Europe - More Prints

A hand crafted five layer screen print of a painted illustration by the artist this retro classic candy on heritage white paper. With a final layer of diamond dust. ADDITIONAL INFOR...

Pablo Picasso (1881-1973) - Dompteur et son Cheval Lithograph from 1957. The edition 211/275. With Arches watermark. Dimensions of work: 65 x 44 cm Publisher: Fernand Mourlot Éd...

This is a Colour Woodcut by Japanese artists Kitagawa Utamaro, published c. 1792–93. A Modern reprint first between 1918 and 1923, this is a later print in the 90s from Japan. This p...

To see our other original vintage travel posters including more pre-war London Transport posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want. Clifford and Rosemary Ellis London Underground Map...

Neon Flamingo, photograph from Richard Heeps' Norfolk series. This artwork is a limited edition of 25, gloss photographic print, dry-mounted to aluminium, it is presented in a muse...

The inspiration for this print is to capture the momentary spectacle when shafts of light cast themselves through a densely packed woodland canopy. The print boasts a vibrant array of four stunning colours, featuring an under-layer of metallic Gold ink and finished off with a subtle lush green overprint. Artwork printed...

Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesmerising collection. A celebration of the vinyl record and analo...

Paste-up print mounted on aluminium. Hand-Signed by the artist, lower right on recto 70 x 50 cm Edition of 75 Ben Eine is a British street artist and typographer known for his disti...

Marc Chagall (1887-1985) - Cirque Lithograph from 1967. The edition of 250 on Arches paper. Dimensions of work: 42 x 32.5 cm. Publisher: Tériade, Paris. Reference: Mourlot 487, ...

La divina Commedia - Paradise 9 is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Good conditions. Limited...

Jan Dingle Still Bloom Limited Edition Etching Print Edition of 180 Image Size: H 8cm x W 6.5cm Sheet Size: H 19cm x W 15.5cm Signed and Numbered Sold Unframed Please note that any i...

Médecine Expérimentale (Experimental medicine), is an original etching, soft ground, on Japanese paper realized by Félicien Rops in 1854, signed in the ...

Taken upon leaving Las Vegas, photograph from Richard Heeps' 'Dream in Colour' series, this artwork features a classic American neon Googie sign, with the Las Vegas cityscape lights ...

Silkscreen Print – A printing technique whereby the artist paints glue or stencils their work onto a mesh stretched over a wooden frame. Colour is then pushed through the mesh (whic...

Joan Miro - 1964 Dimensions: 30 x 20 cm Edition of 200 (one of the 200 on Vélin de Rives) reserved for collaborators, there was also a larger edition of 2000 From "Prints from the Mo...

God Save the Green by Artist Harry Bunce is a limited edition print. An expressionistic piece, depicting a rabbit with the caption above 'God Save the Green'. Harry Bunce artist wit...

Sol LeWitt (American, 1928-2007) Lines, Not Long, Not Heavy, Not Touching, Drawn at Random (Circle), 1970 Medium: Lithograph on wove paper Dimensions: 44.5 × 32.1 cm (17.5 × 12.6 in)...

To see our other original vintage propaganda posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot fin...

Original Lithograph by Jean Cocteau Title: Taureaux Signed in the plate Dimensions: 40 x 30 cm Edition: 200 Luxury print edition from the portfolio of Trinckvel 1965 Jean Cocteau W...

Pablo Picasso (1881-1973) - Don Quichote Lithograph with quadrochromy from 1961. Dimensions of sheet: 37.9 x 27 cm Dimensions in frame: 53.2 x 43.2 cm Refrence: Cramer 112; Orozc...

Marc Chagall (1887-1985) - Sirène au pin (Sirene with Pine) Lithograph from 1967. an unsigned proof, from the numbered edition of 150, on Arches paper. Dimensions of work: 73 x 52...

Jayson Lilley Please note that insitu images are purely an indication of how a piece may look. From Primrose Hill is a limited edition hand pulled screen print with gold leaf & ink printed on archival board by Jayson Lilley. Contemporary artist, Jayson Lilley, is available at Wychwood Art. Jayson Lilley has worked at the forefront of printmaking for many years. His approach to the modern landscape isunique and fresh, in both technique and materials. Lilley’s work is knownfor its urban and architectural focus, zooming in on familiar landmarks andreproducing iconic vistas and structures from the metropolis. Hisinnovative printmaking practice combines silkscreen, painting and collagetechniques to construct vibrant scenes that are always accompanied byexpansive skies and which play on salience and colour.Lilley’s most recentcollection explores some of London’s more natural vistas, as hecontemplates the relationship between nature and the urban landscape. Inthese pieces, he combines silkscreen print with copper leaf and handdrawing to dramatic effect.Lilley graduated from the University for the Creative Arts in 2000 with aFirst Class honours degree in Visual Communication. He had an award-winning career in design before focussing on his artwork, and hisbackground in design is ever apparent in his visual style and methodology.He has exhibited widely across the UK and internationally. Recentaccolades include being shortlisted for the Westmorland Landscape Prize2019 and inclusion in the Royal Academy’s Summer Exhibition 2019. Lilley’s works are held in collections across the world including London,New York, Japan, Hong Kong and Moscow. From Primrose Hill Limited Edition Print Edition of 39...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Orlov, V and Denisenko За успехи в труде [Success Through Work] (1978) Moscow,...

Anne Storno Water Baby A limited edition of 30. Image Size: H:50 cm x W:50 cm Paper Size: H60cm x W60cm Sold Unframed Please note that in situ images are purely an indication of how ...

Chris Ofili (born 1968 in Manchester) Poolside, 2013 Medium: Etching on wove paper Dimensions: 45.1 x 35.6 cm (17.75 x 14 in) Edition of 55: Hand-signed and numbered Condition: Mint ...

6 colour screen print on 300 gsm Somerset Satin, with hand-deckle edges Edition of 50 50 x 70 cm hand-signed and numbered by the artist Ben Eine is a prominent British street artist...

A group of mezzotint engravings of flowers from: "Phytanthoza Iconographia", c1739, presented in hand-made parcel-gilt, ebonised and decalcomania frames. Johann Weinmann (1683-174...

By David Hockney These lithographs are taken from the special edition of Hockney's Alphabet, which is signed on the justification page by David Hockney and Stephen Spender. A copy o...

Guy Allen Dachshund and Butterfly Etching Edition Size: 75 Year Completed: 2015 Image Size: H 40m x W 54 cm Approximate Size When Framed: H 69c...

Original Lithograph by Jean Cocteau Title: Taureaux Dimensions: 40 x 30 cm Edition: 200 Luxury print edition from the portfolio of Trinckvel 1965 Jean Cocteau Writer, artist and fi...

Ai Weiwei (Chinese, b. 1957) Zodiac, 2024 Medium: Digital print, gold foil stamped, on paper (incl. artist's book and slipcase) Dimensions: 6 × 8 1/2 in 15.2 × 21.6 cm Edition of 10...

September Equinox [2021] limited_edition and hand signed by the artist Reduction linocut Edition number AP Image size: H:30.3 cm x W:59.5 cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look In celebration of the Autumn equinox! We are so fortunate to experience such dramatic skies in the Surrey hills...

Pink Champagne Motel, from Richard Heeps' Jersey Shores series, taken in the Doo Wop Capital of the World Wildwood, a mecca for mid-century architecture in America. This artwork is ...

This work is hand signed in pencil by the artist "Riopelle" at the lower right corner. It is also hand inscribed in pencil "EA" (épreuve d’artiste), at the lower left corner. This i...

Gavin Dobson Dipping Ricky Limited Edition Screen Print Edition of 50 Sheet Size: H 70cm x W 50cm x D 0.1cm Sold Unframed (Please note that in situ images are purely an indication of...

Serge Poliakoff Composition bleu et verte, 1963 Lithograph on paper 10 3/10 × 12 4/5 in 26.2 × 32.5 cm Edition of 200: Hand-signed in pencil Original (double-sided) greeting card f...

Clare Halifax Y is for Yellow Billed Stork Limited Edition 4 Colour Silkscreen Print Edition of 75 Image size H 22 x W 22cm Sheet Size: H 27 x W 25cm x D 0.1cm Sold Unframed Please n...

Lithograph on Chine paper, Edition of 50 Paper size: 39 x 31 cms (15.4 x 12.2 ins) Image size: 27.2 x 19 cms (11 5/8 x 7 1/2 ins)

Original Vintage Poster depicting Eero Saarinen's TWA Terminal, published 1962 by the magazine Architectural Forum to promote Modern Architecture – one of...

Marc Chagall Original Lithograph 1963 Dimensions: 32 x 24 cm Reference: Chagall Lithographe 1957-1962. VOLUME II. Condition : Excellent Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater...

Original Vintage Poster depicting Piero Luigi Nervi's International Labor Exposition Hall in Turin, published 1962 by the magazine Architectural Forum to p...

Cliff Edge is a limited edition reduction linocut print by Ian Phillips. Ian Phillips is available online and in our gallery at Wychwood Art. My printing process starts today, as it’...

Charles-Éduard Jeanneret, known as Le Corbusier, was a Swiss architect and designer who is generally regarded as a key figure in the development of modern architecture, his work bein...

Richard Heeps photographed Bletchley Park in partnership with Hertfordshire University and Bletchley Park Trust, to document Alan Turing’s historic past at Bletchley. He was privileg...

Created by Gustav Buek from an original oil painting made in 1892 by Thomas Moran. The painting is today owned by the Philadelphia Museum of Art in Philadelphia, Pennsylvania. Both w...

Clare Halifax Switch Views, London Limited Edition Silkscreen Print Edition of 50 Size: H 38cm x W 37cm x D 0.1cm Sold Unframed Please note that insitu images are purely an indicatio...

Waterloo Bridge Sunset. John Duffin Limited Edition Etching Printed on White 300g Somerset Paper Edition of 90 Signed – John Duffin Image Size: H 24cm ...

Kate Brinkworth. Coke and Stripey Straw- limited edition silk screen print, printed on 400gsm Somerset paper with a beautiful gloss finish. Signed by the artist Limited edition of 50...

To see our other original vintage propaganda posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot fin...

Clare Halifax Cambridge Market Limited Edition Print Silkscreen Print on Paper Edition of 75 Image Size: H 12cm x W 25cm Sheet Size: H 22cm x W 31cm Signed Sold Unframed Please note that any insitu images are purely an indication of how a piece may look. Cambridge Market is a limited edition print by Clare Halifax. It is a three colour silkscreen print depicting Cambridge. Clare Halifax graduated from the University of Loughborough in 2000 with a BA Hons in Printed Textile design and went on to sell her work internationally to the fashion and interior markets...

Vicky Oldfield. Summer Flowers- printed on Somerset paper using oil based inks, collage and watercolour, Signed in pencil on bottom right, In an edition of 20. This beautiful work a...

Marc Chagall - Bath-Sheba at the Feet of David - Original Handsigned Etching 1958 Printed by Tériade Dimensions: 54 x 39 cm Handsigned and numbered handcolored Edition: 100 Reference: Cramer 30. Etching with hand-coloring, circa 1930, initialled in pencil, numbered 75/100 (there were also twenty hors-commerce copies) , published 1958 by Tériade, Paris, on Arches wove paper Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater, where he would paint a series of murals titled Introduction to the Jewish Theater as well. In 1921, Chagall also found work as a teacher at a school for war orphans. By 1922, however, Chagall found that his art had fallen out of favor, and seeking new horizons he left Russia for good. Flight After a brief stay in Berlin, where he unsuccessfully sought to recover the work exhibited at Der Sturm before the war, Chagall moved his family to Paris in September 1923. Shortly after their arrival, he was commissioned by art dealer and publisher Ambroise Vollard to produce a series of etchings for a new edition of Nikolai Gogol's 1842 novel Dead Souls. Two years later Chagall began work on an illustrated edition of Jean de la Fontaine’s Fables, and in 1930 he created etchings for an illustrated edition of the Old Testament, for which he traveled to Palestine to conduct research. Chagall’s work during this period brought him new success as an artist and enabled him to travel throughout Europe in the 1930s. He also published his autobiography, My Life (1931), and in 1933 received a retrospective at the Kunsthalle in Basel, Switzerland. But at the same time that Chagall’s popularity was spreading, so, too, was the threat of Fascism and Nazism. Singled out during the cultural "cleansing" undertaken by the Nazis in Germany, Chagall’s work was ordered removed from museums throughout the country. Several pieces were subsequently burned, and others were featured in a 1937 exhibition of “degenerate art” held in Munich. Chagall’s angst regarding these troubling events and the persecution of Jews in general can be seen in his 1938 painting White Crucifixion. With the eruption of World War II, Chagall and his family moved to the Loire region before moving farther south to Marseilles following the invasion of France. They found a more certain refuge when, in 1941, Chagall’s name was added by the director of the Museum of Modern Art (MOMA) in New York City to a list of artists and intellectuals deemed most at risk from the Nazis’ anti-Jewish campaign. Chagall and his family would be among the more than 2,000 who received visas and escaped this way. Haunted Harbors Arriving in New York City in June 1941, Chagall discovered that he was already a well-known artist there and, despite a language barrier, soon became a part of the exiled European artist community. The following year he was commissioned by choreographer Léonide Massine to design sets and costumes for the ballet Aleko, based on Alexander Pushkin’s “The Gypsies” and set to the music of Pyotr Ilyich Tchaikovsky. But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as paintings such as The Yellow Crucifixion...

118.1 x 81.6 cms (46.5 x 32.1 ins) Edition of 70 Published by Tyler Graphics, New York Signed and numbered in pencil

To see our other original vintage travel posters, many of which are from Austria, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want. Anton Tusch (photographer) Eglise des Freres...

Centric, Italian architecture street photography from Richard Heeps' series, A Short History of Milan. The composition resembles a modern, architectural mosaic, merging minimalism wi...

On the Road Again (Road to Nowhere) [2020] Limited Edition Transport Screen Print on Paper Edition number 24 Image size: H:79 cm x W:49 cm Complete Size of Unframed Work: H:93 cm x W...

Whirlwind 1979, paper, lithography, 59x46 cm Ivars Poikans 1952. Riga Ivars Poikāns works in painting, graphics, book illustration, cinema art. Born on O...

Harry Bunce Restaurant au Renard Limited Edition Print Edition of 234 Mount Size: H 51cm x W 41cm Signed and Numbered Sold Unframed but Mounted Please note that all in situ images ar...

Invasion de l'espace  is a color lithograph by the American artist and exponent of Dadaism and Surrealism Man Ray  (Philadelphia, 1890 - Paris, 1976). The workr was edited by the Fr...

Marc Chagall (1887-1985) - La baie des Anges au bouquet de roses (Angel Bay with a Boquet of Roses) Lithograph from 1967. an unsigned proof, from the numbered edition of 150, on Ar...