Europe - More Prints

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Door To The East no.21 is a Cibachrome Photograph retouched by hand in progressive numbers, realized by the Italian contemporary artist Marilù Eustachio in 1987. Titled, dated, and...

Urban landscape is a modern artwork realized by the belgian illustrator Jean-Michel Folon (1934- 2005). Original etching and aquatint. Hand signed and numbered on the lower margi...

Figures allongées is a print realized by the British artist Henry Moore (Castleford 1898 - Much Hadham 1986). This color lithograph on paper, was ...

Julian Trevelyan 1910-1988 Dream Scaffold, 1936 etching with hand-colouring 28 x 39.5 cm 11 x 15 1/2 in signed, titled, dated and inscribed in pencil Julian Trevelyan was an importa...

Gilardi Exhibition - Galerie Di Meo is a colored offset print realized in 1991. This artwork was realized in occasion of the exhibition by Piero Gilardi held at Galerie Di Meo in ...

The Sad Nude is a phototype print realized in 1969 by an unknown artist. Signed and dated on the plate, illegible. Good conditions except for foxing and some folding on the margins...

Ship Smoke is an original etching print realized by Francesco Casorati in the 1970s. Hand-signed on the lower right in pencil and numbered on the l...

Gilardi Exhibition - Galerie Di Meo is a colored lithograph realized in 1991 . This artwork was realized in occasion of the exhibition by Piero Gilardi held at Galerie Di Meo in Pa...

Francisco Bores (1898 - 1972) - Earth Lithograph from 1937. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and secure shipment.

• Ernest Montaut (French 1878-1909) Moscow to St. Petersburg, 1907 Lithograph ‘E Montaut’ (lower right in the print) 14.7/8 x 32.1/2in. (37.8 x 82.5cm.) to slip edge A grand and ra...

Lucio Del Pezzo - Poster Exhibition is a mixed colored offset print realized in 1984 This print was realized on the occasion of the exhibition dedicated to the artist and held in St...

Bernard Buffet (1928-1999) - Mirabeau Lithograph from 1977. The edition of 103/150. On Arches paper with watermark. Dimensions of work: 76 x 56 cm. Hand signed. The work is in E...

Abraham Rattner (1895 - 1978) - Autumn Lithograph from 1938. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and secure shipment.

Abraham Rattner (1895 - 1978) - Fire Lithograph from 1937. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and secure shipment.

Poster of Naradowe museum in Warsaw is original offset print realized by Jan Mlodozeniec. Signed on the plate on the lower right. Good conditions.

Bernard Buffet (1928-1999) - The deer in Nara - Sorlier Lithograph from 1981. Artsit's edition. On Arches paper. Dimensions of work: 71 x 53.5 cm. Hand signed. The work is in E...

Bernard Buffet (1928-1999) - The fountain or purification Lithograph from 1981. Artsit's edition. On Arches paper. Dimensions of work: 71 x 53.5 cm. Hand signed. The work is in...

Bernard Buffet (1928-1999) - Temple To-ji,Kyoto Lithograph from 1981. Artsit's edition. On Arches paper. Dimensions of work: 71 x 53.5 cm. Hand signed. The work is in Excellent...

Marc Chagall (1887-1985) - Couple sur fond noir Lithograph from 1974. This impression is notated as “Epreuve d’exposition H.C”. apart from the edition of 50 on Japon paper. Unsign...

Nunzio Vintage Poster is a contemporary artwork realized in 1989. Mixed colored offset poster realized in the occasion of the Exhibition by Galerie Di Meo Paris. Good conditions.

Geisha Road - is a beautiful print on canvas of a digital collage realized by the Italian artist Chiara Santoro. Edition of 10. Hand-signed and numbered.

Julian Trevelyan 1910-1988 Tenements of the Mind (The Bat), 1936 etching 20.1 x 35.1 cm 7 7/8 x 13 7/8 in signed, titled and dated in pencil, aside from the addition of 25 Julian Tr...

FUN! carousel horse photograph by Richard Heeps, capturing the detailed artistry of historic vintage fairgrounds. This artwork is a limited edition of 25, gloss photographic print, ...

This Fassianos, Erotikon - Galerie Di Meo is a vintage poster. This artwork was realized in occasion of the exhibition by Alekos Fassianos held at Galerie Di Meo in Paris in 2008. The EROTIKON exhibition evokes desire and attraction, the relationship between Man and Woman, the perpetual quest for Love, but also the meeting of Man and Nature who engage in a communion of the senses. Alekos Fassianos (1935) is one of Greece's most popular contemporary visual artists. He graduated from the Athens School of Fine Arts. Fassianos used to design the stage decorations...

This work will be exhibited at Art on Paper NYC, September 4–7, 2025. – Marc Chagall (1887-1985) - Moses and Aaron with Pharaoh Lithograph from 1966. The edition of 20 on Japanes...

Woman in a Rowing Boat is an offset and lithograph print after Willem De Kooning in 1965. The print suite was realized in 1985 in a limited edition of 2500, and curated by Xavier F...

Algiers Motel Apartments, photograph from Richard Heeps' Dream in Color series. This visually arresting artwork captures the essence of a sunbathed, mid-century modern apartment str...

Harry Bunce Early Start Limited Edition Print Mixed Media Screen Print on Panel Edition of 24 Size: H 73cm x W 73cm x W 3.5cm Signed Sold in a White Wood Frame Please note that any i...

Nunzio Vintage Poster is a vintage poster realized in 1989. Mixed colored offset print realized in the occasion of the Exhibition by Galerie Di Meo Paris. Good conditions.

Realized for the Editions "Europaische Grafik". Edition of 130 prints, numbered and hand signed. Dry stamp on bottom right. Publisher: Wolfgang Ketterer, Munich. Very Good conditions.

Decorative Motifs of the Italian Renaissance is a vintage chromolithograph realized by an anonymous artist in the early 20th Century. Good conditions. The artwork represents Decora...

Marc Chagall - Original Lithograph The Red Rider From the unsigned, unnumbered lithograph printed in the literary review XXe Siecle 1957 See Mourlot 191 Dimensions: 32 x 24 cm Publisher: G. di San Lazzaro. Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater, where he would paint a series of murals titled Introduction to the Jewish Theater as well. In 1921, Chagall also found work as a teacher at a school for war orphans. By 1922, however, Chagall found that his art had fallen out of favor, and seeking new horizons he left Russia for good. Flight After a brief stay in Berlin, where he unsuccessfully sought to recover the work exhibited at Der Sturm before the war, Chagall moved his family to Paris in September 1923. Shortly after their arrival, he was commissioned by art dealer and publisher Ambroise Vollard to produce a series of etchings for a new edition of Nikolai Gogol's 1842 novel Dead Souls. Two years later Chagall began work on an illustrated edition of Jean de la Fontaine’s Fables, and in 1930 he created etchings for an illustrated edition of the Old Testament, for which he traveled to Palestine to conduct research. Chagall’s work during this period brought him new success as an artist and enabled him to travel throughout Europe in the 1930s. He also published his autobiography, My Life (1931), and in 1933 received a retrospective at the Kunsthalle in Basel, Switzerland. But at the same time that Chagall’s popularity was spreading, so, too, was the threat of Fascism and Nazism. Singled out during the cultural "cleansing" undertaken by the Nazis in Germany, Chagall’s work was ordered removed from museums throughout the country. Several pieces were subsequently burned, and others were featured in a 1937 exhibition of “degenerate art” held in Munich. Chagall’s angst regarding these troubling events and the persecution of Jews in general can be seen in his 1938 painting White Crucifixion. With the eruption of World War II, Chagall and his family moved to the Loire region before moving farther south to Marseilles following the invasion of France. They found a more certain refuge when, in 1941, Chagall’s name was added by the director of the Museum of Modern Art (MOMA) in New York City to a list of artists and intellectuals deemed most at risk from the Nazis’ anti-Jewish campaign. Chagall and his family would be among the more than 2,000 who received visas and escaped this way. Haunted Harbors Arriving in New York City in June 1941, Chagall discovered that he was already a well-known artist there and, despite a language barrier, soon became a part of the exiled European artist community. The following year he was commissioned by choreographer Léonide Massine to design sets and costumes for the ballet Aleko, based on Alexander Pushkin’s “The Gypsies” and set to the music of Pyotr Ilyich Tchaikovsky. But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as paintings such as The Yellow Crucifixion...

Castellani Exhibition is a vintage exhibition poster realized in 2004. Mixed colored offset poster realized in the occasion of the exhibition of Castellani in 2004. Good conditions.

Door To The East no.27 is a Cibachrome Photograph retouched by hand in progressive numbers, realized by the Italian contemporary artist Marilù Eustachio in 1987. Titled, dated, an...

Nunzio Vintage Poster is an original contemporary artwork realized in 1989. Mixed colored offset poster realized in the occasion of the Exhibition by Galerie Di Meo Paris. Good con...

Door To The East no.62 is a Cibachrome Photograph retouched by hand in progressive numbers, realized by the Italian contemporary artist Marilù Eustachio in 1987. Titled, dated, an...

Door To The East no.31 is a Cibachrome Photograph retouched by hand in progressive numbers, realized by the Italian contemporary artist Marilù Eustachio in 1987. Titled, dated, and...

Door To The East no.20 is a Cibachrome Photograph retouched by hand in progressive numbers, realized by the Italian contemporary artist Marilù Eustachio in 1987. Titled, dated, and ...

Door To The East no.26 is a Cibachrome Photograph retouched by hand in progressive numbers, realized by the Italian contemporary artist Marilù Eustachio in 1987. Titled, dated, and ...

Door To The East no.28 is a Cibachrome Photograph retouched by hand in progressive numbers, realized by the Italian contemporary artist Marilù Eustachio in 1987. Titled, dated, and ...

Door To The East no.50 is a Cibachrome Photograph retouched by hand in progressive numbers, realized by the Italian contemporary artist Marilù Eustachio in 1987. Titled, dated, an...

Door To The East no.58 is a Cibachrome Photograph retouched by hand in progressive numbers, realized by the Italian contemporary artist Marilù Eustachio in 1987. Titled, dated, and ...

Offering is an original etching on paper realized by French artist Georges Villa (1883-1965) in 1940 ca. The state of preservation is good and aged with some folding on the margins....

Ian Tyson 4 x screenprints from the Schema Series with matching edition numbers Each print is 58 x 58 cm - sheet size Edition 11 of 30 hand-signed and dated on the front and numbered...

Flower is a lithograph realized by Renzo Margonari in 1976. Hand-signed. Numbered. Edition, XX/XXV.

Theimer - Galerie Di Meo is a vintage poster. This artwork was realized in occasion of the exhibition by Ivan Theimer held at Galerie Di Meo in Paris in 1992. Ivan Theimer (Olomou...

28.11.57 is a colored lithograph realized by Pablo Picasso The artwork is from A même la pierre, Fernand Mourlot Lithographe, Pierre Bordas & Fils, ...

Tribute to Michelangelo is an abstract color etching realized by the German artist Paul Wunderlich (Eberswalde, 1927 - Saint-Pierre-de-Vassols, 2010) in 1975. Signed in pencil on th...

Surrealist Composition 6 is a vintage collotype realized after André Masson. The artwork is in good conditions, no signature, on a yellowed paper. André Masson (1896-1987) was a Fr...

Forest is a beautiful etching artwork realized by the French artist Henri Farge (1884-1970). Hand-signed on the lower right. The state of preservation is ...

Antoni Tapies (1923-2012) - Variations sur un thème musical Lithograph from 1987. Edition Bon a tirer. Dimensions of work: 53.5 x 70 cm Size in frame: 83 x 99.5 cm Reference: Nú...

Composition is an original lithograph realized after André Derain for the volume "A même la pierre" by Fernand Mourlot. Ref. A la meme Pierre, Fernand Mo...

Decorative motifs of the German Renaissance is a vintage chromolithograph by an anonymous artist of the early 20th Century. Good conditions. The artwork represents Decorative motif...

Razliubit - is a beautiful print on canvas of a digital collage realized by the Italian artist Chiara Santoro. Edition of 10. Hand-signed and numbered. The work depicts the essen...

Beautiful hand signed lithograph by the Greek painter naturalized French citizen Antoine Malliarakis (Mayo, 1905-1990). Edition 68/100, signed and dated in pencil lower right. Very ...

Blue Martini and Grey Martini, Milan. Italian architecture photographs by Richard Heeps from his series A Short History of Milan. A Short History of Milan' began in November 2018 fo...

This Burdegalen is an original etching realized in about 1575 by George Braun (1541 – 1622) The state of preservation of the artwork is good and aged on the edges of the sheet with...

Shepherd has included two pieces of original etching artworks on the top and lower of the sheet with the same subject, realized by an Anonymous artist in the XVIII century, 1760 ca. ...

ICES, by Richard Heeps, photographed at the British Seaside at the end of summer 2020. This artwork is about evoking memories of the simple joy of days by the beach. The deep green t...