Europe - More Prints

Ferric 60 (Aqua), from the Heidler & Heeps Tape Collection - The B Sides. The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, perso...

To see our other original vintage travel posters including more pre-war London Transport posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want. Clifford and Rosemary Ellis It Is Better To Return Early Lithographic poster 102 x 61 cm Printed by Waterlow & Sons Ltd for London Transport. This original vintage poster was designed for London Transport and encourages shoppers to head home earlier in the day to avoid congestion on the London Underground and buses. The well-heeled customers in the poster sport smart 1930s shoes, and jostle against their purchases (a Father Christmas puppet and red-berried holly leaves mark the design as published in time for Christmas). The pinstripe-suited gentleman's newspaper serves as the background for the first line of the poster's text, which is slanted in the synthetic cubist style (synthetic cubists were keen to explore collage in their work, often employing collage, especially of newsprint). London Transport was the forerunner of London Underground. During the 1930s London...

Braun G., Hogenberg F., Jerusalem, from the collection Civitates Orbis Terrarum, Cologne, T. Graminaeus, 1572-1617. Image dimensions: cm 32.8 x 41; dimensions: cm 41 x 54; Passepart...

Lithograph, 1976. DImensions: 57x78 cm. Lithograph in colors - Signed in pencil lower right - Numbered in pencil lower left (there were also 15 artist’s proofs) - Printed at the Cur...

Puppen is an original black and white serigraph on paper, realized the German artist Wolfgang Jörg (1934), during the 1970's. Signed and numbered in p...

Marc Chagall - Original Lithograph The Red Rider From the unsigned, unnumbered lithograph printed in the literary review XXe Siecle 1957 See Mourlot 191 Dimensions: 32 x 24 cm Publisher: G. di San Lazzaro. Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater, where he would paint a series of murals titled Introduction to the Jewish Theater as well. In 1921, Chagall also found work as a teacher at a school for war orphans. By 1922, however, Chagall found that his art had fallen out of favor, and seeking new horizons he left Russia for good. Flight After a brief stay in Berlin, where he unsuccessfully sought to recover the work exhibited at Der Sturm before the war, Chagall moved his family to Paris in September 1923. Shortly after their arrival, he was commissioned by art dealer and publisher Ambroise Vollard to produce a series of etchings for a new edition of Nikolai Gogol's 1842 novel Dead Souls. Two years later Chagall began work on an illustrated edition of Jean de la Fontaine’s Fables, and in 1930 he created etchings for an illustrated edition of the Old Testament, for which he traveled to Palestine to conduct research. Chagall’s work during this period brought him new success as an artist and enabled him to travel throughout Europe in the 1930s. He also published his autobiography, My Life (1931), and in 1933 received a retrospective at the Kunsthalle in Basel, Switzerland. But at the same time that Chagall’s popularity was spreading, so, too, was the threat of Fascism and Nazism. Singled out during the cultural "cleansing" undertaken by the Nazis in Germany, Chagall’s work was ordered removed from museums throughout the country. Several pieces were subsequently burned, and others were featured in a 1937 exhibition of “degenerate art” held in Munich. Chagall’s angst regarding these troubling events and the persecution of Jews in general can be seen in his 1938 painting White Crucifixion. With the eruption of World War II, Chagall and his family moved to the Loire region before moving farther south to Marseilles following the invasion of France. They found a more certain refuge when, in 1941, Chagall’s name was added by the director of the Museum of Modern Art (MOMA) in New York City to a list of artists and intellectuals deemed most at risk from the Nazis’ anti-Jewish campaign. Chagall and his family would be among the more than 2,000 who received visas and escaped this way. Haunted Harbors Arriving in New York City in June 1941, Chagall discovered that he was already a well-known artist there and, despite a language barrier, soon became a part of the exiled European artist community. The following year he was commissioned by choreographer Léonide Massine to design sets and costumes for the ballet Aleko, based on Alexander Pushkin’s “The Gypsies” and set to the music of Pyotr Ilyich Tchaikovsky. But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as paintings such as The Yellow Crucifixion...

Krasno Exhibition is an original artwork realized in 1970. Original affiche for Krasno exhibition at La Hune in Paris. Hand-signed and dated on the ...

Hand signed and numbered. Edition of 15 prints. Original title "Piccolo cavaliere". This work is a plate from the Portfolio "Marino Marini Gravures" published by Crommelynck in 1970....

ICES Mustard Yellow, Purple, Green and Baby Blue, bold colour blocking pop art street photography from Richard Heeps series, On-Sea. Created as an ode to childhood visits to grandpar...

Personnage sans Tête is an original black and white etching on paper, realized by the artist Antoine Mayo, art name of Malliarakis (1905-1990) Signed in pencil on lower right margin...

Lithograph, 1976. DImensions: 57x78 cm. Lithograph in colors - Signed in pencil lower right - Numbered 28/50 lower left (there were also 15 artist’s proofs) - Printed at the Curwen ...

The Climber is a peculiar and beautiful lithograph realized by the artist Ivo Pannaggi in a circulation of 100 copies around 1975 from one of his drawings...

Salvador Dali (1904-1989) - Les Tiroirs Etching from 1967. Th edition of 122/145 on Japan paper. Enhanced with watercolor.. Dimensions of work: 38 x 28.5 cm Publisher: Graphik Eu...

Hans Rudolf Bosshard (*1929 Balm-Lottstetten), Twelve variations on a dice theme, 1962. Portfolio with inserted cover sheet and twelve woodcuts on thin Japanese paper. Copy no. 2/10,...

Untitled composition is an interesting original colored lithograph on cream-colored paper realized in 1973 by the Italian artist Primo Conti (1900-1988). ...

Planetary System - From Nuovo atlante di geografia universale is an original print realized in 1820 by Luigi Rossi. Original black and white etching. Prin...

Charles-Éduard Jeanneret, known as Le Corbusier, was a Swiss architect and designer who is generally regarded as a key figure in the development of modern architecture, his work bein...

Alfred Rethel after (1816 Diepenbenden - 1859 Düsseldorf), Death as a servant, around 1920. Color woodcut by Oskar Bangemann after a drawing by Rethel created around 1845 on handmade...

Cordial Campari, Italian street photograph from Richard Heeps series, A Short History of Milan. There is a reoccurring linear, structural theme throughout the series, capturing the ...

Palm Springs Poolside, photograph by Richard Heeps. Classic mid-century Palm Springs architecture, featuring cool blue skies and pool with accents of pink and almost neon yellow. Th...

Image dimensions: 46 x 24 cm. Wall and Trowel is a peculiar and rare lithograph realized by the artist Ivo Pannaggi in a circulation of 100 copies around...

White Horse, Woodhenge is a black and white etching on rosaspina Fabriano watermarked paper, realized in 1976 by the English pop artist, Joe Tilson. Image dimensions 38.5x18 cm Hand-signed, dated and numbered in pencil on lower margin. Edition of 100 prints. In excellent conditions. From the Wessex Portfolio, a collection of seven etchings with aquatint and six screenprinted poems on rosaspina paper by Joe Tilson, this contemporary original print represents a white horse in a primitive style on a black foreground, a "εpεkalov" prepresented ina detailed way as in the naturalistic essays, and a woodhenge, as it is reported on the right of each etchings. Composed by three different etchings, each of these titled on the right margin, the general composition is a wonderful final effect. A copy of the same print is preserved at the Tate Gallery. Joe Tilson (London, 1928 -) The English sculptor and painter was trained at St. Martin's School of Art and at the Royal College of Art in London. Obtained the Prix de Rome (1955), it was in Italy until 1957; later he taught in various English art schools...

Hand-signed in pencil on the lower center. Edited by La Nuova Foglio, Macerata. Good conditions, except for folds along the margins. a tear on lower right margin, and a stain on left...

Cerne Abbas, Giant, Tump is a colored etching on rosaspina Fabriano watermarked paper, realized in 1976 by the English pop artist, Joe Tilson. Image dimension: 38.5x18 cm. Hand-signed, dated and numbered in pencil on lower margin. Edition of 100 prints. In excellent conditions. From the Wessex Portfolio, a collection of seven etchings with aquatint and six screenprinted poems on rosaspina paper by Joe Tilson. This contemporary original print represents the Cerne Abbas giant, the figure carved on the slope of a steep hill. This giant naked man is located in England, near the village of Cerne Abbas, north of Dorchester, in Dorset. The engraving, 55 meters high and 51 wide, is formed by a trench 30 cm wide, 30 cm deep, made by tearing the grass and digging the earth up to the underlying plaster. In the right hand the giant holds a 37 meter long club. Composed by three different etchings, each olf these titled on the right margin, this is a very interesting contemporary artwork not to be missed for your home collection! A copy of the same print is preserved at the Tate Gallery. Joe Tilson (London, 1928 -) The English sculptor and painter was trained at St. Martin's School of Art and at the Royal College of Art in London. Obtained the Prix de Rome (1955), it was in Italy until 1957; later he taught in various English art schools...

Image dimensions: 44 x 35 cm. Paradiso is a colored lithograph on paper, realized by the Italian artist Sante Monachesi, published by Euromuseum Editore, Ancona. Signed and numbere...

Six Mark Stones is a black and white etching on rosaspina Fabriano watermarked paper, realized in 1976 by the English pop artist, Joe Tilson, and published by La Nuova Foglio, a publishing house of Macerata as the dry-stamp reportes on the lower right corner. Image dimensions: 28.4x37.8 cm. Hand-signed, dated and numbered in pencil on lower margin. Edition of 100 prints. In excellent conditions. This a plate is from the Wessex Portfolio, a collection of seven etchings with aquatint and six screenprinted poems on rosaspina paper by Joe Tilson; and represents six mark stones as the title points. A copy of the same print is part of the Tate Gallery's collection. Joe Tilson (London, 1928 -) The English sculptor and painter was trained at St. Martin's School of Art and at the Royal College of Art in London. Obtained the Prix de Rome (1955), it was in Italy until 1957; later he taught in various English art schools...

Hand Signed and numbered. Edition of 20 prints. Very good conditions.

Untitled is a brightly colored serigraph realized by the contemporary Italian artist Pino Reggiani in 1970s. Hand-signed in pencil on the lower center. Good conditions, except for ...

Optical Composition is an original colored serigraph realized by Mario Padovan in 1973. Hand-signed in pencil on the lower right. Numbered in pencil on the lower left. Edition 71/10...

Image dimensions: 44.5 x 37 cm. Hand Signed lower right in pencil. Very good conditions.

Original lithograph from Series "Corrida" . Edition of 99 prints numbered and hand signed. Excellent conditions.

Blue Woman is an original mixed colored serigraph realized by Oscar Pelosi during the 1980s. The artwork is hand-signed in pencil by the artist on the lower right. Numbered on lower...

BThe Diva is an original mixed colored serigraph realized by Oscar Pelosi during the 1980s. The artwork is hand-signed in pencil by the artist on the lower right. Numbered on lower ...

Hand Signed and Numbered. Edition of 75 pieces.Belong to the series "Tout pros de Marino". Ref. Toninelli 50 tav. 3; Guastalla n. A52. This artwork is shipped from Italy. Under exis...

Image dimensions: 19x12 cm. Hand signed, on ivory colored paper. Artist's proof. In excellent conditions. Passepartout included : 49 x 34 cm Reference: G. Di S. Lazzaro, 33; Toninell...

Image dimensions: 54x80 cm. Edition of 50 pieces and some Artist's proofs. Printed in Zurich. Catalogues: l'Oeuvre Gravée, N°476; Toninelli Abrams New York, no. 84; "Le litografia di...

Limited edition of 50 prints, numbered and hand signed. Excellent conditions.

Hand signed and numbered. Edition of 260 prints, belonging to the Suite "Olympic Games Beijing 2008". Each work of this portfolio is recognizable by the official stamp of the Olympic...

Aquatint and lift-ground etching on Georges Duchêne Hawthorne of Larroque handmade paper, Edition of 70 1983 90.2 x 46.4 cms (35 1/2 x 18 1/4 ins)

ICES Coral Pink and Baby Blue, bold colour blocking pop art street photography from Richard Heeps series, On-Sea. Created as an ode to childhood visits to grandparents living on the ...

A fine engraved chart table showing the lengths of the principal rivers across the world, from the second edition of John Thomson's 'New General Atlas' published in 1830. On paper.

ICES Lilac Purple and Sherbet Yellow, bold colour blocking pop art street photography from Richard Heeps series, On-Sea. Created as an ode to childhood visits to grandparents living ...

Roy's Motel Sign, Route 66, Amboy, California, 2001. Swim-in-Pool Supply Co. Las Vegas, Nevada, 2003. Pink Champagne Motel, Wildwood, New Jersey, 2013 Set of three framed ready to h...

Grey Martini, Italian street photography from Richard Heeps series, A Short History of Milan. A Short History of Milan' began in November 20...

Blue Martini and Grey Martini, Milan. Italian architecture photographs by Richard Heeps. This listing is for two individually framed artworks each measuring 39.3" x 33.4". Each art...

Nature Mort lithograph by Estate Collection of Picasso After Pablo Picasso Pablo Picasso was a Spanish painter, sculptor, and co-founder of the Cubist movement, which revolutionize...

KUKRYNIKSY Новый «Болшой Скачок» Пекина [The new Great Leap of Peking [Beijing]] Moscow, Izadetelstvo 'Plakat' 1977 54 x 37 cm, 12 posters loosely inserted in a printed paper portfo...

Michael Craig-Martin
 Art for Life, 2020 Lithograph Signed and numbered by the artist Paper size: 76 x 49.5 cm Edition 12 of 40

Buick in the Dust, photography sequence by Richard Heeps, featuring an American Car, on a British Beach (Hemsby, Norfolk) driven by a German. Richard spent years honing his skills as...

ICES, by Richard Heeps, photographed at the British Seaside at the end of summer 2020. This artwork is about evoking memories of the simple joy of days by the beach. The mustard yell...

ICES, by Richard Heeps, photographed at the British Seaside at the end of summer 2020. This artwork is about evoking memories of the simple joy of days by the beach. The sherbet yell...

ICES, by Richard Heeps, photographed at the British Seaside at the end of summer 2020. This artwork is about evoking memories of the simple joy of days by the beach. The coral orange...

NOMAD, New York, photography by Richard Heeps capturing the iconic Empire State building in the mist as part of his series The Streets of New York. A sequence of photographs capturin...

Lithograph on Rives BFK paper, torn and deckle edges

Taken upon leaving Las Vegas, photograph from Richard Heeps' 'Dream in Colour' series, this artwork captures a classic American neon Googie sign, wit...

Original vintage poster 152 x 102 cm This advertising poster dates from the early 1960s. It features a playful use of text, with the correct orientation of the poster varying depen...

GAMY and MONTAUT, Ernest. La Voiture Th. Schneider, 1912 gagne à Dieppe Dinant et à la Sarthe vitesse et régularité / Magneto Bosch Corburateur Claudel Roues Riley. Mabileau & Co., ...

Santa Maria delle Grazie, religious icon church architecture interior photograph from Richard Heeps series A Short History of Milan. A Short History of Milan' began in November 20...

This Four colour screen print illustrates a mesmerizing Blue cloudscape. The surreal and imaginary cloudscape is brought to life with the use of subtle mark-making techniques, creati...

Jan Dingle Neaves Mill Limited Edition Etching Print Edition of 100 Image Size: H 9cm x W 7cm Sheet Size: H 21cm x W 17cm Signed and Numbered Sold Unframed Please note that any insit...