Europe - More Prints

Antequam Exires De Vulva ... is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and ...

General map of Spain and Portugal divided into its current provinces by D.T. Lopez, newly drawn by F. L. G. in Nuremberg at the Heret of Homann, 1782. A double-page engraved map with...

Under The Effect Of A Mystic Delirium is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between ...

The Black Cherub - Hell Plate 20 is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Good conditions. Limite...

Bernard Buffet (1928-1999) - Horreur de la guerre Lithograph from 1960. The edition 280/300. Dimensions of work: 69 x 56 cm. Plate signed. Publisher: Éditions du Lion, Paris. T...

Saint George and the Dragon is an original Contemporary Artwork realized in the 1960s.. Original Colored Lithograph on paper. Excellent condit...

Poisson is an original print: a colored lithograph, hand-signed in pencil on the lower right margin. An artist's proof in excellent conditions, including passepartout: 34 x 49 cm. ...

Iudit Abscidit Caput Holoferni is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 an...

This work will be exhibited at Art on Paper NYC, September 4–7, 2025. – Marc Chagall (1887-1985) - He gave him Two Tables of the Testimonie, even tables of stone, written with the ...

Original Lithograph by Jean Cocteau Title: Taureaux Signed in the plate Dimensions: 40 x 30 cm Edition: 200 Luxury print edition from the portfolio of Trinckvel 1965

Pierre-Auguste Renoir (1841-1919) - Autoportrait Lithograph from 1951. Printed by Mourlot. Dimensions of work: 32 x 24 cm The work is in Excellent condition. Fast and secure shi...

Fishing Hut, Southwold, harbour architecture photograph from Richard Heeps' series, On-Sea. The modest fishing hut becomes a work of art set against a blue sky in the sunshine. This...

Act V, Scene III - From “Romeo and Juliet”  is an artwork realized in 1975. Mixed colored lithograph. Signed and dated on plate on the lower  margin. Perfect conditions. The artwo...

*** Please note: Pictures of print in frame are only a visualization. Artwork is sold unframed DANUTA DĄBROWSKA-SIEMASZKIEWICZ Painter and graphic artist. Her works have been publis...

Pablo Picasso (1881-1973) - Élégie d'Ihpetonga, Masks of Ashes, Planche II Lithograph from 1949. A copy from a limited edition of 16/64 (photocopy of the colophon is included). On...

T'ou't se tient is a print realized by the Chilean artist Roberto Sebastian Matta (1911-2002). This color lithograph on wove paper, was edited by the French magazine "XXe Siécle",...

Salvador Dali (1904-1989) - God, Time, Space, and the Pope Drypoint etching with stencil from 1973. Editon A 55/195 on Arches paper. Dimensions of work: 65.4 x 50.4 cm Publisher:...

Pinwheel is a lithograph, realized by Pietro Carabellese in 1980. Hand-signed on the bottom right.  Numbered on the bottom left 70/100. In very good conditions The artwork illustr...

*** Please note: Pictures of print in frame are only a visualization. Artwork is sold unframed DANUTA DĄBROWSKA-SIEMASZKIEWICZ Painter and graphic artist. Her works have been publis...

Salvador Dali (1904-1989) - Le Torse Etching from 1969. 66/145 on Japan paper. Dimensions of work: 38 x 28 cm. Hand signed. Publisher: Graphik Europa Anstalt. Reference: Michl...

Salvador Dali (1904-1989) - Les Aigrettes Etching from 1969. 66/145 on Japan paper. Dimensions of work: 38 x 28 cm. Hand signed. Publisher: Graphik Europa Anstalt. Reference: M...

Salvador Dali (1904-1989) - La Botte violette Etching from 1969. 66/145 on Japan paper. Dimensions of work: 38 x 28 cm. Hand signed. Publisher: Graphik Europa Anstalt. Referenc...

Salvador Dali (1904-1989) - Femme à cheval Etching from 1969. 66/145 on Japan paper. Dimensions of work: 38 x 28 cm. Hand signed. Publisher: Graphik Europa Anstalt. Reference: ...

Salvador Dali (1904-1989) - Allée des Verges Etching from 1969. 66/145 on Japan paper. Dimensions of work: 38 x 28 cm. Hand signed. Publisher: Graphik Europa Anstalt. Reference...

The Traitors is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Good conditions. Limited edition of 2900, r...

Act II, Scene VI - From “Romeo and Juliet”  is an artwork realized in 1975. Mixed colored lithograph. Signed and dated in plate on the left right  margin. Per...

To see our other original vintage travel posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want. Frank H Mason RBA RI RSMA (1875-1965) Holland via Harwich...

Asger Jorn (1914-1973) - Composition Lithograph from 1966. Dimensions of work: 73.5 x 53.5 cm Printed by Erker Presse, St. Gallen. The work is in Excellent condition. Fast and s...

Graham Sutherland (1903-1980) - Hommage à San Lazzaro Lithograph from 1975. Edition 371/575 (Photocopy of the colophone is included). Dimensions of work: 31 x 24 cm. Each copy of...

Faciamus Hominem is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969. Signe...

Chute d’un Ange is an original drypoint on laid paper realized by Félicien Rops, hand monogrammed and inscribed "Ah! N'insultez jambs une femme qui tombe!". In very good conditions....

Pablo Picasso (1881-1973) - Élégie d'Ihpetonga, Masks of Ashes, Planche I Lithograph from 1949. A copy from a limited edition of 16/64 (photocopy of the colophon is included). Onl...

Krzysztof Wieczorek (born in 1954) Studied at the Faculty of Graphic Arts at the National School of Fine Arts. He received his diploma from the atelier of prof. Leszek Rozga in 1977.

Exhibition print from “Vibrazioni”  is a vintage photographic print on color paper applied on cardboard realized by Harold Miller Null in 1990.  Hand signed and dated on the lower r...

"Saturday Night Fever" Original Vintage 1977 Lobby Card Condition Mint Original vintage 1977 lobby card from the film "Saturday Night Fever" directed by John Badham FRAMING: Pleas...

KRZYSZTOF SKORCZEWSKI (born in 1947) He studied Graphic Design at the Academy of Fine Arts and in the Royal College of Art in Stockholm. He graduated in 1971. His works may be found ...

Act V, Scene V - From “Romeo and Juliet”  is an artwork realized  in 1975. Mixed colored lithograph. Signed and dated on plate in the lower right margin. Perfect conditions. The a...

Gordon House 1932-2004 Site Visit, from the FLW/ Highbury Portfolio Suite, 1987 homemade print from an office copy machine 42 x 29.7 cm 16 1/2 x 11 3/4 in Gordon House was born in 1...

JERZY DMITRUK (born in 1960) He studied at the Academy of Fine Arts at the Faculty of Paintings and Graphics. Dmitruk graduated in 1986 from the atelier of professor Juliusz Joniak a...

Gordon House 1932-2004 Working, from the FLW/ Highbury Portfolio Suite, 1987 homemade print from an office copy machine 42 x 29.7 cm 16 1/2 x 11 3/4 in Gordon House was born in 1932...

Pablo Picasso (1881-1973) - De mémoir d'homme, Planche IV Lithograph from 1950. An unnumbered copy from a limited edition of 350. Dimensions of work: 32 x 25 cm Publisher: Éditio...

The Prison is a wonderful colored lithograph on paper, realized in 1971 by the Italian artist Marcello Ercole. Hand-signed and numbered in pencil on the lower margin. Edition of 100...

Harry Bunce August The Happy Year Limited Edition Print Edition of 365 (one for each day of the year) Image Size: H 31.5cm x W 28cm Signed Sold Unframed Please note that in situ...

Ecce Homo is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969. Signed and d...

Heidler & Heeps Vinyl Collection 'Made in France Blue'. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesmerisin...

Heidler & Heeps Vinyl Collection 'LTD. ED. Vinyl Ochre Pink'. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesm...

Joan Miro (1893-1983) - Composition Lithograph from 1974. Dimensions of work: 56.2 x 27.5 cm. Publisher: Maeght Éditeur, Paris. The work is in Excellent condition.

Gordon House 1932-2004 The Idea, from the FLW/ Highbury Portfolio Suite, 1987 homemade print from an office copy machine 42 x 29.7 cm 16 1/2 x 11 3/4 in Gordon House was born in 193...

Marc Chagall - Original Lithograph The Red Rider From the unsigned, unnumbered lithograph printed in the literary review XXe Siecle 1957 See Mourlot 191 Dimensions: 32 x 24 cm Publisher: G. di San Lazzaro. Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater, where he would paint a series of murals titled Introduction to the Jewish Theater as well. In 1921, Chagall also found work as a teacher at a school for war orphans. By 1922, however, Chagall found that his art had fallen out of favor, and seeking new horizons he left Russia for good. Flight After a brief stay in Berlin, where he unsuccessfully sought to recover the work exhibited at Der Sturm before the war, Chagall moved his family to Paris in September 1923. Shortly after their arrival, he was commissioned by art dealer and publisher Ambroise Vollard to produce a series of etchings for a new edition of Nikolai Gogol's 1842 novel Dead Souls. Two years later Chagall began work on an illustrated edition of Jean de la Fontaine’s Fables, and in 1930 he created etchings for an illustrated edition of the Old Testament, for which he traveled to Palestine to conduct research. Chagall’s work during this period brought him new success as an artist and enabled him to travel throughout Europe in the 1930s. He also published his autobiography, My Life (1931), and in 1933 received a retrospective at the Kunsthalle in Basel, Switzerland. But at the same time that Chagall’s popularity was spreading, so, too, was the threat of Fascism and Nazism. Singled out during the cultural "cleansing" undertaken by the Nazis in Germany, Chagall’s work was ordered removed from museums throughout the country. Several pieces were subsequently burned, and others were featured in a 1937 exhibition of “degenerate art” held in Munich. Chagall’s angst regarding these troubling events and the persecution of Jews in general can be seen in his 1938 painting White Crucifixion. With the eruption of World War II, Chagall and his family moved to the Loire region before moving farther south to Marseilles following the invasion of France. They found a more certain refuge when, in 1941, Chagall’s name was added by the director of the Museum of Modern Art (MOMA) in New York City to a list of artists and intellectuals deemed most at risk from the Nazis’ anti-Jewish campaign. Chagall and his family would be among the more than 2,000 who received visas and escaped this way. Haunted Harbors Arriving in New York City in June 1941, Chagall discovered that he was already a well-known artist there and, despite a language barrier, soon became a part of the exiled European artist community. The following year he was commissioned by choreographer Léonide Massine to design sets and costumes for the ballet Aleko, based on Alexander Pushkin’s “The Gypsies” and set to the music of Pyotr Ilyich Tchaikovsky. But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as paintings such as The Yellow Crucifixion...

Marc Chagall (1887-1985) - The Pair in a Tree Original Lithograph from 1960. Dimensions of work: 32 x 24 cm. Publisher: Maeght Éditeur, Paris. The work is in Excellent condition.

Lithograph on Japan Paper, 1961 handsigned by the artist in pencil 23 x 19 cm (image) - 32 x 25 cm (sheet) very good condition LCD2804

Untitled is a wonderful colored lithograph on paper, realized in 1973 by the French artist, Henry Maurice, published by La Nuova Foglio, the publishing house of Macerata, as it is impressed on the sheet on the lower right corner. Hand-signed and numbered in pencil on lower right margin. Edition of 100 prints. This contemporary artwork representing a surreal futuristic landscape animated by monsters and fantastic characters emerging from a muddy bottom surrounded by post-industrial architectures is in excellent conditions. A contemporary original print for your fashionable private collection at an affordable price, to collect jealously! Maurice Henry...

Abstract Composition is an original colored screen print realized by Antonio Sanfilippo in 1971. Hand-signed and dated in pencil on the lower right. Numbered on the lower right. Ed...

"Saturday Night Fever" Original Vintage 1977 Lobby Card Condition Mint Original vintage 1977 lobby card from the film "Saturday Night Fever" directed by John Badham FRAMING: Pleas...

Rafal Strent is a Polish artist born in 1943. He graduated from the Faculty of Painting from the studio of Professor Aleksander Kobzdej at the Academy of Fine Arts of Warsaw, where h...

Original editorial cover with slipcase of green cardboard. On the cover, an original medallion sculptured by the artist on cardboard, showing the h...

This print of a pine tree uses kitakata Japanese tissue chine collé to depict the warmth and colour of early autumnal light. It is then backed onto Hahnemule printmaking paper. The subject matter is from Ashton Court Estate in Bristol. This body of work is based on the book by Suzanne Simard, 'Finding the Mother Tree'. Trees communicate via mycorrhizal fungi to trade water and other nutrients. Ancient and mature trees nurture their offspring via these networks, as well as trading nutrients between other species. Botanist Simard has spent years working on this theory as part of a wider body of work, discovering what it means for forests, the climate and the wider Anthropocene. My work explores the ecological sublime and an appreciation of the majesty of nature. I use detailed intaglio etching, drypoint, lithography and chine collé to draw the viewer into an ethereal landscape that has an impact on our sense of place in relation to the natural world. I use primarily black and white with natural tones of chine collé and sometimes layers of lithographic texture to introduce warmth to the stark palette and to invoke a sublime emotional connection. I work from sketches, photographs, notes and memory to create my prints. ADDITIONAL INFORMATION: Black & White, Chine Collé, Drypoint, Drypoint print, Etching, Etching print on Paper Edition of 20 44 H x 32 W x 1 D cm (17.32 x 12.60 x 0.39 in) Sold unframed Image size: Height: 30cm (11.81 in) Width: 20cm (7.87 in) Complete size of sheet Height: 44cm (17.32 in) Width: 32cm (12.60 in) Depth: 1cm (0.39 in) ARTIST BIOGRAPHY: Fiona Hamilton is a printmaker based in Bristol. Interested in process she uses a combination of mediums, both traditional and contemporary, to produce unique imagery, often as one off pieces or in small limited editions. She currently works in silkscreen, cyanotype and foil. Fiona’s artwork draws on a lot of natural themes such as plants, leaves, trees and creatures including lots of birds. She mostly works directly from nature or from photographs she has taken. She regularly lugs a heavy telephoto lens about to get photos of birds...

Interesting Colored etching on watermarked paper, representing some characters in a metaphysical theatre. Hand-numbered and hand-signed with pencil on lower margin by the artist, Mou...

Young Predators, 1987 Paula Rego Etching with aquatint, on wove Signed and inscripted A/P An artist’s proofs aside from the edition of 50 Printed and published by the Royal Colle...

Nelson Mandela, Hand of Africa, Signed Limited Edition Lithograph Many people are unaware that Nelson Mandela turned his hand to art in his 80's as a way of leaving a legacy for his ...