Florida - Landscape Paintings

Genre: Post Impressionist Subject: Landscape Medium: Oil Surface: Canvas Country: France Dimensions: 20" x 24" Jacques Zucker was born in 1900 in Radom, Poland. He was a notably famous Jewish American artist mostly known for his expressionist figure paintings. In his young years he traveled to Palestine to study fine arts at the Bezalel Art...

Bold eye-catching Haitian acrylic painting on canvas executed in a distinctive playful naive technique depicting boats and palm trees against a flaming sunset. Signed M. Mar in the l...

Abella. Original landscape cubist acrylic painting Juan Jose Abella Rubio was born in Estercuel, a hamlet anchored in the Teruel mining basin in March 1944. In his painting the oc...

Beach. Mallorca- original expressionist watercolor painting. virtual framed Work of the Spanish artist BENAVENTE SOLIS. Watercolor on paper. Perfect state During its first exhib...

original neo-expressionist acrylic contemporary work by the mallorquin artist Toni CALDENTEY Painting on paper Perfect state

Saul Schary was born in 1904 in Newark, New Jersey. Painter, Printmaker, Illustrator. He lived and worked in New York City and New Milford, Connecticut. Schary studied at the Art St...

Suong Yangchareon (Thai American, 1952-) Acrylic on Canvas Los Angeles Street Scene with yellow taxi cab and cars. Hand signed with Initials. Dimensions: Overall Size: 25 1/4 x 49 1/4 in. Sight Size: 23 5/8 x 47 5/8 in. Yangchareon came to Los Angeles, California from Lampang, Thailand, Southeast Asia where he studied Fine Arts at the Arts & Crafts College (Poh Chang), Bangkok, Thailand and Sculpture and Graphic Arts, Silpakorn University, Bangkok, Thailand. In California he continued his studies at Woodbury University, receiving a degree in Advertising Design. He is a contemporary figurative realist artist. He painted the urban landscape of California, which have been exhibited in solo and group shows. His work is represented by prominent galleries nationally. Yangchareon spent much of his childhood at his father’s movie theater where he became fascinated with the world of American Westerns. The nostalgia for this idyllic film Americana can be garnered through his subject matter. Abandoned theaters, factories and businesses of an almost extinct era of architecture are carefully rendered in the soft morning light. Working from his own photography, shot during the early hours of the day, Yangchareon’s acrylic and oil paintings are largely devoid of human figures, but deeply imbued with their past presence. Recently, the artist has broadened his focus to include imagery of the city at night––rendering glistening rain-soaked sidewalks bathed in the artificial light of street lamps and movie marquees against an inky black sky. Yet, Yangchareon’s motivation remains the same; to find the hidden beauty in varying industrial landscapes and seeing splendor where most would argue it does not exist. Reminiscent of Edward Hopper, a sense of melancholy pervades his compositions in a quiet, detached manner. The influence of Richard Diebenkorn and Wayne Thiebaud can also be detected in the artist’s sense of color and in his interpretation of light. Moody LA auto culture artwork dealing with themes of isolation and alienation. Select Exhibitions 2017 Golden Dreams, The Hilbert Museum of California Art at Chapman University, Orange, CA 2016 In the Land of Sunshine: Imaging the California Coast Culture, Pasadena Museum of California Art 2016 Recent Paintings & Works on Paper, Paul Thiebaud Gallery, San Francisco, CA 2013–2014 Suong Yangchareon: Places Out of Time, St. Supéry Estate, Vineyards & Winery, Rutherford, CA 2012 Palm Springs Fine Art Fair, Palm Springs Convention Center LA Art Show, Los Angeles Convention Center Paintings, Paul Thiebaud Gallery, San Francisco, CA (solo) Texas Contemporary Art Fair, George R. Brown Convention Center, artMRKT San Francisco, Concourse Exhibition Center Art Chicago 2011, Merchandise Mart, Chicago, IL 2010 San Francisco Fall Antiques Show, Fort Mason, San Francisco, CA San Francisco Fine Art Fair, Fort Mason, San Francisco, CA Art Chicago 2010, Merchandise Mart, Chicago IL 2009 Recent Paintings, Paul Thiebaud Gallery, San Francisco, CA (solo) 2008 Twenty-Five Treasures, Paul Thiebaud Gallery, San Francisco, CA Robert Arneson, Joan Brown, Fred Dalkey, Eileen David, Roy De Forest, Richard Diebenkorn, David Fertig, John Graham, Robert Hudson, Ed Musante, Manuel Neri, Arthur Okamura, John Santoro, Richard Shaw, Pam Sheehan...

original acrylic painting Born in Badalona (Barcelona). Photographer and advertising film director. Founding partner of the advertising production company La Cosa de las Peliculas:...

Arboles. original oil canvas painting Josep María Vilá Cañellas (Vic, Osona, 1914 - Barcelona, 2001). Painter and draftsman. He was a disciple of Juan Colom, Ivo Pascual and Emilio B...

Yuri Larin (1936-2014). Landscape, 1983. Watercolor on paper, 16.25 x 17.25 inches. Mounted on cardboard sheet measuring 24 x 28 inches. Signed and dated lower left. Excellent condition. Image is painted on verso side of block print wallpaper sheet of Russian manufacture. Sheet is carefully hinged at corners and can be removed from cardboard backing with relative ease. Estate of Giovanni and Dagmar Migliuolo, NYC. Giovanni Migliuolo is the former Italian Ambassador to the United Nations, USSR and Egypt. Yuri Larin, also Yuriy Larin (1936–2014) is a Russian painter and graphic artist, a member of the Union of Artists of the USSR since 1977. Larin was born in Moscow to the family of a key Soviet political leader, Nikolay Bukharin, and Anna Larina. Following the arrests of his parents in 1938 and until 1946, he lived with his relatives, and following the arrest of his step-father, he was taken to an orphanage near Stalingrad. A hydraulic engineer by training, he worked at the construction of the Saratov Hydro-Electric Plant and at design institutions. In 1960, he began his studies at the department of drawing and painting of the Krupskaya People’s University of Arts, and then, from 1965 until 1970, he studied at the department of art design at the Moscow State Higher School of Arts and Industry (the former Stroganov Institution). His career as a professional artist began in the early 1970s. From 1970 until 1986, he taught at the Moscow 1905 Memorial Arts School. His letter to prof. Vittorio Strada sent in 1980 contained the first statement of his artistic method he would later dub the “concept of the limit state”. He quit teaching after a serious illness, when he lost the ability to use his right hand. He only worked with his left hand since 1986. He died and was buried in Moscow. Exhibitions: 1981 The sixth All-Union watercolor exhibition. Moscow 1982 Personal exhibition in Moscow Drama Theater after M.N.Ermolova (together with Ye.Kravchenko). Moscow. 1985 The eighth All-Union watercolor exhibition. Moscow 1987 The ninth All-Union watercolor exhibition. Moscow. 1989 Personal watercolor exhibition. Gallery “Books&Company Art”, NY, USA Personal exhibition. The Central House of the Artist on Krymskiy Val, Moscow. 13 Biennale of the countries of the Baltic Region in Rostock, Germany. 1992 Personal exhibition of Russian and German landscapes. Duren, Germany. The exhibition of the Russian graphics. Gallery «Raissa». Erfurt, Germany. 1993 Personal exhibition in exhibition hall of magazine “Nashe Nasledie” (Russian Cultural Foundation), Moscow 1994 Personal watercolor exhibition. Gallery “The Art of the XX century”. Bonn, Germany 1996 Personal exhibition of portraits and landscapes. World Bank Moscow Office 1997 Personal exhibition “From Italian cycle”. The State Institute of Art Studies. Moscow Exhibition “THe Russian Art of the second half of the XX century. Harmony of Contrasts”. The Academy of Arts of the Russian Federation. Moscow. 1998 Personal exhibition “The seasons of Yuriy Larin. From the Russian cycle”. Moscow State Museum of Vadim Sidur. Exhibition of new collections and gifts. Historical-Architectural and Art Museum “New Jerusalem”. Istra. Moscow region. 2000 Exhibition “Image and transformation in art”. The Ministry of Cultural Affairs of the Russian Federation, Russian Cultural Foundation. Moscow Personal exhibition “German landscapes in the eyes of the Russian artist”. Gallery “Yunge”, Dortmund, Germany. 2001 Exhibition “East and West”. Historical-Architectural and Art Museum “New Jerusalem”. Istra. Moscow region. Exhibition devoted to nudes. Gallery on Peschanaya. Moscow. 2002 Personal exhibition “Yuriy Larin. The works of different years”. Bulgarian Cultural Center, Art-studio “TAGRY”. Moscow. 2004 Personal exhibition “YURIY LARIN. Harmony and plasticity”. Radischev Saratov State Art Museum. 2006 Personal exhibition “Saint-Pol-de-Mar”. Exhibition hall of Magazine “Nashe Nasledie”. Moscow. 2011 Personal exhibition “Harmony and plasticity. The artist Yuriy Larin’s works”. Museum-reserve Tsaritsyno. Moscow. 2013 Personal exhibition and album presentation. Yuriy Larin “Selected”. Gallery “Kino”. 9-18 October, 2013 Personal exhibition “Yuriy Larin’s space”. State Literature Museum. January, 29 - February, 23 2015 Personal exhibition “The reality of the space lighting” The gallery of Nazarov. Lipetsk. March, 14- April, 11. Personal exhibition “Yuriy Larin. Monolog of a happy person” State Museum of St.Petersburg’s History. Petropavlovskaya fortress, Nevskaya courtina.July, 30 - September, 13 2016 Personal exhibition “Yuriy Larin. Art- timeless plot. Yaroslavl Art Museum. December, 12, 2015 - February, 18, 2016 2016 Personal exhibition “The geography of light. Art and graphic of Yuriy Larin”. Moscow. Noviy Manej. April. 1 - April, 24, 2016 Museum Collections: The State Russian Museum Saint Petersburg The State Tretyakov Gallery Moscow The State Museum of Oriental Art Moscow Radischev Art Museum in Saratov Saratov Historical-Architectural and Art Museum “New Jerusalem” Istra (Moscow Region) Branch of the State Museum of People’s Art in Armenia Dilijan The Union of Art Museums and the centers of aesthetic education of the republic Udmurtiya Ijevsk Volgograd Museum of Fine Arts Volgograd Tomsk Regional Art Museum Tomsk Eastern-Kazakhstan Art Museum Semey Moscow State Museum of Vadim Sidur Moscow Andrey Sakharov Museum Moscow State Literature Museum Moscow The collection of the magazine “Nashe Nasledie” Moscow The collection of the Heinrich Boell Foundation Berlin Chronology: May, 8, 1936 Yuriy Larin was born in Moscow in a family of a prominent statesman Nikolay Ivanovich Bukharin and Anna Mikhaylovna Larina; 1938–1946 years After his parents’ arrest the artist was brought up by his relatives- Boris Izrailevich and Ida Grigorievna Gusman 1946 After B.I.Gusman’s arrest was raised in an orphanage from the age of 10 near Stalingrad (Volgograd); Since the childhood the artist demonstrated his turn for arts that he inherited from his father (it’s known that N.I.Bukharin was a gifted artist-amateur). 1949 Sent to the camp. 1956 At the age of twenty when A.M.Larina returned from the Stalinist camp, learned for the first time his father’s name which was N.I.Bukharin; 1958 Graduated Novocherkassk Engineering-Melioration Institute, which he was enrolled into under the influence of his farther B.I.Gusman. 1958-60 Work as hydraulics civil engineer on the construction of Hydroelectric Power Station in Saratov and in project organizations; Underwent tuberculosis 1960 With his mother A.M.Larina got permission to come back to Moscow; Started distance education at People’s University of Arts after N.K.Krupskaya at the department of drawing and painting (professor A.S. Trofimov) 1970 Yuriy Larin graduated from Moscow State Higher Art-Industry School ( Stragonovka), faculty of artwork development (industrial design), enrolled in 1965; Starts his career of a professional artist; from 1970 to 1986 teaches at Moscow Academy of Art in remembrance of 1905; here starts long creative cooperation with V.A.Volkov, the son of the prominent Soviet artist A.N.Volkov. Gets married. The wife - Inga Yakovlevna Ballod, an architect by training, writer and journalist. 1970-1974 Worked from life on landscapes (watercolor and oil). Works in traditional realistic direction, the main aim is to deliver different conditions of the nature (landscape conditions) 1972 Welcomes his son Nikolay from 1972 Takes part in Moscow, Russian and All-Union exhibitions; the second half of the 1970s Works on portraits, still-lifes, nude, continuing working on landscapes 1974 Trip to Kuban as a part of the group of the Union of Artist of RSFSR, the creation of watercolor landscapes of local nature, which set the beginning of the cycle “Caucasus”; Yuriy Larin works harder on the creation of his own formal signature, and on his own theory of art (for details see the letter of Y.Larin to V.Strada) 1975 First trip to the House of Creativity of the Union of Artists “Goryachiy Klyuch”, creation of new watercolors of Caucasus cycle. 1976 The end of the nature period. As a turning point in the artist’s career was a period when he worked at the House of Creativity “Cheluskinskaya” near Moscow. Starting from this period landscapes, portraits and still-lifes are drawn from memory. Using only some pencil sketches that are done from real life. Long walks around the neighborhoods of Cheluskinskaya, trips to Abramtsevo, Klazma served as a strong impetus to the development of cycle of Moscow region landscapes. 1977 Became part of Moscow Union of Artists in USSR. “Watercolors of Y.B.Larin are the world of senciar relationships between the artist and nature. The plots of his works are extremely simple, unsophisticated, but behind all that there is a whole concept: the living nature is shaped by the eyes of the artist into one-piece space masses, human creations as ships, cranes, bridges get soft, kind forms; dissolved they become part of complete, modern and artistically convincing form” (V.A.Volkov. From the reference given to Y.Larin to become part of Moscow Union of Artists in 1975) “Yuriy Borisovich Larin appears to me as a serious and deep artist,... mature artist. His watercolors are of proof of having coloristic gift, high culture and material understanding” (M.P.Miturich. From the reference given to Y.Larin to become part of Moscow Union of Artists in 1975) 1977 Yuriy Larin directs a group of young Moscow artists in their trip to Olskiy area of Magadan region. Creates a series of landscapes of Magadan nature. 1980 In the letter to V.Strada finally justifies the theoretical part of his artistic method, later calls it the concept of limit state. The end of the 1970s - the beginning of the 1980s Devoted four years to the translation of the book of S.Cohen, professor of Princeton University, about N.I.Bukharin. Ye.A.Gnedin was helping him to translate the book, they were meeting every Thursday. Afterwards, while publishing the Russian version of the book in the USA the translators Y.LArin and Ye.Gnedin were credited under pseudonyms Ye. and Y. Chetvergovy. Yevgeniy Alexandrovich Gnedin is a prominent Soviet diplomat, staff member of M.M. Litvinov, died in 1983. Y.Larin considers him to be one of the most incredible people of the XX century. Meets famous collectionner from Moscow Ya.Ye. Rubinshtein, who buys six works of the artist (oil and watercolor); Fall, 1981–1982 Again works at the House of Creativity “Goryachiy Klyuch”. As a result the Caucasus series are enlarged with first oil works. The long contact with the nature of Caucasus influenced greatly the creative development of the artist. 1980 The artist creates the cycle of the watercolors of Moscow region in winter, the part of which will be purchased by Ya.Ye. Rubinstein and the Russian Museum; V.Volkov indicated in the works “a new approach to the light” Fall, 1981–1982 Again works at the House of Creativity “Goryachiy Klyuch”. As a result the Caucasus series are enlarged with first oil works. The long contact with the nature of Caucasus influenced greatly the creative development of the artist. 1982 First own exhibition in Moscow Drama Theatre after M.N.Yermolova (together with Ye.N.Kravchenko). Mostly presented the paintings of the last decade that were painted in the central Russia, Krasnodar and Magadan regions. The exhibition and the discussion that took place afterwards helped to open up Y.Larin. He met the ambassador of Italy to USSR Giovanni Migliuolo and became friends for a long period of time. 1979-1985 Within a few years during summer vacations Yuriy Larin works in Baltic. Creates a cycle of graphic watercolors on German paperboard. The landscapes on the constructive base greatly differ from Moscow and Caucasus cycles. Fall, 1983 Trip to Armenia with his close friend Yu.M. Garushyants, historian. The result of that trip were thirty watercolor papers that continued the Caucasus cycle. 1985 In the almanac “Soviet Graphic” there is a publication about the watercolors of the artist that was written by G. Yelshevskaya. December, 1985 Underwent the neurosurgery; as a consequence the loss of strength and skill in his right hand. 1987 Death of his wife Inga Ballod  First personal exhibition overseas: exhibition of watercolors in the gallery Books&Company Art, NY, USA. Since then takes part in different foreign exhibitions. 1988 N.I.Bukharin’s rehabilitation, after that Yuriy Larin was able to change his patronymic “Borisovich” to “Nikolayevich” 1989 Gets married. The wife - Olga Arsenyevna Maksakova, doctor, Lead researcher at the Institute of neurosurgery named after Burdenko. Personal exhibition in Central House of Artists in Krymskiy Val. Displayed over two hundred of watercolor and oil paintings...

Patio. Original oil canvas expressionist painting

Shimon Avni Shimon Avny, painter, born 1932, Paris Shimon Avny (Stein) was born in Paris, France. He grew up in the Belville neighborhood. In 1942, when the Nazis occupied France, he was separated from his family. His mother and brothers were killed in the Holocaust. After the war, he was transferred from his hiding place to the town of Andlis. He immigrated to Israel with Youth Aliyah in 1948. In 1956, he joined Kibbutz Ra'im. In 1957, he studied painting with Joseph Zaritsky, Avigdor Stematzky and Haim Kiewe. He also studied with Yehezekel Streichman at the Avni Institute. At the end of the 1950s, he went to Paris to continue his studies. In the 1980s, he joined the Radius artists cooperative. Avny's early work was influenced by the abstractionism of the New Horizons group. In 1963, he took part in the group's exhibition at Ein Harod. His work is characterized by bold colors, expressive brushstrokes and flat planes. He is a figurative painter, but some of his work incorporates symbolic imagery. Education 1957 Painting with Joseph Zaritsky, Avigdor Stematsky and Haim Kiewe Avni Institute, Tel Aviv, with Yehezkel Streichman Grande Chaumiere Academy, Paris, 1958 Ecole des Beaux Arts, Paris, 1961 Fine Arts Academy, Rome Photography and television, Paris, 1965-67 Teaching Lectured abroad for the Ministry of Education and Culture, 1969-71 Bezalel Academy, Jerusalem, painting, 1974-78 College of Visual Arts, Beersheba, 1975-81 Headmaster of the Art Institute, Rehovot, 1975-85 1981-85 and 1988-92 Art Teachers College, Ramat Hasharon Since1992 Avni Institute, Tel Aviv, Teacher and coordinator of the Arts Department Awards And Prizes 1975 The America-Israel Cultural Fund Scholarship 1985 Scholarship, The Cité Internationale des Arts, Paris, France 1993 The America-Israel Cultural Foundation, Sharett Fund Scholarship for a Young Artist. A member of the Aclim Group, which was organized in 1974. The group was established in the wake of the Yom Kippur War to point to the necessity of raising the public's consciousness of its Israeli identity in all cultural spheres. Participants in the group's exhibitions until 1983 were: Eliyahu Gat, Rahel Shavit, Ori Reisman, Avram Rafael, Michael Gross, Hannah Levy...

Genre: Post Impressionist Subject: Landscape Medium: Oil Surface: Canvas Country: France Dimensions: 13" x 16" Jacques Zucker was born in 1900 in Radom, Poland. He was a notably fa...

Swimmers and sun tanners at the local watering hole. Her birth name was Theresa Berney. At the time of her passing she was known as Theresa Loew. Birth place: Baltimore artist, blo...

Shirley Plaut Schaefer July 14, 1920 - October 6, 2017 Born and raised in Manhattan, she studied at the New York School of Fine and Applied Arts (Parsons) and the Art Students Leagu...

J. James Akston Surrealism, Village scene (Mexico) Acrylic on Board Frame: 15 X 18 Image: 9 X 12 Joseph James Akston was a Polish American sculptor, painter, known for surrealist abstract painting and Aubusson (for Les Ateliers Pinton Frères, tapisserie, Aubusson) tapestry artist. Born in Warsaw, Poland in 1898 he died in Palm Beach Florida in 1983. During the 1960s and '70s the entrepreneur-artist James Joseph Akston adopted a unique Surreal Expressionist style in order to present his private primordial universe and lampoon its denizens, a ribald cast of animal creatures with human foibles. A successful industrialist, he began his career with General Motors foreign operations and then started his own business. Intermittently he studied painting, first with Jerry Farnsworth in North Truro (Mass.) and then with Jose Clemente Orozco in Mexico. In the early 1960s Akston became publisher-editor of a group of art publications which included The Magazine Arts. Initially an abstract expressionist, Akston had one-man exhibitions at the New York Convention Center and the Corcoran Museum in Washington. Since 2015 the record price for this artist at auction is $12,575 USD for Spheres Aux Triangles Aubusson Tapestry, sold at Bonhams New York in 2019. He was a Graduate of Georgetown University. He sat on the board of the Norton Museum. Exhibitions 1976 Hokin Gallery 1966 Gallery 63 NYC 1960 Gallery 63 Rome , Italy Select Public Collections National Museum, Wshington DC Boca Museum of Art Whitney Museum of Art, NYC Museum of Modern Art, NYC Museum of African Art Washington DC (Now part of Smithsonian Museum) Bibliography: 1962 Art...

Morris Kantor, American, 1896-1974 Seaside View, 1930 Hand signed M. Kantor and dated 1930 lower right Oil on canvas 22 1/4 x 19 1/4 inches 24 1/2 x 21 (frame) Morris Kantor (Belarusian: Морыс Кантор) (1896-1974) was a Russian Empire-born American painter based in the New York City area. This is a beautiful boat scene with a river or lake probably on Long Island. Born in Minsk on April 15, 1896, Kantor was brought to the United States in 1906 at age 10, in order to join his father who had previously relocated to the states. He made his home in West Nyack, New York for much of his life, and died there in 1974. He produced a prolific and diverse body of work, much of it in the form of paintings, which is distinguished by its stylistic variety over his long career. Perhaps his most widely recognized work is the iconic painting "Baseball At Night", which depicts an early night baseball game played under artificial electric light. Although he is best known for his paintings executed in a realistic manner, over the course of his life he also spent time working in styles such as Cubism and Futurism, (influenced by the Art Deco movement) and produced a number of abstract or non-figural works. A famous cubist, Futurist, painting of his "Orchestra" brought over 500,000$ at Christie's auction house in 2018. Kantor found employment in the Garment District upon his arrival in New York City, and was not able to begin formal art studies until 1916, when he began courses at the now-defunct Independent School of Art. He studied landscape painting with Homer Boss (1882-1956). In 1928, after returning to New York City from a year in Paris, Kantor developed a style in which he combined Realism with Fantasy, often taking the streets of New York as his subject matter. He did some moody Surrealist Nude paintings and fantasy scenes. In the 1940's he turned towards figural studies. Later in his career, Kantor himself was an instructor at the Cooper Union and also at the Art Students League of New York in the 1940s, and taught many pupils who later became famous artists in their own right, such as Knox Martin, Robert Rauschenberg, Sigmund Abeles and Susan Weil...

Arboles. original oil canvas painting Josep María Vilá Cañellas (Vic, Osona, 1914 - Barcelona, 2001). Painter and draftsman. He was a disciple of Juan Colom, Ivo Pascual and Emilio B...

View Of The Hudson Valley Size 30x24 artist signed lower left. Jehudith Sobel The painting portrays a vibrant landscape view of the Catskill Mountains. In 1960s, Jehudith Sobel p...

Transporting oil painting on board of Duke Street Kingston Jamaica, executed in an impressionist style with houses and trees. Signed by noted American artist S. H. Geer and presented...

Joanne Seltzer was born in Philadelphia, Pennsylvania and raised in Charleston, West Virginia. After having majored in journalism at Northwestern University (she graduated in 1963), ...

size is with frame. Motke Blum was born in Racacun, Romania in 1925. Early in his childhood, the Blum family moved to Bukarest where they settled in a house situated near a circus. ...

Interesting Night Scene, signed and dated verso with various gallery exhibition labels. I have seen other of his works variously titled Gulag and Bastille not sure what the series refers to. John Bowman works in a variety of media including painting, drawing, and sculpture. The Winston Wachter Gallery, in New York City, represents him. Beginning in the 1980’s, he exhibited at various venues in New York City, including the Holly Solomon Gallery, the Lang...

Genre: Modern Subject: Jewish Elder , Judaic Prayer Surface: Board Country: United States signed lower left Donald Roy Purdy is an American painter whose work evolved through a rang...

Moshe Chauski (b. 1935) Born in Lithuania, Chauski studied at the Vilna Academy. He received the first prize for young artists in 1953. He immigrated to Israel in 1959 and taught...

Genre: Modern Subject: Landscape Medium: watercolor Surface: Paper Country: United States Dimensions w/Frame: 23.75" x 30.75" Maurice Freed (1911‑1981), a native of Pottsville, PA ...

Mixed media with acrylic painting and color lithography on paper. Hand-signed in acrylic paint on front by Peter Max. A unique variation. Artwork size: 16 x 12 inches. Frame size...

In this artwork the artist uses the medium spontaneously .The paint has been smeared onto the surface, rather than being carefully applied. The resulting work emphasizes the physical...

Bronisław Wojciech Linke, (born 23 April 1906 in Tartu, Estonia, died 6 October 1962 in Warsaw, Poland), was a painter and graphic artist noted for his metaphorical realism in his depiction of human destructiveness. He was born into the Polish community in Estonia, the son of a notary, Juliusz Ferdynand Linke and Maria, née Starorypińska. In 1919 the family were 'repatriated' to Poland and settled in Kalisz, a town destroyed in 1914. He began his art studies in the Bydgoszcz School of Industrial Art 1922–1923. He spent the next two years in the Kraków Art...

This stunning work features Mr. Dumond's trademark green. Trout Rock Signed lower left: F. V. Dumond Titled on stretcher with artist's estate stamp: Trout Rock From a Texas Estate. Frank Vincent Dumond was an artist, illustrator, and painter of the Tonalist school...

Edward Avedisian ( 1936-2007 ) 17.5 X 8.75 Oil paint on wood panel This is not signed on front. It bears his name verso. Provenance: Hudson, N.Y. estate of noted Art Collector Alber...

Fields of Gold II Matted acrylic painting on canvas Artwork size 10" x 10" Matted to fit in 16" x 20" frame This 10" x 10" acrylic painting on canvas is matted in an off-white ...

Genre: Other Subject: Landscape Medium: Other, Gouache Surface: Paper Dimensions w/Frame: 21" x 23" SELMA GUBIN Kiev, Ukraine - New York, USA, b. 1903, d. 1974 Selma Gubin was bor...

Genre: Realism Subject: Landscape Medium: Oil Surface: Canvas Country: Italy Dimensions: 47" x 31.5" Dimensions w/Frame: 48.25" x 32.5" As part of his St. Barth series, Aguzzi deliv...

Genre: Realism Subject: Landscape Medium: Oil Surface: Canvas Country: Italy Dimensions: 31 3/4" x 47 1/4" x 3/4" Dimensions w/Frame: 33" x 48 1/4" As part of his St. Barth series, Aguzzi delivers another retreat for the spectator. This window into island life seeks to extend the tranquil nature of the ocean to its audience. The artists realistic perspective is demonstrated through the paintings blue palette, smooth sand, and painterly rocks. Aguzzi creates a tropical harmony by combining the Caribbeans earthy elements. FABIO AGUZZI Lombardi, b. 1953 Born in Lombardy in 1953, Fabio Aguzzi is an accomplished painter whose mastery of light is apparent in his distinct still lifes, portraits, and landscapes. Aguzzi took an interest in art at an early age. After sketching an impressive reproduction of Raphael's "The Duke of Montefeltro" in the margins of his schoolwork notebook, his teacher took the drawing to Aguzzi's father, Lino, and insisted the boy pursue artistic studies at Brera. Lino, a hobbyist painter himself, recognized and supported his son's talent. Aguzzi left his home in Vidigulfo to study at Brera School in Milan. From there, he entered the Academy of Fine Arts (where he would later teach). Here, he studied sculpture under the tutelage of Alik Cavaliere and painting with Vincenzo Ferrari. He also worked as an assistant to Annibale Biglione in his studio. In the 1960s, Aguzzi began to teach while becoming a prolific painter. During this time, he opened his first exhibitions displaying...

RALPH DELLA-VOLPE (1923-2017) Fine Art Painter, American Contemporary Sunset Sail Oil on canvas Hand signed lower right and verso 22 x 20 inches Provenance: The Estate of the artist Ralph Della Volpe TRAINING: National Academy of Design The Art Students League, NYC Ralph Eugene Della-Volpe's semi-abstract paintings of often simplified, minimalist, beach scenes and anonymous portraits "convey profound awareness of mood and character", and his paintings are hardly as literal as they may first appear (Arts Magazine. "New York Exhibitions". 1965). His brightly-colored, light-infused, ornamental compositions bring together aspects of many modernist art movements including Fauvism, Impressionism, Symbolism, and abstraction. Della-Volpe first studied painting at the prestigious National Academy of Design before joining the Army during World War II. As a soldier, the artist saw action on Utah Beach, winning a Purple Heart, and his experiences undoubtedly affected his later artistic style. The Fauvist "coloristic exuberance" found in the works beginning in the mid 1960's, with their vibrant fuschias and yellows, seem to offset what could be an otherwise solemn tone to many of his works at the time. Upon his return from military service, Della-Volpe’s style evolved significantly. In the years following the second world war, his work was solemn, imbued with a quiet darkness. Over time, this darkness faded: by the 1950s, influenced by his time at the Art Students League, his oeuvre was overtaken by the tenants of Abstract Expressionism. Paintings from this period boast bold brushwork, energetic compositions, and strong color. Although the next decade saw Della-Volpe trade expressionist abstraction for figuration, his love of color continued to shine through his work.Della-Volpe took a teaching position as the first artist-in-residence at Bennett College in Millbrook, New York where he remained for 28 years, serving as chairman of the Art Department for most of that time. Obviously influenced by impressionism 's preoccupation with the treatment of light, Della-Volpe's own works have a "faultless tonal quality, with its sense of failing light—the areas of silvery gray deepening into rosy tans" (Arts Magazine. "In the Galleries". 1960). Della-Volpe has exhibited widely throughout his career and has lectured on art at colleges, universities, and galleries across the country. SOLO SHOWS: Hotchkiss Library, Sharon, Conn Millbrook Library, Millbrook,NY Gregory James Gallery...

A classic example of whimsical folk art done with raw and unbridled emotion for Israel and Judaism. Done in a Naive manner with beautiful Hebrew calligraphy drawing and vintage autom...

rocks in the sea original impressionist acrylic painting. SOLÁ paints in a natural way, which reflects the Old Masters, soaking up the colour, air, smell and the pure scent of his e...

Chicago original expressionist acrylic painting. RAVENTÓS Mª Assumpció – (San Sadurní d’Anoia, Barcelona 1930). Raventos trained at the elite Sant Jordi School of Fine Arts in Barce...

Original mixed media drawing with watercolor on paper. Hand signed by Peter Max. Frame size 18.25 x 22.25 inches. Artwork size 11 x 15 inches. Artwork is in excellent condition. ...

Perididas III- Water Reflections Turquoise and Gold Tones 70.5 X 51 ". Oil on Linen The reflection of water is inspired by the rivers in southern Chile. The detail shots show the lay...

In the present work, the artist arranges a series of rockets and support structures in a row to mimic the New York City skyline under hyper-dramatic lighting conditions. It embodies ...

Hugues Claude Pissarro is the grandson of the Impressionist painter Camille Pissarro and son of Paul Emile Pissarro. Born in Neuilly-sur-Seine and enveloped in an artistic environmen...

The painting "Pool Days" is a 39x39 acrylic painting on canvas by the artist Alejos Lorenzo. Walk into this bright and energetic resort pool surrounded by colorful palm trees. The de...

Midcentury acrylic painting on canvas that deconstructs a Western landscape and recomposes it with lines and color. Signed Yanosky 1974 in the lower right and titled on the back, Ear...

Stormy Bay in California Impressionist Oil Painting Artist signed lower left. Belinda Vidor Holliday (American, 1930-2023). An ...

"1959 Alfa Romeo Giulietta" 2024 Oil on panel 16 in x 20 in Framed in pine floater frame Experience the timeless beauty of the 1959 Alfa Romeo Giuliet...

Artist: PEZ (Pierre-Yves Riveau) Title: Confinement Size: 28 7/10 × 17 3/10 in 73 × 44 cm Medium: Multimedia Reclaimed Wood And Acrylic Edition: Original Year: 2020 Notes: Hand...

Living Tree is a colorful painting made by Evelyne Ballestra, a French contemporary artist. This red tons expressionist painting is inspired from an enchanted wood, showing the natur...

The painting "Paradise Garden" is a 39x39 acrylic painting on canvas by the artist Alejos Lorenzo. Walk across the path into a vibrant and bright green garden. Abstracted and colorfu...

What makes this work important? It's not that it's a commissioned artwork for a men's 60s pulp adventure magazine depicting the instant a soldier is shot. The big point of the painting is how brilliantly the formal elements are thought out, designed, and executed. John McDermott tells a story using a complex figural composition in an unexpected wide-angle vision. The work is as abstract as it is representation. His use of light is significant because it creates a high-contrast two-color style that bears the mark of its creator. This is a work done by a master artist/illustrator without peers compared to artists living today. If the contemporary art world gave awards for draftsmanship, painting technique, and graphic design .... John McDermott would win the highest accolades. Initialed lower left - unframed John McDermott (August 30, 1919 – April 20, 1977), also known under the pen names J.M. Ryan and Mariner, was an American illustrator and author noted for action and adventure illustrations.[1] McDermott worked as an in-between and effects animator for Walt Disney Studios and as a US Marine combat artist,before establishing himself as a cover illustrator for 1950s paperbacks and pulp magazines such as Argosy, American Weekly, and Outdoor Life. Under his J.M. Ryan pen name, he wrote the novels The Rat Factory (1971), a derogatory satire of Walt Disney and the Disney studio; Brooks Wilson Ltd (1967), on which the 1970 film Loving was based; and Mother's Day (1969) about Ma Barker. Under his own name, he novelized director-writer Bo Widerberg's screenplay for the 1971 film Joe Hill, which would be his final published book. Early life John Richard McDermott was born 30 August 1919 in Pueblo, Colorado, the younger of two sons of Henry McDermott, an oil broker. McDermott was a young child when his father committed suicide.[4] The family eventually moved to Los Angeles where McDermott's mother, Hazel, worked in a beauty parlor. He graduated from Hollywood High School in 1936. Although he had had no formal art education, he took a job as an artist at Walt Disney Animation Studios. Career Disney At Disney, McDermott worked as an in-betweener and effects animator on Brave Little Tailor, Pinocchio, The Reluctant Dragon and Fantasia. His experiences while working at Disney, particularly during the time of the 1941 Disney animators' strike, would later become the basis for his 1969 satirical novel The Rat Factory. McDermott left Disney to fight with US forces during World War II. US Marines McDermott World War II sketch titled "Buddy is Wounded" On September 29, 1942, McDermott enlisted with the US Marine Corps. He served as a "pistol and palette" combat artist assigned to the map-making section. As a sergeant with the III Amphibious Corps, McDermott was involved in battles in the South Pacific theater of war, documenting the Guam, Okinawa and the Guadalcanal Campaigns. McDermott considered his wartime years to be his art education. "In the Marines, as a combat artist, I traveled with the troops and for three years got all the drawing opportunity anyone could want. My work changed enormously during this time and I’m sure it was due to constant drawing, every single day, from life, just putting down what I saw around me. In a few instances it was a dangerous kind of scholarship." According to the Marine Corps history journal Fortitudine, McDermott was so prolific that his contemporary style pen-and-ink sketches became easily recognizable to both Marines, from published work in Leatherneck Magazine, and civilians, from glossy copies supplied by the Marine Corps to the nation's press.His wartime art appears in World War II history books and is displayed at the Pentagon and the National Museum of the Marine Corps. Illustration Following the end of World War II, McDermott moved from California to New York City to work as a freelance illustrator. McDermott made his reputation drawing modern action, war and adventure scenes. His work adorned the covers and inside story pages of popular pulp magazines of the 1950s such as Argosy, Adventure, Blue Book, Outdoor Life and American Weekly. McDermott's illustrations appeared on numerous covers of 1950s paperback novels published by Dell, Fawcett Gold Medal, Bantam Mystery and others. His action graphics were geared toward thriller and detective genres, such as Donald Hamilton's Matt Helm books Murderers' Row and The Betrayers. He also created covers for science fiction comic titles such as Voyage to the Deep[citation needed] and horror-themed paperbacks such as the classic 1955 science fiction novel The Body Snatchers...

This is a delightful, large oil painting of a coffee run to a quintessential diner. Zolton Sepeshy, who lived and painted in Michigan, captured the stillness of the late-night or ea...

Julius Lange (17 August 1817, Darmstadt – 25 June 1878, Munich) was a German landscape painter. In 1834, inspired by his older brother, the architect Ludw...

Harlem New York Street Corner Sceane Canvas size 30hx24w Jehudith Sobel was born in Lwow Poland in 1924. After World War II, she attended the Academy of Fine Arts in Lodz, Poland. There she studied with the famous abstract...

Observing and understanding the world around us are the foundations of her reflections. Her approach to the world of Art has been largely influenced by the diversity of media underwr...

A soulful young man is captured in a deep, contemplative state, detached from current external concerns, as he gazes beyond the picture plane. He is realistically rendered, but the s...

ROBERT KENNETH WHITE – "WHERE THE SHADOWS BLOOM" ⚜ Oil on canvas ⚜ Hand signed on verso ⚜ Frameless display MEDITERRANEAN COURTYARD IN VIBRANT LIGHT Suffused with radiant hues and d...

From the Glynn and Suzanne Crain Collection, unsigned

A nude white woman gazes out and over a Giorgio de Chirico like surrealist landscape to an overly dramatic sunset with stylized orange rays. In the center of the composition is a cut-out of a mountain with a moat. In the extreme foreground is a silhouetted orange plane with a spiral of leaves. Along with the empty landscapes of de Chirico, it's possible that Frederick Haucke was influenced by Salvador Dalí " The Persistence of Memory" in 1931, and Dali's painting was shown at the Museum of Modern Art in 1934. In that painting, Dali, paints a vacant landscape doted with symbols from the unconscious. This painting by Frederick Haucke owes a debt to giants of the Surrealist movement but still, Haucke carves out his style. The shape of the nude's hair echoes the shape of the sunset. What the symbolism to the mountain is and the flower in the foreground we will leave to the viewer to speculate. It was shown at the very prestigious Pearls Gallery in New York City. Artists in the famous Perls' stable included Derain, Dufy, Rouault, Matisse, Picasso, Modigliani, Pascin, Soutine, Chagall and Vlaminck. With a 1971 retrospective of Alexander Calder's work. This Haucke from the Perls Gallery...

At a time when Abstract Expressionism was raging, realist painterJohn Atherton nods his head to the movement with a semi-abstract work. Meticulously rendered and carefully thought o...