Florida - Figurative Prints

Serigraph on paper. Hand signed and numbered by the artist. Image size approx 32.25 x 44.25 inches. From the main edition of 275. Artwork is in excellent condition. Certificate of...

Romare Bearden: 1911-1998. Very important and well listed African American artist with auction records over $770,000. He has an auction high over $31,000 for a single print. This imp...

Le Troisième Oeil (The Third Eye) Lithograph on Arches paper Hand signed and numbered 1981 Dimensions: 21.5 X 30 inches Marcel Marceau (French: born Marcel Mangel; 1923 – 2007) was ...

Sergio Hernández (Mexico, 1957) 'Pareja' (Couple), 2016 woodcut on Verlin Arches paper 400 g. 82.7 x 46.9 in. (210 x 119 cm.) Edition of 30 Ref: HER-205

Lithograph on paper. Sheet size 19 x 12 inches. Hand signed, dated and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Conditi...

Sergio Hernández (Mexico, 1957) 'La Maja', 2017 woodcut on paper Velin Arches 400 g. 46.9 x 82.7 in. (119 x 210 cm.) Edition of 30 Series # available:...

Hand signed & numbered by the artist. Sheet size: 26 x 25 inches. Image size: 22.5 x 22.5 inches. Edition of 150. Artwork is in excellent condition. Certificate of authenticity inc...

Screenprint in colors on Essex Offset Kid Finish paper. Hand signed and numbered by the artist in pencil. Published by Dr. Frank Braun, Düsseldorf. From the edition of 61/250 (aside...

"Le Schpountz" original 1952 movie poster by artist Albert Dubout. Created for 1952 revival by the French Société Nouvelle des Films of the 1938 movie, "...

Embossed lithograph with foil stamping on paper. Hand signed and numbered by the artist. From the edition of 450. Artwork is in excellent condition. Certificate of authenticity inc...

From Poor Richard's Almanac portfolio. Hand signed and numbered by the artist. Lithograph on arches. Sheet size 25.5 x 19.5 inches. Image size approx 16.75 x 13.5 inches. From t...

Unique hand finished in spray paint and pens, 25 color screen print on 300gsm somerset paper. Hand signed and dated lower right by Martin Whatson. Hand numbered lower left. From t...

Le Troisième Oeil (The Third Eye) Lithograph on Arches paper Hand signed and numbered 1981 Dimensions: 21.5 X 30 inches Marcel Marceau (French: born Marcel Mangel; 1923 – 2007) was ...

“Untitled (Sikán con bastón)” 1991 Serigraph 20 x 27 in Signed by the artist in the lower right corner Literature: Nkame, Belkis Ayón. Editorial Turner,...

This work is edition number 33/50. Signed/numbered in pencil, lower lect. By reducing his subjects to their most essential visual components, Alex Katz engages in a reductive proc...

Lithograph with foil stamping on paper. Hand signed and numbered by the artist. From the edition of 350. Artwork is in excellent condition. Certificate of authenticity included. A...

Hand signed and numbered by the artist. Signed and authenticated by Frank Hunter on verso. Artwork is in excellent condition. Certificate of authenticity included. Edition: F EA on L...

Cécile Plaisance uses a technique of lenticular developing, super imposing images which creates an image of Barbie from a functional role to undressed. From Lens Series. Edition of...

Fernando Aceves Humana (Mexico, 1969) 'Se volvió a salir el perro' (The dog came out again), 2007 woodcut on paper 17.6 x 23.1 in. (44.5 x 58.5 cm.) Edition of 10 ID: ACE-103 Unframed

Javier Areán (Mexico, 1969) "Mujer desnuda (estudio)" (Study of nude woman), 2007 dry point on paper Fabriano 300 g. 16 x 13.6 in. (40.5 x 34.5 cm.) Edition of 20 ID: ARA-101

Roland Ayers (1932-2014). The Split Second After, ca. 1959 Lithograph on paper, image measuring 14 × 18 inches. Sheet measuring 18 × 23 inches. Unframed. Minor staining of sheet...

"Untitled" screenprint by artist Georgy Litichevsky (Georgij Litischewskij) from the "Kinderstern" portfolio, published in 1989 by Edition Domberger to raise money to house families ...

Cécile Plaisance uses a technique of lenticular developing, super imposing images which creates an image of Barbie from a functional role to undressed. From Lens Series. Edition of...

Antonio Lopez Garcia (Spain, 1936) 'Rosa y membrillo', 1992 lithograph on paper 24.7 x 35.3 in. (62.5 x 89.5 cm.) Edition of 250 Unframed ID: LOP2001-009 ...

By removing parts of the image, he explores the tension between what is present and what is omitted, focusing on the reasons behind these choices and their implications. The cutouts ...

By removing parts of the image, he explores the tension between what is present and what is omitted, focusing on the reasons behind these choices and their implications. The cutouts ...

This listing is for the one plate. the cover is not included Lithographs part printed in colour, finished by hand This portfolio of lively loose pochoir plates sets its sights on pr...

Eduardo Chillida (Spain, 1924-2002) Clearing (Bilbao). Soccer World Cup. Spain '82, 1982 Original poster from 1982 lithograph on paper 37.5 x 23.7 in....

Lithograph in colors on paper. Hand signed and numbered by the artist. AE edition of 100. Image size approx 20 x 6 inches. Sheet size is 22 x 8 inches. Artwork is in excellent con...

Hand signed, dated, titled and numbered serigraph in colors on paper. Edition of 50. Sheet size 30 x 22.5 inches. Image size approx 21.25 x 15 inches. Artwork is in excellent con...

"Nelson Dominguez (Cuba, 1947) 'Sin título I', 2005 silkscreen on paper 27.6 x 19.7 in. (70 x 50 cm.) Edition of 99 ID: DOM1267-007-106" _______________________________________ "Biography. Nelson DOMÍNGUEZ.  Born: 1947, Santiago de Cuba, Cuba. Studies: 1970 National School of Art, Cuba. Experience: 1970 - 1985 Professor National School of Art, Cuba. He has been Professor of Painting and Engraving and Head of the Painting Department of the Higher Institute of Art (ISA). Member of the Union of Writers of Cuba and the International Association of Plastic Artists. Awards: Among the awards and recognitions that the Cuban artist received: Order for the National Culture, Cuba; Order Alejo Carpentier, Cuba; Diploma and Order of Honor from the Fuji Museum, Japan. In 1972, he received the National Prize at the International Painting Festival in Cagnes-sur-mer, France; 1976 Grand Prize, International Biennial of Wood Engraving, Banska Bystrika, Czechoslovakia and Painting Prize, Triennial of Committed Realist Art, Sofia, Bulgaria; Honor Prize, Graphic Biennial, India, as well as at the Jaime Guasch Biennial in Barcelona, Spain. Exhibitions In summary, exhibitions of personalities. In 1983 he made the exhibition ""Retrospective (10 years of professional work)"" at the National Museum of the Palace of Fine Arts of Cuba, in 1984 at the Francoise Tournie Gallery in Paris; in 1985 he did it in the National Welfare Organization of Athens, Greece and in 1986 in the Gallery del l 'Incisione in Venice, Italy. During the eighties and nineties his work was shown in Brazil, Italy, Puerto Rico, Japan, Mexico, Spain, the United States, Cuba and Mexico. In 2001, an individual exhibition was held at the Hotel Trip Cayo Coco in Cuba. Collections: Many of his works are exhibited in the Los Oficios Studio Gallery, Old Havana, Cuba and in the collections of the National Museum of Fine Arts of Cuba, Merugo Museum of Japan; Herbeat F. Johnson Museum of Art of the United States; The Presidential House, Los Pinos, of Mexico; Alejo Carpentier Foundation and José Martí Memorial Collection, Havana, Cuba; Collection Imperial Palace of Japan; Center for Cuban Studies in New York; Julio Cortázar...

From Historia de Don Quichotte de la Mancha. Etching and aquatint on Japon paper. Edition AP 23/50. Sheet size 29.875 x 22.125 inches. Image Size 15.75 x 17.5 inches. Frame size ap...

(after) Alexander Calder "Calder's Circus" offset lithograph on wove paper after drawings by the artist Published by Art in America and Perls gallery in 1964 (from drawings done in t...

This is one print – printed in full color on 15" x 20" heavy cream-colored paper. It is from a limited edition series of 175, the portfolio is hand numbered and hand signed by Chris Ware. the individual prints are not. The page with the hand signature is included here as a photo for reference only it is not included in this sale. Franklin Christenson "Chris" Ware (born December 28, 1967), is an American cartoonist known for his Acme Novelty Library series (begun 1994) and the graphic novel Jimmy Corrigan, the Smartest Kid on Earth (2000) and Building Stories (2012). His works explore themes of social isolation, emotional torment and depression. He tends to use a vivid color palette and realistic, meticulous detail. His lettering and images are often elaborate and sometimes evoke the ragtime era or another early 20th-century American design style. Ware often refers to himself in the publicity for his work in self-effacing, even withering tones. He is considered by some critics and fellow notable illustrators and writers, such as Dave Eggers, to be among the best currently working in the medium; Canadian graphic-novelist Seth has said, "Chris really changed the playing field. After him, a lot of [cartoonists] really started to scramble and go, 'Holy [expletive], I think I have to try harder.'" While still a sophomore at UT, Ware came to the attention of Art Spiegelman, who invited Ware to contribute to Raw, the influential anthology magazine Spiegelman was co-editing with Françoise Mouly. Ware has acknowledged that being included in Raw gave him confidence and inspired him to explore printing techniques and self-publishing. His Fantagraphics series Acme Novelty Library defied comics publishing conventions with every issue. Ware's art reflects early 20th-century American styles of cartooning and graphic design, shifting through formats from traditional comic panels to faux advertisements and cut-out toys. Stylistic influences include advertising graphics from that same era; newspaper strip cartoonists Winsor McCay (Little Nemo in Slumberland) and Frank King (Gasoline Alley); Charles Schulz's post-WWII strip Peanuts and the cover designs of ragtime-era sheet music. Ware has spoken about finding inspiration in the work of artist Joseph Cornell and cites Richard McGuire's strip Here as a major influence on his use of non-linear narratives. He is one of the great practitioners who have elevated the graphic novel style along with, Shepard Fairey, Ben Katchor and Robert Crumb. Quimby the Mouse was an early character for Ware and something of a breakthrough. Rendered in the style of an early animation character like Felix the Cat, Quimby the Mouse is perhaps Ware's most autobiographical character. Ware's Building Stories was serialized in a host of different venues. It first appeared as a monthly strip in Nest Magazine. Installments later appeared in a number of publications, including The New Yorker, Kramer's Ergot, and most notably, the Sunday New York Times Magazine. Building Stories appeared weekly in the New York Times Magazine from September 18, 2005 until April 16, 2006. A full chapter was published in Acme Novelty Library, number 18. Another installment was published under the title "Touch Sensitive" as a digital app released through McSweeneys. The entire narrative was published as a boxed set of books by Pantheon in October 2012. Ware was commissioned by Chip Kidd to design the inner machinations of the bird on the cover of Haruki Murakami's novel The Wind-Up Bird Chronicle. In 2011, Ware created the poster for the U.S. release of the 2010 Palme d'Or winning film Uncle Boonmee Who Can Recall His Past Lives by Thai director Apichatpong Weerasethakul. Awards and honors Over the years his work garnered several awards, including the 1999 National Cartoonists Society's Award for Best Comic Book for Acme Novelty Library and Award for Graphic Novel for Building Stories. Ware has won numerous Eisner Awards and multiple Harvey Awards. In 2002, Ware became the first comics artist to be invited to exhibit at Whitney Museum of American Art biennial exhibition. With Will Eisner, Jack Kirby, Harvey Kurtzman, Robert Crumb and Gary Panter, Ware was among the artists honored in the exhibition "Masters of American Comics" at the Jewish Museum in New York City, New York, from September 16, 2006 to January 28, 2007. His work was the subject of solo exhibitions at the Museum of Contemporary Art, Chicago in 2006 and at the University of Nebraska's Sheldon Museum of Art, in 2007. Many famous artists have done covers for the New Yorker Magazine including, Saul Steinberg, Maira Kalman, Art Spiegelman, Francoise Mouly, Charles Addams, Peter Arno, Roz Chast, Ed Koren...

Artist: Walasse Ting (Chinese-American, 1929-2010) Title: "Lady with Flowers" *Signed and numbered by Ting in pencil lower left Year: 1979 Medium: Original Lithograph on Somerset pap...

This is from a hand signed, limited edition (edition of 125) folio or full page lithographs some having a poem verso. The individual sheets are not signed or numbered. This listing ...

Hand signed and numbered by the artist. Serigraph on paper. Edition of 275. Artwork is in excellent condition. Certificate of Authenticity included. All reasonable offers will be ...

Luis Miguel Valdes (Cuba, 1949) Solistas, 2022 silkscreen on paper Canson 320 g. 30 x 22.1 in. (76 x 56 cm.) Excellent condition, unframed Edition of 20 Ref: 3G-2025-01 Luis Miguel...

Lithograph on paper. Sheet size 19 x 12 inches. Hand signed, dated and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Conditi...

Hand signed, dated and numbered by the artist. Screenprint on Saunders watercolor paper from the edition of 50. Artwork is in excellent condition. Certificate of authenticity inclu...

Amalia Avia (Spain, 1939) 'Carabel Santa María', 1982 etching and aquatint on paper, edition of 6 16.6 x 12.3 in. (42 x 31 cm.) Unframed, Hand-signed by author Amalia Avia, Biograph...

TECHNICAL INFORMATION: Shepard Fairey Riot Cop 2009 Screenprint 41x 29 in. Edition 25 of 75 Pencil signed and numbered Condition: This piece is in perfect c...

ARTIST: Salvador Dali TITLE: Fleurs Surrealiste Vanishing Face MEDIUM: Lithograph SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: HC 24/65 MEASUREMENTS: 21" x 29.5" YEAR: ...

Jerusalem's People in Public A folio of photographic images printed on art paper. This Portfolio is hand signed by the artist. Lawrence Salzmann "This portfolio has been especiall...

"Elvis" original etching by artist Al Hirschfeld. Caricature portrait of Elvis Presley. Hand pulled in 1993 from an edition of 150 plus 30 artist's proofs. Hand numbered 14/150 in lo...

Born in 1897, Ben-Zion Weinman celebrated his European Jewish heritage in his visual works as a sculptor, painter, and printmaker. Influenced by Spinoza, Knut Hamsun, and Wladyslaw R...

Screenprint on wood panel. Hand signed and numbered on front and verso by the artist. Edition 1 of 6. Custom framed as pictured. Artwork is in excellent condition. All reasonable...

Serigraph printed in colors on paper. Hand signed, dated and numbered by Melanie Taylor Kent. Remarqued lower margin. Printer's Proof edition. ...

From Poor Richard's Almanac portfolio. Hand signed and numbered by the artist. Lithograph on arches. Sheet size 25.5 x 19.5 inches. Image size approx 16.75 x 13.5 inches. From t...

Red Grooms (American, b. 1937). Lithograph in colors on wove paper, 1993 "East of Canal Street, Corner of Canal." Published by the Brooklyn Museum (Reference: Red Grooms: The Graphic Work, Walter G. Knestrick. Harry Abrams Inc Publishers, New York, 2001. Cat. no 138 page 172, Alexander & Cowles 138). Downtown Manhattan, New York City Chinatown Street scene with various vendors. Hand signed in black crayon and numbered on image at bottom edge. "8/115 Red Grooms." Dimensions 22" x 30" Printer: Sharks Lithographs Ltd, Boulder, CO Red Grooms (born Charles Rogers Grooms on June 7, 1937) is an American multimedia artist best known for his colorful pop-art constructions depicting frenetic scenes of modern urban life. Grooms was given the nickname "Red" by Dominic Falcone (of Provincetown's Sun Gallery) when he was starting out as a dishwasher at a restaurant in Provincetown and was studying with Hans Hofmann. Grooms was born in Nashville, Tennessee during the middle of the Great Depression. Red Grooms came of age in the shadow of the Abstract Expressionists. He studied at the Art Institute of Chicago, then at Nashville's Peabody College. In 1956, Grooms moved to New York City, to enroll at the New School for Social Research. A year later, Grooms attended a summer session at the Hans Hofmann School of Fine Arts in Provincetown, Massachusetts. There he met experimental animation pioneer Yvonne Andersen, with whom he collaborated on several short films. Grooms follows in the tradition of William Hogarth and Honoré Daumier, who were canny commentators on the human condition. In 1969, Peter Schjeldahl compared Grooms to Marcel Duchamp, because both embodied "a movement of one man that is open to everybody." In the spring of 1958, Grooms, Yvonne Andersen and Lester Johnson each painted twelve-foot by twelve-foot panels, which they erected with telephone poles on a parking lot adjacent an amusement park in Salisbury, MA. Inspired by artist-run spaces such as New York's Hansa Gallery and Phoenix, and Provincetown's Sun Gallery, Grooms and painter Jay Milder opened the City Gallery in Grooms' second-floor loft in the Flatiron District. When Phoenix refused to show Claes Oldenburg, Grooms and Milder dropped out of Phoenix and City Gallery presented Oldenberg's first New York exhibition, as well as that of Jim Dine. Other artists who showed at City Gallery include Stephen Durkee, Mimi Gross (daughter of Chaim Gross and Red Grooms wife), Bob Thompson, Lester Johnson, and Alex Katz. Grooms never developed the detached stance of such Pop Art practitioners as Andy Warhol, Roy Lichtenstein or James Rosenquist. Instead he painted his own life, and became, literally, an actor on the stage of life -- in this case the art-as-life "happenings" of the downtown New York scene. Inspired by George Méliès's 1902 film A Trip to the Moon...

Amazing and rare 1970's Key West FL poster for Restaurant and hotel, La Terraza de Marti a.k.a. La Te Da. Original poster, not a reprint. Measuring 18 x 24 inches framed. Minor...

Allen Rohan Crite: 1910-2007. Extremely well listed and important African-American artist. He lived and worked mostly in Massachusetts Boston area. He has had Auction records for a L...

By removing parts of the image, he explores the tension between what is present and what is omitted, focusing on the reasons behind these choices and their implications. The cutouts ...

Photolith on arches paper from the series Time. Hand signed and numbered by the artist. From the EA edition of 30. There is also a main edition of 300. Sheet size 29.5 x 21 inche...

Artist: Michael Burghers (Dutch, c.1647/1648-1727) Title: "The New Testament" Portfolio: Holy Bible *Signed by Burghers in the plate (printed signature) lower left Year: 1680 Medium...

Embossed lithograph with foil stamping on paper. Hand signed and numbered by the artist. From the edition of 750. Artwork is in excellent condition. Certificate of authenticity in...

Hand signed & numbered by the artist. Sheet size: 31 x 27 inches. Image size: 24 x 24 inches. Edition of 275. Artwork is in excellent condition. Certificate of authenticity includ...

Hand signed & numbered by the artist. From the edition of 180. Artwork is in excellent condition. Certificate of Authenticity included. All reasonable offers will be considered.

Screen print in colors on wood panel. Hand signed and dated on verso by Erik Parker. Hand numbered 47/100 on verso. Artwork size: 22.25 x 21 inches. Published by AllRightsReserve...

Hand signed and numbered by the artist. From the edition of 250. Screenprint in colors on paper. Commissioned to commemorate the opening of The Severin Wunderman Foundation in Ir...