Florida - Prints and Multiples

This one is titled "Little Animals" and depicts drawings of small animals over an abstract forest background in green, red and tan with a quali...

Marcel Vertes (French /Hungarian 1895-1961) Tango, from the suite Dancing, Jazz age in Paris. lithograph in colors on paper, published by Gustave Pellet-Paris, hand signed in pencil, lower right. Mounted in chrome frame with matting. Measures 23.75"H x 30.5"W framed; 15"H x 21.5"W image. Gustave Pellet (1859–1919) was a French publisher of art. He is best known for publishing prints of erotic artworks by Henri de Toulouse-Lautrec and Louis Legrand. MARCEL VERTES FRENCH HUNGARIAN 1895 (Ujpest, Hungary) -1961(Paris, France) art deco artist.Vertes was born in Hungary and died in Paris, but spent a lot of time in New York as well. He was noted as a painter, illustrator, designer and scenic mural painter. His whimsical images graced the pages of Vogue and Harper's Bazaar. Continuing in the footsteps of Boutet, Forain, Erte, Toulouse-Lautrec and others. Concentrating upon scenes of Paris street life...

R.B. Kitaj (British American 1932-2007) Hand signed and numbered Screenprint This is from the Robert Creeley daybook. They were done in a variety of mixed media including serigraph, ...

Vintage French Travel Poster, Air France Roger Bezombes (1913-1994) French Bezombes was a painter, sculptor, medalist, and designer. He studied in Paris, at the École des Beaux-Arts...

Artist/Designer; Manufacturer: Roy Lichtenstein (American, 1923-1997) Marking(s); notes: signed; ed. 37/80; 1992 Materials: aquatint Dimensions (H, W, D): 16.75"h, 13"w sight; 19"h, ...

Frame is handmade by artist Gail Potocki. WEAG-Matejko, Printer, Vienna "In 1919, artist Theo Matejko created this lithograph for Robert Reinert's silent film Opium (starring Conra...

This is an original stone lithograph created in 1910 as a label for the Lefevre Utile Biscuits Company in France for their Miarka products. It is in the Art Nouveau style by Alphonse...

Michael Mazur "The Artist" Hand signed and editioned from the edition of 50 1967 Michael Burton Mazur (1935-August 18, 2009) was an American artist who was described by William Grim...

Pencil signed and dated, Judaica Lithograph. Anatoli Lwowitch Kaplan was a Russian painter, sculptor and printmaker, whose works often reflect his Jewish origins. His father was a b...

Laundry days are holidays with a Laden washing machine, if this cheeky mid century poster is to be believed! A carousel canopy swings to...

Plate 82 from La Suite Vollard. Bloch 219. Baer 424. Etching on Montval paper. Signed in pencil, from the edition of 260 (there was also an edition of 50 with larger margins). Number...

Original vintage lithograph poster with depiction of Munich-based balletic duo Peter Pathe and Maria Hagen. Design by Walter Schnackenberg (German, 1880-1961). A very scarce example....

Artist: Dan May (American, 1955-) Title: "Nudes on Towels" *Signed and numbered by May in pencil lower left Year: 1983 Medium: Original Screenprint on unbranded cream wove paper Limited edition: 104/150 Printer: the artist May himself, Oakland, CA Publisher: the artist May himself, Oakland, CA Sheet size: 31.75" x 29.63" Image size: 24.13" x 24.13" Condition: Light wear to lower right corner. In excellent condition. A fantastic image Notes: Titled and dated by May in pencil lower right. Biography: Dan May is an American painter and printmaker born on March 11, 1955 in San Francisco, CA. Raised in aesthetic surroundings heavily influenced by his architect father, May grew up learning to view all things with an eye for design, color, and shape. At age 5, he remembers his father cutting up a book of drawings by Henri Matisse and hanging them on the walls of their home. The French master Matisse as well as Richard Diebenkorn and David Hockney are his favorite art influences. He began his first attempts at painting at age 15, and later began to experiment with printmaking, teaching himself various techniques such as woodblock printing, etching, silkscreen printing, and monoprinting. Monoprinting soon became May's medium of choice due to its wide range of expression and spontaneity that he felt other techniques lacked. May - "With monoprinting, you can only work a piece for as a long as the paint stays wet, so the resulting print has a feeling of movement and immediacy. I also like how monoprinting allows the brush strokes to transfer a transparent light quality to the print. For me, this is a technique that bridges...

Del Monte Roundup Savin' Stampede Bronco is part of a c. 1965 advertising campaign for Del Monte Foods. Del Monte Foods is a California based company founded in 1886 that specializes...

NOTE: There is NO CHARGE for the frame on this work Philomena Marano has spent decades “penetrat[ing] the soul of Coney Island to reveal its twin promises of candy-colored paradise and garishly ornate nightmare,” as Ann Aptaker describes, through the prints and cut-paper collage in her “American Dream-land” series (1979-). These colorful, graphic style works evoke the energy and amusement of Coney Island through depictions of the rides, the boardwalk, clowns, and food vendors. Many are large-scale papier collé installations, a technique Marano learned from Robert Indiana in whose studio she formerly assisted. In conjunction with “American Dream Land,” in 1981 Marano and Richard Eagan co-founded the Coney Island Hysterical Society, which undertakes projects such as restoring old rides in response to the alarming rate at which they were shutting down in the fabled amusement park of their childhood. Ms. Marano is a daughter of Brooklyn. She holds a BFA from Pratt Institute, is an intimate of the visual poetry of Coney Island, created the winning poster for the first Spirit of Brooklyn poster...

Boris deutsch was born in krasnagorka lithuania june 4 1892 died in los angeles 1978.Entered the polytechnic school in riga 1905.School of applied arts berlin 1912. Settled in l.A. 1...

16 Green Circles from the Eight Variants series, 1970 This work is number 51 from the edition of 165 printed by Hans Mayer, Krefeld, Germany. screenprint 28"x28" Julian Stanczak American/Polish, 1928-2017. explores the visual, psychological, and emotional resonance of color in his Op art paintings, through which he aims to induce a “color meltdown,” as he describes: “I want to fuse many colorants and their gradations into a single color experience.” Influenced by Josef Albers and Russian...

In the post-World War ll era, Air France was rapidly expanding its routes for commercial air travel. This expansion was heavily promoted by the effective use of original posters crea...

ANJA VAN HERLE – "TOO LONG THREE" (SET OF THREE) Hand-Embellished Giclée on Canvas ⚜ Hand Signed, Numbered, and Titled ⚜ Frameless Display ICONIC TRIO OF CONTEMPORARY POP PORTRAITS ...

In this poster from the 1930 International Automobile and Motorcycle Exhibition, we see an automobile racing neck and neck with a motorcyclist below. This streamlined, stylized Art D...

Heavily textured abstract print in a serigraph and terragraph technique. It has a raised texture to the surface, A beautiful piece. This listing is for the one print, the cover justification sheet and the photograph are just included for provenance. This is from the limited edition of 100. Hand signed and numbered on colophon page. (They are not signed and numbered on each print) Arches paper. Dimensions: 15.75 X 15.25 These have a texture that feels like a painting. Done in Jaffa Israel based on the Hebrew Bible. Jewish, Judaica interest. Emil Schumacher is among the best-known exponents of Art Informel in Germany. His painting style, which he initially developed in the 1950s under the influence of Wols, is marked by dark, brownish black or brilliant thick red colours and a graffiti like sign language that endow the pictures the expressive character of old cracked masonry. Emil Schumacher (29 August 1912 in Hagen, Westfalen – 4 October 1999 in San José, Ibiza) was a German artist and painter. He was an important representative of abstract expressionism in post-war Germany. As an 18-year-old, Emil Schumacher undertakes a four-week-long bicycle tour to Paris, France. 1932–1935: Studies graphic design at the School of Applied Arts in Dortmund intending to become a graphic designer in advertising. 1935–1939: Independent artist without participating in exhibits. He undertakes study trips by bicycle to the Netherlands and Belgium. 1939–1945: Service obligation as draftsman in an arms factory, the Akkumulatoren–Werke of Hagen. Since 1945: Immediately after end of war, new start as independent artist. 1947: First solo exhibit in the Studio für neue Kunst. Co-founder of the artist group Junger Westen. 1954: Participates in the Willem Sandberg...

PETER PATHE, poster lithograph, Schnackenberg School, 1919, the image features the headline performer, Peter Pathe, in drag wearing a form-fitting button-down jacket, high-waisted shorts buttoning down the front, Mary Jane dance shoes and calf-length white socks; Pathe is depicted in motion with raised jazz hands which frame his bushy-haired heavily made-up face and body curving in dynamic lateral movement with raised front leg turned out; with printed text at the bottom: “PETER PATHE/und/Fritz Wolf-Killanyi * Renate Ferena/Tia Majja * Else Zimmermann tanzenmit grossem/Orchester (Leitung: Rob. Tants) Donnerstag, 18 Nov., amends 71/2 Uhr im Konzertsaal Hotel “Vier Jahreszeiten”/Karten zu Mk. 20. - bis Mk. 3.- bei Alfr. Schmid Nachf., Residenzstr. 7 und Otto Halbreiter, Promendeplatz 16.”; printed text at mid-right: “M. Pathe/19”; marked with the printer’s stamp in the lower right: “Oscar Consee/Kunstanstalt/Munchen/Valley Str./7-9”; the poster is secured by matting and framed with a plexiglass cover, Boston...

Enrico Baj (1924-2003) Italian, limited edition print. Hand signed and numbered in pencil from limited edition of 100 Aquatint etching with the addition of hand watercolor painting ...

Rene Gruau (1909-2004) is one of the most recognized poster artists of the 21st Century. Gruau was a fashion illustrator whose exaggerated portrayal of fashion design through paintin...

Artist: Al Hirshfeld Title: Sex in the City Size: 20 x 20 Inches Medium: 5-Color Lithograph on Fine Art Paper Edition: 223/300 Year: Hand Pulled in 2002 Notes: Hand Signed a...

Artist: Donald Saff Medium: Etching with Aquatint, Hand signed and numbered in pencil. Donald Jay Saff (born 12 December 1937) is an artist, art historian, educator, and lecturer, ...

This World War ll poster supports the unity of nations and arms of the allied forces combatting the German and Italian armies. The imagery depicts the unified cannons exploding with their targets within the Axis area of control. It is a poster to encourage increased patriotism among all Americans both at home and in the battle overseas. Henry Koerner (1915-1991) was a Jewish refugee who immigrated to the United States from Austria in 1938. Trained as a graphic designer, he immediately produced a number U.S. propaganda poster before being drafted into the Graphics Division during WWII. He was sent overseas to document wartime life and was present at the War Crimes Trials to sketch the defendants. After the war, Koerner embraced the Magic Realism art...

Image is 48 X 36 inches. Still life of flowers in a vase. In bold red, orange green and yellow color. Born and educated in Cleveland, Gary Bukovnik has lived in San Francisco for more than a third of a century. Primarily using the media of watercolor, monotype, and lithograph, Bukovnik fuses sensual vitality with fluid yet powerful colorations, creating floral and culinary images of great depth, intensity, and size. In 2003 and 2005, invited Bukovnik was Visiting Artist at the American Academy in Rome in 2003 and 2005 and was an artist-in-residence at the Michigan Institute of Arts in Kalamazoo in 2010, as well as making a tour of exhibitions and watercolor demonstrations across Japan in 2010. Solo exhibitions include Caldwell Snyder Gallery in San Francisco and in St. Helena, CA, Campton Gallery in New York City; the Concept Gallery in Pittsburgh, the A.C.T. Gallery in San Francisco, and the Bonfoey Gallery in Cleveland. Other recent exhibitions have been organized by the Butler Institute of American Art, Youngstown, Paula Brown Gallery, Toledo, Neuhoff Gallery, New York; Lisa Kurts Gallery, Memphis; Irving Galleries, Palm Beach; Galerie Kutter, Luxembourg; the Southern Alleghenies Museum of Art, Johnstown, Pennsylvania; Chin Show Cultural Center, Taipei; Takashimaya, Tokyo; the Hunt Institute for Botanical Documentation, Carnegie Mellon University, Pittsburgh; and Brevard Museum of Art, Melbourne, Florida. SELECTED MUSEUM COLLECTIONS Art Gallery of Hamilton, Ontario The Art Institute of Chicago Atlanta Botanical Garden Brooklyn Museum Brooks Museum of Art, Memphis The Butler Institute of American Art, Youngstown Dallas Museum of Art Fine Arts Museums of San Francisco Frye Art Museum, Seattle Hunt Institute for Botanical Documentation, Carnegie Mellon University, Pittsburgh Hunterian Art Gallery, University of Glasgow Library of Congress, Washington, DC The Metropolitan Museum of Art, New York The Minneapolis Institute of Arts, Minnesota Museum of Fine Arts, Boston The Museum of Modern Art, New York The Richard L. Nelson Gallery, U.C. Davis, California The New York Public Library Oakland Museum of California Philadelphia Museum of Art Phoenix Art Museum Portland Art Museum, Oregon Rhode Island School of Design Museum, Providence San Francisco Museum of Modern Art University of Arizona Museum of Art, Tucson University of California, Berkeley Art Museum SELECTED PUBLIC COLLECTIONS ALZA Corporation, Mountain View ART In Embassies Program, U.S. Department of State AT&T, New York Atlantic Richfield, Los Angeles BankAmerica Corporation, Charlotte Citigroup, New York Cleveland Institute of Music Clorox Company, Oakland Comerica Bank, Costa Mesa & San Jose H.J. Heinz Company, Pittsburgh Illinois Bell...

Screenprint in colors on paper. Hand signed, titled and numbered by the artist. Edition of 250. Image size 25 x 19.5 inches. Sheet size 35 x 27.5. Custom framed as pictured. A...

Collotype in colors on paper. Unsigned. Title and copyright info in typeset lower margin. Artwork is in excellent condition. All reasonable offers will be considered.

Rene Gruau (1909-2004) is one of the most recognized poster artists of the 21st Century. Gruau was a fashion illustrator whose exaggerated portrayal of fashion design through paintin...

This listing is for the one Silkscreen serigraph piece listed here. Mexico City, 1945. First edition. plate signed, limited edition of 1000, these serigraph plates depict various types of traditional and folk art indigenous clothing...

Hand colored relief with collage on archival museum board. From 'Standing Couples' portfolio. Hand signed by Julian Opie on label attached on frame verso. Edition of 50 plus 5 Art...

TWA (Trans World Airlines) was formed in 1924 as Transcontinental & Western Air. The airline's first route was New York to Los Angeles, soon followed by multiple National routes. The...

On Arches French art paper. Fima (born Efraim Roeytenberg) (1914 – 2005) was an Israeli artist born in China. He spent most of his career in France. Ephraim (Yafim) Roeytenberg, know...

Color woodcut on 410 gsm somerset white paper. Hand signed lower right by Damien Hirst. Hand numbered 38/55 on verso. From the "40 Woodcut Spots" series published by Paragon Press...

Title page numbered: 263/450

Jerusalem themed poster of painting by Israeli Master. Reuven Rubin 1893 -1974 was a Romanian-born Israeli painter and Israel's first ambassador to Romania. Rubin Zelicovici (later Reuven Rubin) was born in Galati to a poor Romanian Jewish Hasidic family. He was the eighth of 13 children. In 1912, he left for Ottoman-ruled Palestine to study art at Bezalel Academy of Art and Design in Jerusalem. Finding himself at odds with the artistic views of the Academy's teachers, he left for Paris, France, in 1913 to pursue his studies at the École Nationale Supérieure des Beaux-Arts. At the outbreak of World War I, he was returned to Romania, where he spent the war years. In 1921, he traveled to the United States with his friend and fellow artist, Arthur Kolnik, with whom he had shared a studio in Cern?u?i. In New York City, the two met artist Alfred Stieglitz, who was instrumental in organizing their first American show at the Anderson Gallery.Following the exhibition, in 1922, they both returned to Europe. In 1923, Rubin emigrated to Mandate Palestine. Rubin met his wife, Esther, in 1928, aboard a passenger ship to Palestine on his return from a show in New York. She was a Bronx girl who had won a trip to Palestine in a Young Judea competition.He died in 1974 Artistic career Joseph Zaritsky...

After Gustav Klimt, Max Eisler Plate #29, Am Attersee; brown-toned monochrome collotype after the 1915-16 painting in oil on canvas. GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN AFTERMATH), a portfolio of 30 collotypes prints, 15 are multi-color and 15 are monochrome, on chine colle paper laid down on heavy cream-wove paper with deckled edges; Max Eisler, Editor-Publisher; Osterreichischer Staatsdruckerei (Austrian State Printing Office), Printer; in a limited edition of 500 numbered examples of which: 200 were printed in German, 150 were printed in French and 150 were printed in English; Vienna, 1931. 2018 marks the 100th anniversary of Gustav Klimt’s death. It is a fitting time to reflect upon the enduring legacy and deep impact of his art. Recognizing this need for posterity with uncanny foresight, the publication of Gustav Klimt: An Aftermath (Eine Nachlese) provides a rare collection of work after Klimt which has proven to be an indispensable tool for Klimt scholarship as well as a source for pure visual delight. Approximately 25 percent of the original works featured in the Aftermath portfolio have since been lost. Of those 30, six were destroyed by fire on 8 May 1945. On that fateful final day of WWII, the retreating Feldherrnhalle, a tank division of the German Army, set fire to the Schloss Immendorf which was a 16th century castle in Lower Austria used between 1942-1945 to store objects of art. All three of Klimt’s Faculty Paintings: Philosophy, Medicine and Jurisprudence (1900-1907), originally created for the University of Vienna, were on premises at that time. Also among the inventory of Klimt paintings in storage there was art which had been confiscated by the Nazis. One of the most significant confiscated collections was the Lederer collection which featured many works by Gustav Klimt such as Girlfriends II and Garden Path with Chickens. In many instances, Aftermath is our only link to these lost treasures. Max Eisler (1881-1937), the publisher of the 1931 Aftermath portfolio, was an art historian at Vienna University specializing in modern and contemporary arts and crafts whose 1920 book on Klimt was the first Klimt monograph. He saw An Aftermath as filling-in important gaps left by the earlier print portfolios which had only featured Klimt up to 1913 and which had glossed over major art projects such as the Tree of Life frieze for the Palais Stoclet. And whereas only 10 of the 50 prints from the earlier portfolios published by H.O. Miethke were made in intricate multi-color images, Eisler augmented the earlier format by featuring half of the 30 images in stunning multi-colored collotypes. Understanding the fragile nature of the collotype printing process also reinforces this project’s distinctive and exceptional characteristics. Fragile collotype plates can not be reused. As such, this necessitates the completion of a run on the first go and also dictates a limited production number. Printed by hand, the collotypes required deft handling by the printer, Osterreichische Staatsdruckerei. A complicated and lengthy process involving gelatin colloids mixed with dichromates, the creation of 16 color separation thin glass filters to achieve the light-sensitive internegative images which could faithfully capture all of the painting’s tonal gradations and colors, exposure to actinic light, and delicate chine collie papers which allowed for greater color saturation, the printer’s collaborative role in capturing and transmitting Klimt’s nuanced paint strokes is nothing short of remarkable. The Österreichische Staatsdruckerei (Austrian State Printing Office), was the successor to the KK Hof -und Staatsdruckerei which was founded by Emperor Franz I in 1804 and whose collotype printing innovations of Klimt’s art...

This is from a portfolio Hommage A Rodin. It included a lithograph by Henry Moore, Ossip Zadkine, Berto Lardera, an etching by Robert Couturier and an etching...

After JOSEPH MARIA OLBRICHT (1867-1908) DARMSTADT POSTER, 1901, (In Mascha, no. 9) One of the founding members of the Vienna Secession and a highly esteemed architect, Olbricht was c...

Pat Steir (born 1940) is an American painter and printmaker. Her early work was loosely associated with Conceptual Art and Minimalism, however, she is best known for her abstract dri...

Hand signed & numbered by the artist. Sheet size: 23 x 18.5 inches. Image size: 17.5 x 14 inches. Edition of 300. Artwork is in excellent condition. Certificate of authenticity in...

Artist: Georges Henri Manesse (French, 1854-1940) Title: "La Reine Marie d'Angleterre (Queen Mary of England)" Portfolio: Gazette des Beaux-Arts Year: 1893 Medium: Original Etching on cream laid paper Limited edition: approx. 1,500 Printer: Chardon Wittman, Paris, France Publisher: Gazette des Beaux-Arts, Paris, France Reference: Sanchez/Seydoux 1893-7 Sheet size: 10.69" x 7.13" Image size: 7" x 5.25" Condition: Light discoloration at edges. It is otherwise a strong impression in excellent condition Notes: This etching is after a painting from 1554 by Dutch artist Anthonis Mor (c. 1517-1577). Comes with its original tissue cover sleeve. This etching was published by Gazette des Beaux-Arts. The Gazette des Beaux-Arts was a French art review, found in 1859 by Édouard Houssaye, with Charles Blanc as its first chief editor. Assia Visson Rubinstein was chief editor under the direction of George Wildenstein from 1928 until 1960. Her papers, which include all editions of the Gazette from this period, are intact at the Cantonal and University Library of Lausanne in Dorigny. The Gazette was a world reference work on art history for nearly 100 years - one other editor in chief, from 1955 to 1987, was Jean Adhémar. It was bought in 1928 by the Wildenstein family, whose last representative was Daniel Wildenstein, its director from 1963 until his death in 2001. The review closed in 2002. Mary I...

Achille Mauzan created this vintage poster in 1924 to advertise the Bertozzi brand of cheeses. Three judges with expressive faces lean over the cheese, giving us a sense of the fragr...

Michael Gross (Hebrew: מיכאל גרוס‎; 1920 – 4 November 2004) was an Israeli painter, sculptor and conceptual artist. Michael Gross was born in Tiberias in the British-administered Palestine in 1920. He grew up in the farming village of Migdal. In 1939-1940, he left to study at the Teachers’ Training College in Jerusalem. In 1939, while he was away, his father was murdered by Arabs, and the family farm and home were destroyed. This event impacted on his work as an artist. From 1943 to 1945, he studied architecture at Technion – Israel Institute of Technology in Haifa. From 1951 to 1954, he studied art at the École nationale supérieure des Beaux-Arts in Paris. He returned to Israel in 1954 and settled in the artists’ village of Ein Hod. Gross's works are imbued with the light and spirit. They are minimalist, but never pure abstraction, always tied to natural form and laden with feeling. In his early paintings, Gross simplified form in order to concentrate on proportion, broad areas of color, and the size and placement of each element. This reductive process was also notable in his sculptures, whether in painted iron or other materials such as white concrete. In later paintings, he often juxtaposed large off-white panels with patches of tone, adding textured materials such as wooden beams, burlap and rope. Gross’s rough, freely-brushed surfaces, along with the use of soft pastel coloring, conjure up images of the Israeli landscape. Education 1936-1940 Teachers Seminary, Jerusalem 1943-1945, Technion, Haifa, architecture, studied sculpture with Moshe Ziffer. 1951-1954 Beaux Arts, Paris with Michel Guimond Teaching 1954 - 1954 Higher School of Education, Haifa. 1957-1960 Bezalel Academy of Arts and Design, Jerusalem 1960-1980 Oranim Art Institute, Tivon Awards 1964: Hermann Struck Prize 1967: Dizengoff Prize 1971...

Red and brown- original litograph painting. framed Argimon (Sarriá 1929 - Barcelona 1996) is one of the great Catalan informalist artists. This painter, engraver and sculptor touche...

Mystery monogrammed early San Francisco etching. Great little piece of San Francisco history showing a lighthouse in Golden Gate. Etching measure...

Silkscreen screenprint or Lithograph Hand signed and numbered. An esoteric, mystical, Kabbala inspired print with Hebrew as well as other languages. Joseph Charles Tilson RA (born 2...

Henriette Wyeth-Hurd Hand signed, Collotype, Limited Edition of 490 Image Size: 20" x 26" framed 28.5 X 34.5 Provenance: printed at Triton Press and has their certificate of authenticity verso. Henriette Wyeth Hurd (1907 – 1997) was an American artist noted for her portraits and still life paintings. The eldest daughter of illustrator N.C. Wyeth, she studied painting with her father and brother Andrew Wyeth at their home and studio in Chadds Ford, Pennsylvania. Henrietta Wyeth was born in Wilmington, Delaware, into an artistic family. Wyeth was the eldest of the five children of noted illustrator N.C. Wyeth and his wife Carolyn Bockius. Her siblings Carolyn and Andrew also became artists, and all three studied with their father. Andrew Wyeth became the most well-known artist of this family. Henriette contracted polio at age 3, which altered her health and use of her right hand. As a result, she learned to draw with her left hand and paint with her right. She grew up on the family farm in Chadds Ford, Pennsylvania, and attended local Quaker schools. She and her siblings were eventually homeschooled because their father distrusted the public school system. She began formal art lessons with her father at age 11, making charcoal studies and geometric shapes. A child prodigy, at age 13 Wyeth was enrolled in the Normal Arts School in Boston, Massachusetts. The next year, in 1921, she entered the Boston Museum of Art Academy. Two years later she moved to Philadelphia to study painting at the Pennsylvania Academy of Fine Arts. By age 16, she was well known as a portraitist and received commissions for paintings of Wilmington residents. Deeply influenced by her father's unique realistic style, she rejected early 20th-century painting styles such as Impressionism and Cubism. She was also socially and politically conservative. As a result, later in life she rejected the progressive movements of the 1960s and 1970s, including the women's movement. She often criticized television and modern culture. At age 21, in 1929 Wyeth married artist Peter Hurd, a fellow student at the Pennsylvania Academy and her father's apprentice. The couple had three children together: Peter Jr., Carolyn, and Michael Hurd...

ORIGINAL MIXED MEDIA ON ARTBOARD 48 x 48 inches - Original mixed media signed by the artist. Craig Alan is a Pop Surrealist, internationally recognized for his ingenious portraits o...

Mimmo Paladino Atlantico Linocut, 1987, hand signed, dated and numbered 12/27 in pencil. Medium: Collagraph and linoleum cut Sheet measures 82 x 29 1/2" inches Parole Torchon pap...

"Voices VI (A)" Aquatint Etching • Image: 12”x 14” • Paper: 30”x 22” • 2001 Hand signed and numbered 1/2 on BFK Rives paper. Joe Novak (1930-2019) California Contemporary Minimalist. His work is about the exploration of color and light through abstraction, with tonal gradations that infuse them with a meditative quality. During the eighties and nineties, he painted large monochromatic color field canvases with tonal gradations and soft edges that infuse them with a meditative quality and a sense of movement. When illuminated they become glowing surfaces of color and light. His artistic background and work link him closely with the first generation abstract expressionists of the New York School. Major influences include Jackson Pollock and Mark Rothko, and his mentors, Peter Busa and Esteban Vicente, whom he met and befriended during the eighties while living and painting in East Hampton. During the nineties, while living and working in Santa Fe, New Mexico, Novak initiated a project called "Light Emanations", in which he created digital computerized programs of changing light levels and configurations on a selection of his large paintings, dramatically illustrating the effect of light changes on color perception. Novak's body of work is extensive and include painting on canvas, panel and paper as well as monotypes, drawings, assemblages, mixed media and prints. He has often worked in series, focusing on a particular medium for years. Among these are "Meditations" (color pencil drawings), "Voices" and "Voices 2" (color aquatint etchings), "Echoes" (painting assemblage with minerals) and "Colors" (350 miniature panel paintings). In recent years his paintings have become more gestural, often with musical allusions. His work bears a relationship to the Light & Space Movement and Minimalism artists James Turrell, Larry Bell, Craig Kauffman, Billy Al Bengston, Peter Alexander, Laddie John Dill, Lita Albuquerque. these are also anticipative of the aquatint etching works by Anish Kapoor. Color Gradient, Abstract Art, Land Art. During the eighties and nineties, he painted large monochromatic color field canvases with tonal gradations and soft edges that infuse them with a meditative quality and a sense of movement. When illuminated they become glowing surfaces of color and light. Critic Christopher Knight wrote, Novak is an unabashed Color Field painter. His paintings and aquatints at Bert Green Fine Arts — the Santa Fe artist's third show there — feature works that will call to mind abstractions as diverse as those by Helen Frankenthaler, Mark Rothko and Morris Louis and the landscape abstractions of Joe Goode. Novak's work is in many public and private collections, including numerous museum collections. He spent his last years living in Palm Springs. Selected Group Exhibitions Bert Green Fine Art, Chicago, Illinois "Joe Novak/Huck Lewis-Bennett: A Collaboration", Stephen Archdeacon Gallery, Palm Springs Melissa Morgan Fine Art...

Genre: Brazilian Art Deco, African Diaspora Bahian Carnival Subject: Abstract Medium: Print Surface: Paper Country: Brazil Dimensions of overall paper are listed. This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music. Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after. In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994. Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows. CHRONOLOGY Individual exhibitions 1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery 1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery 1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts 1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery 1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal 1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP 1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery 1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art 1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention 1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award 1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná 1963 - Rio de Janeiro RJ - Individual, no MAM / RJ 1968 - Bradford England - First International Print Biennale 1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery 1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award 1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize 1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum 1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...

TECHNICAL INFORMATION Mel Ramos Candy 1979 6 color lithograph 24 3/8 x 20 in. Artist Proof Edition of 35 Pencil signed and numbered Accompanied with COA by Gregg Shienbaum Fine Art...

The photographic work of Raphael Macek offers profound meditation on the timeless bond between humans and horses. With exceptional sensitivity, Macek captures the equine form as both...

Lithograph on paper. Hand signed, titled and numbered by the artist. Edition of 350. Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable offers will be considered. About the artist: As a self taught artist, Jake's style has developed over many years, evolving since childhood. Early in life he nurtured a bond with nature and wildlife that eventually became the basis for his artistic endeavors. Jake captures the landscape with striking compositions emphasizing light and color. Among the artist\'s favorite subjects are serene lakes, forests, and mountains of North America. Jake has enjoyed a popular following throughout the past 23 years that he has been showing, and his art continues to attract collectors throughout Canada and beyond. His art has found homes in his native province of Ontario, as well as internationally. He is honored to have collectors as far away as Japan, Dubai, Europe, as well as a growing clientele in Western Canada.

"Voices IX" Aquatint Etching • Image: 12”x 14” • Paper: 30”x 22” • 2001 Hand signed and numbered 2/2 on BFK Rives paper. Joe Novak (1930-2019) California Contemporary Minimalist. His work is about the exploration of color and light through abstraction, with tonal gradations that infuse them with a meditative quality. During the eighties and nineties, he painted large monochromatic color field canvases with tonal gradations and soft edges that infuse them with a meditative quality and a sense of movement. When illuminated they become glowing surfaces of color and light. His artistic background and work link him closely with the first generation abstract expressionists of the New York School. Major influences include Jackson Pollock and Mark Rothko, and his mentors, Peter Busa and Esteban Vicente, whom he met and befriended during the eighties while living and painting in East Hampton. During the nineties, while living and working in Santa Fe, New Mexico, Novak initiated a project called "Light Emanations", in which he created digital computerized programs of changing light levels and configurations on a selection of his large paintings, dramatically illustrating the effect of light changes on color perception. Novak's body of work is extensive and include painting on canvas, panel and paper as well as monotypes, drawings, assemblages, mixed media and prints. He has often worked in series, focusing on a particular medium for years. Among these are "Meditations" (color pencil drawings), "Voices" and "Voices 2" (color aquatint etchings), "Echoes" (painting assemblage with minerals) and "Colors" (350 miniature panel paintings). In recent years his paintings have become more gestural, often with musical allusions. His work bears a relationship to the Light & Space Movement and Minimalism artists James Turrell, Larry Bell, Craig Kauffman, Billy Al Bengston, Peter Alexander, Laddie John Dill, Lita Albuquerque. these are also anticipative of the aquatint etching works by Anish Kapoor. Color Gradient, Abstract Art, Land Art. During the eighties and nineties, he painted large monochromatic color field canvases with tonal gradations and soft edges that infuse them with a meditative quality and a sense of movement. When illuminated they become glowing surfaces of color and light. Critic Christopher Knight wrote, Novak is an unabashed Color Field painter. His paintings and aquatints at Bert Green Fine Arts — the Santa Fe artist's third show there — feature works that will call to mind abstractions as diverse as those by Helen Frankenthaler, Mark Rothko and Morris Louis and the landscape abstractions of Joe Goode. Novak's work is in many public and private collections, including numerous museum collections. He spent his last years living in Palm Springs. Selected Group Exhibitions Bert Green Fine Art, Chicago, Illinois "Joe Novak/Huck Lewis-Bennett: A Collaboration", Stephen Archdeacon Gallery, Palm Springs Melissa Morgan Fine Art...

This striking vintage travel poster promotes the Château de Blois, one of the great castles of the Loire Valley, as part of the Paris–Orléans–Midi railway’s campaign to encourage tou...

Acrylic and silkscreen ink on triple primed canvas. Hand signed, dated, titled and numbered "P/P" on verso by Robert Indiana. Printer's Proof edition. Total of 4 panels. Each pan...