by and for the French Government. Printed by Braun & Cie, Mulhouse-Paris. This poster, featuring a Utrillo painting of Reims Cathedral, was printed by the French tourist board to encourage holidays to France. Utrillo's depiction of Reims is highly post-impressionist, with thick layers of impasto and an inventive colour palette. Maurice Utrillo was a French painter who specialised in post-impressionist cityscapes...
Category

20th Century Post-Impressionist England - Prints and Multiples

Materials

Lithograph

Two Women by the Window - Spanish Linocut
By Pablo Picasso
Located in London, GB
This original linocut in colours is hand signed in pencil by the artist "Picasso" at the lower right margin. It is hand numbered in pencil 5 from the edition of 50, at the lower left...
Category

1950s Modern England - Prints and Multiples

Materials

Linocut

Blue Trees
By Martyn Brewster
Located in Bournemouth, Dorset
Martyn Brewster (b.1952) 'Blue Trees ' Carborundum & relief print 2025 Image 20.0 x20.0 cm Edition 60 Unframed Martyn Brewster’s abstract paintings are strongly linked to the Englis...
Category

2010s Abstract England - Prints and Multiples

Materials

Woodcut

Johann Weinmann: c18th Botanical Engravings in Decalcomania Frames
Located in Richmond, GB
A wonderful selection of hand-coloured mezzotint engravings from: ""Phytanthoza Iconographia"", c1739, presented in hand- made parcel-gilt, ebonised and decalcomania frames. Joha...
Category

18th Century England - Prints and Multiples

Materials

Watercolor, Mezzotint

Hand-coloured Print of weeping mythical sculpture angels in Walnut Frame
Located in London, GB
Hand-coloured tableau of a weeping spirit and her guardians, immobilised in marble. A disjointed narrative looking at recovery and protection, the angels shield the spirit with tender embraces and cry for her when alone. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). During the beginning of the 'Museum Age' in the 18th century , writer Johann Wolfgang Von Goethe discussed mythical...
Category

18th Century Victorian England - Prints and Multiples

Materials

Cotton, Walnut, Paint, Photographic Film, Ink, Spray Paint, Watercolor, ...

Welcome, Las Vegas (6x7 Film Rebate) - American Typography Photograph
By Richard Heeps
Located in Cambridge, GB
Taken upon arriving in Las Vegas, photograph from Richard Heeps' 'Dream in Colour' series, this artwork captures a classic American neon Googie sign, with the famous Vegas cityscape ...
Category

Early 2000s Contemporary England - Prints and Multiples

Materials

Photographic Paper, C Print, Color, Silver Gelatin

Le Corbusier: "Le Poème de L Angle Droit". Original lithograph.
By Le Corbusier
Located in Richmond, GB
Charles-Éduard Jeanneret, known as Le Corbusier, was a Swiss architect and designer who is generally regarded as a key figure in the development of modern architecture, his work bein...
Category

Mid-20th Century Modern England - Prints and Multiples

Materials

Lithograph

Indian Leaves
By Howard Hodgkin
Located in London, GB
Howard Hodgkin produced the lithograph Indian Leaves in 1982 on the occasion of his exhibition of the same title at Tate, London, in the same year. After it was decided that the pri...
Category

1980s Abstract England - Prints and Multiples

Materials

Lithograph

Christ Church Cathedral Oxford etching E W Sharland print College University
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Edward W Sharland (1884-1967) - British Christ Church Cathedral...
Category

1920s Realist England - Prints and Multiples

Materials

Etching

Harry Bunce, Restaurant au Renard, Limited Edition Print, Animal Art, Art Online
By Harry Bunce
Located in Deddington, GB
Harry Bunce Restaurant au Renard Limited Edition Print Edition of 234 Mount Size: H 51cm x W 41cm Signed and Numbered Sold Unframed but Mounted Please note that all in situ images ar...
Category

21st Century and Contemporary Contemporary England - Prints and Multiples

Materials

Paper, Archival Ink

Love from The Book of Love
By Robert Indiana
Located in London, GB
Screenprint in colours, 1996, on A.N.W. Crestwood Museum paper, signed in pencil and numbered from the edition of 200, published by American Image Editions, New York, 66 × 50.8 cm. (...
Category

Late 20th Century Pop Art England - Prints and Multiples

Materials

Screen

Clare Halifax, Switch Views, London, Cityscape Screenprint, Bright London Art
By Clare Halifax
Located in Deddington, GB
Clare Halifax Switch Views, London Limited Edition Silkscreen Print Edition of 50 Size: H 38cm x W 37cm x D 0.1cm Sold Unframed Please note that insitu images are purely an indicatio...
Category

21st Century and Contemporary Abstract Geometric England - Prints and Multiples

Materials

Paper, Screen

Oxford Christ Church and Carfax 18th century engraving by John Donowell
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category

1750s England - Prints and Multiples

Materials

Engraving

Tim Southall, Destination Unknown, Contemporary Art Print, Affordable Art
By Tim Southall
Located in Deddington, GB
Tim Southall Destination Unknown Limited Edition Print Edition of 45 Image Size: H 15cm x W 20cm Sheet Size: H 26cm x W 32cm x D 0.1cm Sold Unframed Pleas...
Category

21st Century and Contemporary Conceptual England - Prints and Multiples

Materials

Paper, Etching, Monoprint

Trinity College, Cambridge engraving by David Loggan
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want. David Loggan (1634 - 1692) Trinity College, Cambridge (1690) Engraving 80 x 50 cm Loggan's marvellous and large view of Trinity from the 'Cantabrigia Illustrata'. Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University. The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College). Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views. Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers. The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (circa 1708). The contemporary artist Andrew Ingamells...
Category

1690s Realist England - Prints and Multiples

Materials

Engraving

Amulet in Crowd
By Julie Mehretu
Located in Bristol, GB
Drypoint, on Chine collé to Hahnemühle Copperplate paper Edition 9 of 35 48.3 x 40.6 cm (19 x 16 in) 53 x 45.5 x 3.8, 20.9 x 17.9 x 1.5 in Signed, numbered and dated on the front Min...
Category

21st Century and Contemporary Contemporary England - Prints and Multiples

Materials

Drypoint

Odalisque à la culotte de satin rouge
By Henri Matisse
Located in London, GB
Henri Matisse Odalisque à la culotte de satin rouge 1925 Lithograph on Chine paper, Edition of 50 Paper size: 28.5 x 36.5 cms (11 1/4 x 14 3/8 ins) Image size: 19 x 27 cms (7 1/2 x 1...
Category

1920s Modern England - Prints and Multiples

Materials

Lithograph

See Glasgow by Train original vintage 1960s poster by Elizabeth Scott
Located in London, GB
To see our other original vintage posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poste...
Category

1960s England - Prints and Multiples

Materials

Lithograph

Methionine, from 12 Woodcut Spots Damien Hirst Spot Print, YBA Abstract print
By Damien Hirst
Located in Bristol, GB
Woodcut in colours on Somerset White paper Edition of 48 Signed on the front Artwork in mint condition. Artwork not inspected outside of frame. Minor scratches throughout frame Float...
Category

21st Century and Contemporary Contemporary England - Prints and Multiples

Materials

Woodcut

Switzerland horses by Hugo Wetli original vintage poster Swiss Jura Alps
By Hugo Wetli
Located in London, GB
To see our other original vintage travel posters, many of which are from Switzerland, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or sen...
Category

1960s Modern England - Prints and Multiples

Materials

Lithograph

Bright Orange Abstract 1970s Print with Pink, Bold Richard Smith Lithograph
By Richard Smith
Located in Kingsclere, GB
Sun Curtain by Richard Smith, 1971 Additional information: Medium: lithograph on two sheets 64 x 92 cm 25 1/4 x 36 1/4 in signed and dated in the plate Charles Richard "Dick" Smith was an English printmaker and painter. Smith was born in Letchworth, Hertfordshire, to Doris (née Chandler), a nurse and daughter of a chemical company director. He studied at Hitchin Grammar School and Luton School of Art. After military service with the Royal Air Force in Hong Kong, he attended St Albans School of Art followed by post-graduate studies at the Royal College of Art, London, from 1954-57. Smith shared a flat-cum-studio with Peter Blake in his second year at the RCA, and then again for two years after he left the college in 1957. When Terence Conran's Soup Kitchen opened on Fleet Street in the late 1950s, it featured a letter-collage mural by Smith and Blake. Michael Chow would later commission Smith to design installations for his restaurant in Los Angeles, and Chow and Conran have remained two of his biggest supporters. In 1959 he moved to New York to teach on a Harkness Fellowship, staying for two years, where he produced paintings combining the formal qualities of many of the American abstract painters which made references to American commercial culture. The artist's first solo exhibition was at the Green Gallery. As his work matured it tended to be more minimal, often painted using one colour with a second only as an accent. In trying to find ways of transposing ideas, Smith began to question the two-dimensional properties of art itself and to find ways by which a painting could express the shape of reality as he saw it. He began to take the canvas off the stretcher, letting it hang loose, or tied with knots, to suggest sails or kites - objects which could change with new directions rather than being held rigid against a wall, and taking painting close to the realm of sculpture. These principles he carried into his graphic work by introducing cut, folded and stapled elements into his prints; some works were multi-leaved screenprinting, and others printed onto three-dimensional fabricated metal. Smith returned to England in 1963 - specifically East Tytherton, Wiltshire where Howard Hodgkin was a neighbour - and gained critical acclaim for extending the boundaries of painting into three dimensions, creating sculptural shaped canvases with monumental presence, which literally protruded into the space of the gallery. Evocative titles such as Panatella and Revlon, and cosmetic, synthetic colours alluded to the consumer landscapes of urban America which had proved so influential. He showed at the Kasmin Gallery, a venture between Kas and the Marquess of Dufferin and Ava in New Bond Street, throughout the 60s, more-widely known as David Hockney's first gallery. After being awarded the Grand Prize at the 9th São Paulo Biennial in 1967 and important exhibitions at Kasmin in 1963, Tate in 1964, and Richard Feigen Gallery in 1966, Smith was invited to exhibit at the XXXV Venice Biennale as the official British artist in 1970. Smith was chosen by a committee of art experts, who were Director of Tate Norman Reid, art historian Alan Bowness, art collector David Thompson, the British Council’s Lilian Somerville and art historian Norbert Lynton. Smith taught with Richard Hamilton at Gateshead in 1965, where he met Mark Lancaster and Stephen Buckley, and again in 2000, becoming close to the artist and his wife, Terry. By the late 1960s Smith's ambition to produce paintings which shared a common sensibility with other media, such as film and photography, began to wane and he focused on the formal qualities of painting. The freestanding installation Gazebo exhibited at the Architectural League of New York in 1966, and a tent project at the Aspen Design...
Category

20th Century England - Prints and Multiples

Materials

Lithograph

Cape Cross - Hoof, Horseshoe, Stallion - Silver Gelatin Print, Mounted + Framed
Located in London, GB
Cape Cross, ‘Hoof’, 2001 by John Reardon Edition of 2/7 Silver Gelatin Print, Mounted on Aluminium, Custom framed, UV protective Museum AR Glass This pie...
Category

Early 2000s Contemporary England - Prints and Multiples

Materials

Silver Gelatin, Photographic Film, Archival Paper, Photographic Paper, G...

The Hour Is Devoted to Revenge -- Letterpress, Lithograph, Text Art by Bourgeois
By Louise Bourgeois
Located in London, GB
The Hour Is Devoted to Revenge, 1999 Louise Bourgeois Letterpress and lithograph in colours, on two sheets of smooth wove Arches Signed with initials, inscribed ‘AP' Numbered 15, on...
Category

1990s Feminist England - Prints and Multiples

Materials

Lithograph

1942 Messerschmitt "Me109F" German Reich fighter plane identification poster WW2
Located in London, GB
To see our other original vintage warbird aeroplane posters, photographs and paintings, scroll down to "More from this Seller" and below it click on "See all from this Seller". 1942 Army Messerschmitt "Me109F" - World War II German Reich...
Category

1940s Modern England - Prints and Multiples

Materials

Lithograph

Christ Church, Oxford engraving by Pieter van der Aa after David Loggan
By Pieter Van Der Aa
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692) Christ Church, Oxford Engraving 12 x 16 cm An eighteenth-century view of Christ Church, engraved by Pieter van der Aa a...
Category

Early 18th Century England - Prints and Multiples

Materials

Engraving

Indian Leaves
By Howard Hodgkin
Located in London, GB
Indian Leaves Lithograph print on Japanese Gampi Torinoko paper Limited edition of 500 (Roman) and 500 (Arabic) 23 x 76.3 cm Stamp-signed and accompanied by a certificate of authenti...
Category

2010s Contemporary England - Prints and Multiples

Materials

Lithograph

Poolside Pairs Slim Aarons Limited Edition Estate Stamped Print
By Slim Aarons
Located in London, GB
'Poolside Pairs' Slim Aarons Limited Edition Estate Stamped Print, Printed Later Former fashion model Helen Dzo Dzo Kaptur (in white lace) and Nelda Linsk (in yellow), wife of art d...
Category

1970s Modern England - Prints and Multiples

Materials

Color, Archival Pigment

1942 RAF Handley Page "Hampden" bomber aeroplane identification poster ww2
Located in London, GB
US Naval Aviation Training Division Royal Air Force Handley Page "Hampden" Bomber - UK World War II Fighter aeroplane Original aeroplane identification poster (1942) 63x47cm A parti...
Category

1940s Modern England - Prints and Multiples

Materials

Lithograph

David Loggan Wadham College Oxford Collegium Wadhamense 1675 engraving
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. David Loggan (1634-1692) Wadham College Oxford Engraving 1675 34x42cm Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University. The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College). Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views. Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers. The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (c. 1708). The contemporary artist Andrew Ingamells...
Category

1670s Realist England - Prints and Multiples

Materials

Engraving

Christ s College, Cambridge David Loggan 1690 engraving
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the ...
Category

1670s Realist England - Prints and Multiples

Materials

Engraving

Winter Bears By Jeff Koons
By Jeff Koons
Located in Dubai, Dubai
Winter Bears By Jeff Koons 2011 Medium: Offset Lithograph Paper Size: 16.5 x 11.75 inches ( 42 x 30 cm ) Image Size: 16.5 x 11.75 inches ( 42 x 30 cm ) Edition Size: Unknown
Category

2010s Contemporary England - Prints and Multiples

Materials

Lithograph, Offset

Great St Mary s, University of Cambridge David Loggan 1690 engraving
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want. David Loggan (1634 - 1692) The Church of St Mary the Virgin, Cambridge (1690) Engraving 38 x 47 cm Loggan's view of Great St Mary's from the 'Cantabrigia Illustrata'. Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University. The 'Oxonia Illustrata' also includes an engraving of Winchester College...
Category

1670s Realist England - Prints and Multiples

Materials

Engraving

Percy Drake Brookshaw Horse Racing Original Coach Poster
By Percy Drake Brookshaw
Located in London, GB
To see our other original vintage travel posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want. Percy Drake Brookshaw (1907-1993) Horse Racing Original coach poster...
Category

1950s Modern England - Prints and Multiples

Materials

Lithograph

Two Dancers By David Hockney
By David Hockney
Located in Dubai, Dubai
Two Dancers By David Hockney 1983 Medium: Offset Lithograph Paper Size: 27 x 39 inches ( 69 x 99 cm ) Image Size: 23 x 34.75 inches ( 58 x 88 cm ) Edition Size: Unknown
Category

1980s Contemporary England - Prints and Multiples

Materials

Lithograph, Offset

Wanderlust Goes South, Norfolk - Vintage Book Spines Color Photography
By Richard Heeps
Located in Cambridge, GB
Wanderlust Goes South, vintage book spines photograph from Richard Heeps' Norfolk series. Browsing second hand book shops on holidays by the seaside is always a joy, you never know w...
Category

2010s Pop Art England - Prints and Multiples

Materials

Photographic Paper, C Print, Color, Silver Gelatin

Belvoir Weaver hunting hound print by Cuthbert Bradley
Located in London, GB
To see our other hunting pictures, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search. Cuthbert ...
Category

Early 20th Century England - Prints and Multiples

Materials

Lithograph

Backfire - Andrew Scott Print
Located in Manchester, GB
Andrew Scott, Backfire, 2024 Print on Etching cotton Rag with Hand Burnt Frame 45 x 33 cm (17 7/10 × 13 in) Edition 239 of 250 Framed in open-grain black wood Signed and numbered la...
Category

2010s Contemporary England - Prints and Multiples

Materials

Giclée

Seated Dancer, from: Ten Dancers - French Ballet Dancer
By Henri Matisse
Located in London, GB
This original lithograph is signed in pencil by the artist “Henri Matisse.” at the lower right margin. The work is also hand numbered 87 in pencil from the edition of 130, above the ...
Category

1920s Modern England - Prints and Multiples

Materials

Lithograph

Japanese Stamp Collection Mount Fuji - Framed Photographic Print
By Heidler Heeps
Located in Cambridge, GB
Taken upon leaving Las Vegas, photograph from Richard Heeps' 'Dream in Colour' series, this artwork features a classic American neon Googie sign, with the Las Vegas cityscape lights ...
Category

2010s Pop Art England - Prints and Multiples

Materials

Photographic Paper, C Print, Color, Silver Gelatin

Voyage Vers La Lune (Journey to the Moon) -- Etching, Print by Etel Adnan
By Etel Adnan
Located in London, GB
Etel Adnan Voyage Vers La Lune (Journey to the Moon), 2018 Etching in colours, on Arches wove Signed and numbered from the edition of 35 Plate: 30.5 × 24.7 (12 × 9.7 in) Sheet: 48....
Category

2010s England - Prints and Multiples

Materials

Etching

William Williams engraving of Christ Church - College at Oxford c.1732
By William Williams (painter)
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. William Williams...
Category

Early 18th Century Realist England - Prints and Multiples

Materials

Engraving

Christ Church Oxford College, William Nicholson lithograph 1905 Stafford Gallery
By William Nicholson
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. William Nicholson Canterbury Gate, Christ Church, Oxford College Published by Stafford Gallery...
Category

Early 1900s Realist England - Prints and Multiples

Materials

Lithograph

David Loggan: Peterhouse, Cambridge college engraving
By David Loggan
Located in London, GB
David Loggan (1634-1692) Peterhouse, Cambridge Engraving, 1690 50.5 x 64cm (framed) To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below ...
Category

17th Century England - Prints and Multiples

Materials

Engraving, Etching

Blue Image, 1980s Abstract Screenprint by Victor Pasmore, Framed and Glazed
By Victor Pasmore
Located in Kingsclere, GB
Blue Image by Victor Pasmore, 1986 Additional information: Medium: screenprint on Fabriano paper 49 x 48.5 cm 19 1/4 x 19 1/8 in signed, dated and numbered 68/90 in pencil Victor P...
Category

20th Century England - Prints and Multiples

Materials

Screen

Theodoor Galle Martin de Vos 17th Century Engraving Jesus Nailed to the Cross
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below it click on "See all from this Seller" and search for 'Collaert' - or message us as they may not all have been uploaded yet. Theodoor Galle (1571 – 1633) after Maerten de Vos (1532 - 1603) Jesus is Nailed to the Cross 46. Et postquam venerunt in locum qui voctur Caluarie, ibi crucifixerunt eum. Luc. 23. From Vita, Passio, et Resurrectio Iesu Christi first published 1598, this a later edition published by Joannes Galle (1600-1676) 17.5x22cm From the Gospel of Luke, chapter 3 "When they came to the place called the Skull, they crucified him there." Theodoor Galle was the son of Philip Galle...
Category

17th Century Realist England - Prints and Multiples

Materials

Engraving

St Catharine s College, Cambridge David Loggan 1690 engraving
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want. David Loggan (1634 - 1692) St Catharine's College, Cambridge (1690) Engraving 35 x 46 cm Loggan's view of St Catharine's College, Cambridge from the 'Cantabrigia Illustrata'. Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University. The 'Oxonia Illustrata' also includes an engraving of Winchester College...
Category

1670s Realist England - Prints and Multiples

Materials

Engraving

Jesus College, Oxford engraving by David Loggan
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. David Loggan (1634 - 1692) Jesus College...
Category

17th Century England - Prints and Multiples

Materials

Engraving, Etching

Join The Regular Army: A Skilled Trade 1950s British Army Recruitment Poster
Located in London, GB
To see our other original vintage posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want. Anon. Join the Regular Army...
Category

1950s Realist England - Prints and Multiples

Materials

Lithograph

1944 Super-Rata "I-16C" Russian USSR fighter plane identification poster WW2
Located in London, GB
To see our other original vintage warbird aeroplane posters, photographs and paintings, scroll down to "More from this Seller" and below it click on "See all from this Seller". 1944 Polikarpov Super-Rata "I-16C" World War II Russian USSR...
Category

1940s Modern England - Prints and Multiples

Materials

Lithograph

Zero Hans Schleger Grow Your Own Food Surreal Original Vintage Poster
By Hans Schleger Zero
Located in London, GB
To see our other original vintage World War Two public information posters, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the poster you want. 'Zero' Hans Schleger (1898-1976) Grow Your Own Food Lithographic poster c. 1940 Printed by Fosh & Kosh Limited for HMSO 76x51cm A copy of this poster is in the collection of the Imperial War Museum. Provenance: the estate of the artist. In this poster the public are encouraged to Dig For Victory...
Category

1940s Surrealist England - Prints and Multiples

Materials

Lithograph

Original Poster - Hugo Wetli: Nordwest-Schweiz North-West Switzerland Skiing
By Hugo Wetli
Located in London, GB
To see our other original vintage travel posters, many of which are from Switzerland, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or sen...
Category

1960s Modern England - Prints and Multiples

Materials

Lithograph

Hong Kong Stamp Collection QV 3 Cents - Red Print Framed
By Heidler Heeps
Located in Cambridge, GB
QV 3 Cents, from the Heidler Heeps Stamp Collection, Hong Kong Series. The fine detailed tapestry of the original Hong Kong small postage stamp has been brought to life and mad...
Category

2010s Pop Art England - Prints and Multiples

Materials

Photographic Paper, C Print, Color, Silver Gelatin

Palais Des Papes, Tete De Femme By Pablo Picasso
By Pablo Picasso
Located in Dubai, Dubai
Palais Des Papes, Tete De Femme By Pablo Picasso 1978 Medium: Lithograph Paper Size: 29.75 x 20 inches ( 76 x 51 cm ) Image Size: 20.5 x 15.5 inches ( 52 x 39 cm ) Edition Size...
Category

1970s Contemporary England - Prints and Multiples

Materials

Lithograph

Celtic Spirit III by Alan Davie, 2001
By Alan Davie
Located in Kingsclere, GB
Celtic Spirit III by Alan Davie, 2001 Additional information: Medium: screenprint 74.5 x 97.5 cm (unframed) 29 3/8 x 38 3/8 in signed, dated and numbered in pencil Alan Davie is on...
Category

21st Century and Contemporary England - Prints and Multiples

Materials

Screen

Masque aux rouleaux
By Henri Matisse
Located in London, GB
Aquatint on BFK Rives paper, Edition of 25 Paper size: 56 x 38 cms (22 x 15 ins) Image size: 34.8 x 27.7 cms (13 3/4 x 10 7/8 ins)
Category

1940s Impressionist England - Prints and Multiples

Materials

Aquatint

By the Nets - German Expressionism Woodcut Schmidt-Rottluff
By Karl Schmidt-Rottluff
Located in London, GB
KARL SCHMIDT-ROTTLUFF 1884-1976 Rottluff, Germany 1884 - 1976 Berlin (German) Title: By the Nets Bei den Netzen, 1914 Technique: Original Hand Signed Woodcut on Laid Paper Paper size: 51.2 x 62.4 cm. / 20.2 x 24.6 in. Additional Information: This original woodcut is hand signed in pencil by the artist "S. Rottluff" at the lower right margin. This is the fifth woodcut of the portfolio "Zehn Holzschnitte von Schmidt-Rottluff" [Ten Woodcuts by Schmidt-Rottluff] that was published in 1919. It was published by Graphisches Kabinett J. B. Neumann, Berlin in a limited unnumbered edition of 75 plus some proofs. The printer was Fritz Voigt...
Category

1910s Expressionist England - Prints and Multiples

Materials

Woodcut

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