Florida - Figurative Prints

8 color screen print on Mohawk Supreme 130lb paper. Hand signed lower right by Sean Gannon. Hand numbered 22/50 lower left. Sheet size: 22 x 32.9 inches. Frame size: 23.5 x 34 in...

Oscar Carballo Pérez (Cuba, 1951) 'Untitled (from Porfolio Grabados Cubanos)', 1978 silkscreen on paper Canson 320 g. 17.6 x 23.6 in. (44.6 x 59.8 cm.) Edition of 200 ID: CAO-302 Han...

Luis Miguel Valdes (Cuba, 1949) 'La Paleta I', 2014 woodcut, watercolor on paper Velin Arches 300 g. 12.1 x 15.8 in. (30.5 x 40 cm.) ID: VAL-3G2014-331 Hand-signed by author ________...

Juan Sebastian Barbera (Mexico, 1964) 'Sin título VI', 2004 silkscreen on paper 22.1 x 30 in. (56 x 76 cm.) Edition of 10 ID: BAR-306 Unframed

Juan Alcalde Alonso (Spain, 1918-2020) 'Biarritz', 2000 silkscreen on paper 28.8 x 21.3 in. (73 x 54 cm.) Edition of 75 ID: ALC1002-005-075 Hand-si...

Rafael Paneca (Cuba, 1949) 'Untitled (from Porfolio Grabados Cubanos)', 1978 silkscreen on paper Canson 320 g. 17.6 x 23.6 in. (44.6 x 59.8 cm.) Edition of 200 ID: PAN-304 Hand-signe...

Jose "Pepe" Contino (Cuba, 1933) 'Untitled (from Porfolio Grabados Cubanos)', 1978 photoengraving on paper Canson 320 g. 17.6 x 23.6 in. (44.6 x 59.8 cm.) Edition of 200 ID: CON-302 ...

Maryan S Maryan (Pinchas Burstein) (Poland, 1927-1977) 'Summer', 1975, Lithograph on paper, 21x25 in., Edition of 75 Ref: BUR1102-004 Maryan S. Maryan (Pinchas Burstein), a renowned...

Grupo ENEMA (Cuba, 2000) 'Dibujo en 14 etapas (La Huella Múltiple)', 2002 engraving on paper 8.1 x 8.1 in. (20.5 x 20.5 cm.) Edition of 300 ID: HUE-217 Hand-signed by author

Yamilis Brito (Cuba, 1972) 'Un mundo a la medida de mi gente (La Huella Múltiple)', 2002 linocut on paper 8.1 x 8.1 in. (20.5 x 20.5 cm.) Edition of 300 ID: HUE-207 Hand-signed by au...

Osvaldo Castillo (Cuba, ) 'Untitled (La Huella Múltiple)', 2002 engraving, linocut on paper 8.1 x 8.1 in. (20.5 x 20.5 cm.) Edition of 300 ID: HUE-213 Hand-signed by author

Namiko Prado Arai (Mexico, 1963) 'Untitled 9 (Bruñidor)', 1998 engraving on paper Guarro Biblos 250g. 21.1 x 24.5 in. (53.5 x 62 cm.) ID: PRA-311 Hand-signed by author Unframed

Namiko Prado Arai (Mexico, 1963) 'Untitled 1', 1998 engraving on paper Guarro Biblos 250g. 15.6 x 21.1 in. (39.5 x 53.5 cm.) ID: PRA-303 Hand-signed by author Unframed

Namiko Prado Arai (Mexico, 1963) 'Untitled', 1998 engraving on paper Guarro Biblos 250g. 14 x 25.6 in. (35.5 x 65 cm.) Edition of 12 ID: PRA-302 Hand-signed by author Unframed

Aliosky Garcia (Cuba, 1979) 'Donde habita mi alma', 2011 engraving on paper 35.7 x 27.8 in. (90.5 x 70.5 cm.) Edition of 10 ID: GAK-302 Hand-signed by author

Aliosky Garcia (Cuba, 1979) 'Talanquera', 2010 engraving on paper 38 x 27.8 in. (96.5 x 70.5 cm.) Edition of 10 ID: GAK-301 Hand-signed by author

Miguel Rasero (Spain, 1955) 'Vinas', N/A carborundum, chine colle on Heavy weight handmade paper 52.6 x 40.6 in. (133.5 x 103 cm.) Edition of 18 ID: RAS-301 Hand-signed by author

"Roxana Hartmann (Bolivia, ) 'Habana', 2018 engraving on paper Feltmark 300 g 16 x 11.3 in. (40.5 x 28.5 cm.) Edition of 10 ID: HAR-101-010"

Eduardo Naranjo (Spain, 1944) 'Dos odas (Federico en Nueva York)', 2005 silkscreen on paper Image size: 23.8 x 19.9 in. (60.50 x 50.50 cm.) Surface siz...

Jose "Pepe" Contino (Cuba, 1933) 'Untitled (from Porfolio Grabados Cubanos)', 1978 silkscreen on paper Canson 320 g. 17.6 x 23.6 in. (44.6 x 59.8 cm.) Edition of 200 ID: CON-303 Hand...

Eduardo Naranjo (Spain, 1944) 'Huida de Nueva York (Federico en Nueva York)', 2005 silkscreen on paper Image size: 23.8 x 19.9 in. (60.50 x 50.50 cm.) Surface size: 30.8 x 24.9 in. (...

Juan Alcalde Alonso (Spain, 1918-2020) 'El rastro', 2003 silkscreen on paper 25.6 x 30 in. (65 x 76 cm.) Edition of 100 ID: ALC1002-036-100 Hand-si...

Antoni Miró Bravo (Spain, 1944) 'Untitled', 1996 engraving, silkscreen on paper 15.8 x 11.9 in. (40 x 30 cm.) Edition of 150 ID: MIR1205-005-150_2 Hand-sig...

This lot is for one etching. --- Derain was born in 1880 in Chatou, Yvelines, Île-de-France, just outside Paris. In 1895 Derain began to study on his own, contrary to claims that mee...

Juan Alcalde Alonso (Spain, 1918-2020) 'Nueva York', 1999 silkscreen on paper 28.8 x 21.3 in. (73 x 54 cm.) Edition of 75 ID: ALC1002-001-075 Hand-...

Vicente Rojo (Mexico, 1932-2021) 'Cuaderno abierto', 2006 engraving on paper Velin Arches 300 g. 26 x 43.2 in. (66 x 109.5 cm.) Edition of 80 ID: ROJ-111 Unframed

"Nelson Dominguez (Cuba, 1947) 'La dama de Elche', 2005 sugar aquatint on paper Velin Arches 300 g. 47.5 x 20.7 in. (120.5 x 52.5 cm.) Edition of 40 ID: DOM-105"

"José Manuel Ballester (Spain, 1960) 'Macba', 1996 lithograph on paper 10.3 x 16.2 in. (26 x 41 cm.) Edition of 50 ID: BAL1266-006-050 Hand-signed by author in pencil"

"Fabian Ugalde (Mexico, 1967) 'Electrocuted', 2006 silkscreen on paper 27.6 x 23.7 in. (70 x 60 cm.) Edition of 99 ID: UGA1739-001-108 Hand-signed by author in...

"Nelson Dominguez (Cuba, 1947) 'Sin título II', N/A lithograph on paper 19.7 x 27.6 in. (50 x 70 cm.) Edition of 99 ID: DOM1267-006-099" _______________________________________ "Biography. Nelson DOMÍNGUEZ.  Born: 1947, Santiago de Cuba, Cuba. Studies: 1970 National School of Art, Cuba. Experience: 1970 - 1985 Professor National School of Art, Cuba. He has been Professor of Painting and Engraving and Head of the Painting Department of the Higher Institute of Art (ISA). Member of the Union of Writers of Cuba and the International Association of Plastic Artists. Awards: Among the awards and recognitions that the Cuban artist received: Order for the National Culture, Cuba; Order Alejo Carpentier, Cuba; Diploma and Order of Honor from the Fuji Museum, Japan. In 1972, he received the National Prize at the International Painting Festival in Cagnes-sur-mer, France; 1976 Grand Prize, International Biennial of Wood Engraving, Banska Bystrika, Czechoslovakia and Painting Prize, Triennial of Committed Realist Art, Sofia, Bulgaria; Honor Prize, Graphic Biennial, India, as well as at the Jaime Guasch Biennial in Barcelona, Spain. Exhibitions In summary, exhibitions of personalities. In 1983 he made the exhibition ""Retrospective (10 years of professional work)"" at the National Museum of the Palace of Fine Arts of Cuba, in 1984 at the Francoise Tournie Gallery in Paris; in 1985 he did it in the National Welfare Organization of Athens, Greece and in 1986 in the Gallery del l 'Incisione in Venice, Italy. During the eighties and nineties his work was shown in Brazil, Italy, Puerto Rico, Japan, Mexico, Spain, the United States, Cuba and Mexico. In 2001, an individual exhibition was held at the Hotel Trip Cayo Coco in Cuba. Collections: Many of his works are exhibited in the Los Oficios Studio Gallery, Old Havana, Cuba and in the collections of the National Museum of Fine Arts of Cuba, Merugo Museum of Japan; Herbeat F. Johnson Museum of Art of the United States; The Presidential House, Los Pinos, of Mexico; Alejo Carpentier Foundation and José Martí Memorial Collection, Havana, Cuba; Collection Imperial Palace of Japan; Center for Cuban Studies in New York; Julio Cortázar...

Antonio Diaz Cortes (Mexico, 1935) 'Encuentro' (meeting), 2006 woodcut on paper Velin Arches 300 g. 27.6 x 19.7 in. (70 x 50 cm.) P/A (Artist Proof), unique piece Unframed ID: DIA-10...

Agustin Bejarano (Cuba, 1964) 'Tejedoras de mano III', 2003 engraving on paper Guarro Biblos 250g. 30.6 x 23.3 in. (77.5 x 59 cm.) Edition of 20 Unfra...

"Inti R. Hernandez Veranes (Cuba, 1976) 'Untitled (La Huella Múltiple)', 2002 engraving on paper 8.1 x 8.1 in. (20.5 x 20.5 cm.) Edition of 300 ID: HUE-224"

"Jose Luis Cuevas (Mexico, 1934-2017) 'Suite Sobre la vida VI (pag suelta)', 2005 woodcut on paper Rives BFK 300 g. 22.1 x 30 in. (56 x 76 cm.) Edition of 50 ID: CUE-129"

Artist: Hans Bellmer Title: L'Usine Medium: Etching on Japon Paper Signed: Hand Signed by Hans Bellmer Edition Number: 46/100 Measurements: Paper: 15" x 22" Frame: 3...

"Angel Delgado (Cuba, 1965) 'Halar la cadena', 2010 silkscreen on toilet cover 17.6 x 14.8 in. (44.5 x 37.5 cm.) Edition of 10 ID: DEL-101"

Antonio Diaz Cortes (Mexico, 1935) 'Primavera/otoño', 2006 woodcut on paper Velin Arches 300 g. 27.6 x 19.7 in. (70 x 50 cm.) Edition of 99 ID: DIA-106 Unframed

Victor Hugo Nuñez (Chile, 1943) 'Untitled', 2013 woodcut on paper 30 x 44.1 in. (76 x 112 cm.) Edition of Unframed ID: HUV-110 Hand-signed by author

Roxana Hartmann (Bolivia, ) 'Habana', 2018 etching, sugar aquatint on paper Feltmark 300 g 16 x 11.3 in. (40.5 x 28.5 cm.) Edition of 10 ID: HAR-101-008 Unframed

Ivan Gardea (Mexico, 1970) 'Soledad I', 2009 linocut on paper Guarro Biblos 250g. 28.8 x 20.9 in. (73 x 53 cm.) ID: GAD-101 Unframed

Ivan Gardea (Mexico, 1970) 'Soledad II', 2011 linocut on paper Guarro Biblos 250g. 28.8 x 20.9 in. (73 x 53 cm.) ID: GAD-102 Unframed

Luis Lara (Mexico, 1972) 'Teoria del salto III', 2000 mezzotint on paper Velin Arches 300 g. 10.5 x 8.3 in. (26.5 x 21 cm.) Edition of 13 ID: LAL-308 Unframed

"Sergio Hernández (Mexico, 1957) 'Untitled', 2011 woodcut on paper 30 x 41.4 in. (76 x 105 cm.) ID: HER-157-2"

(after) Alexander Calder "Calder's Circus" offset lithograph on wove paper after drawings by the artist Published by Art in America and Perls gallery in 1964 (from drawings done in the 1930's) these range slightly in size but they are all about 13 X 17 inches (with minor variations in size as issued.) These have never been framed. The outer folio is not included just the one lithograph. James Sweeny from the introduction “The fame of Calder’s circus spread quickly between the years 1927 and 1930. All the Paris art world came to know it. It brought him his first great personal success. But what was more important, the circus also provided the first steps in Calder’s development as an original sculptor” Clive Gray wrote ”A visit to the studio of Alexander Calder led to the chance discovery of some hundred masterful circus drawings completed over thirty years ago. We publish, for the first time, a choice of sixteen from that group.” With signed introduction by Miro. These whimsical drawings, done in the style of wire sculpture, include acrobats, clowns, jugglers, trapeeze artists, an elephant, dog and lion. they are great. Alexander Calder is widely considered to be one of the most important American sculptors of the 20th century. He is best known for his colorful, whimsical abstract public sculptures and his innovative mobiles, kinetic sculptures powered by motors or air currents, which embraced chance in their aesthetic. Born into a family of accomplished artists, Calder's work first gained attention in Paris in the 1930s and was soon championed by the Museum of Modern Art in New York, resulting in a retrospective exhibition in 1943. Major retrospectives were also held at the Solomon R. Guggenheim Museum (1964) and the Museum of Contemporary Art, Chicago (1974). Calder’s work is in many permanent collections, most notably in the Whitney Museum of American Art, but also the Guggenheim Museum; the Museum of Modern Art; the National Gallery of Art, Washington, D.C.; and the Centre Georges Pompidou. He produced many large public works, including .125 (at JFK Airport, 1957), Pittsburgh (Carnegie International prize winner 1958, Pittsburgh International Airport) Spirale (UNESCO in Paris, 1958), Flamingo and Universe (both in Chicago, 1974), and Mountains and Clouds (Hart Senate Office Building, Washington, D.C., 1976). Although primarily known for his sculpture, Calder was a prodigious artist with a restless creative spirit, whose diverse practice included painting and printmaking, miniatures (such as his famous Cirque Calder), children’s book illustrations, theater set design, jewelry design, tapestry and rug works, and political posters. Calder was honored by the US Postal Service with a set of five 32-cent stamps in 1998, and received the Presidential Medal of Freedom, posthumously in 1977, after refusing to receive it from Gerald Ford one year earlier in protest of the Vietnam War. Calder moved to New York and enrolled at the Art Students League, studying briefly with Thomas Hart Benton, George Luks, Kenneth Hayes Miller, and John Sloan. While a student, he worked for the National Police Gazette where, in 1925, one of his assignments was sketching the Ringling Bros. and Barnum & Bailey Circus. Calder became fascinated with the action of the circus, a theme that would reappear in his later work. In 1926, Calder moved to Paris, enrolled in the Académie de la Grande Chaumière, and established a studio at 22 rue Daguerre in the Montparnasse Quarter. In June 1929, while traveling by boat from Paris to New York, Calder met his future wife, Louisa James (1905-1996), grandniece of author Henry James and philosopher William James. They married in 1931. While in Paris, Calder met and became friends with a number of avant-garde artists, including Fernand Léger, Jean Arp, and Marcel Duchamp. Cirque Calder (on view at the Whitney Museum of American Art at present) became popular with the Parisian avant-garde. He also invented wire sculpture, or "drawing in space," and in 1929 he had his first solo show of these sculptures in Paris at Galerie Billiet. Hi! (Two Acrobats) in the collection of the Honolulu Museum of Art is an early example of the artist's wire sculpture. The painter Jules Pascin, a friend of Calder's from the cafes of Montparnasse, wrote the preface to the catalog. A visit to Piet Mondrian's studio in 1930, where he was impressed by the environment-as-installation, "shocked" him into fully embracing abstract art, toward which he had already been tending. Dating from 1931, Calder’s sculptures of discrete movable parts powered by motors were christened “mobiles” by Marcel Duchamp, a French pun meaning both "motion" and "motive." At the same time, Calder was also experimenting with self-supporting, static, abstract sculptures, dubbed "stabiles" by Jean Arp in 1932 to differentiate them from mobiles. Public commissions increasingly came his way in the 1960s. Notable examples are .125 for JFK Airport in 1957, Spirale for UNESCO in Paris 1958 and Trois disques, commissioned for Expo 67 in Montreal, Quebec, Canada. Calder's largest sculpture at 25.7 meters high was El Sol Rojo, constructed outside the Aztec Stadium for the 1968 Summer Olympics "Cultural Olympiad" events in Mexico City. Many of his public works were commissioned by renowned architects; I.M. Pei commissioned his La Grande Voile (1966), a 25-ton, 40-foot high stabile for the Massachusetts Institute of Technology. Part of Calder's repertoire includes pivotal stage sets for more than a dozen theatrical productions, including Nucléa, Horizon, and most notably, Martha Graham’s Panorama (1935), a production of the Erik Satie symphonic drama Socrate (1936), and later, Works in Progress (1968). In addition to sculptures, Calder painted throughout his career, beginning in the early 1920s. He picked up his study of printmaking in 1925, and continued to produce illustrations for books and journals.As Calder’s professional reputation expanded in the late 1940s and 1950s, so did his production of prints. Masses of lithographs based on his gouache paintings hit the market, and deluxe editions of plays, poems, and short stories illustrated with fine art prints by Calder became available for sale. One of Calder's most celebrated and unconventional undertakings was a commission from Dallas-based Braniff International Airways to paint a full-size Douglas DC-8-62 four-engined jet as a "flying canvas." Calder created over 2,000 pieces of jewelry over the course of his career, many of them as gifts for friends and relatives. For his lifelong friend Joan Miró, he set a shard of a broken porcelain vessel in a brass ring. Peggy Guggenheim received enormous silver mobile earrings and later commissioned a hammered silver headboard...

Serigraph on paper. Hand signed and numbered by the artist. Sheet size 39 x 30 inches. Image size 24.25 x 24.25 inches. Custom framed as pictured. From the edition of 250. Additio...

Sergio Hernández (Mexico, 1957) 'Untitled', 2016 lithography on zinc on paper Deponte 300 g. 35.5 x 47.3 in. (90 x 120 cm.) Unframed

Ricardo Villasana (Mexico, 1970) 'Al alcance de la mano', 2003 mixed media on paper Guarro Biblos 250g. 17 x 19.7 in. (43 x 50 cm.) Edition of 80 ID: VIL-10...

Bernardo Navarro Tomas (Cuba, 1977) 'Night time', 2018 etching, sugar aquatint on paper Deponte 300 g. 22.5 x 23.9 in. (57 x 60.5 cm.) Edition of 30 ID: NAA-106 Unframed

Adigio Benitez (Cuba, 1924-2013) 'Mulata y lagarto', 2003 etching on paper Velin Arches 300 g. 25.6 x 18.4 in. (65 x 46.5 cm.) Edition of 30 ID: BEN-101 Unframed

Arturo Montoto (Cuba, 1965) 'Contrariedades', 2005 engraving on paper Velin Arches 300 g. 22.9 x 30.6 in. (58 x 77.5 cm.) Edition of 50 ID: MON-103 Unfr...

Arturo Montoto (Cuba, 1965) 'Indecisión', 2005 engraving on paper Guarro Biblos 250g. 18.6 x 13.6 in. (47 x 34.5 cm.) Edition of 30 ID: MON-104 Unframed

Adigio Benitez (Cuba, 1924-2013) 'Cara de Luna', 1996 lithograph on paper 26.4 x 20.1 in. (67 x 51 cm.) Edition of 19 ID: BEN-201 Unframed

Antonio Diaz Cortes (Mexico, 1935) 'Kamazotz ', 2006 engraving on paper Velin Arches 300 g. 19.7 x 27.6 in. (50 x 70 cm.) Edition of 99 ID: DIA-101

Tere Metta (Mexico, ) 'Untitled', 2002 etching, aquatint on paper Guarro Biblos 250g. 14.4 x 18 in. (36.5 x 45.5 cm.) ID: MET-102 Unframed

Luis Lara (Mexico, 1972) 'Adicción', 2000 mezzotint on paper Velin Arches 300 g. 29.6 x 22.1 in. (75 x 56 cm.) Edition of 13 ID: LAL-304 Unframed

Marco Lamoyi (Mexico, 1957) 'Untitled', 2010 sugar aquatint on paper Guarro Super Alpha 250g. 29.2 x 21.6 in. (74 x 54.7 cm.) ID: LAO-101 Unframed

Miguel Castro Leñero (Mexico, 1956) 'Caballo de Batalla III', 2020 engraving on paper Intaglio 300 g. 29.8 x 47.3 in. (75.5 x 120 cm.) Edition of 30 ID: CAM-103 Unframed

Ana Cazares (Mexico, ) 'Lengua afuera', 2019 woodcut on paper Guarro Biblos 250g. 44.1 x 30 in. (112 x 76 cm.) Edition of 2 ID: CAZ-104

Sergio Hernández (Mexico, 1957) 'Blue Butterflies', 2014 Engraving, etching, aquatint, sugarlift on paper 22.5 x 42 in. Series number: BAT (Bon a Tirer) Unframed ...

Alexis Kcho Leiva (Cuba, 1970) 'Canaima II', 2003 silkscreen on paper Canson 320 g. 27.2 x 39.4 in. (69 x 100 cm.) Edition of ID: KCH-117 Unframed