Florida - Black and White Photography

Potsdam conference meeting depicting Josef Stalin, Winston Churchill and Harry Truman (not visible) at the conference table, gelatin silver print, date of printing unknown, 16-1/2" x 22-3/4" sheet, date of printing unknown. Provenance: acquired from the estate of photographer Samariy Gurariy...

signed in ink and with photographer stamp verso and hand written title.. Jack Kerouac, He called himself Jean-Louis Lebris de Kérouac); 1922 – 1969 was an American novelist and poet ...

Wang Ningde (China, b. 1972) "Some days no. 23". Size: 48'' x 64.75'', 122 x 164 cm (image); 52'' x 69'', 132 x 175 cm (frame). Chromogenic print (c-print)...

Adolph Studly, Swiss born American photographer. His work is kept in the Photographic Archive at The Museum of Modern Art Archives, New York. He was known for his gallery photograp...

Gerard Joseph Malanga (born March 20, 1943) is an American poet, photographer, filmmaker, curator and archivist. Malanga was born in the Bronx in 1943, the only child of Italian immigrant parents. In 1959, at the beginning of his senior year at the School of Industrial Art in Manhattan, Malanga became a regular on Alan Freed's The Big Beat, televised on Channel 5 (WNEW) in New York City. He graduated from high school with a major in Advertising Design (1960). He was introduced to poetry by his senior class English teacher, poet Daisy Aldan, who had a profound influence on his life and work from then on. He enrolled at the University of Cincinnati's College of Art & Design (1960), and was mentored by the poet, Richard Eberhart who was the university's resident poet for 1961. He dropped out at the end of the Spring semester. In the fall of 1961, Malanga was admitted to Wagner College in Staten Island on a fellowship anonymously donated for the express purpose of advancing his creative abilities as a poet and artist. At Wagner he befriended one of his English professors, Willard Maas, and his wife Marie Menken...

Marc Chagall (born Moïche Zakharovitch Chagalov; 6 July [O.S. 24 June] 1887 – 28 March 1985) was a Russian-French artist of Belarusian Jewish origin. An early modernist, he was assoc...

Yuri Gagarin Meeting Workers at Foundry Stankolit, depicting the famous Russian cosmonaut (Moscow, 1961) Gelatin silver print, matte finish, date of printing unknown. Provenance: acquired from the estate of photographer Samariy Gurariy...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

Photos pictured of information cards after the images of the black and white photos are not included. La Chute D'Icare (The Fall of Icarus) is a original, black and white photograp...

Photos pictured of information cards after the images of the black and white photos are not included. La Chute D'Icare (The Fall of Icarus) is a original, black and white photograp...

This depicts a chair in the manner of Mexican surrealist modernist Pedro Friedeberg with a dried flowers. It is a hand signed, titled and dated vintage silver gelatin print photograph. and bears the artists studio stamp verso. Naomi Siegler Savage (1927 – 2005) was an American woman photographer. A native of Princeton, New Jersey, Naomi Savage was the niece of artist Man Ray. She first studied photography under Berenice Abbott at the New School for Social Research in 1943, following this with studies in art, photography, and music at Bennington College from 1944 until 1947. The next year she spent in California with her uncle, studying his techniques. When she returned to New York in 1948, she combined her love of music with her skill in photography by taking portraits of the best known composers of day: Aaron Copland, John Cage, Virgil Thomson, etc. (over 30 in all). In 1950 she married the architect and sculptor David Savage, with whom she moved to Paris, living there for some years. During her career Savage received an award from the Cassandra Foundation in 1970, and a photography fellowship from the National Endowment for the Arts in 1971. In 1976 she received the silver award from the Art Directors Club. Later in life, Savage returned to live in Princeton, where she died. Savage was heavily influenced by her uncle, the avant garde artist Man Ray, prompting her to experiment with the medium of photography, combining traditional techniques with more unusual processes, including some of her own design. She worked extensively with photogravure and photoengraving, transforming these mechanical printing techniques to be used for aesthetic effects rather than duplication. Unlike many photographers, Savage considered the metal plate that photographs are etched on to be a work of art in its own right. She pioneered the use of using the photographic metal plate to produce a three dimensional form with a metallic surface. Savage explored variations in color and texture in her work often by using inked and intaglio relief prints. Many of her works were created by combining media such as collage, negative images, texture screening, multiple exposure, photograms, solarization, toning, laser printing on metallic foils. Her works focus on a variety of subject matter and imagery, which has included portraits, landscapes, human figures, mannequins, masks, toys, kitchen utensils, dental and ophthalmological equipment. Her approach represents an involvement with "process as medium," and an interest in art as image manipulation, a pursuit shared by contemporaries like Robert Heinecken, Betty Hahn, and Bea Nettles. She has experimented extensively with photogravure and photoengraving, employing these mechanical printing techniques for aesthetic effects rather than duplication. Savage uses inked and intaglio relief prints to explore variations in color and texture, and considers the metal plate on which the photograph has been etched to be a work of art in its own right. She has also combined media--collage, negative images, texture screening, multiple exposure, photograms, solarization, toning, printing on metallic foils--and made laser color prints. Several of her pieces are owned by the Museum of Modern Art, and she is represented as well in the collections of the Art Institute of Chicago, the International Center for Photography, the Fogg Art Museum, the Museum of Fine Arts, Houston, and the Madison Art Center. A photo engraved mural depicting the life of Lyndon Baines Johnson is a centerpiece of the Lyndon Baines Johnson Library and Museum. A collection of her papers relating to the life of Man Ray is held by the Archives of American Art at the Smithsonian Institution. She was included in the show Making Space at MoMA in 2017. It shone a spotlight on the stunning achievements of women artists between the end of World War II (1945) and by Lee Krasner, Helen Frankenthaler, and Joan Mitchell; the radical geometries by Lygia Clark, Lygia Pape, and Gego; and the reductive abstractions of Agnes Martin, Anne Truitt, and Jo Baer; the fiber weavings of Magdalena Abakanowicz, Sheila Hicks, and Lenore Tawney; and the process-oriented sculptures of Lee Bontecou, Louise Bourgeois, and Eva Hesse. The exhibition also featured treasures such as collages by Anne Ryan, photographs by Gertrudes Altschul, Naomi Savage, Ruth Asawa, Carol Rama, and Alma Woodsey Thomas...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

Léa Bon work is a profound exploration of dreams and fantasies, transcending traditional photography to fuse art, fashion, and humanity. Inspired by her personal journey, her androgy...

Léa Bon work is a profound exploration of dreams and fantasies, transcending traditional photography to fuse art, fashion, and humanity. Inspired by her personal journey, her androgy...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

Julio Mitchell (Cuban, b. 1942) 'Statue of Liberty' 'Statue of Liberty from Brooklyn Dated 1998 Dedicated to Chara Schreyer and Natalie for her Bat Mitzvah Fine Print 16in. x 10 1/2i...

Printed by Muse X in Los Angeles. These are unsigned from a small edition. sepia-toned platinum palladium photographs on paper by Skip Arnold, show the always attractive artist, nude...

Why do we dream of a simple and unique image of Eden; What happens when pain represents our sanctuary... Léa Bon work is a profound exploration of dreams and fantasies, transcending...

Photos pictured of information cards after the images of the black and white photos are not included. La Chute D'Icare (The Fall of Icarus) is a original, black and white photograp...

Why do we dream of a simple and unique image of Eden; What happens when pain represents our sanctuary... Léa Bon work is a profound exploration of dreams and fantasies, transcending...

Marcus Leatherdale (1952 - 2022) Silver gelatin print with copper leaf mount 1987 Titled: High Priest. From the Demigod series. Hand signed and dated and bears artist studio stamp verso. Provenance: Greathouse Gallery (with label & information verso) Edition: 1 of 10. Dimensions mage measures 12" x 5", total measurements are 24" x 13" Marcus Leatherdale was a Canadian portrait photographer. Marcus Andrew Leatherdale was born on 18 September 1952, in Montreal, Canada, to Jack Leatherdale, a veterinarian, and Grace Leatherdale, a homemaker. He attended the San Francisco Art Institute. Leatherdale arrived in New York City in 1978, where he attended the School of Visual Arts. started his career in New York City during the early eighties, setting up a studio on Grand Street. Leatherdale first served as Robert Mapplethorpe office manager for a while and was photographed in the nude by the master, grabbing a rope with his right hand and holding a rabbit in his left. Thereafter he worked as an assistant curator to Sam Wagstaff. He soon became a darling of the then vibrant club scene and the fashionable media: Interview, Details, The New Yorker, Vanity Fair, and Elle Decor presented his work. Later on he was featured in artsy publications as Artforum, Art News, and Art in America. Leatherdale was the Cecil Beaton of downtown New York, He photographed a not-yet-famous club kid named Madonna in her ripped jeans and his denim vest. The performance artist Leigh Bowery was majestic in a tinseled mask, a corset and a merkin. Andy Warhol was a Hamlet in a black turtleneck. Susanne Bartsch, the nightlife impressaria, was a towering presence in red leather. He documented the New York City lifestyle, the extraordinary people of Danceteria and Club 57 where he staged his first exhibits in 1980. Leatherdale was an acute observer of the New York City of the nineteen eighties. His models were the unknown but exceptional ones – like Larissa, Claudia Summers or Ruby Zebra – or well known artists – like Madonna, Keith Haring, Andy Warhol, Winston Tong and Divine, Trisha Brown, Lisa Lyon, Andrée Putman, Kathy Acker and Sydney Biddle Barrows, otherwise known as the Mayflower Madam, Jodie Foster, and fellow photographer John Dugdale. He Married Claudia Summers, theirs was not a traditional marriage, but they were best friends, and he was Canadian, so it made life easier if they wed. His boyfriend for a time was Robert Mapplethorpe, whose photography studio Mr. Leatherdale also managed. He and Mapplethorpe were a striking pair, dressed like twins in leather and denim, their faces as if painted by Caravaggio, and they often photographed each other. Jean-Michel Basquiat was often hanging out there, playing his bongo drums; so were friends like Cookie Mueller, the doomed, gimlet-eyed author and Details magazine contributor who was for a time Mapplethorpe’s and Ms. Summers’ drug dealer, and Kathy Acker, the performance artist and novelist. For quite a while Leatherdale remained in Mapplethorpe's shadow, but was soon discovered as a creative force in his own right by Christian Michelides, the founder of Molotov Art Gallery in Vienna. Leatherdale flew to Vienna, presented his work there and was acclaimed by public and press. This international recognition paved his way to museums and permanent collections such as the Rheinisches Landesmuseum Bonn, the Art Institute of Chicago, the Australian National Gallery in Canberra, the London Museum in London, Ontario, and Austria's Albertina. He was included in the MoMA exhibit New York/New Wave along with Kenny Scharf, William Burroughs, John Crash Matos, Larry Clark, Nan Goldin, Lawrence Weiner and Stephen Sprouse. Above all, his arresting portraits of New York City celebrities in the series Hidden Identities aroused long-lasting interest amongst curators and collectors. In 1993, Leatherdale began spending half of each year in India's holy city of Banaras. Based in an ancient house in the centre of the old city, he began photographing the diverse and remarkable people there, from the holy men to celebrities, from royalty to tribals, carefully negotiating his way among some of India's most elusive figures to make his portraits. From the outset, his intention was to pay homage to the timeless spirit of India through a highly specific portrayal of its individuals. His pictures include princesses and boatmen, movie stars and circus performers, and street beggars and bishops, mothers and children in traditional garb. Leatherdale explored how essentially unaffected much of the country was by the passage of time; and it has been remarked upon that this approach is distinctly post-colonial. In 1999, Leatherdale relocated to Chotanagpur (Jharkhand) where he focusing upon the Adivasis. Later Serra da Estrela in the mountains of central Portugal became his second home base. Leatherdale's matte printing techniques, which adapt nineteenth-century processes and employ half black, half sepia colorations, reinforce the timelessness of his subjects. Tones and matte surfaces effectively differentiate his portraits from the easy slickness of fashion photography. In 2019, Mr. Leatherdale compiled his work from 80s in a book entitled “Out of the Shadows”, written with Claudia Summers. During his time in New York City, he dated Robert Mapplethorpe, whose photography studio Leatherdale managed. His partner of two decades, Jorge Serio, died in July 2021 Major exhibitions 1980 Urban Women, Club 57, NYC 1980 Danceteria, NYC 1981 Stilvende, NYC 1982 The Clock Tower, PS1, NYC 1982 544 Natoma Gallery, San Francisco 1982 Eiko And Koma, Stilvende, NYC 1983 Form And Function Gallery, Atlanta 1983 Galerie in der GGK Wien, Vienna, Austria 1983 The Ring, Vienna (organized by Molotov) 1983 London Regional Art Gallery, London, Ontario, Canada 1984 Performance, Greathouse Gallery, NYC 1984 Social Segments, Grey Art Gallery, NYU 1984 Rheinisches Landesmuseum, Bonn 1985 Ritual, Greathouse Gallery, NYC 1985 Artinzer, Munich 1985 Leatherdale/Noguchi, Gallery 291, Atlanta 1985 Paul Cava Gallery, Philadelphia 1986 Poison Ivy, Greathouse Gallery, NYC 1986 Wessel O’Connor Gallery, Rome 1986 Hidden Identities, Michael Todd Gallery, Palladium, NYC 1987 Demigods, Greathouse Gallery, NYC 1987 Collier Gallery, Scottsdale, Arizona 1987 Tunnel Gallery, NYC 1988 Claus Runkel Fine Art Ltd., London, UK 1988 Madison Art Center, Madison 1989 Wessel-O’Connor Gallery, NYC 1989 Summer Night Festival, Onikoube, Sendai 1990 Bent Sikkema Fine Art, NYC 1990 Fahey-Klein Gallery, Los Angeles 1990 Faye Gold Gallery, Atlanta 1990 Mayan Theatre, Los Angeles 1991 Runkel Hue-Williams Gallery, London 1991 Galerie Michael Neumann, Düsseldorf 1991 Arthur Rogers Gallery, New Orleans 1992 Arthur Rogers, NYC 1992 Galerie Del Conte, Milwaukee 1993 Galerie Bardamu, NYC 1996 Fayf Gold Gallery, Atlanta 1996, 1997, 1998, 1999 Bridgewater/Lustberg, NYC 1998 Rai Krishna Das...

This artwork was created by the artistic duo Hunter Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique cons...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

Photographer Michael James O'Brien documented with beautiful and unique images the final part of Matthew Barney's lyric opera cycle about a tragic love story set in romantic Budapest...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

This artwork was created by the artistic duo Hunter Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique cons...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This artwork was created by the artistic duo Hunter Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique cons...

Baril, Tom (American, b. 1952) Large format silver gelatin print still life of flowers photo. hand signed and dated 1997 by Baril in pencil below image. black and white photograph. i...

This artwork was created by the artistic duo Hunter Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique cons...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

Connor McCreedy (b. 1987): Untitled Black and white photograph with hand painting 2012 Hand signed 'McCreedy' lower right Signed, dated and inscribed on the back of the frame. Dimensions: 23 1/2 x 34 1/2 in. (sight), 25 x 36 in. (frame). Conor Matthew Mccreedy (born 1987) is a contemporary artist, conservationist and collector based in Switzerland. In his work, his depiction of abstraction is linked to chaos theory. The colour blue is prominent in his works. He works in an expressionist manner. Mccreedy was born in South Africa in 1987, to a South African mother and a French-Irish father. he grew up in Johannesburg, Cape Town and Kwa-Zulu Natal. He recalls painting at age four using his mother's makeup brush and coffee grounds. Later in his youth, he became a fashion model, working for fashion houses including Calvin Klein. He also attended Hilton College. In 2006, Mccreedy earned a golf scholarship to attend Barton College in North Carolina. Mccreedy dropped out of art school at the Pratt Institute in New York City to pursue an independent art career in 2007. After dropping out of college, Mccreedy began selling his artwork on the streets of Union Square in New York City. After marketing manager Mick Rock noticed Mccreedy's work in a gallery, he urged him to talk to Aldon James Jr., the President of the National Arts Club, a private club. Mccreedy held his first solo exhibition here, titled Outliers, making him the youngest artist to have had a solo exhibition at the venue The exhibition was composed of wildlife photography that he took in South Africa and African safari influenced paintings. Subjects range from abstract images of the ocean to figurative renderings of women and African animals, painted on surfaces that include linen, wooden boards and canvases. Mccreedy has recently begun to work in sculpture. This work is kind of Yves Klein meets Peter Beard. In 2011, he was commissioned by Time Warner to paint a version of its logo for a launch party using his "Mccreedyblue" colour. The colour used in all of his paintings is a combinations of five different blue pigments. In 2012 he produced the "African Ocean" exhibition at the Charles Bank Gallery, as a part of the Witness Hilton Arts Festival at Hilton College, and Selected Works, 2006–2012, at Ernie Els' estate in Stellenbosch. Commissions of Mccreedy's work include abstract murals painted in private New York City establishments such as the Soho House Hotel and the penthouse of the Bowery Hotel. In 2014, he had a solo exhibition at Gallery Proarta. Solo exhibitions: "Outliers" National Arts Club. New York City, 2010. "African Ocean" Elizabeth Street, Charles Bank Gallery New York City, 2012.[18] "Mcreedyblue" ProArta Galerie, Zurich, 2014. "Mccreedyblue" Cat Street Gallery, Hong Kong, 2015. "Chiaroscuro Abstract Portraits" HG Guggenheim Contemporary, New York City, 2016. "Splash Paintings" Askeri Gallery, Moscow, 2017. "Feelings" Askeri Gallery, Moscow, 2018. "Wild life Alter Ego" NetJets VIP Collector Lounge. Basel Switzerland, 2023. In 2015, his new work formed the exhibition Mccreedyblue, held in Hong Kong, China at the Cat Street Gallery. He also held solo exhibitions in Zurich and Palm Beach. John Cole-Morgan of the South African stated of his Hong Kong exhibition that Mccreedy's work was "powerful, dynamic and genuinely hypnotic". He has stated in several interviews that Pablo Picasso is one of his largest influences. Some of his pieces have been inspired by former South African president Nelson Mandela and the end of Apartheid in South Africa. His first Asian solo exhibition was opened in 2015. His paintings have sold for up to US$150,000. He is actively doing charity work. During Art Basel, Switzerland in 2017, Mccreedy donated his small Houses of Parliament, London painting to the UNAIDS, United Nations foundation. The painting was auctioned off during the opening night gala dinner in Basel. Mccreedy is the founder of Protecting African Lions, an NPO set up to protecting the declining wild lion population. Proceeds from the sale of his small 'Splash Painting' went to cerebral palsy causes, part of the Gracious Hearts Foundation. The painting was titled 'Feelings' The auction was held at Christie's in London and was auctioned off by Simon de Pury. He donated a small 'Angel Painting' to Ellerman House, Art Angels Foundation. The foundation is based in his home country. South Africa. It is an annual charity party to benefit the Click Foundation. In 2023, Mccreedy collaborated with Swiss jewellery designer Suzanne Syz...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

Botman, Machiel (Dutch, b.1955). "Ijke, 1993" (Boy with Flower, Rainchild). Silver Print.Hand signed in pencil (beneath mat) Image: 8" x 13.25". Framed: 18.5" x 22.5". A key figure in contemporary Dutch photography, Machiel Botman is represented by the Gitterman Gallery in New York, Galerie VU in Paris and the Kahmann Gallery in Amsterdam. His books include Heartbeat (Volute, 1994), Rainchild (Schaden and Le Point du Jour, 2004) and One Tree (Nazraeli Press, 2011). His work is included in numerous institutional collections, including the Bibliotheque Nationale in Paris, the Tokyo Museum of Photography and the Frans Hals Museum in Haarlem. Machiel Botman was born in 1955 in Vogelenzang, The Netherlands. Self-taught, Botman has photographed since the age of 10. In the early 1980s he learned to print by assisting the master printer Philippe Salaün in Paris, who made prints for Willy Ronis, Izis, Robert Doisneau and others. He lives in Haarlem, the Netherlands. Select Group Exhibitions Gitterman Gallery Summer Exhibition Adam Bartos, Ferenc Berko, Machiel Botman Josef Breitenbach, Eugene Meatyard, Joseph Szabo, Edmund Teske etc. Gitterman Gallery Eclectic Bruno Barbey, Machiel Botman, Pierre Cordier, František Drtikol, Yasuhiro Ishimoto, Izis, Pierre Jahan, Helen Levitt, Tina Modotti, Josef Sudek, Roman Vishniac, Minor White, etc. Kahmann Gallery The Old Man & The Sea Nobuyoshi Araki, Machiel Botman, Henri Cartier-Bresson, André Kertész, Irving Klaw, etc. Kahmann Gallery FLAVOURS Eva Besnyö, Machiel Botman, Harry Callahan, Takeshi Shikama, Maura Sullivan, Albert Watson etc. European Photography - Reggio Emilia Mark Borthwick, Machiel Botman, Kevin Cummins, Francesco Jodice, Michael Kenna, Man Ray Alberta Pellacani, Alessandra Spranzi, Luigi Veronesi, Richard Wentworth, Alain Willaume etc. Kahmann Gallery, Imagine A collection of contemporary and vintage photographs Jehsong Baak, Eva Besnyö, Machiel Botman, Fons Brasser, etc. Museum Charlottenburg-Wilmersdorf L'Homme-paysage Dieter Appelt, Machiel Botman, William Kentridge, Javier Pérez, Giuseppe Penone, Jim Shaw Zabriskie Gallery, The Beach Machiel Botman, Esther Bubley, Harry Callahan, Joel Meyerowitz, Garry Winogrand etc. Kahmann Gallery, Dutch Nudes...

This artwork was created by the artistic duo Hunter Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique cons...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

Mikael Kenta, a fashion and art photographer, is inspired by his deep knowledge of fine art printing and his pursuit of high-quality productions. His work fuses art and profession, r...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

Mikael Kenta, a fashion and art photographer, is inspired by his deep knowledge of fine art printing and his pursuit of high-quality productions. His work fuses art and profession, r...

This work explores the sculptural capacities of the hands. Stripping them from their symbolism or the functions for which they are normally used, Nico Baixas explored them like someo...

Mikael Kenta, a fashion and art photographer, is inspired by his deep knowledge of fine art printing and his pursuit of high-quality productions. His work fuses art and profession, r...