Europe - Figurative Prints

Sigmar Polke (German, 1941 – 2010) Bargeld Lacht, 2002 Medium: Colour offset and screenprint on cardboard Dimensions: 70 × 50 cm Edition of 70 + X: Hand-signed, numbered and dated Co...

Untitled is an original Litograph on Cardboard realized by Albert Barreda in 2008. Dedication and signature on the lower right corner. Artist Proof. Very good condition. Albert Ba...

Lesser Black-Backed Gull is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & S...

Tamer of Lion is an original xilography artwork realized by Mino Maccari. Included a white Passepartout: 49 x 34 cm. The state of preservation is very good. The artwork represents...

Original Lithograph by Jean Cocteau Title: Taureaux Dimensions: 40 x 30 cm Edition: 200 Luxury print edition from the portfolio of Trinckvel 1965 Jean Cocteau Writer, artist and fi...

And Then x 727 (Vermillion SHU) Date of creation: 2013 Medium: Offset lithograph with silver Media: Paper Edition: 300 Size: 50 x 50 cm Observations: And Then x 727 (Vermillion SHU) ...

Les Deux Aristocraties is a vintage Woodcut Print realized by Hermann Paul (1864-1940). Good condition on a grey cardboard. No signature. Hermann R...

La Nourriture Des Soldats is a vintage Lithograph realized by Hermann Paul from the series " La Grande Guerre Par Les Artistes" Good condition on a yellowed cardboard. Monogrammed ...

Ménagerie Parisienne is an Original Lithograph realized by Gustave Doré (1832-1883). Very good condition included a white cardboard passpartout (50x62.5 ...

KARL SCHMIDT-ROTTLUFF 1884-1976 Rottluff, Germany 1884 - 1976 Berlin (German) Title: By the Nets Bei den Netzen, 1914 Technique: Original Hand Signed Woodcut on Laid Paper Paper size: 51.2 x 62.4 cm. / 20.2 x 24.6 in. Additional Information: This original woodcut is hand signed in pencil by the artist "S. Rottluff" at the lower right margin. This is the fifth woodcut of the portfolio "Zehn Holzschnitte von Schmidt-Rottluff" [Ten Woodcuts by Schmidt-Rottluff] that was published in 1919. It was published by Graphisches Kabinett J. B. Neumann, Berlin in a limited unnumbered edition of 75 plus some proofs. The printer was Fritz Voigt...

Mel Ramos (American, born 1935) Hav-A-Havana 6, 1999 Medium: Lithograph in colors, on wove paper Dimensions: 52.5 x 55.5 cm Edition of 199: Hand-signed and numbered Condition: Mint

Jean Cocteau White Book - Autobiography about Cocteau's discovery of his homosexuality. The book was first published anonymously and created a scandal. Original Handcolored Lithograp...

Image dimensions: 42.5 x 33 cm. Hand signed. Artist's proof. Very good conditions. This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created o...

Signed and numbered by the artist. Unframed. Edition: 225 ex. Free shipment worldwide. Reality or fantasy? What is the difference between fantasy and fact, between night and day, b...

Ed Atkins (British, b. 1982) The Worm, 2021 Medium: Offset lithograph (folded twice, as issued) Dimensions: 28 3/10 × 18 1/2 in (72 × 47 cm) Edition of 30: Hand-signed and numbered C...

172 Dessins Recents By Pablo Picasso 1972 Medium: Lithograph Paper Size: 28.25 x 19 inches ( 72 x 48 cm ) Image Size: 19.5 x 15 inches ( 50 x 38 cm ) Edition Size: 5,200

From a wonderful selection of hand-coloured mezzotint engravings from: "Phytanthoza Iconographia", c1739, presented in a hand- made parcel-gilt, ebonised and decalcomania frame. So...

Szalenstwo Milosci - Vintage Poster is a vintage poster realized by Unknow Artist, in 1979s. Mixed colored offset print. Dimension: 83 x 58.5 cm The artwork represents the poster...

Not one to shy away from human representation, Pia Clodi’s more portraiture-like works continually offer the sitter an air of anonymity, and as such the viewer has the opportunity to...

Georges Braque - Birds - Original Lithograph Published in the deluxe art review, XXe Siecle 1958 Dimensions: 32 x 24 cm Publisher: G. di San Lazzaro. Unsigned and unumbered as issued

Arab Knight is an original hand-colored etching, realized by a French master craftsman of the 18th century. With stamp of collection of the lower right. With description in pencil o...

From a wonderful selection of hand-coloured mezzotint engravings from: "Phytanthoza Iconographia", c1739, presented in a hand-made parcel-gilt, ebonised and decalcomania frame...

Christo and Jeanne-Claude Surrounded Islands, 1980 - 83, 2009 Medium: 7-part leporello, digital pigment print (Ditone) on 260 g Hahnemühle Baryta paper Dimensions: 32 x 175 cm (12½ x...

Poster of Stowackiego theater is an original offset print realized in 1975 for "Ulani". Signed on the lower right " M. Gorowski 75". Good conditions except for light and small cutt...

FAILE - THE RIGHT ONE, HAPPENS EVERYDAY Date of creation: 2014 Medium: Screen print on Coventry Rag paper Edition number: 418/450 Size: 71 x 61 cm Condition: In mint conditions, bran...

Kopernik - Vintage Poster is a vintage poster realized by M. Swierzy, in 1974s. Mixed colored offset print. The artwork represented a Polish film poster. Good conditions, except ...

Porozmawiajmy o kobietach (Carnal Knowledge) is a vintage poster realized by Mucha Ihnatowicz, in 1974s. Mixed colored offset print. The artwork represented a Polish film poster. ...

Rare print handsigned by surrealist artist Leonor Fini, inscreasingly esteemed with the movement of rediscovering art by women. This rare original lithograph is an artist proof in ve...

Jean Cocteau - Marine Mountains - Original Lithograph Dimensions: 38 x 28 cm Edition: 200 In Rives From: COCTEAU. — VERDET (André). Montagnes marines. S. l. (Paris), Les Messagers du...

Guillaume Corneille 1948 Aquatinte/ eau forte Proof of artist Signed, dated and noted PA (artist’s proof) from the artist’s hand to the crayoN Print run 125 copy Laid paper with wate...

Portrait of a Child is an original Woodcut Print realized by Mino Maccari in mid-20th century. Good condition on a yellowed paper, included a white cardboard passpartout (35x28 cm)....

FAILE - DIAMOND FAILEDOODLE (BLACK/TAN) Date of creation: 2022 Medium: Acrylic, spray paint, silkscreen ink and glitter on Archival Lenox 100 Edition number: 2/25 Size: 63.50 x 48.25...

Rare print handsigned by surrealist artist Leonor Fini, inscreasingly esteemed with the movement of rediscovering art by women. This rare original lithograph is an artist proof in ve...

Leonor Fini - Pleasure - Original Lithograph The Flowers of Evil 1964 Conditions: excellent Edition: 500 Dimensions: 46 x 34 cm Editions: Le Cercle du Livre Précieux, Paris Unsigne...

Chris Ofili (born 1968 in Manchester) Poolside, 2013 Medium: Etching on wove paper Dimensions: 45.1 x 35.6 cm (17.75 x 14 in) Edition of 55: Hand-signed and numbered Condition: Mint ...

Marc Chagall - Original Lithograph La Vache Bleue (The Blue Cow) From the unsigned, unnumbered lithograph printed in the literary review XXe Siecle 1967 See Mourlot 488 Dimensions: 32 x 24 cm Publisher: G. di San Lazzaro. Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater, where he would paint a series of murals titled Introduction to the Jewish Theater as well. In 1921, Chagall also found work as a teacher at a school for war orphans. By 1922, however, Chagall found that his art had fallen out of favor, and seeking new horizons he left Russia for good. Flight After a brief stay in Berlin, where he unsuccessfully sought to recover the work exhibited at Der Sturm before the war, Chagall moved his family to Paris in September 1923. Shortly after their arrival, he was commissioned by art dealer and publisher Ambroise Vollard to produce a series of etchings for a new edition of Nikolai Gogol's 1842 novel Dead Souls. Two years later Chagall began work on an illustrated edition of Jean de la Fontaine’s Fables, and in 1930 he created etchings for an illustrated edition of the Old Testament, for which he traveled to Palestine to conduct research. Chagall’s work during this period brought him new success as an artist and enabled him to travel throughout Europe in the 1930s. He also published his autobiography, My Life (1931), and in 1933 received a retrospective at the Kunsthalle in Basel, Switzerland. But at the same time that Chagall’s popularity was spreading, so, too, was the threat of Fascism and Nazism. Singled out during the cultural "cleansing" undertaken by the Nazis in Germany, Chagall’s work was ordered removed from museums throughout the country. Several pieces were subsequently burned, and others were featured in a 1937 exhibition of “degenerate art” held in Munich. Chagall’s angst regarding these troubling events and the persecution of Jews in general can be seen in his 1938 painting White Crucifixion. With the eruption of World War II, Chagall and his family moved to the Loire region before moving farther south to Marseilles following the invasion of France. They found a more certain refuge when, in 1941, Chagall’s name was added by the director of the Museum of Modern Art (MOMA) in New York City to a list of artists and intellectuals deemed most at risk from the Nazis’ anti-Jewish campaign. Chagall and his family would be among the more than 2,000 who received visas and escaped this way. Haunted Harbors Arriving in New York City in June 1941, Chagall discovered that he was already a well-known artist there and, despite a language barrier, soon became a part of the exiled European artist community. The following year he was commissioned by choreographer Léonide Massine to design sets and costumes for the ballet Aleko, based on Alexander Pushkin’s “The Gypsies” and set to the music of Pyotr Ilyich Tchaikovsky. But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as paintings such as The Yellow Crucifixion...

Marc Chagall, Original Lithograh depicting an instant of the Bible. Technique: Original lithograph in colours (Mourlot no. 234) On the reverse: another black and white original litho...

Ai Weiwei (Chinese, b. 1957) Zodiac, 2024 Medium: Digital print, gold foil stamped, on paper (incl. artist's book and slipcase) Dimensions: 6 × 8 1/2 in 15.2 × 21.6 cm Edition of 10...

Portrait is an original etching realized in the 1970s by the Italian Contemporary artist Leo Guida (1992 - 2017). Good conditions. Leo Guida (1992 - 2017). Sensitive to current ...

Westerplatte - Polish Manifesto is an original offset poster print in 1973 ca. The artwork was realized for the memoir of 1939 . Good conditions except for some folding and consume...

Tourist Advertising of Kraków - Poster is an original offset poster print. The artwork was realized to promote Polish turism. Good conditions except for some foldings.

Colour Marilyn Oversize Signed limited edition - Pop Art - Marilyn Monroe by the London based contemporary pop art image creator and artist, BATIK. Measures 30 x 30" inches / 76 ...

Zodiac Signs - The Ram is original Black and white woodcut print, realized by Italian artist Piero C. Antinori. Excellent condition. Written on the lower left; Original woodcut by ...

Zodiac Signs - Gemini is original Black and white woodcut print, realized by Italian artist Piero C. Antinori. Excellent condition. Written on the lower left; Original woodcut prin...

I Castelli Romani is a splendid poster realized after Neal Slavin, in 1983, in occasion of the exhibition held in Rondanini Gallery in Rome. Vintage o...

First Royal Guard Shooter Battalion is an original lithograph by Antonio Zezon. Naples 1856. Interesting colored lithograph which describes the royal guard shooters: on the left, a ...

Takashi Murakami - PANDA FAMILY AND ME Date of creation: 2013 Medium: Offset lithograph with silver on paper Edition: 300 Size: 50 x 50 cm Observations: Offset lithograph with silver...

Yue Minjun, Snatched Ecstasy (Portfolio of 20) Contemporary, 21st Century, Lithograph, Limited Edition, Chinese Lithograph Edition of 130 80 × 120 cm (47 1/5 × 31 1/2 in) Each print ...

Image dimensions: 41 x 62 cm. Interesting colored litograph, representing a landscape of the Sicilian town of Scicli. Hand-signed and numbered with pencil on lower margin by the Italian artist, Virgilio Guidi. Edition of 148 prints. On the "Reisga" stationary paper...

This original etching and drypoint is hand signed in pencil by the artist "L. Ury" at the lower left margin. It is an artist’s proof aside from the standard edition of 100. There was...

Circus with Yellow Clown By Marc Chagall 1967 Medium: Lithograph Paper Size: 33 x 23 inches ( 84 x 58 cm ) Image Size: 26.25 x 20 inches ( 67 x 51 cm ) Edition Size: Unknown

Color lithograph realized by Max Ernst in 1974. Not signed. as issued. Printed by  Atelier Pierre Chave in Vence, France. Excellent condition.  This lithograph was realized  by th...

Gustave Singier - Abstract Fish - Original Lithograph Conditions: excellent 32 x 24 cm 1955 From XXe siècle, San Lazzaro Unsigned and unumbered as issued

Street Lamp is an original Etching artwork on paper realized. by an anonymous artist of the 19th century. The State of preservation is very good. Passepartout included 32.5 x 24 c...

Georg Baselitz (German, born 1938) Untitled (from Eine Woche), 1972 Medium: Etching on chine-collé, on wove paper Dimensions: 50 × 70 cm (19 7/10 × 27 3/5 in) Edition of 52: Hand-sig...

Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative take...

Jean Jansem - Original Etching Title: Loneliness Dimensions: 40 x 30 cm Edition of 175 Paper: vélin de Rives 1974 Unsigned and unumbered as issued

The Bath of Venus is an original modern artwork realized by Ferdinand Bac (1859 - 1952) in 1922. Original Lithograph on ivory paper.Image dimensions: 19 x 14 cm. Signed and dated o...

Two Samurai Fighting with a Stick is a Japanese multi-colored print realized around the end of the XIX Century by Toyohara Kunichika (Edo period, 1835 - 1900). Original Woodcut on p...

Bacchantes and Musicians is an original modern artwork realized by Ferdinand Bac (1859 - 1952) in 1923. Signed and dated on plate on the lower left corn...