Florida - Prints and Multiples

Del Monte Roundup Savin' Stampede Lasso is part of a c. 1965 advertising campaign for Del Monte Foods. Del Monte Foods is a California based company founded in 1886 that specializes ...

Serigraph on paper. Hand signed and numbered by the artist. Image size 35.5 x 20 inches. Frame size approx 49 x 32 inches. From the edition of 250. Certificate of authenticity i...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG: KOSTUME, PLAKATE UND DEKORATIONEN, a cardboard bound art book consisting of 43 prints of work by Walter Schnackenberg, 30 of which are color lithographs that are signed and some are titled and dated in the plate, as well as black and white prints and photographs with accompanying text by Oskar Bie; lithographs printed at Kunstanstalt Oskar Consee in Munich, other images printed by Gesellschaft Pick & Co. in Munich, the text and cover with color images by Schnackenberg front and verso printed by R. Oldenbourg in Munich; published by Musarion Verlag, Munich, 1920. The majority of Walter Schnackenberg’s artistic output was destroyed by bomb attacks in Munich in 1944. The highly publicized 2013 auction in New York of the recovered pre-war poster collection once belonging to German poster aficionado, Hans Sachs has reintroduced the world to Walter Schnackenberg’s graphic genius and priceless ephemeral art from a lost era. Besides the museum world, designer Karl Lagerfeld is one of the most prodigious collectors of Schnackenberg. Flipping through the pages of Kostume, Plakate und Dekorationen, it becomes quite clear that Schnackenberg’s collection is ground zero at the crossroads of early modern fashion where the cult of celebrity meets up with dance, music, theater and cabaret, film and the graphic medium. Berlin and Munich under Germany’s Weimar Republic in the first quarter of the 20th century produced just the atmosphere to feed this burgeoning industry. Rising inflation sparked a recklessness to live large for the moment and heightened a desire for escapism. An influx of Indian and East Asian dancers and musicians added to the artsy bohemian cultural mix. A new decadence and tolerance resulted. Film boldly featured provocative subject matter. Cabarets became popular venues giving rise to the demi-monde in which people from all social stations mixed more freely in a thriving underground economy and culture where there was a blurring of boundaries and of social codes. Noted art historian and cultural doyen, Oskar Bie astutely observes in his introduction to Schnackenberg’s publication that what unites the images is fantasy and advertisement. Schnackenberg uses the eye as an instrument to brilliantly construct and convey this double message. His personages never directly confront the viewer. Their eyes gaze off in the distance like those of the screenplayer and film star Hedamaria Scholz in Schnackenberg’s “Die Rodelhexe” movie poster. Their eyes follow the path of a dance composition or become a transfixed and ogling male gaze such as the iconic 1911 Odeon Casino poster...

Joan Miró Mandarin du Nord (Mandarin North), 1976; Combining elements of the graphic and the organic, Miró creates a lively print instilled with an unexpected sense of contradiction....

Rene Gruau (1909-2004) is one of the most recognized poster artists of the 21st Century. Gruau was a fashion illustrator whose exaggerated portrayal of fashion design through paintin...

Rafael Soriano Untitled, 1990s Lithograph Ed 74 of 150 33 x 26 in

Screenprint in colors on wove paper. Hand signed, dated and numbered by Keith Haring. Sheet size 42 x 50 inches. Image size 40 x 47 inches. Frame size approx 52 x 60 inches. From th...

Fernando de Szyszlo was a Peruvian painter best known for using pre-Columbian imagery and muted palette. De Szyszlo’s art was an attempt at reinventing Surrealist themes in a Latin A...

TECHNICAL INFORMATION Shepard Fairey Castro Collage, from This is you God Series (Large Format) 2003 Screenprint 48 x 36 in. Edition 38 of 72 Pencil signed & numbered Conditio...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG: KOSTUME, PLAKATE UND DEKORATIONEN, a cardboard bound art book consisting of 43 prints of work by Walter Schnackenberg, 30 of which are color lithographs that are signed and some are titled and dated in the plate, as well as black and white prints and photographs with accompanying text by Oskar Bie; lithographs printed at Kunstanstalt Oskar Consee in Munich, other images printed by Gesellschaft Pick & Co. in Munich, the text and cover with color images by Schnackenberg front and verso printed by R. Oldenbourg in Munich; published by Musarion Verlag, Munich, 1920. The majority of Walter Schnackenberg’s artistic output was destroyed by bomb attacks in Munich in 1944. The highly publicized 2013 auction in New York of the recovered pre-war poster collection once belonging to German poster aficionado, Hans Sachs has reintroduced the world to Walter Schnackenberg’s graphic genius and priceless ephemeral art from a lost era. Besides the museum world, designer Karl Lagerfeld is one of the most prodigious collectors of Schnackenberg. Flipping through the pages of Kostume, Plakate und Dekorationen, it becomes quite clear that Schnackenberg’s collection is ground zero at the crossroads of early modern fashion where the cult of celebrity meets up with dance, music, theater and cabaret, film and the graphic medium. Berlin and Munich under Germany’s Weimar Republic in the first quarter of the 20th century produced just the atmosphere to feed this burgeoning industry. Rising inflation sparked a recklessness to live large for the moment and heightened a desire for escapism. An influx of Indian and East Asian dancers and musicians added to the artsy bohemian cultural mix. A new decadence and tolerance resulted. Film boldly featured provocative subject matter. Cabarets became popular venues giving rise to the demi-monde in which people from all social stations mixed more freely in a thriving underground economy and culture where there was a blurring of boundaries and of social codes. Noted art historian and cultural doyen, Oskar Bie astutely observes in his introduction to Schnackenberg’s publication that what unites the images is fantasy and advertisement. Schnackenberg uses the eye as an instrument to brilliantly construct and convey this double message. His personages never directly confront the viewer. Their eyes gaze off in the distance like those of the screenplayer and film star Hedamaria Scholz in Schnackenberg’s “Die Rodelhexe” movie poster. Their eyes follow the path of a dance composition or become a transfixed and ogling male gaze such as the iconic 1911 Odeon Casino...

Hand signed and numbered by the artist. From School Days portfolio. Artwork size 26 x 20 inches. Frame size approx 30 x 26 inches. Edition of 200. Artwork is in excellent condi...

Steve Jobs had just returned to the struggling company, Apple Computer in 1997. Jobs and Lee Clow had collaborated back in 1984 to launch the MacIntosh. Now was the time to recover t...

Steve Jobs had just returned to the struggling company, Apple Computer in 1997. Jobs and Lee Clow had collaborated back in 1984 to launch the MacIntosh. Now was the time to recover t...

This beautiful poster by Marcello Nizzoli features a black background, with a bright red Campari bottle and glass in the center of the poster. The desig...

Eclosion Rose Series Kozo Inoue (1937- ) was born in Osaka, Japan & currently resides in France. Kozo is well know artist for his beautiful, museum quality prints, he uses silk screens...

Del Monte Roundup Blue Shirt is part of a c. 1965 advertising campaign for Del Monte Foods. Del Monte Foods is a California based company founded in 1886 that specializes in process...

Artist/Designer; Manufacturer: Alexander Liberman (Ukrainian/American, 1912-1999) Marking(s); notes: signed; ed. 27/34; 1976 Materials: paper Dimensions (H, W, D): 23.5"h, 15"w; 26.2...

Alexander Calder, Ballons Dégoulinés (Bulles D'air), 1969 Signed and numbered in pencil, from an edition of 75 Framing: Although it is currently framed, it is being sold unframed. ...

Carlos Cruz Diez "Untitled", 1994 Serigraph on paper. Framed Ed. AP Signed, numbered, and dated by the artist at the bottom of the paper 39 x 27 in

Giclée print in colors on somerset paper. Hand signed lower right and left by Sandra Chevrier and Martin Whatson. Hand numbered 247/295 lower left. Artwork size: 39.5 x 27.5 inche...

Screenprint on museum board. Hand signed and numbered by the artist. Edition of 100. Published by International Images, Putney, Vermont. Sheet size 59 x 68 inches. Artwork is in e...

Steve Jobs had just returned to the struggling company, Apple Computer in 1997. Jobs and Lee Clow had collaborated back in 1984 to launch the MacIntosh. Now was the time to recover t...

Pine Barren's Tree Frog, from Endangered Species. Screen print in colors on Lennox Museum Board. Hand signed and numbered by Andy Warhol. Edition 114/150 (there were also 30 AP's, 5 PP's, 5 EP's, 3 HC's, 10 numbered in Roman numerals, 1 BAT, and 30 TP's). Printed By Rupert Jansen Smith, Ny. Published By Ronald Feldman Fine Art Inc., NY. Artwork is in excellent condition. All reasonable offers will be considered. From the Endangered Species portfolio, which premiered in 1983. Warhol was commissioned by environmentalists and gallerists Ronald and Frayda Feldman to depict 10 endangered animals, bringing attention to their fragility. The US federal government had passed the Endangered Species Act (ESA) in 1973, making clear criteria for assigning the status of “endangered” to animals that had seen massive attrition of their populations. This designation has been adopted internationally and Warhol’s Endangered...

Madman (Fou) from Art of Today, Masters of Abstract Art, Album I, 1953 - Édition Art d'Aujourd'hui, Boulogne Screenprint in colors, 25.2" H x 19.2” W (64 x 49 cm), signed and dated ...

Recognized as a pioneer of nature photography in Brazil, Araquém Alcântara (b. 1951) has, for over five decades, built a monumental visual legacy that celebrates and defends the coun...

Serigraph in colors on paper. Hand signed and numbered by Linda Le Kinff. From the edition of 350. Sheet size 18.5 x 15 inches. Image size 16 x 12.5 inches. Artwork is in exc...

George Rodrigue - Blue Dog "Tiffanys Universe" 1993 Serigraph Dimensions: 16" X 23" Edition: 89/90 Hand Signed & numbered by the artist The artwork is in excellent condition. Certificate of Authenticity included. George Rodrigue b.March 13, 1944 – December 14, 2013: From New Iberia...

Lithograph in colors on arches paper. Hand signed and numbered by Ygael Tumarkin. Edition 115/190. From the "Ten Painters on War and Peace" portfolio. Printed on May 10, 1978 to...

The artist confessed that, regarding her working methodology, she performs exhaustive research before starting a series. This process includes developing the theme and selecting colo...

Lithograph in colors on Arches paper, full sheet Published by Éditions de la Différence, Paris 20.4 x 28.3 inches Signed and numbered in pencil, from an edition of 100 copies Conditi...

Wifredo Lam (19123) Pleni Luna Lithograph in pearl japan paper 1974 25 x 19 in

Shepard Fairey Liberté Égalité Fraternité, 2015 – 2021 Signed offset lithograph on paper Description Originally created in response to the 2015 Paris attacks, Shepard Fairey’s Libe...

Luis Miguel Valdés (Cuban, 1949). ´Luneta' (Lunette), 2008 SilkscreeN Edition of 40 Overall Size: 55 x75 cm. (22.75 x 29.5 in.) Surface: Canson Paper 200 g. Hand-signed, COA (Certifi...

Carlos Cruz Diez Untitled, 2006 Lithograph Ed. 161 / 200 28 x 28 in

This original poster was created during the second World War by an anonymous artist. It was created for the residents of Hartford, Connecticut. In the image we see that the workers ...

Artist: (after) Roy Lichtenstein (American, 1923-1997) Title: "Leo Castelli Gallery (Landscape with Red Sky)" Year: 1985 Medium: Original Offset-Lithograph, Exhibition Poster on smoo...

TECHNICAL INFORMATION: Shepard Fairey Sedation Pill HPM 2013 HPM (hand-painted multiple), screenprint and mixed media collage on paper Edition 10 of 10 Pencil signed and numbered Condition: This work is in excellent condition. Frame: Framed in a maple wood shadowbox frame with UV protective Plexiglass ABOUT THE WORK: This piece is an HPM, or Hand Painted Multiple. This means that before the screenprint process takes place, Fairey creates the paper by collaging his patterns, stencil, newspaper clippings, and advertising logos...

Artist: Richter, Gerhard Title: Bagdad [9] Series: Facsimile Objects Date: 2014 Medium: Chromographic colour print, mounted on aluminium Unframed Dimensions: 19.625" x 14.5" Fr...

Lithograph on paper. Sheet size 19 x 12 inches. Hand signed, dated and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Conditi...

This is an original lithographic print created by the artist Joe Eula to promote a concert by The Supemes at Lincoln Center , New York. Noteworthy is that the top priced ticket was $...

Screen print in colors on had torn Coventry Rag 335 gsm paper. Hand signed lower right corner by Pose. Hand numbered 10/25 lower left. Artwork size 40 x 30 inches. Artwork is in ...

ROY LICHTENSTEIN (1923-1997) Lithograph and line-cut in colors with embossing, 1970, signed in pencil, dated and numbered 30/100 (total edition includes seven artist's proofs). This...

Lithograph in colors on Arches paper Published by George J. Goodstadt, Inc., Ridgefield, Connecticut (with their blindstamp) 29.5 x 41.3 inches Signed and numbered in pencil, editio...

ANTONI TAPIES was the maximum representative of Spanish abstract art of the 20th century. His works are represented in museums and foundations around the world. "ELS MESTRES DE CATAL...

La melodie acide. signed on the stone and numbered 384/1500 Edition of 1500 prints on Arches paper. and with the Artist´s signature on each of the plates Edited by Poligrafa in Barce...

Del Monte Roundup Red Shirt is part of a c. 1965 advertising campaign for Del Monte Foods. Del Monte Foods is a California based company founded in 1886 that specializes in processed...

Hand signed and numbered by the artist. Artwork is in excellent condition. Edition of 100. All reasonable offers will be considered.

Air India's mascot, Maharajah AKA "The Rogue" is one of the most beloved corporate personalities. Developed in 1946 by Bobby Kooka, Maharajah is known for his padded belly, large mus...

Australia -Beach Photo is a circa 1937 travel poster designed by Douglas Annand for the Australian National Travel Association. Annand was known for his experiments in mixed media te...

TWA (Trans World Airlines) was formed in 1924 as Transcontinental & Western Air. The airline's first route was New York to Los Angeles, soon followed by multiple National routes. The...

This dramatic oversized French advertising poster promotes Premier Fils, one of France’s longstanding liquor brands known particularly for its eaux-de-vie and cognac-style spirits. T...

"Marilyn Crying Diamond (Marmont Pink)" acrylic, oil-based ink and diamond dust hand-pulled screen print on linen by artist Russell Young. Depic...

Plate 5 from Ludo portfolio. Lithograph in colors on arches paper. Hand signed and dated on front by Keith Haring. Hand numbered 39/90 on front (there are also 15 artist proofs). ...

This listing is for the one plate. the cover is not included Lithographs part printed in colour, finished by hand This portfolio of lively loose pochoir plates sets its sights on pr...

Mario Carreño Untitled, 1993 Serigraph Ed. 64 of 115 26 x 20 in

Reclining Nude, from Expressionist Woodcut Series (C. 172). Woodcut in colors with embossing, 1980, on Arches Cover. Hand signed, numbered and dated in ...

Artist/Designer; Manufacturer: Peter Blake (British, b. 1932) Marking(s); notes: signed; ed. 162/175; 2014 Materials: screenprint with diamond dust, glitter and glazes Dimensions (H,...

The Fabriques de Geneve is a charming poster created for a jewelry store that specialized in engagement and bridal presents. The poster uses the cameo of an engagement ring to show t...

Early graphic work by the photographer Todd Smith during his period at Pratt Institute in the early 1970s. Edition of 250, unsigned and unnumbered, as issued.

Luigi Castiglioni (1936 - 2003) once said, "There is no need to show dedication, everybody [already] knows that it is inseparable from sports". Instead, he chose to highlight the qui...