Florida - Abstract Paintings

Original dimensional hand painted, custom cut and mounted wood. Hand signed on verso. Artwork is in excellent condition. Certificate of Authenticity included. All reasonable offer...

Based on Solfeggio Frequencies, HZ merges the healing potential of painting with the power of sound. Following Kandinsky’s musical theory of the abstract artwork, the spiritual quality of a painting is established in its ability to vibrate in the eyes and therefore emits an inaudible sound frequency. With HZ, the rhythmic organization of the iron lines on the black background transmits specific frequencies that vibrate directly with the soul of the observer. A universal silent sound that promotes a return to spiritual order. Minimal in its aspect, HZ intends to open a gateway in the interiority of the observer. An infinite universe present in each of us which can only be reached in front of the silence of the representation. By impoverish the exterior in order to enrich the interior, the magical power of the unseen is revealed. CARVED FRAME The burned and carved wooden frame acts as an anchor to the ground. In contrast with the infinite distance creating by the artwork, the burned wooden frame connects with the earth elements. An invitation to stay present in the body while travelling in your inner reality. Through the delicate black mantras carved in all-over, the mystical dimension of the pieces reveals itself. Using meditation...

Original dimensional hand painted, custom cut and mounted wood. Hand signed on front and verso. Artwork is in excellent condition. Certificate of Authenticity included. All reason...

Red abstract painting, love and passion :: Painting :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed...

Abstract blue, copper, navy, turquoise and white large painting :: Painting :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist :: Ready...

Abstract red painting, layered tinted resin :: Painting :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Sig...

Artist/Designer: Robert Lohman Additional Information: Watercolor by Robert Lohman, signed and dated. Fine abstract modernist form. Lohman studied under Carl Milles at Cranbrook Ac...

Baby blues and grays are the anchoring colors of the abstract painting by Michael Moon. This original abstract canvas pairs beautifully with other sophisticated blue and gray and re...

Deep See Water Abstract 2021. Malgosia Kiernozycka was born in Wroclaw, Poland. She graduated high school at the School of Fine Arts and received ...

Original painting on wood. Hand signed and dated on front by the artist. Artwork size 13.75 x 13.75 inches. Frame size 15 x 15 inches. Artwork is in excellent condition. Certifica...

This original abstract oil painting on paper can be hung both horizontally or vertically. It is beautifully framed in a black shadow box frame with a large white mat. The yellow an...

Original dimensional hand painted custom cut and mounted wood. Hand signed on front and verso. Artwork is in excellent condition. Certificate of Authenticity included. All reasona...

Original painting on custom cut wood. Hand signed on verso by the artist. Artwork is in excellent condition. Certificate of Authenticity included. All reasonable offers will be co...

Love on fire #1 Nitro-acrylic on canvas gallery wrap. Keith Carrington’s experiences have led him to express his talents through the fluid & exacting mediums of watercolor and ink. ...

Wiled Flowers In Sedona Pink Abstract Composition. Enameled on Lexan​ board, antique white painted frame. Randi Grantham was born and raised in Las Vegas, Nevada. From this city eme...

Sleeping Arlekin diptych each canvas 47"x31"5, total width 63" figurative abstract gallery wrap. Malgosia Kiernozycka was born in Wroclaw, Poland. She graduated high school at the School of Fine Arts and received a scholarship from the Minister of Culture and Art for the University of Fine Arts in Wroclaw. She studied glass design under Prof Witkowski and painting under Prof Wanda Golkowska. She received her master’s degree along with an award. In 1986 she moved to Germany and studied screen design at the Multimedia Academy in Mainz, and worked as a guest speaker at the Academy of Fine Arts in Wiesbaden. In 1989 she participated in an art exhibition for the best Diploma works in Munich, Germany, and was invited to present her pieces at an exhibition in Osaka, Japan, due to her outstanding work. In 1990 she was a laureate at OB ART...

Original painting on canvas. Hand signed on front; signed and titled on verso by the artist. Custom framed as pictured in a hexagon shape. Artwork is in excellent condition. Certi...

Mixed media on panel Materials include: Acrylic pigments, wood, plastic, aluminum, circuitry boards, electronic wire, print effects, brass, copper. Edge finished with 3/16” aluminum....

Arigato diptych, acrylic on canvas. Malgosia Kiernozycka was born in Wroclaw, Poland. She graduated high school at the School of Fine Arts and received a scholarship from the Min...

Bicycle Trip, acrylic on canvas. Malgosia Kiernozycka was born in Wroclaw, Poland. She graduated high school at the School of Fine Arts and received a scholarship from the Minist...

Ocean inspired painting, painted in several layers with tinted resin, tridimensional effects, absolutely unique and impossible to recreate. Painting Details Mixed Media on wood pan...

Ocean inspired painting, painted in several layers with tinted resin, tridimensional effects, absolutely unique and impossible to recreate. Painting Details Mixed Media on wood panel...

I Keep Coming Back To The Same Places VI Abstract 2017 Layers of soft multi-colors line abstract composition. Agata Koczan graduated from the University of Fine Arts Nicolaus Coperni...

In Byron Browne's "The Night Journey", 1947, Picasso meets Jackson Pollock. Brown strikes a balance between fanciful representation and gestural abstrac...

Abstract Expressionist painting in shades of navy, black, turquoise with touches of red. :: Painting :: Abstract :: This piece comes with an official certificate of authenticity sign...

Abstract landscape of a home and the road leading to it. Shades of turquoise, blue, purple/blue and orange/red. :: Painting :: Abstract :: This piece comes with an official certifica...

A colorful composition of mysterious signs and symbols. An interesting juxtaposition of bold brushwork and lively textures. :: Painting :: Abstract :: This piece comes with an offici...

This is an original, one-of-a-kind painting on 0.9 (2.4 cm) thick wood panel done in oil. My greatest struggle is understanding the lion symbolism in ancient, and modern times. In...

The Mid-Century mindset As expected, 65 years ago.. people looked at art/painting a little differently. Back then, many artists were concerned with depicting simple and beautiful t...

A beautiful Monotype one-of-a-kind minimalist image on paper in black,dark grey, and white with a striking brushstroke of red. On 30x22" archival arches paper with image measuring ...

Like most of my work , this piece was inspired by music and in this case the Rolling Stones, and thinking about painting the red door black.Textured and d...

Exhibited at SUPERFINE! A Hyper-Curated, Contemporary Art Fair Frieze Week, NYC, May 2-6, 2018 Se├▒ales Numero Quatro (Signals Number Four) 2018 is the fourth painting in the Signals Series. These acrylic paint on canvas works investigate signals, signage, traffic, movement, tracks, flags, color juxtaposition, rhythm, patterns and the grid. It is painted in the hard edge, geometric, minimalist tradition. Influences include Elllsworth Kelly, Donald Judd, John McLaughlin, Karl Benjamin, Ad Reinhardt and Carmen Herrera to name a few. This painting measures 24" Height x 30" Width x 1.5" Depth and was painted on archival gallery wrapped canvas. The paint wraps around the edges, so there is no need for framing. Ready to hang with just a couple of nails. Titled, signed and dated on the reverse. Signals Number One and Signals Number Two were completed in August, 2015. Signals Number One was purchased by a collector from Englewood, Colorado in November, 2016 after being exhibited in a group exhibition called Inspire/Chapter Two...

This painting is part of the series "Seeking the Light". This work is evoking two individuals looking for the light, searching a way out, with a great opportunity to make it. This ab...

Memories of models and muses lost in the middle of time, colors, textures and lines, but still inspiring and making you paint. Depth of canvas is 1.5 inches, painted on gray, read...

Colorful spontaneous winter scene. Acrylic with several layers of varnish to protect the painting, edges of canvas 1.5 depth, painted in black, ready to hang. :: Painting :: Abstra...

With this new series of painting “Oceans’ ice melting” I am calling the attention to the climate change and the global warming effects that are happening. We need to do somethi...

Much of her inspiration stems from the sights, sounds and colors around her; from the quiet moments reflecting at the beach, the endless walks and time spent in nature, to the crowds...

Much of her inspiration stems from the sights, sounds and colors around her; from the quiet moments reflecting at the beach, the endless walks and time spent in nature, to the crowds...

Much of her inspiration stems from the sights, sounds and colors around her; from the quiet moments reflecting at the beach, the endless walks and time spent in nature, to the crowds...

Much of her inspiration stems from the sights, sounds and colors around her; from the quiet moments reflecting at the beach, the endless walks and time spent in nature, to the crowds...

A very sophisticated contemporary abstract work by this well known California artist is a good example of emotive abstract painting. Divided by white and black, this painting swirls...

This work done from reference of an actual mackerel fish during an intuitive painting session. Textured paint applied with a palette knife and including metallic gold touches, this p...

Pattern and color, inspired by natures pattern, with bright red, black and metallic gold. The painting wraps around the sides and it is ready to hang. :: Painting :: Abstract :: This...

Very tropical and colorful this abstract floral can be hung vertically or horizontally. It is finished on the sides and ready to hang. :: Painting :: Abstract :: This piece comes wit...

Within the abstract genre Plesh uses media and surface literally to explore, creating visuals which captivate the viewer with intrigue, drawing them in. . His works permit, in fact e...

This is a beautiful one-of-a-kind original contemporary painting. This work consists of color blocks in many a variation of grays in a geometric composition. The piece ships ready ...

This meticulously planned, designed, and executed work depicts an ultra-wide angle view of a rock quarry/mine. The viewer looks down at close-up-stylized rock formations and then out at a horizon line with rust-colored mine trestles. Atherton hints at perspective with a broken white line that is wider in the foreground and tapers to a hairline as it recedes to the background. The work was done in 1951 at the height of America's most important art movement: Abstract Expressionism. John Atherton absorbs its influences but retains elements of representation. Atherton was an in-demand commercial artist who worked for most blue-chip clients. It is possible that this was an editorial assignment for Fortune Magazine. At the same time, Atherton was also a fine artist and the work could be an expression of pure creative pursuits. The work looks better in person and one can look at it for hours and not get bored. Look carefully and you may discover a deeper meaning in this painting of precisely arranged rocks. Signed lower right. Brooklyn Museum of Art, New York, sold to benefit the acquisitions program ____________________ From Wikipedia, the free encyclopedia John Carlton Atherton (January 7, 1900 - September 16, 1952) was an American painter and magazine illustrator, writer and designer. His works form part of numerous collections, including the Museum of Modern Art,[1] Whitney Museum of American Art and the Smithsonian American Art Museum.[2][3][4] Early Years He was the son of James Chester Atherton (1868-1928) and Carrie B. Martin (1871-1909). He was born in Brainerd, Minnesota.[5] His father was Canadian born. His parents relocated from Minnesota to Washington State, with his maternal grandparents whilst he was still an infant. He attended high school in Spokane, Washington. Career During his early years he never displayed an aptitude for art; rather, his first love being nature and the activities he relished there, mainly fishing and hunting. He enlisted in 1917, serving briefly in the U.S. Navy for a year during World War I. At the end of the war, determined to get an education he worked various part-time jobs, as a sign painter and playing a banjo in a dance band to pay his enrolment fee at the College of the Pacific and The California School of Fine Arts (now the San Francisco Art Institute). Once there, he also worked in the surrounding studios developing his oil painting techniques. A first prize award of $500 at the annual exhibition of the Bohemian Club in 1929, financed his one way trip to New York City, which helped to launch his career as an artist.[6] Atherton had aspired to be a fine artist, however his first paid jobs were for commercial art firms designing advertisements for corporations such as General Motors, Shell Oil, Container Corporation of America, and Dole. However, by 1936, encouraged primarily by friends, such as Alexander Brook, an acclaimed New York realist painter, he returned to the fine arts. Atherton continued to accept numerous commissions for magazine illustrations; such as Fortune magazine, and over the years he would paint more than forty covers for The Saturday Evening Post starting with his December 1942 design, “Patient Dog.” This picture is reminiscent of his friend Norman Rockwell ‘Americana style’ and captures a poignant moment of nostalgia, where a loyal dog looks toward a wall of hunting equipment and a framed picture of his owner in military uniform. Selected One person Exhibitions Atherton accomplished his first one-man show in Manhattan in 1936. His Painting, “The Black Horse” won the $3000 fourth prize from among a pool of 14,000 entries. This painting forms part of the Metropolitan Museum of Art collection in New York.[7] Atherton achieved recognition in New York City and elsewhere during the 1930s. Having exhibited at the Julien Levy Gallery in New York,[8] his paintings began to be collected by museums; including the Museum of Modern Art[9] and the Metropolitan Museum of Art. His reputation increased with his art deco stone lithograph poster for the 1939 New York World's Fair. In 1941, his design won first place in the Museum of Modern Arts “National Defense Poster Competition”. Selected Public Collections Fleming Museum of Art, Burlington, Vermont Albright-Knox Art Gallery,[10] Buffalo, NY Art Institute of Chicago,[11] Chicago Wadsworth Atheneum,[12] Hartford, CT Brooklyn Museum of Art, New York Metropolitan Museum of Art, New York The Museum of Modern Art,[13] New York Whitney Museum of American Art,[14] New York Pennsylvania Academy of the Fine Arts,[15] Philadelphia De Young Museum,[16] San Francisco Smithsonian American Art Museum,[17] Washington DC Butler Institute of American Art[18] Youngstown, OH The Famous Artists School Founded in 1948 in Westport, Connecticut, U.S.A. The idea was conceived by members of the New York Society of Illustrators (SOI), but due to the Society's legal status, could not be operated by it. SOI member Albert Dorne led the initiative to set up a separate entity, and recruited the support of Norman Rockwell, who was also an SOI member. For the founding faculty, Dorne recruited Atherton, as well as accomplished artists such as Austin Briggs, Stevan Dohanos, Robert Fawcett, Peter Helck, Fred Ludekens, Al Parker, Norman Rockwell, Ben Stahl, Harold von Schmidt and Jon Whitcomb.[19] He collaborated with Jon Whitcomb with the book “How I Make a Picture: Lesson 1-9, Parts 1”.[20][21] Society of Illustrators Atherton as an active member from his arrival in New York. The society have owned many of his works. Ex-collection includes: Rocking Horse (ca. 1949) [22] Atherton, as his peers had many of his works framed by Henry Heydenryk Jr.[23] Personal On November 2, 1926, he married Polly “Maxine” Breese (1903-1997).[24][25] They had one daughter, Mary Atherton, born in 1932. Atherton's often chose industrial landscapes, however found himself spending considerable time in Westport, Connecticut, with an active artistic community, and it became home for him, and his family. He then moved to Arlington, Vermont.[26] Norman Rockwell enlisted Atherton in what was to be the only collaborative painting in his career.[27] He was part of a group of artists including a Norman Rockwell, Mead Schaeffer and George Hughes who established residences in Arlington.[28] Atherton and Mead Schaeffer were avid fly fishermen and they carefully chose the location for the group,[29] conveniently located near the legendary Battenkill River. In his free time, Atherton continued to enjoy fly-fishing.[30] He brought his artistic talent into the field of fishing,[31] when he wrote and illustrated the fishing classic, “The Fly and The Fish”.[32] He died in New Brunswick, Canada in 1952,[33] at the age of 52 in a drowning accident while fly-fishing.[34] Legacy The Western Connecticut State University holds an extensive archive on this artist.[35] His wife, Maxine also published a memoir “The Fly Fisher and the River” [36] She married Watson Wyckoff in 1960. Ancestry He is a direct descendant of James Atherton,[37][38] one of the First Settlers of New England; who arrived in Dorchester, Massachusetts in the 1630s. His direct ancestor, Benjamin Atherton was from Colonial Massachusetts...

Eugene Camille Fitsch Am./Fr., 1892-1972 - Signed lower right. Framed dimensions 20 3/4" x 34 7/8" framed Provenance: Studio of the Artist to Private Collection Boston, Massachuse...

50th Anniversary Serie Artwork is currently in exhibit at the Museo de Arte Querétaro and is available after January 2025, requires a 50% deposit.

Red Moon Collection

Red Moon Collection

Red Moon Collection

50th Anniversary Serie Artwork is currently in exhibit at the Museo de Arte Querétaro and is available after January 2025, requires a 50% deposit.

50th Anniversary Serie Artwork is currently in exhibit at the Museo de Arte Querétaro and is available after January 2025, requires a 50% deposit.

An early example of Abstract Expressionism executed in 1955 during the movement's heyday and it's period of peak inventiveness. However, this work is still rooted in representation. The dark area the runs along the base of the picture is the ground and to the left, right and center there are black structures that represent trees. The work is very tactile and is composed of globs of paint that grow out from the surface and form a thick impasto. Rich vibrant saturated blues, reds and oranges create optical drama. The work look better in person. frame: 29 x 39 1/2 inches , Provenance: Kennedy Galleries The Currier Gallery of Art...

Out of many come one. A huge back mountain is formed out of scores of gas spewing smokestacks. The foreboding back mass fills most of the pictorial area. As one gets closer to the canvas, the complexity of the mass if revealed in low on contrast as we see the diverse variety of the stacks with accompanying petrochemical architecture. Above the stacks, plums of air pollutants like sulfur dioxide and nitrogen oxides rise gracefully into the atmosphere. The artist focuses less on the by-product of the stacks and more on his giant pollution machine that he has so astutely rendered. The work is mostly monochromatic but the artist has indicted a red tonality of a sunset/sunrise that offsets the charcoal blacks and grays. ______________________________________________ Submitted by Tamarind Institute Ian Davis...

Football players cloaked in oversized Browns jackets are seen from behind running off the field. Always the graphic innovator, legendary illustrator Bob Peak creates a radical composition by leaving the bottom two-thirds of the picture plane empty of detail. To convey a sense of motion, Peak uses broad strokes of paint similar to the action painters Franz Kline and Willem de Kooning, who were the dominant force in the fine art world in the 1960s. Clearly, one can see a cross-over influence from Fine Art to commercial illustration as Peak strikes a balance between abstract versus figurative art. This work was done on an assignment for Sports Illustrated...

Four smooth wood panels painted off white with four different cut outs, come together to form a unique and sophisticated ensemble. The works can be mounted either in a square or in ...

It's 1964, and the brilliantly inventive artist/illustrator Bob Peak is turning the world of commercial art upside down. In "Pregame Football Players" for Sports Illustrated, Peak pu...

With a taupe beige background, this abstract painting shows blues and red accent elements moving rhythmically around the canvas. A sophisticated and emotive work, this work is the a...