Europe - Sterling Silver

An exceptional, fine and impressive antique Victorian English sterling silver sandwich box with leather carrying case, an addition to our diverse Victoria...

2 Rare Cased Set of 12 antique valuable silver Spoons. A Pair of elegant Vintage Sterling Silver Tea / Coffee Spoon Set. 12 flower silver teaspoons, the 1930s/40s, C.G Hallberg, Stoc...

Violinist statue in solid 800 silver and with wooden violin and wooden base. The state was made with the casting method and subsequently finished with a chisel. The details of the statue are very realistic and highlight the concentration of the musician in performing the sonata. The violin is made of wood with solid silver...

English embossed tea caddy in sterling silver, dated 1894, by. William Richard Corke, London. For every one who who loves English bohemian style. This silver tea caddy. does the tri...

Conical Silver Oiler By Jane Brownett & Alexander Jones. A Victorian silver conical form oiler with a screw top which helps to regulate the flow of the oil with a simple single scrol...

Pair of etched glass and silver pitchers by Bruckmann & Söhne German, circa 1900 Measures: Height 33cm, width 17cm, depth 14cm The pitchers, or claret jugs, in this pair by Bruc...

An exceptional, fine and impressive antique George III Newcastle sterling silver coffee pot; an addition to our Georgian silverware collection. This exceptional antique George III Newcastle sterling silver coffee pot has a plain baluster form to a circular pedestal foot, in the highly desirable classic English form. The body of this antique coffee pot...

Shaped table box in 925/1000 sterling silver gold plated with fine fire-enameled engraving on the lid and hand-painted floral miniature in 18th century French Empire style. Dimension...

An impressive Antique French Silver Centrepiece Bowl in a ornate Rococo style design standing on 4 shaped feet. This unusual Silver Basket has a hinged asymmetrical handle. The Rococ...

Large octagonal table frame for round photos diameter cm. 7, in 925/1000 sterling silver gold plated with translucent fired enamel on sunburst guilloche, with Napoleon III French Empire style borders and ornaments. External cm. 17 x 17. Weight gr. 483. Designed by Giorgio Salimbeni in 1978 on the inspiration of previous artefacts from the early 1900s and manufactured in Florence at the headquarters of the Salimbeni company with completely manual execution by artisan artists with a very thick plate and large reinforcements suitable to support numerous high-fire enameling firings at approximately 750 < 800° C. It is a new object that has never been used but is considered vintage because it was built more than 20 years ago. The hallmarks struck to the underside of this fine box include: manufacturer's mark: 391FI metal mark fineness:925 Art Deco was also born in France and is the abbreviation of "Art Decoratif". With more decisive and geometric features than Art Nouveau, therefore more evident and "harder", with always contrasting and strong colours, Art Deco spread throughout the world, from Shanghai's China to the under construction New York and in various parts of Europe. Many artists and designers of the time dedicated themselves to the creation of drawings, paintings, objects for personal use and furniture, interior furnishings, entire buildings and skyscrapers, in this new style. Sandoz in Paris, Lalique with its crystals, Puiforcat with its silverware, Erté with its "ante litteram" fashion designs, Tiffany with its table lamps, Louis Cartier with its objects inspired by the Far East (hence the connection with Shanghai). Salimbeni was able to interpret and propose new objects inspired by Art Deco, in precious metals, semiprecious stones and fired enamels, when, exhibiting at jewelery exhibitions in the United States, and more precisely in New York, he made contact with Cartier buyers first, and also with Tiffany later, and for them he created objects in this style inspired by the original drawings of Louis Cartier, obtained from the buyer of the time, but with absolutely different and original designs and interpretations. Many of the objects produced by Salimbeni for Cartier in the United States had taken inspiration from famous Cartier objects belonging to famous people. An example of all is Mary Pickford's set consisting of a powder compact, cigarette case, pill case and evening handbag. About cooperation Salimbeni and Cartier. Our first meetings with the Cartier USA Company took place through the Giorgini Company, the first "Buying Office" set up in Florence immediately after the Second World War, which had the purpose of bringing together Florentine, and also Italian, producers with American buyers, who especially appreciated the artistic objects still manufactured by artisans who still took inspiration from the Italian Renaissance, using techniques handed down from generation to generation. Mrs. Gina Pestelli, wife of a Florentine retail jeweller, was in charge of contacts with Cartier USA, above all an employee, while her daughter, also for Giorgini, took care of the fashion that in those years was affirmed in Florence with the events of "Pitti ". With their help, we began to supply frames and boxes in sterling silver gold plated with malachite and other semi-precious stones. At the same time, the official buyer of Cartier, Mr. William Smith, began to appreciate and commission the first objects with fired enamels, a process of which we have always been specialists. In 1975 we began exhibiting at the prestigious New York Jewellery Association Show, which we participated in both the February and July editions, for a good 26 years until 2001. In New York in those years the "Art deco style" was still very much appreciated, still mindful of the beautiful early 20th century architecture of the great buildings such as the "Crysler" or the "Empire State". We then began to produce frames, boxes, evening bags, "objets de vertu" and other objects in "art deco style" which were very popular with Mr. Smith who gave us some photocopies of Louis Francois Cartier drawings to reproduce them. Thus, numerous cigarette cases, powder compacts, evening bags, frames and table boxes were created exclusively for Cartier USA which, at the time, had the prestigious "Silver Department" on the first floor of the Cartier store on Fifth Avenue. An evening bag, with matching cigarette case and powder compact, were redone on the design created for a gift given to Mary Pickford at the time. In a 1986 Cartier...

This divine Table Box is in 925/1000 sterling silver. Table Box hand-painted miniature has a Rectangular shape with rounded corners. On the cover there is a beautiful hand-engraved...

An exceptional, fine and impressive antique Georgian English sterling silver salver; an addition to our dining silverware collection. ...

Hexagonal base talcum powder holder in black and white fired enamel in 925/1000 sterling silver with perforated screw cap and pressure counter-cap, in Art Deco style. Base cm, 5.3 x ...

An exceptional, fine and impressive antique George V English sterling silver spice tower; an addition to our silver Judaica collection. ...

An exceptional, fine and impressive set of four antique Edwardian English sterling silver menu / card holders, boxed, an addition to our diverse dining silverware collection. These exceptional and rare antique Edwardian cast sterling silver menu/card holders have a circular rounded form. These antique silver...

Chinese Export Silver Cocktail Shaker, circa 1925, embossed and chased with dragon decoration Retailed by Hung Chong, and made by Sheng (声). There is a bold single dragon, with prot...

925 Sterling silver vase. The round pot-bellied vase was made entirely by hand and subsequently embossed with a torchon motif. The concave grooves have be...

Complete Georg Jensen Cypress lunch service in sterling silver for ten people. Consisting of ten lunch forks, ten lunch knives and ten dessert spoons. Knife length: 22.5 cm. Stamp...

Miniature in 925 sterling silver depicting a saddle, boots, hat and whip for a jockey resting on a wooden fence. The workmanship is in fusion and finished with chisel. The object c...

Rectangular table frame with concave corners for oval photo cm. 5.5 x 8.5 in 925/1000 sterling silver gold plated with translucent fired enamels on guilloche, with French Empire Napo...

An exceptional, fine and impressive, large antique Victorian English sterling silver tea caddy/biscuit box; an addition to our silver teaware collection. This exceptional antique Vi...

An exceptional, fine and impressive antique Victorian Scottish sterling silver teapot stand; an addition to our ornamental silverware collection. ...

Rectangular table box in 925/1000 sterling silver gold plated with translucent two-tone striped fired enamel on guillochè and hand-engraved ornament. Late Empire Napoleon III style. ...

An exceptional, fine and impressive antique George V Scottish sterling silver caddy spoon; an addition to our teaware collection. This exceptional antique George V Scottish sterling silver caddy spoon has a plain shovel shaped bowl. The handle terminal is embellished with a cast features depicting Celtic knots and interlacing designs, paralleling a mystical interlaced creature. The handle stem is further ornamented with a raised paralleling border, incorporating scrolling designs to either end. This impressive antique 1920s silver caddy spoon was crafted by the distinguished and collectable silversmith Alexander Ritchie of Iona, Scotland; the piece includes full Glaswegian hallmarks, in addition to identifying 'AR', 'Iona' and registration number RD NO 643267. Alexander was in the Merchant Navy and returned home once injured in a ship wreck. He returned home to help the family run hospitality business and married Euphemia Thomson; a prior student of the Glasgow School of Art. The couple expanded their love of art and Alex expanded his skill set from wood carving to metal work. Everything was made to the Ritchies' specifications and to a high standard. In 1937, Alex Ritchie's work was included in a prestigious Scottish Industries Exhibition on London. Condition This antique Scottish sterling silver caddy spoon is an exceptional gauge of silver, exceptional quality and in exceptional condition. The cast decoration is very sharp. Full hallmarks struck to the surface of the stem and reverse of the handle are all very clear. Dimensions Length 12.1cm/4.8" Width 3.5cm/1.4" Height 1.7cm/0.7" Weight 1.2 troy ounces/36.4g Maker: Alexander Ritchie Date: 1926 Origin: Glasgow, Scotland Video: A video of this fine piece is available upon request. Reflections in photographs may detract from the true representation of this antique caddy spoon...

Antique sterling silver & Agate serving set. Fabulous floral engravings on the fork and spoon. Handles made of ribbed agate Condition good. Fully hallmarked. Year letter 1899 Sil...

An exceptional, fine and impressive antique George VI glass, English sterling silver and crocodile skin mounted hip flask; an addition to our silver mounted glass collection. This...

American (or English ?) pocket flask of whiskey in silver sterling and glass, with initials - Punched J.B. Caldwell & Co - An idea for a beautiful gift. ....

A pair of antique sterling silver and glass decanters Style: Louis XVI, Neoclassical, Victorian, French, 19th century, Antique, Georgian Origin France, Paris, 1880 A pair sterling s...

A fine and impressive antique Edwardian English sterling silver four piece tea service in the Queen Anne style; an addition to our silver teaware collection. This fine antique Edw...

An Elizabeth II Modernist sterling silver salt and pepper pot set by George Edward Grant - London 1971. Fully hallmarked. These superb pots are of cylindrical form with textured ban...

A George III sterling silver cake basket made by Burrage Davenport in London, 1783. The basket is of Classic oval form with bead borders and an engr...

Round shape sterling silver jewelry box. The simplicity of the forms and the harmony of the proportions make it suitable for all settings. The lid of the jewelry box has a knob hand...

Solid silver photo frame. The frame is made of a shiny rectangular silver plate where chiseled silver plate leaves have been welded onto the e...

Square snuff box with two slightly domed sides in 925/1000 sterling silver gold plated with translucent fired enamel on guillochè and hand-painted miniature of flower bouquet, late 1...

18th Century Museal French masterpieces. A pair sterling silver and Baccarat crystal salt cellars. The 2 oval crystal bowls carried by ...

Square box in 925/1000 sterling silver gold plated with translucent fired enamel on guillochè also on the sides. In the center, a beautiful hand painted tempera miniature on a vegetable ivory plate depicting the portrait of a 19th century lady, signed by the painter Anna Maria Manfriani. Dimensions cm. 12 x 12 x 2.5. Weight gr. 618. Designed by Franco Salimbeni in 1976 and manufactured in Florence in some specimens with various subjects and different colors, in the headquarters of the Salimbeni Company with completely manual execution by artisan artists with thick slab and large reinforcements suitable for withstanding numerous enamelled firings at about 800° C. Miniature is a very ancient technique which consists of painting works in small proportions. It was born for the decoration of the first letter of the paragraph of the books. Over the years, however, this technique is refined and enriched, then moving on to precious personal items. Hand painted miniatures can be done with multiple different techniques. The most important that we use on our articles are of three kinds: 1) Fire enamel. 2) Water tempera on an ivory plate. 3) Painted on mother-of-pearl. Fire enameled miniatures: On a first layer of enamel generally white or very clear or even transparent suitably liquefied at a temperature of about 750 ° C, the chosen subject is painted using miniature colors which are as many colored crystals, ground and reduced to a very fine, almost impalpable powder washed and purified in distilled water with the addition of small quantities of deoxidizing acids which, diluted with essential oils (usually essential oil of solder), can be mixed to form a palette of colors. With very fine sable hair brushes you draw the subject starting from the perimeter and then gradually adding various layers of color. It is necessary to carry out various firings very often so that the colors harden and are not absorbed by the underlying glaze as, during the subsequent firings at 750 ° C, during liquefaction, it would spread irremediably. Hence the need to form the painting a little at a time, cooking it numerous times. Therefore it is necessary to proceed with numerous retouching, often overlapping different colors that only the painter's experience knows. A beautiful miniature needs from 20 to over 50 firings and is finished when the painter deems he does not have to further intervene. Some colors must have darker tones than others because then, by superimposing the transparent enamel placed at the end of the miniature, they fade. This transparent layer, called “fondant” in jargon, must be smoothed and polished like all other translucent enamel colors. The miniatures with water tempera colors are painted on real ivory...

20th century sterling silver table clock 925/1000 with fire enamel painted as lapis lazuli, Swiss quartz movement "Nepro". Made in Italy. The Miniatures are hand-painted on a usually white homogeneous enamel base. The same colored glazes are used, but ground much finer, which are mixed with special oils to form an infinite palette of colors. The paint must be gradually dried on electric stoves...

An exceptional, fine and impressive antique Victorian English sterling silver mug; an addition to our silver christening gifts collection. This exce...

An exceptional, fine and impressive antique 18th century Irish sterling silver cup; an addition to our 17th century silverware collection This e...

Silver, gilded and enamelled frame with scroll designs and blue enamels. At regular and symmetrical intervals, ovals with flower motifs different from each other were completely han...

An exceptional, fine and impressive antique William IV English sterling silver goblet made by Robert Garrard II; an addition to our collectable silverware collection. This exceptional antique William IV sterling silver goblet has a plain bell shaped form onto a cylindrical pedestal and plain circular spreading foot with a collet rim. The surface of this silver goblet is plain and unembellished, with an applied moulded border to the upper rim. The underside of the goblet bears the later engraved inscription 'Bartle Henry Arbuthnot Frere, from is Grandfather, 1938'. This antique silver goblet...

Bernadotte silver cutlery Georg Jensen salad set. Bernadotte, Georg Jensen silver flatware, cutlery pattern no. 9 Bernadotte 925 sterling silve...

Rectangular table box with concave corners in 925/1000 sterling silver gold plated with translucent fired enamel on fine hand engraving of a landscape with ruins. Contemporary modern...

The Ceselli line features silver items that are intricately chiseled with ornate decorative elements. This medium-sized oval serving platter features an elegant, thick, embellished b...

This Italian Baroque style Sterling Silver mirror is fully hand embossed and chiselled on silver sheet by hand. The two side mirrors are attached by silver hinges. 4.600 grams. Ita...

table box in sterling silver 925/1000 gold plated with edges with fire - enamelled stripes and upper frame with insertion of paillons in pure gold and beautRectangular iful fire-enam...

An exceptional, fine and impressive antique Chinese Export silver pen tray; an addition to our ornamental silverware collection This exceptional antiq...

Georg Jensen jam spoon in all sterling silver. No 163 in the Bernadotte pattern, designed by Sigvard Bernadotte. Additional information: Material: Sterling silver Hallmarks: With Ge...

Rectangular box with inward corners in sterling silver 925/1000 gold plated with beautiful miniature fire enameled and hand painted by the painter Beatrice Mellana depicting the painting "The Turkish slave" by Francesco Mazzola known as "il Parmigianino" (National Gallery of Parma). Dimensions cm. 8.5 x 11.5 x 3. Weight gr. 345. Designed by Franco Salimbeni in 1965 and manufactured in Florence in numerous specimens with various different subjects, in the headquarters of the Salimbeni company with completely manual execution by artisan artists with thick slab and large reinforcements suitable for withstanding numerous high-fire enameled firings at about 800° C. Miniature is a very ancient technique which consists of painting works in small proportions. It was born for the decoration of the first letter of the paragraph of the books. Over the years, however, this technique is refined and enriched, then moving on to precious personal items. Hand-painted miniatures can be done with multiple different techniques. The most important that we use on our articles are of three kinds: 1) Fire enamel. 2) Water tempera on an ivory plate. 3) Painted on mother-of-pearl. Fire enameled miniatures: On a first layer of enamel generally white or very clear or even transparent suitably liquefied at a temperature of about 750 ° C, the chosen subject is painted using miniature colors which are as many colored crystals, ground and reduced to a very fine, almost impalpable powder washed and purified in distilled water with the addition of small quantities of deoxidizing acids which, diluted with essential oils (usually essential oil of solder), can be mixed to form a palette of colors. With very fine sable hair brushes you draw the subject starting from the perimeter and then gradually adding various layers of color. It is necessary to carry out various firings very often so that the colors harden and are not absorbed by the underlying glaze as, during the subsequent firings at 750 ° C, during liquefaction, it would spread irremediably. Hence the need to form the painting a little at a time, cooking it numerous times. Therefore it is necessary to proceed with numerous retouching, often overlapping different colors that only the painter's experience knows. A beautiful miniature needs from 20 to over 50 firings and is finished when the painter deems he does not have to further intervene. Some colors must have darker tones than others because then, by superimposing the transparent enamel placed at the end of the miniature, they fade. This transparent layer, called “fondant” in jargon, must be smoothed and polished like all other translucent enamel colors. The miniatures with water tempera colors are painted on real ivory...

Chinese Export Silver Card Case, circa 1900, embossed and chased with a dragon on both sides and a vacant shield-shaped cartouche. Retailed by Kwong Man Shing, and made by Zhuo (卓). ...

A Very Fine 19th Century Danish Silver Sauce Boat by Simon Groth, crafted at the end of the 19th century in Danish solid silver (.826 fine silver). This one-of-a-kind antique sauce boat...

Exceptional and elegant silver jardinière of elliptical basic form on high curved volute legs with attached fully plastic putti as torchbearers and feather leaf rests on the rolled f...

An exceptional, fine and impressive antique Victorian sterling silver and blue glass mustard pot; an addition to our Victorian silver cruets/condiments collection. This exceptional ...

An exceptional, fine and impressive antique Victorian English sterling silver combination sovereign or vesta case, an addition to our diverse box and case collection. This exceptional antique Victorian English sterling silver combination vesta or sovereign case has a subtly domed rectangular, rounded form. The anterior and posterior surfaces of this silver case are plain and unembellished. This antique Victorian sterling silver sovereign case is fitted with a hinged hallmarked push fit cover allowing access to the hallmarked sprung sovereign holders...

A fine Asprey of London Hallmarked .925 Sterling Silver Pocket Tape Measure with leather Case. The weight of the measure is 47g excluding case. the Diameter is 5.2cm . The tape m...

An exceptional, fine and impressive antique Edwardian English sterling silver christening mug; an addition to our silver presentation collection. This exceptional antique Edwardia...

Hallmarks: 'A*H' , mark '88' and image of a female head in a kokoshnik, leads to the time of Imperial Russia and Finish silversmith August Frederik Hollming (1854 – 1913), who worked at Faberge. Unusual and incredibly beautiful empire style miniature vase. The elegant jewelry work and design of the vase vaguely resembles a beautiful pearl drop. The color palette and tone of the vase changes surprisingly depending on the lighting. By level of jewelry craftsmanship and fantasi with which this vase is made, we assume that the vase was made by a very high class Finnish jeweler by A. F. Hollming, comparable to famous Russian jewelers such as Carl Fabergé. The design of his jewelry was surprisingly modern and ahead of its time. Full handmade: hand-drawn, embossing, hand chased, engraved and casting of finest quality. Besides the bottom there are few hallmarks on applied garlands. Comes from Swedish estate. Size app.: 13 x 9 cm (roughly 5.11 x 3.54 in). Weight app. is 195 gram (app. 0.42 lb). Very good condition, minimal wear. Silver, enamel, gilding. Please study good resolution images for cosmetic condition. In person actual colors may appear darker or brighter than in our pictures, strictly depending on sufficient light in your environment. Volume weight measures some 1 kg packed for shipment. August Frederik Hollming was born in Loppi, Finland. Hollming was apprenticed to the goldsmith Carl Friedrich Ekholm in Helsinki at the beginning of the 1870s. In 1876, he settled in St. Petersburg and registered as a goldworker. In 1880, he qualified as a master and opened his workshop at 35 Kazanskaya Street, St. Petersburg, he was soon thereafter hired by Fabergé. In 1900, the Hollming workshop moved to 24 Bolshaya Morskaya, St. Petersburg, under the same roof as Fabergé. The eldest son August Väinö Hollming...

Sterling silver 925/1000 mug, embossed, depicting grazing cows. Henry Holland sr. Victoria’s head hallmark, London, 1856.

Empire style 800 silver inkstand The base of the inkstand, completely handmade, is shaped like a "cathedral". The classic "palmettes" of the Empire style have been chiseled around i...

An exceptional, fine and impressive, large antique Victorian English sterling silver mustard pot; an addition to our silver cruets/condiments collection. This exceptional and large ...