England - Sculptures

'Head of a Woman' abstract sculpture titled 'Silent Gaze' is part of a collection of sculptures of 'Heads'. Handcrafted in pigmented scagliola with a marbled texture featuring hues...

A large bronze classical Roman figure of Mercury, after Giambologna (1529 1608), holding the caduceus & wearing his winged helmet, standing on one foot above the mask of Boreus, the ...

Ivory Ricestone Serpentine Sculpture Crafted from smooth ivory ricestone composite, this serpentine sculpture brings a poetic and mythical presence to any surface. Its fluid curves a...

"Girl and Fruit" by Franz Bergman An excellent early 20th Century cold painted bronze study of a young Arab girl sat beside her basket of fruit with excellent naturalistic colours a...

A very fine early 20th Century Art Deco cold painted bronze figure of a naked beauty in the midst of a graceful movement, with excellent colour and fine hand finished detail, raised on a shaped onyx base and signed Lorenzl ADDITIONAL INFORMATION Height: 21 cm Width: 15 cm Depth: 7 cm Condition: Excellent Original Condition Circa: 1925 Materials: Bronze and Onyx Book Ref Art Deco and Other Figures by Bryan Catley Page No: 214 SKU: 8698 ABOUT Lorenzl Veronica Josef Lorenzl, Austrian 1892 ~ 1950 Lorenzl Veronica – When looking to the designs of the Art Deco period one talented sculptor and ceramist that cannot be ignored is Josef Lorenzl. A master designer, his bronze statuettes and ceramic figural work epitomise the era perfectly. As with Preiss, Chiparus and Colinet the other great sculptors from this period, Lorenzl was inspired by the female form and the new found freedom that women enjoyed, which he executed beautifully both in his bronze and ceramic designs. Pictured right: A Josef Lorenzl Cold-Painted Art Deco Bronze and Ivory Deco Lady with Decoration by Crejo – Circa 1930 – Modelled cast and carved as a young woman adopting a stylish pose, her costume decorated with enamelled flowers, onyx plinth, base signed Lorenzl, dress signed Crejo 10.5/8 in. (27 cm.) high. Sold for £6,250 at Christies, London (Feb 2014). Josef Lorenzl Cold-Painted Art Deco Bronze and Ivory Deco Lady with Decoration by Crejo – Circa 1930 Although very little is known about Lorenzl’s early life we are aware that he was born in Austria in 1892 and was soon to become one of the most talented sculptors of the Art Deco Period. He started by working for a bronze foundry in Vienna Arsenal where he produced stunning Art Deco bronze statuettes. The majority of his works in bronze and ivory were of singular slim female nudes with long legs which conveyed elegance. His preference was for dancing poses which were not only evident in his singular statuettes but also in those attached to marble clocks, lamp bases and bookends. Like his contemporaries Lorenzl work was created in bronze or by using “Chryselephantine”, a Greek word which refers to the combination of various materials such as bronze, ivory, gold and silver. He signed his pieces in various ways sometimes abbreviating his name to ” R Lor”, “Lor” or “Enzl” but on some of the statuettes you will find an additional signature by Crejo. A talented painter who worked alongside Lorenzl, Crejo would paint decoration onto the statuettes such as flowers and these are the figures which bear his signature. Far more desirable with Crejo’s painting these can command a premium at auction. Recently Bonhams sold an example of Lorenzl’s work with Crejo decoration for £10,500 but the pieces created by Lorenzl alone generally fetch in the region of £2,000 – £12,000 depending on the subject matter and size. A Josef Lorenzl (1892-1950) Cold-Painted Art Deco Bronze and Onyx Timepiece with Deco Lady ~ Circa 1920. Pictured left: A Josef Lorenzl (1892-1950) Cold-Painted Art Deco Bronze and Onyx Timepiece with Deco Lady ~ Circa 1920. Modelled and cast as a crouching nude female figure holding a dial with onyx face, on onyx plinth raised on slate base, apparently unsigned11½ in. (31.7 cm.) high. Sold for £4,700 at Christies, London (Nov 2013). From his designs in bronze and ivory Lorenzl went on to work for the Austrian ceramics company Goldscheider. Again creating stunning sculptures of the female form collector’s are more aware of this period and his sculptures in ceramic than they are of his earlier bronze and ivory statuettes. Inspired by shape and bold colours Lorenzl’s sculptures had clean lines and geometric shapes. Although each piece possess great movement there was no intricacy or attention to detail and most of his figures wore their hair in the boyish bob which was fashionable at the time, making these simplistic and stylish figurines the epitome of Art Deco Bronze design. One of Lorenzl’s friends Stephan Dakon who he had met whilst working at the bronze foundry had the same vision and style as Lorenzl so it was the obviously thing for Lorenzl to recommend Dakon to Goldscheider when he started to work for them. Taken on as a freelance designer Dakon was of the same mindset as Lorenzl and so much of their work was very similar. People at the time even believed that the two were in fact the same person. Both the artists had an interest in the female form, dance and theatrical costume. This was enhanced with Lorenzl when he took a trip to Paris and visited Folies Bergeres. Famous dancer Josephine Baker was on stage with her chorus dancers, all wearing extremely flamboyant costumes, Lorenzl was captivated by the glamour and outlandishness of the dancers and so on his return to Austria reproduced gorgeous figurines wearing vibrant coloured costumes and in various dance poses. He was also able to use his skill as an Art Deco bronze sculptor to use the earthenware to his advantage. Carving delicate fingers and enhancing the women’s female form Lorenzl set about producing some stunning sculptures. “Captured Bird” was one of his most popular and was created in many different colours and sizes. This particular piece is of a dancing girl with a gossamer winged dress which was inspired by a dance performed by Niddy Impekoven and was also captured onto a lamp base with three figures of this elegant lady dancing around the stand.. Other dancing Deco Lady girl figurines which were created by Lorenzl include “Butterfly Wings,” “Spider-Web Dress...

A flower shoots outward from a tapered stem, one generous curl of iron forms an imitation of a leaf. With the Fior di Loto, Salvino Marsura reduces plant form to its purest geometry....

A 'Black Forest' Dog Group The naturalistically carved limewood group shows the bitch couchant and her three playful pups; glass eyes are used in all the figures, in the manner of Walter Mäder...

For your consideration are these very stylish pair of Art Deco bookends depicting two Antelope climbing on a wall of black ebonised wood. Originating from France and dating to the 19...

This beautiful pyrite sphere from Peru shines with a golden metallic surface and has crystals of different sizes all around it. Some parts of the sphere are open, allowing you to loo...

A one of a kind beautiful abstract sculpture in white. Only one piece of this particular design remains from the 'White Symphony' series. This intricate unusual form is handcraft...

18th Century Neapolitan Crib Figure Collection A rare collection of five museum quality late 18th / early 19th Century hand carved Neapolitan crib figures...

A very large Volkstedt porcelain sculpture of a parrot German, early 20th century Measures: Height 50cm, width 18cm, depth 23cm. Full of vitality and character, this fine and very large porcelain parrot...

A very large parcel-gilt bronze figural sculpture: “La Jeunesse” By Henri Michel Chapu (1833-1891) Signed Chapu, F. Barbedienne Foundeur Paris, Seal Achi...

Wonderful vintage Industrial wooden screen. With flexible movement to take on shapes can be rolled up into a cylinder. Fantastic patina on the wood. Originally From a fabric mill, c...

19th century walnut Black Forest carving of a eagle perched on a rock with a deer below, lovely crisp carving and fabulous quality, circa 1880.

An antique late 19th century Minton tile from the series ‘Classical Figures with Musical Instruments’ by the artist John Moyr Smith. This 8 inch tile depicts a noble woman playing a...

A terracotta sculpture depicting a sitting female nude, attributed to Gabriel Eugène Coquelin (1907-1996). French, c. 1930s.

A Curtis Jere heron wall sculpture with metal heron standing amongst lily pads and flowers, signed on the base "C Jere 1988".

1940’s Advertising Oversize Spear & Jackson Wood Saw 140cm. One of the best, most original advertising signs/products we have had the pleasure of buying. At 140cm it is close to fiv...

This set of seven antique bronze cats are each posed differently, and are cast using the highly collectible Viennese cold painted bronze technique. ...

‘Soft Lines in Pink' is a unique glass sculpture by the Danish artist, Maria Bang Espersen. Maria Bang Espersen works around the idea that all things are malleable, like glass, and that nothing can be permanently defined. Her experimental sculptures are therefore not only an approach but also a statement; one that states to never get caught up in the restrictive norms or to obey established hierarchies. Essentially, her works in glass, are a play with the possibilities of the material and an attempt to expand the viewer’s understanding of her chosen medium. Although static and solid in their final sate, Espersen stretches, pulls and bends her glass, resulting in works that appear soft and almost possible of languid movement. Her chosen candy confectionery colour palette entices and draws the onlooker towards the artwork, which deliciously glisten. Espersen studied glass and ceramics at Engelsholm Højskole, in Denmark, continuing her studies at the Kosta School of Glass in Sweden, The Royal Danish Academy of Design, and Haystack Mountain...

'Super Egg Candy Pink' is a unique glass artwork by the Swedish artist, Bertil Vallien. Vallien’s Super Egg Series from the Kosta Boda Artist Collection are part of the artist’s hom...

Hand-sculpted flat round vase in red unglazed ceramic is partly decorated with a textured layer to create the most sculptural effect.

'Achromatic Fold in White II' is a unique sculpture by the British artist Steven Edwards, created from parian porcelain. Steven Edwards is a ceramic artist whose work investigates the language of making through the materiality and physicality of clay. Fascinated by process-led making, he uses traditional techniques that provoke unanticipated outcomes, using clay as a medium that sustains the narrative of the making process. The resulting forms embody his interaction and manipulation of the clay using bespoke tools to explore the intrinsic properties of the material. His creative practice starts by purposely placing clay under stress to reveal the natural tension and movement in its surface and form. Throughout the whole making process, he pushes, pulls, compresses and slices the material to provoke a reaction. The final forms are a combination of these making scenarios, translating a theme of duality in their appearance – the contrast of visual distortion and precision, the stillness and movement in form and the surface deception between synthetic and natural. Whilst challenging and pushing his material to the limits, often using clay bodies in ways they are not designed for, Edwards purposely exploits unexpected outcomes. Creating a sense of unease, during the making his clay cracks and buckles, resulting in permanent scars that illustrate the extremes that have been asked of it. Purely aesthetic, these fissures within the surface are an important counter point to the idealised sugary-hued confectionery layered rings. Edwards has exhibited his work at premiere contemporary design and craft shows including British Ceramics...

Alfred Boucher (French, 1850-1934), ‘Diana the Huntress’, A Near Lifesize Statuary Marble Group. Modelled nude with head turned looking to her left, striding forward holding the greyhound by its collar with her right hand and a giltwood bow in her left hand. On an integral carved base with foliage support. Signed 'A. BOUCHER' Boucher’s choice of pose is deliberately indebted to the celebrated mid-16th century painting of Diana the Huntress by an anonymous artist of the School of Fontainebleau. The painting is a mythical representation of Diane de Poitiers, the mistress of King Henry II, in the guise of the goddess Diana, who is shown nude, walking forward beside a greyhound, looking over her left shoulder and holding a bow. Another clear antecedent for Boucher’s ‘Diane the Huntress...

Bruno Zach (Austrian, 1891-1945), bronze sculpture of a female dancer in patinated bronze on a round marble base, signed Zach in the bronze

A charming antique pair of Staffordshire black and white Spaniel dogs beautifully modelled with expressive faces, well-defined fur detail and original hand-painted decoration. These ...

Rene Lalique Sanglier Car Mascot Marcilhac 1157, Designed 1929 Additional Information: Heading : Rene Lalique 'Sanglier' (wild boar) car mascot Date : Designed 1929 Origin : Wingen...

A very fine mid 19th Century Animalier bronze study of an alert pheasant with its head raised and turned to the right with rich brown lightly rubbed patination and fine hand finished...

Large Patinated Steel Rock Model Eagle Bird Sculpture Continental, 20th Century Eagle: Height 41cm, width 56cm, depth 37cm Stand: Height 22cm, width 37cm, depth 11cm Overall: Heigh...

Anna Barlow (UK, 1982), "And We'll Make Memories", 2024 glazed porcelain and earthenware, approx. 31cm W x 31cm D x 45cm H Handmade ceramic scultpure - Unique piece Anna Barlow is a...

A striking sculptural plaster maquette of a Chinese Dynamic style horse by the acclaimed British sculptor, John W. Mills. Part of the artist’s equestrian art series, this plaster ma...

Anglo-Chinese, circa 1890 A pair of late nineteenth century painted terracotta spaniels, each dog with brown spots and red collar sat amongst a grassy mound. Height 21.500cm Width...

Mid-nineteenth century Italian bronze sculptures of Creugas and Damoxenes after the eighteenth century original 'I Pugilatori' by Antonio Canova, set atop serpentine columns. Creuga...

An early 20th century antique French terracotta bust of Marie Antoinette, Queen Consort of France (1775-1792), on an associated white marble socle. This beautiful sculpture exudes el...

Hallmarked in London in 2016 by I. Franks, this charming, Elizabeth II period Sterling Silver Model of a Dachshund, is realistically cast and hand finished. The dog model measures 3"...

19th century English pair of cast iron mounted lion masks circa 1890. Price is each. Measures: Large H 49 x W 19.5 x D 11cm Small H 43 x W 18 x D ...

1950’s American Vintage Gas Station Enamel Marquee Letter – Y. We sourced these from an old gas station in America, thought to be from the 50’s and 60’s. We have a number of colours...

Abstract bronze cast sculpture of bird about to fly, spreading its wings. The sculpture is Expressive in a brutalist manner. It stands on a cast bronze pedestal.

Pair of finely detailed model pheasants in 800 standard silver made in Italy circa 1950 and in excellent condition. Each silver pheasant is cast and hand-chased to give a lively and ...

A magnificent rustic Spanish Colonial 18th century wooden bowl adorned with mid-20th century silver plated mounts in the form of a squirrel, m...

A magnificent, fine and impressive pair of antique European silver cow creamers; an addition to our continental silverware collection These magnificent antique cast 13 löthige silver creamers have been realistically modelled in the form of a bull and a horned cow, each in the style of 18th century creamers. Each creamer is embellished with Fine details reproducing the details of the bull/cow's hide and facial features. The back of each piece is fitted with a hinged shaped cover encompassed with floral decoration and surmounted with a finial modelled in the form of a fly/insect. The bull and cow's tails function as the creamer's handle. Creamers of this combination, incorporating both the cow and bull, are unusual and rare to the market. 13 löthige/loth is the equivalent of .812.5 (812.5/1000). Condition These antique silver cow creamers...

A good quality 19th century bronze statue of a young boy whistling with a bird perched on his hand, entitled ' A lesson in song' Signed ; E. Carlier. Carlier, Émile Joseph Nestor...

19th Century Mounted York Stone Finial. An antique York stone finial mounted on a modern lacquered steel stand. Additional Dimensions Base 15 cm x 15 cm

Bring an industrial edge to your décor with this distinctive sculptural accent, inspired by the bold, oversized hardware used in bridge construction. Artful and interactive, the design features a large-scale nail crafted from iron with an elegant antique aluminum...

A fine and early to mid 19th century plaster depiction of Flora the Goddess of Spring, possibly by Humphrey Hooper Flora, the Roman goddess of spring, through the chaplet of flowers...

Old juvenile wooden carousel horse in the style of Charles I D Loof and Gustav Denzil 1911. Loof built carousels in Coney Island in 18...

A 19th century carved York stone armorial plaque. Depicting a coat of arms showing crowns and cockerels, this medieval style piece would make for a stat...

A reclaimed George V bronze bell marked GR, salvaged from the former RAF station Horsham St Faith, in Norfolk. George V's (1910-1936) reign was during the time of the establishment ...

An erotically charged early 20th century Art Deco cold painted bronze lamp modelled with a harem beauty relaxing on a rug in front of an Arab man with an architectural background with suspended lantern...

A rare and important pair of stoneware grotesque amphibious creature andirons by Robert Wallace Martin for Martin Brothers dating from the mid 1870’s. This pair of unrecorded figur...

A superb quality and finely carved 19th Century black forest linden wood bear hall stand with a cub playing in the branches above, the bear below with glass eyes looking up towards h...

A dancing maiden marble sculpture By Papini A signed marble “di latte” (crushed composite marble) sculpture. The sculpture is of a young dancer swir...

For sale a magnificent early 20th Century gilt bronze sculpture, cast using the Lost Wax (in French, 'Cire Perdue') process. This fine sculpture is a cast of Richard Alexander Hudnut's hand and was produced by the renowned Montagutelli Frères foundry in Paris in 1912. The sculpture is in very good vintage condition, signed "Richard Alexander Hudnut 1912" and carries the oval "Montagutelli Freres Paris Cire Perdue" foundry stamp to the underside. Richard Alexander Hudnut (1856-1928) was an American businessman recognised as being the first American to achieve international success in cosmetics manufacturing. After graduating from Princeton University, he toured France and returned with the idea of introducing French-style perfumes and cosmetics to American women. The Richard Hudnut company once maintained separate US and European headquarters on Fifth Avenue in New York City and on the Rue de la Paix in Paris, respectively. Although his fortune had been built around cosmetics and beauty products...

Pair of Orientalist bronze busts by Cordier, 1861 French, 1861 Man: Height 42cm, width 32cm, depth 18cm Woman: Height 40cm, width 26cm, depth 16cm This impressive pair of bronze busts were made by the renowned French sculptor Charles-Henri-Joseph Cordier (1827-1905). Known for his Orientalist works in bronze and marble, Cordier gained inspiration from his visits to Algeria. The male figure of this pair is after a study made during one of these visits. The figures form a wonderfully contrasting pair. The male bust wears a more sombre, downturned expression, whilst the female smiles almost sleepily. Both faces are expertly carved to achieve a human likeness, and the two figures are similarly dressed in embellished shirts and robes. The patination is exceptional throughout, providing light and shade to the facial features and garments. Gilding can also be seen on the woman’s earring...

A pair of Antique busts of the French philosophers Rousseau and Voltaire. Unusually although from fairly standard portraits the busts appear to be English rather than French as they ...

An impressive mid 20th Century clear and frosted glass study of a resting eagle. The glass figure exhibits excellent hand finished surface detail, signed Lalique France ADDITIONAL I...

A magnificent, fine and impressive, rare antique silver sugar box modelled in the form of a squirrel; part of our collection of rare silverware. This magnificent, fine and impressive antique cast silver sugar box has been realistically modelled in form of a squirrel perched on a branch. The silver sugar box is embellished with chased details reproducing the squirrel's coat and anatomical features, in additional to the naturalistic features of the branches, leaves and acorns. This exceptional and large antique silver squirrel sugar box is fitted with the original push fit head/cover. Such magnificent specially commissioned, large examples in this form are highly unusual and are not available on the open market. Condition This rare squirrel sterling silver sugar box is a magnificent gauge of silver, magnificent quality and in magnificent condition. Full British hallmarks struck to the body of the box and part hallmarks to the sleeve of the cover are all very clear; the hallmarks are struck deeply to the magnificent gauge of silver. Reflections in photographs may detract from the true representation of this large silver animal ornament...

c.1970s Plywood custom-made model H296 x W500 x D85 cm

Exquisite mid 19th century French bronze study of an anthropomorphic bear sitting on a barrel playing a violin, the barrel can be opened halfway to form a container. The surface with excellent mid to dark brown patina and very fine hand chased surface detail, signed Fratin and titled Le Père Odry Additional Information Height: 17.8 cm Width: 8.6 cm Depth: 7.2 cm Condition: Excellent Original Condition Circa: 1845 Materials: Bronze Book reference: Bronzes of the 19th Century by Pierre Kjellberg About Le Père Odry Le Père Odry is a character in one of Balzac's novels, Unconscious Comedians which is one of the lesser known novels in the series La Comédie Humaine. The novel tells the story of a famous painter who takes his provincial cousin on a trip of Paris to open his eyes to what really goes on in the city behind the respectable façade. Le Père Odry appears in the novel as a dissolute actor. Christopher Fratin, French 1801 ~ 1864 also known as Christophe Fratin, was a noted French sculptor in the animalier style, and one of the earliest French sculptors to portray animals in bronze. Fratin was born in Metz, Moselle, France the son of a taxidermist. He first studied drawing under Pioche in Metz and later worked in Paris at the studio of Théodore Géricault. He exhibited at the Paris Salon from 1831–1842 and 1850–1862, as well as at the Great Exhibition in London in 1851. Fratin never signed his bronzes but instead used a stamp showing his last name in straight block letters. One of the stamps he used (pictured) showed the "n" reversed, not by design but due to an error on the part of the maker of the stamp. Bronzes bearing this stamp have the appearance of not seeming to be genuine when in reality this foible is actually an indicator of authenticity. Fratin received monumental commissions in France and elsewhere, including the Deux Aigles Gardant Leur Proie (Eagles and Prey, created 1850) displayed since 1863 in New York City's Central Park. Many of his small bronzes—including his miniature bronzes which were more affordable due to their smaller size—were sold commercially to the general public during his lifetime. Today, Fratin's sculpture is on permanent display in the Louvre, the city museums of Metz, Lyon, Strasbourg, Nîmes and at the Peabody Institute in Baltimore, Maryland. The Georg Eisler...