Florida - Drawings and Watercolor Paintings

This set of drawings has been like a Covid-19 diary of one woman and her domestic realm. Simone de Beauvoir, the century's most iconic feminist scholar, called the burden of women's ...

This set of drawings has been like a Covid-19 diary of one woman and her domestic realm. Simone de Beauvoir, the century's most iconic feminist scholar, called the burden of women's ...

This set of drawings has been like a Covid-19 diary of one woman and her domestic realm. Simone de Beauvoir, the century's most iconic feminist scholar, called the burden of women's ...

Pastel or Tempera on paper. Judaica Shtetl scene of village. Anatoli Lwowitch Kaplan was a Russian painter, sculptor and printmaker, whose works often reflect his Jewish origins. his...

Original watercolor and pen drawing by the African American artist Vincent D. Smith. Signed lower right and dated 1966. Under glass. Condition is very good. The artwork is framed in...

Luis Miguel Valdes (Cuba, 1949) 'Dibujos Encontrados III', 2012 acrylic, collage on paper 29.6 x 21.7 in. (75 x 55 cm.) ID: 1D201203 Hand-signed by author ___________________________...

Bo Bartlett (b.1955). Untitlrd, 1991. Charcoal and pencil on paper, 18 x 18.5 inches, 28.5 x 28.5 inches framed. Non-reflective museum glass. Signed and dated lower right. Artist seal in red ink lower left. Excellent condition. While Bo Bartlett’s paintings pay homage to an art historical tradition that has long been rooted in Philadelphia, Boston, and New York, his work highlights the American South—a place he refers to as both the “center of the art world” and the “center of the real world.” After graduating from high school in Columbus, Georgia, Bartlett traveled to Florence, Italy, to pursue an artistic career. There, he studied under North Carolina painter Ben Long...

Emilio Cruz (1938-2004) Bonnie and Clyde Pastel on paper Hand signed lower right Dimensions Framed H 15-7/8" W 18-1/2", Sight H 13-1/2" W 16-1/8" Emilio Antonio Cruz (1938 – 2004) was a Cuban American artist who lived most of his life in New York City. His work is held in several major museums in the United States. Emilio Antonio Cruz was an American Artist of Cuban descent. He was born in the Bronx on March 15, 1938. He studied at the Art Students League of New York with Edwin Dickinson, George Grosz and Frank J. Reilly and at The New School in New York City, and finally at the Seong Moy School of Painting and Graphic Arts in Provincetown, Massachusetts. As a young artist in the 1960s, Cruz was connected with other artists who were applying abstract expressionism concepts to figurative art such as Lester Johnson, Red Grooms, Mimi Gross, Bob Thompson and Jan Muller. He combined human and animal figures with imagery from archaeology and natural history to create disturbing, dreamlike paintings. Cruz received a John Hay Whitney Fellowship and awards from the Joan Mitchell Foundation and from the National Endowment for the Arts. In the late 1968, Emilio and wife Patricia Cruz moved to St. Louis to work with Julius Hemphill and the Black Artists Group. He served as director for the visual arts program, which also included painters Oliver Jackson and Manuel Hughes. In addition to artistic contributions, the couple participated in city-wide civil rights protests and rent strikes. Cruz moved to Chicago and taught at the School of the Art Institute of Chicago during the 1970s, where he exhibited widely and was represented by the Walter Kelly Gallery. He wrote two plays, Homeostasis: Once More the Scorpion and The Absence Held Fast to Its Presence. These were first performed at the Open Eye Theater in New York in 1981, and later were included in the World Theater Festival in Nancy and Paris, France, and in Italy. In 1982 he returned to New York where he began to exhibit again. In the late 1980s he resumed teaching at the Pratt Institute and at New York University. Harry Rand, Curator of 20th Century Painting and Sculpture at the Smithsonian American Art Museum, described Emilio Cruz as one of the important pioneers of American Modernism of the 1960s for his fusion of Abstract Expressionist art with figuration. Geno Rodriguez, Curator and Executive Director of The Alternative Museum, wrote in 1985, "Emilio Cruz, is a brilliant and impassioned artist whose current paintings are monumental, imbued with intelligence, fury and an apt sense of irony. They reflect the turbulent world within which we live." Geoffrey Jacques wrote in 1990, "Emilio Cruz paints humanity’s essence. Mythology and archeology are the foremost concerns of the painter Emilio Cruz. Dinosaurs, skeletal humans and fossil-like images are used in his work as metaphoric signposts in a consideration of the basic questions of existence." Art historian and curator Paul Staiti wrote in 1997, "Emilio Cruz's Homo sapiens series is a strange and haunting genealogy of the modern soul... What is at stake here more than biopolitical culture, is the remystification of the body and mapping of consciousness ... For all the trauma, explicit and implicit, Cruz's style is masterful, classical, even beautiful." Exhibitions Cruz held his first solo exhibition at the Zabriskie Gallery in New York in 1963. Afterwards his work was included in many group and solo exhibitions, including the Anita Shapolsky Gallery in 1986 and 1991, museum exhibitions at the Studio Museum in Harlem in 1987, the Pennsylvania Academy of the Fine Arts in 1997. In 1994, Cruz's work was shown as part of the American contingent at the IV Bienal Internacional de Pintura en Cuenca, Ecuador. Other American artists exhibiting at this show were Donald Locke, Philemona Williamson, Whitfield Lovell...

SUSIE Q. SMITH Medium: Newspaper comics Distributed by: King Features Syndicate First Appeared: 1945 Creators: Linda and Jerry Walter 5.5 X 19.5 Dated August 13, 1954 in top right corner. Like her contemporaries, Aggie Mack, Candy and Patsy Walker (before her conversion to a superhero), Susie Q. Smith was a female Archie-type — not exactly an imitator, because Archie, who had started only four years earlier, hadn't yet become popular enough to spawn imitators, but part of his genre. She attended high school, where her teachers often seemed unreasonable to her, interacted with the opposite gender in a typically adolescent way, and her parents didn't completely understand her. And she was cute and perky as only a teenage girl can be. Susie was the star of a comic strip distributed by King Features, the biggest of the comic strip syndicates, whose other offerings have ranged from Jackys Diary to Prince Valiant. King launched the strip in both daily and Sunday form in 1945. Daily, she was only in a panel at first, but it expanded into a full, multi-panel strip on February 7, 1953. In a very odd turn of events, in 1953 the Walters chose to leave King Features behind and hitch their wagon at the McNaught Syndicate. The creators were Harold "Jerry" Walter and his wife, Linda. Jerry was also responsible for Jellybean Jones, who has nothing to do with Jughead Jones's young sister, a modern-day addition to the Archie cast of characters. Together, they did The Lively Ones during the 1960s. Though each was capable of doing both major jobs in comic strip production, their usual working method was for Jerry to dream up the ideas and write the dialog, while Linda did the artwork. The Walters also collaborated on a series of Susie Q. Smith comic books for Dell Comics. Instead of reprinting newspaper strips, these ran new stories by the Walters. Between 1951 and '54, four issues were published as part of the Four Color Comics series, where many minor comic strips, including Dotty Dripple, Timmy and Rusty Riley had found a home. It had no other media spin-offs. Susie Q. Smith had a respectable run in the newspapers, but it ended in 1959. Jerry Walter (1915 - 2007) was an abstract expressionist artist whose output of energetic and colorful paintings were the products of the rich artistic milieu of post-war New York City. He was born Harold Frank Walter in Mount Pleasant, Iowa on November 25, 1915. After graduating from Colgate University in 1937, Walter moved to New York City, where he studied drawing and painting at the New School and the Art Students’ League. Before concentrating seriously on his art, he spent several years as a successful copywriter and idea man for the advertising agencies of J. Walter Thompson, McCann Ericson, and BBDO. During this time, he also worked as a syndicated cartoonist. Collaborating with his wife, Linda, his best-known series was Susie Q. Smith, which first appeared in 1945 and described as a “female Archie type.” Very popular, the cartoon was later the subject of a series of comic books published from 1951 to 1954. After serving in the United States Army for three years during World War II, Walter began to paint seriously. He ascribed his earliest artistic influence to Joan Miró, whose Dog Barking at the Moon (1926) he viewed when he was twelve, the year he published his first cartoon. Walter later wrote that jazz, “the first native expression of so-called modernism” was a strong influence on his work. During the later 1940s, Walters spent time at the Research Studio in Maitland, Florida. Founded in 1937 by artist and architect J. André Smith and supported by the philanthropist Mary Curtis Bok, the Research Studio was a lively colony that hosted prominent artists, including Milton Avery, Ralston Crawford, and Doris Lee. While at the Studio, Walter’s work was purchased by Frank Crowninshield. A founding trustee of the Museum of Modern Art and editor of Vanity Fair, Crowinshield was a noted collector; his collection included important works by Pablo Picasso, Marc Chagall, Henri Matisse, Edgar Degas, George Bellows, and Pierre Bonnard. Returning to New York after his time at the Studio, Walter became an active member of the New York school of the abstract expressionist movement, and in the summer of 1956, Walter exhibited 13 paintings and a selection of drawings at New York’s Chase Gallery. The adroit manipulation of both color and composition evident in his work shows the influence of Abstract Expressionism, particularly Willem de Kooning, Arshile Gorky, and Hans Hofmann. illustrator and female cartoonist Linda Walter was the talented female mind behind the beloved "Susie Q. Smith" comic strip. She played an instrumental role in shaping the cultural landscape through her vibrant illustrations. Known for the timeless charm of the "Susie Q. Smith" comic strip, Linda's artistry brought joy and laughter to countless readers during the 1950s and continues to resonate with fans across generations. She was part of the Woodstock artists community. from Women in Comics: Linda Walter was the artist of newspaper strip Susie Q. Smith, which was written by her husband, Jerry. It was syndicated by King Features Syndicate and ran from 1945 to 1959. The Walters also contributed original Susie Q. Smith stories to Dell's Four Color comic books from 1951 to 1954. From 1964-1965, they created a singled panel comic called The Lively Ones. Vintage Golden Age of Comics era. The Golden Age of Comic Books describes an era in the history of American comic books from 1938 to 1956. During this time, modern comic books were first published and rapidly increased in popularity. The superhero archetype was created. Between 1939 and 1941 Detective Comics (DC) and its sister company, All-American Publications, introduced popular superheroes such as Batman and Robin, Wonder Woman, the Flash, Green Lantern, Doctor Fate, the Atom, Hawkman, Green Arrow and Aquaman. Timely Comics, the 1940s predecessor of Marvel Comics, had million-selling titles featuring the Human Torch, the Sub-Mariner, and Captain America. Another notable series was The Spirit by Will Eisner. Dell Comics' non-superhero characters (particularly the licensed Walt Disney animated-character comics) outsold the superhero comics of the day. The publisher featured licensed movie and literary characters such as Mickey Mouse, Donald Duck, Roy Rogers and Tarzan. Additionally, MLJ's introduction of Archie Andrews in Pep Comics #22 (December 1941) gave rise to teen humor comics, with the Archie Comics...

Original watercolor on archival paper by the California artist, Edward Darrell Crisp. Signed in pencil lower right margin. Dated in pencil lower left m...

Artist: Gillie Cawthorne (English, 1963-) Title: "River Tyne Between Hexham and Corbridge" *Signed and dated by Cawthorne lower center Year: 1998 Medium: Original Watercolor on paper...

Dubi Arie (born Poland, 1939) "The Lovers" Image: 11 3/4" x 10" Original mixed media on paper painting, Hand signed and dated lower right and signed and titled on reverse. depictin...

Cartoon sketch, ca. 1955. Pencil on paper, sheet measures 8.5 x 11 inches. Unsigned with editor's notations. From a group of sketches meant to be preliminary drafts for editor appro...

As a reflection on the value we give to objects, this series exposes examples of objects that we use daily and for different reasons ended up gaining very high prices. By redrawing t...

Automobilia - This advertising illustration captures the timeless Art Deco aesthetic while highlighting the historical significance of the Lincoln Nash. The luxury automobile was man...

Cartoon sketch, ca. 1955. Pencil on paper, sheet measures 8.5 x 11 inches. Unsigned with editor's notations. From a group of sketches meant to be preliminary drafts for editor appro...

Original oil pastel with graphite tracing of a lively Paris street scene in front of the iconic Arc de Triomphe in Paris. The artist is the well known French artist, Andre Vignoles. ...

Cartoon sketch, ca. 1955. Pencil on paper, sheet measures 8.5 x 11 inches. Unsigned with editor's notations. From a group of sketches meant to be preliminary drafts for editor appro...

Original watercolor on archival paper titled “Bag’s Groove” by the African American artist Vincent D. Smith. Signed by the artist lower right and dated 1967. Artist title and measur...

Artist: Tom Whitehead (English, 1886-1959) Title: "A Windy Day ... Blackstone Edge" *Signed by Whitehead in green watercolor on verso Circa: 1920 Medium: Original Watercolor on paper...

Surrealist proto-Afropunk drawing by African-American artist, Roland Ayers (1932-2014). Animal Capers, ca. 1970 . Ink on illustration board, image measures 20 inches. inches; illustration panel measures 21.5 inches. Unsigned. Minor staining evident in detail photos Artist and art educator, Roland Ayers was born on July 2, 1932, the only child of Alice and Lorenzo Ayers, and grew up in the Germantown district of Philadelphia. Ayers served in the US Army (stationed in Germany) before studying at the Philadelphia College of Art (currently University of the Arts). He graduated with a BFA in Art Education, 1954. He traveled Europe 1966-67, spending time in Amsterdam and Greece in particular. During this period, he drifted away from painting to focus on linear figurative drawings of a surreal nature. His return home inaugurated the artist’s most prolific and inspired period (1968-1975). Shorty before his second major trip abroad in 1971-72 to West Africa, Ayers began to focus on African themes, and African American figures populated his work almost exclusively. In spite of Ayers’ travel and exploration of the world, he gravitated back to his beloved Germantown, a place he endowed with mythological qualities in his work and literature. His auto-biographical writing focuses on the importance of place during his childhood. Ayers’ journals meticulously document the ethnic and cultural make-up of Germantown, and tell a compelling story of class marginalization that brought together poor families despite racial differences. The distinctive look and design of Germantown inform Ayers’ visual vocabulary. It is a setting with distinctive Gothic Revival architecture and haunting natural beauty. These characteristics are translated and recur in the artist’s imagery. During his childhood, one of the only books in the Ayers household was an illustrated Bible. The images within had a profound effect on the themes and subjects that would appear in his adult work. Figures in an Ayers’ drawing often seem trapped in a narrative of loss and redemption. Powerful women loom large in the drawings: they suggest the female role models his journals record in early life. The drawings can sometimes convey a strong sense of conflict, and at other times, harmony. Nature and architecture seem to have an antagonistic relationship that is, ironically, symbiotic. A critical turning point in the artist’s career came in 1971 when he was included in the extremely controversial Whitney Museum show, Contemporary Black Artists in America. The exhibition gave Ayers an international audience and served as a calling card for introductions he would soon make in Europe. Ayers is a particularly compelling figure in a period when black artists struggled with the idea of authenticity. A questioned often asked was “Is your work too black, or not black enough?” Abstractionists were considered by some peers to be sell-outs, frauds or worse. Figurative* work was accused of being either sentimental or politically radical depending on the critical source. Ayers made the choice early on to be a figurative artist, but considered his work devoid of political content. Organizations such as Chicago’ s Afri-Cobra in the late 1960‘s asserted that the only true black art of any relevance must depict the black man and woman...

Luis Miguel Valdes (Cuba, 1949) 'Ballerina', 2024 acrylic, ink and watercolor on paper 25.6 x 37.8 in. (65 x 96 cm.) Hand-signed by author __________________________________________...

Katarzyna LIBROWICZ Polish French painter studied at the Academy of Fine Arts in Warsaw and arrived in France in 1937 . She studied with André Lhote in Montparnasse Paris and exhibi...

Rosemary Bothwell (20th century). Two Boys Fishing, ca. 1975. Pastel on paper, 18.75 x 22.75 inches. Creasing in upper right corner. Signed lower right.

Luis Miguel Valdes (Cuba, 1949) 'Splash', 2024 acrylic, ink and watercolor on paper 25.6 x 37.8 in. (65 x 96 cm.) Hand-signed by author _____________________________________________...

Original watercolor on archival paper of a rural homestead, most likely in North Smithfield, Rhode Island, home of the artist for 70 years. Signed lower left, “A. Pasquale”. The condition is very good with no issues. Framed in a silvered colored thin metal frame. Overall measurements are 22.25 by 28.25. Under glass. Provenance: Sarasota, Florida estate. Albert Pasquale was a member of the Providence Art...

Katarzyna LIBROWICZ Polish French painter studied at the Academy of Fine Arts in Warsaw and arrived in France in 1937 . She studied with André Lhote in Montparnasse Paris and exhibi...

Artist: TARKAY, ITZCHAK Title: "SUNNY DAY" Size: 15 X 22 INCHES Medium: WATERCOLOR ON FRANCH ARCHES PAPER Edition: ORIGINAL Description: Hand signed by the artist The artwork is in e...

The more transcendental the representation, the more it tends to evoke it through its prodigies. Such is the case of the Double standard series in the words of the artist "It is a process of visual archeology through a search for human representations conditioned by their ritual, aesthetic or utilitarian meaning where a resignification of beauty patterns is proposed, a game with female representation with its multiple meanings, functions and forms” James Bonachea...

El Regalo de la Persistencia, 2021 by Tahuanty Jacanamijoy Watercolor on paper Image size: 35 H x 27 W cm. One of a Kind _____________ In my work, I speculate about the origin ...

Katarzyna LIBROWICZ Polish French painter studied at the Academy of Fine Arts in Warsaw and arrived in France in 1937 . She studied with André Lhote in Montparnasse Paris and exhibi...

Artist: Gillie Cawthorne (English, 1963-) Title: "Glen Lyon, Scotland" *Signed and dated by Cawthorne lower left Year: 2010 Medium: Original Watercolor on paper Framing: Not framed, ...

Mario Armond Zamparelli was Howard Hughes corporate designer/artist. The present portrait conveys are sense of high style, cultured elegance and sophistication. Although she was pain...

Traces of lived experiences appear in On Hansen's works, exploring the possibilities of formal abstraction and seeking an organic experience between space and time through painting a...

Luis Miguel Valdes (Cuba, 1949) 'Forbidden Fruit', 2024 acrylic, ink and watercolor on paper 25.6 x 37.8 in. (65 x 96 cm.) Hand-signed by author ____________________________________...

Luis Miguel Valdes (Cuba, 1949) 'To the left, woman', 2024 acrylic, ink and watercolor on paper 25.6 x 37.8 in. (65 x 96 cm.) Hand-signed by author _________________________________...

Circa 1940 Signed lower left Sight size 19 x 26 in Overall 27.5 x 34.5 in original period frame

Luis Miguel Valdes (Cuba, 1949) '5 of them', 2024 acrylic, ink and watercolor on paper 25.6 x 37.8 in. (65 x 96 cm.) Hand-signed by author __________________________________________...

Harriet Gans, photographer who showed her work in New York galleries and museums A native of Manhattan, Ms. Gans was a graduate of the University of California, Berkeley, and held a...

Artist: Gillie Cawthorne (English, 1963-) Title: "Beach House" *Signed and dated by Cawthorne lower right Year: 2008 Medium: Original Watercolor on paper Framing: Not framed, but mat...

Roland Ayers (1932-2014). Ancestor Worship II, 1971 Ink on paper, 4 × 5.5 inches. Signed and dated. Artist and art educator, Roland Ayers was born on July 2, 1932, the only c...

Roberto Fabelo Remedios, 2001 Watercolor on paper 30 x 22 in Includes a certificate of authenticity by the artist

Movies, TV and magazines are constant source of inspiration. Fame, as fleckring and shallow it can be sometimes, is very intriguing to him. The worlds of fashion, society and pop cu...

Here for your consideration is a very well executed watercolor on archival paper of a rushing stream in a sunlit forest. Strong, vibrant colors. Double sided with a seascape on a roc...

Untitled, by Clemens Briels Pencil on paper 2008 Image size: 11 H cm. x 10.5 W cm. Framed: 20.7 H cm. x 20 W cm. Clemens Briels is a painter born in the Netherlands in 1946. At a yo...

"Estrada-Duran combines realism and surrealism in his work, the artists paintings are often monochromatic pencil drawings with overlays of gold paint that depict goddess-like women ...

Michael Beck (American, b. 1943) Watercolor painting on paper, 1986 "First Fruits", Hand signed, dated and titled along lower margins Gallery label verso, Matted and framed under...

Original watercolor on archival paper by Rosalind Oesterle. Circa 1970. Signed lower left by the artist. Oval format. Condition is excellent. Profe...

Robert W. Milliken (Irish, 1920-2014). White Fronts Along the Coast, ca. 1960. Watercolor on paper, image measures 14.5 x 19.5 inches; 21.5 x 26.5 inches framed. Signed lower right. ...

Set of Two by Tahuanty Jacanamijoy Trinidad and Hacerle el Amor a la Vida (small) Watercolor on paper Overall Image size: 35 cm H x 54 cm W Individual size: Image size: 35 cm H x ...

Trinidad, 2021 by Tahuanty Jacanamijoy Watercolor on paper Image size: 35 cm H x 27 cm W One of a Kind _____________ In my work, I speculate about the ori...

Hacerle el Amor a la Vida (Small), 2021 by Tahuanty Jacanamijoy Watercolor on paper Image size: 35 cm H x 27 cm W One of a Kind _____________ In my work, I speculate about the or...

Large-scale, Mid-Century Illustration that imagines the Car Dealerships of the Future, possibly for the New York World's Fair, 1964-1965 fair, with the theme "Peace Through Underst...

Elmer Pirson (1988-1935). Color pencil and paint on paper. Sheet measures 10.5 x 14 inches. Unframed and unmounted. Estate stamp on verso. Excellent condition. An American Illustrator and painter, Elmer William Pirson was born in 1888 in New York. Artistically, he is known to have studied under George Bridgman and James Earle Fraser...

Original watercolor on archival colored paper of “Seaoats” by the long time Sarasota artist, Julee Docking. Signed “Julee” lower right. Titled verso “Seaoats” along with stamped as ...

Movies, TV and magazines are constant source of inspiration. Fame, as fleckring and shallow it can be sometimes, is very intriguing to him. The worlds of fashion, society and pop cu...

Movies, TV and magazines are constant source of inspiration. Fame, as fleckring and shallow it can be sometimes, is very intriguing to him. The worlds of fashion, society and pop cu...

For your consideration here is a wonderful original watercolor by the Scottish born artist John P. Nicolson also known as John Nicolson. Executed circa 1915 in the style of Winslow H...

Dream of Gauguin Initialed in the lower right corner: Z; faintly titled and inscribed "tropical" in pencil in the blank portion of the board at right; estate stamped verso Board size...

Original watercolor on archival paper by the California artist, Edward Darrell Crisp. Signed by the artist in pencil lower right margin. Dated in penci...