Florida - Interior Prints

Dr Seuss THEODOR GEISEL "THE CAT'S DEBUT - DIPTYCH" Limited Edition - Serigraph on Coventry Paper Authorized Estate Edition Edition Size: 850 Arabic Numbers 99 Patrons’ Collection 15...

Artist: Ferjo Title: Serenity Size: 30 x 40 Inches Medium: Giclee on Canvas Edition: AP Year: 2003 Notes: Hand Signed on Front. Stretched. Gallery COA Included. Custom Framed...

Le Petit Chien Sur Le Fauteuil (The Little Dog on the Armchair). Lithograph in colors on paper. Hand signed lower right by Rene Gruau. Hand numbered 139/300 lower left. Sheet siz...

Artist: Artist: Dan May (American, 1955-) Title: "Living Room" *Signed and numbered by May in pencil lower left Year: 1981 Medium: Original Screenprint on unbranded white wove paper ...

Screen print in colors on Arches 88 wove paper. Unsigned edition, lacking the pencil signature, but with the Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts,...

Ceiling of the Paris Opera House This is a print made by Center Art Galleries-Hawaii, Inc. You can google their name to get a sense of the litigation surrounding this manufacturer,...

Hand signed, dated and numbered by the artist. From the Six Still Lifes Series. Lithograph and screenprint on rives BFK paper. Co-published by Multiples, Inc. and Castelli Graphics, ...

Artist: Thomas McKnight (American, 1941-) Title: "Sag Harbor" Portfolio: The Hamptons *Signed by McKnight in pencil lower right Year: 1987 Medium: Original Screenprint on soft-white ...

Artist: Victor Vasarely, Hungarian (1908 - 1997) Title: Ter-Ur Year: circa 1980 Medium: Screenprint, signed and numbered in pencil Edition: From the edition of 250 Image Size: 24.5...

Artist: Victor Vasarely Title: Profound Works I Year: 1973 Not signed or numbered, as published Dimensions: 12 in. by 12 in. Framed Edition: From the Rare Limited Edition Publisher: Editions du Griffon Neuchatel Suite: Profound Works Medium: 3D, Serigraph on Acitate Over Serigraph on Paper Condition: Excellent Victor Vasarely (French/Hungarian, 1906–1997) is known as the father of the Op Art movement. As a painter, he created intricate abstractions that suggested depth and dimensionality using a variety of optical illusions, with surfaces seeming to bulge out of the canvas. His works present color, form, and pattern as a single interconnected element—a concept that was critical to the foundation of the Op Art movement and the focus of his mature works. Vasarely initially studied medicine at the Budapest University in his early 20s, only to abandon his medical studies to attend to the Muhely Academy, the center of the Bauhaus movement in Budapest. While there, he was profoundly influenced by the work of color theorist and artist Josef Albers, as well as the Constructivist methods promoted by artists such as Wassily Kandinsky. While Vasarely’s earlier work was concerned more with color theory, during the 1950s and 1960s his work became more focused on the optical potential of the two-dimensional surface. He began to use complex and colorful patterns to actively engage the viewer’s eye, and to convey a sense of kinetic energy across the two-dimensional surface. Vasarely’s work was heavily influenced by his time spent at Breton Beach of Belle Isle...

Artist: Victor Vasarely Title: Profound Works VIII Year: 1973 Not signed or numbered, as published Dimensions: 12 in. by 12 in. Framed Edition: From the Rare Limited Edition Publisher: Editions du Griffon Neuchatel Suite: Profound Works Medium: 3D, Serigraph on Acitate Over Serigraph on Paper Condition: Excellent Victor Vasarely (French/Hungarian, 1906–1997) is known as the father of the Op Art movement. As a painter, he created intricate abstractions that suggested depth and dimensionality using a variety of optical illusions, with surfaces seeming to bulge out of the canvas. His works present color, form, and pattern as a single interconnected element—a concept that was critical to the foundation of the Op Art movement and the focus of his mature works. Vasarely initially studied medicine at the Budapest University in his early 20s, only to abandon his medical studies to attend to the Muhely Academy, the center of the Bauhaus movement in Budapest. While there, he was profoundly influenced by the work of color theorist and artist Josef Albers, as well as the Constructivist methods promoted by artists such as Wassily Kandinsky. While Vasarely’s earlier work was concerned more with color theory, during the 1950s and 1960s his work became more focused on the optical potential of the two-dimensional surface. He began to use complex and colorful patterns to actively engage the viewer’s eye, and to convey a sense of kinetic energy across the two-dimensional surface. Vasarely’s work was heavily influenced by his time spent at Breton Beach of Belle Isle...

Artist: Victor Vasarely Title: Profound Works Year: 1973 Not signed or numbered, as published Dimensions: 12 in. by 12 in. Framed Edition: From the Rare Limited Edition Publisher: Ed...

Xisco Mensua (Spain, 1960) Untitled from Portfolio "Junio - Julio", 1995 engraving on paper 12.6 x 9.5 in. (32 x 24 cm.) Edition of 6 Frame 16x20 in. ID: MEN1253-003 Hand-signed by a...

Lithograph in colors on paper. Hand signed and numbered AP on front by the artist. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers ...

Pencil signed and dated, Judaica Lithograph. Anatoli Lwowitch Kaplan was a Russian painter, sculptor and printmaker, whose works often reflect his Jewish origins. His father was a b...

Fima (born Efraim Roeytenberg) (1914 – 2005) was an Israeli artist born in China. He spent most of his career in France. Ephraim (Yafim) Roeytenberg, known as "Fima" or "Pima", was b...

Pencil signed and dated, Judaica Lithograph. Anatoli Lwowitch Kaplan was a Russian painter, sculptor and printmaker, whose works often reflect his Jewish origins. His father was a b...

On Arches French art paper. Fima (born Efraim Roeytenberg) (1914 – 2005) was an Israeli artist born in China. He spent most of his career in France. Ephraim (Yafim) Roeytenberg, know...

Hand signed & numbered by the artist. Sheet size: 23 x 18.5 inches. Image size: 17.5 x 14 inches. Edition of 300. Artwork is in excellent condition. Certificate of authenticity in...

EUGENE ABESHAUS Leningrad, Russia, (1939-2008) Hand-Colored, with watercolor painting, Etching hand signed in pencil in English and Hebrew Numbered 47/110 Framed 21.5 x 16. image 13.5 x 9 Eugene Abeshaus (also spelled Evgeny Abezgauz, Евгений Абезгауз in Russian; 1939–2008) was a Jewish artist who worked in Russia (then USSR) and Israel. Born in Leningrad to a typical intelligentsia family, Abeshaus was educated as an electrical engineer but soon abandoned this career and enrolled in the Mukhina School for Applied Art. By the time of his graduation from the famous “Mukha” (Fly in Russian), he had already developed a critical stance towards the official Soviet art dominated by the Communist ideology and began exhibiting at semi-underground exhibitions. This was culminated by his taking part in a famous 1975 exhibition at the Nevsky Palace of Culture. Abeshaus was fired from his job and censured by the official press – which however admitted his "artistic taste, a good sense of color and form". Soon afterwards, Abeshaus set up, together with several Jewish artists, the Alef Group and became its leader. The group’s first exhibition in November 1975 was held at Abeshauses’ small apartment. According to the Alef Manifesto written by Alek Rapoport, “We are trying to conquer the influence of small-town Jewish art and find sources for our work in deeper, wiser, and more spiritual European culture, and from it build a bridge to today and tomorrow". He was part of a generation of Russian, mostly Jewish artist's that included Oskar Rabin, Evgeny Rukhin...

Giacomo da Prato Faraglioni, Capri, Italy, 2022 40 x 40 inches edition of 10 Archival Pigment Print Mounted and Framed Certificate of Authenticity

Artist: Dan May (American, 1955-) Title: "Book on Chair" *Signed and numbered by May in pencil lower left Year: 1989 Medium: Original Screenprint on unbranded white wove paper Limite...

This is one print – printed in full color on 15" x 20" heavy cream-colored paper. It is from a limited edition series of 175, the portfolio is hand numbered and hand signed by Chris Ware. the individual prints are not. The page with the hand signature is included here as a photo for reference only it is not included in this sale. Franklin Christenson "Chris" Ware (born December 28, 1967), is an American cartoonist known for his Acme Novelty Library series (begun 1994) and the graphic novel Jimmy Corrigan, the Smartest Kid on Earth (2000) and Building Stories (2012). His works explore themes of social isolation, emotional torment and depression. He tends to use a vivid color palette and realistic, meticulous detail. His lettering and images are often elaborate and sometimes evoke the ragtime era or another early 20th-century American design style. Ware often refers to himself in the publicity for his work in self-effacing, even withering tones. He is considered by some critics and fellow notable illustrators and writers, such as Dave Eggers, to be among the best currently working in the medium; Canadian graphic-novelist Seth has said, "Chris really changed the playing field. After him, a lot of [cartoonists] really started to scramble and go, 'Holy [expletive], I think I have to try harder.'" While still a sophomore at UT, Ware came to the attention of Art Spiegelman, who invited Ware to contribute to Raw, the influential anthology magazine Spiegelman was co-editing with Françoise Mouly. Ware has acknowledged that being included in Raw gave him confidence and inspired him to explore printing techniques and self-publishing. His Fantagraphics series Acme Novelty Library defied comics publishing conventions with every issue. Ware's art reflects early 20th-century American styles of cartooning and graphic design, shifting through formats from traditional comic panels to faux advertisements and cut-out toys. Stylistic influences include advertising graphics from that same era; newspaper strip cartoonists Winsor McCay (Little Nemo in Slumberland) and Frank King (Gasoline Alley); Charles Schulz's post-WWII strip Peanuts and the cover designs of ragtime-era sheet music. Ware has spoken about finding inspiration in the work of artist Joseph Cornell and cites Richard McGuire's strip Here as a major influence on his use of non-linear narratives. He is one of the great practitioners who have elevated the graphic novel style along with, Shepard Fairey, Ben Katchor and Robert Crumb. Quimby the Mouse was an early character for Ware and something of a breakthrough. Rendered in the style of an early animation character like Felix the Cat, Quimby the Mouse is perhaps Ware's most autobiographical character. Ware's Building Stories was serialized in a host of different venues. It first appeared as a monthly strip in Nest Magazine. Installments later appeared in a number of publications, including The New Yorker, Kramer's Ergot, and most notably, the Sunday New York Times Magazine. Building Stories appeared weekly in the New York Times Magazine from September 18, 2005 until April 16, 2006. A full chapter was published in Acme Novelty Library, number 18. Another installment was published under the title "Touch Sensitive" as a digital app released through McSweeneys. The entire narrative was published as a boxed set of books by Pantheon in October 2012. Ware was commissioned by Chip Kidd to design the inner machinations of the bird on the cover of Haruki Murakami's novel The Wind-Up Bird Chronicle. In 2011, Ware created the poster for the U.S. release of the 2010 Palme d'Or winning film Uncle Boonmee Who Can Recall His Past Lives by Thai director Apichatpong Weerasethakul. Awards and honors Over the years his work garnered several awards, including the 1999 National Cartoonists Society's Award for Best Comic Book for Acme Novelty Library and Award for Graphic Novel for Building Stories. Ware has won numerous Eisner Awards and multiple Harvey Awards. In 2002, Ware became the first comics artist to be invited to exhibit at Whitney Museum of American Art biennial exhibition. With Will Eisner, Jack Kirby, Harvey Kurtzman, Robert Crumb and Gary Panter, Ware was among the artists honored in the exhibition "Masters of American Comics" at the Jewish Museum in New York City, New York, from September 16, 2006 to January 28, 2007. His work was the subject of solo exhibitions at the Museum of Contemporary Art, Chicago in 2006 and at the University of Nebraska's Sheldon Museum of Art, in 2007. Many famous artists have done covers for the New Yorker Magazine including, Saul Steinberg, Maira Kalman, Art Spiegelman, Francoise Mouly, Charles Addams, Peter Arno, Roz Chast, Ed Koren...

Embossed lithograph with foil stamping on paper. Hand signed and numbered by the artist. AP edition of 450. Artwork is in excellent condition. Certificate of authenticity included...

Born in Newark, New Jersey, Robert Birmelin became a professor of fine arts at Queens College in New York, and is known for paintings that magnify through texture the realism of natu...

Born in Newark, New Jersey, Robert Birmelin became a professor of fine arts at Queens College in New York, and is known for paintings that magnify through texture the realism of natu...

Artist: Dan May (American, 1955-) Title: "Book on Chair (Black)" *Signed and numbered by May in pencil lower left Year: 1988 Medium: Original Screenprint on unbranded white wove pape...

Giacomo da Prato Rome details III, Rome, Italy 40 x 40 inches edition of 10 Archival Pigment Print Mounted and Framed Certificate of Authenticity

Giacomo da Prato Rome details II, Rome, Italy 40 x 40 inches edition of 10 Archival Pigment Print Mounted and Framed Certificate of Authenticity

Screenprint on gesso board. Hand signed and numbered. Artwork is in excellent condition. Certificate of Authenticity included. Edition of 30. All reasonable offers will be conside...

Giacomo da Prato Rome details I, Rome, Italy 40 x 40 inches edition of 10 Archival Pigment Print Mounted and Framed Certificate of Authenticity

Giacomo da Prato Reggia di Caserta, Italy, 2022 40 x 40 inches edition of 10 Archival Pigment Print Mounted and Framed Certificate of Authenticity

Archival Pigment Print - UNFRAMED 21 x 26 inches - edition of 7 32 x 40 inches - edition of 7 44 x 55 inches - edition of 10 59 x 79.5 inches – edition of 5 Ask us for custom fra...

David Burdeny Ca Rezzonico, Venice, Italy, 2012 Archival Pigment Print Signature Label Price for Print only. Ask us for framing options.

Hans Hartung (Germany, 1904-1989) Galerie Im Erker, 1963 lithograph on paper 36.5 x 22.7 in. (92.5 x 57.5 cm.) Excellent condition, unframed Ref: HAR100-204 Hans Hartung was born in...

This is one print – printed in full color on 15" x 20" heavy cream-colored paper. It is from a limited edition series of 175, the portfolio is hand numbered and hand signed by Chris Ware. the individual prints are not. The page with the hand signature is included here as a photo for reference only it is not included in this sale. Franklin Christenson "Chris" Ware (born December 28, 1967), is an American cartoonist known for his Acme Novelty Library series (begun 1994) and the graphic novel Jimmy Corrigan, the Smartest Kid on Earth (2000) and Building Stories (2012). His works explore themes of social isolation, emotional torment and depression. He tends to use a vivid color palette and realistic, meticulous detail. His lettering and images are often elaborate and sometimes evoke the ragtime era or another early 20th-century American design style. Ware often refers to himself in the publicity for his work in self-effacing, even withering tones. He is considered by some critics and fellow notable illustrators and writers, such as Dave Eggers, to be among the best currently working in the medium; Canadian graphic-novelist Seth has said, "Chris really changed the playing field. After him, a lot of [cartoonists] really started to scramble and go, 'Holy [expletive], I think I have to try harder.'" While still a sophomore at UT, Ware came to the attention of Art Spiegelman, who invited Ware to contribute to Raw, the influential anthology magazine Spiegelman was co-editing with Françoise Mouly. Ware has acknowledged that being included in Raw gave him confidence and inspired him to explore printing techniques and self-publishing. His Fantagraphics series Acme Novelty Library defied comics publishing conventions with every issue. Ware's art reflects early 20th-century American styles of cartooning and graphic design, shifting through formats from traditional comic panels to faux advertisements and cut-out toys. Stylistic influences include advertising graphics from that same era; newspaper strip cartoonists Winsor McCay (Little Nemo in Slumberland) and Frank King (Gasoline Alley); Charles Schulz's post-WWII strip Peanuts and the cover designs of ragtime-era sheet music. Ware has spoken about finding inspiration in the work of artist Joseph Cornell and cites Richard McGuire's strip Here as a major influence on his use of non-linear narratives. He is one of the great practitioners who have elevated the graphic novel style along with, Shepard Fairey, Ben Katchor and Robert Crumb. Quimby the Mouse was an early character for Ware and something of a breakthrough. Rendered in the style of an early animation character like Felix the Cat, Quimby the Mouse is perhaps Ware's most autobiographical character. Ware's Building Stories was serialized in a host of different venues. It first appeared as a monthly strip in Nest Magazine. Installments later appeared in a number of publications, including The New Yorker, Kramer's Ergot, and most notably, the Sunday New York Times Magazine. Building Stories appeared weekly in the New York Times Magazine from September 18, 2005 until April 16, 2006. A full chapter was published in Acme Novelty Library, number 18. Another installment was published under the title "Touch Sensitive" as a digital app released through McSweeneys. The entire narrative was published as a boxed set of books by Pantheon in October 2012. Ware was commissioned by Chip Kidd to design the inner machinations of the bird on the cover of Haruki Murakami's novel The Wind-Up Bird Chronicle. In 2011, Ware created the poster for the U.S. release of the 2010 Palme d'Or winning film Uncle Boonmee Who Can Recall His Past Lives by Thai director Apichatpong Weerasethakul. Awards and honors Over the years his work garnered several awards, including the 1999 National Cartoonists Society's Award for Best Comic Book for Acme Novelty Library and Award for Graphic Novel for Building Stories. Ware has won numerous Eisner Awards and multiple Harvey Awards. In 2002, Ware became the first comics artist to be invited to exhibit at Whitney Museum of American Art biennial exhibition. With Will Eisner, Jack Kirby, Harvey Kurtzman, Robert Crumb and Gary Panter, Ware was among the artists honored in the exhibition "Masters of American Comics" at the Jewish Museum in New York City, New York, from September 16, 2006 to January 28, 2007. His work was the subject of solo exhibitions at the Museum of Contemporary Art, Chicago in 2006 and at the University of Nebraska's Sheldon Museum of Art, in 2007. Many famous artists have done covers for the New Yorker Magazine including, Saul Steinberg, Maira Kalman, Art Spiegelman, Francoise Mouly, Charles Addams, Peter Arno, Roz Chast, Ed Koren...

Artist/Designer; Manufacturer: Georges Braque (French, 1882-1963) Marking(s); notes: signed, signed in plate; ed. 53/175; 1960 Materials: lithograph in colors on BFK Rives paper Dime...

Massimo Listri Queluz Palace, Sintra, Portugal, 1992 71 x 88.5 inches 180 x 225 cm Edition of 5 Chromogenic Print Signed, dated, and numbered on verso label Unframed (Framing opti...

Christo and Jeanne-Claude Wrapped Walk Ways, 1983 Lithograph on Arches Cover White mounted on museum board, with collage of white cloth 28 × 44 in. - 71 × 112 cm Edition: 68/100 Sign...

Screenprint on Velin Arches paper. Hand signed and dated by Andy Warhol and stamp numbered on verso. This is 106/250 (there were also 50 artist's proofs in Roman numerals). Publish...

Asger Jorn (Denmark, 1914-1973) Jorn. Galleri Flindt, 1978 lithograph on paper 27.6 x 19.3 in. (70 x 49 cm.) Excellent condition, unframed Ref: JOR100-201 A humanist in the broadest...

Notre Dame, Paris, France, 2017 32x40 inches Edition of 9 Archival Pigment Print Framed Also available in: 48x60 inches Edition of 5 Archival Pigment Print Framed

Artist: Thomas McKnight (American, 1941-) Title: "Sagaponack" Portfolio: The Hamptons *Signed by McKnight in pencil lower right Year: 1987 Medium: Original Screenprint on soft-white ...

Forum Romanum, Rome, Italy, 2019 32x40 inches Edition of 9 Archival Pigment Print Framed Also available in: 48x60 inches Edition of 5 Archival Pigment Print Framed

Hans Hartung (Germany, 1904-1989) Erker-Galerie, 1974 Woodcut on paper 27.6 x 19.7 in. (70 x 50 cm.) Excellent condition, unframed Edition of 0 Ref: HAR100-203 Hans Hartung was born...

Embossed lithograph with foil stamping on paper. Hand signed and numbered by the artist. From the edition of 750. Artwork is in excellent condition. Certificate of authenticity in...

Hand signed, dated and inscribed "Study" by the artist. Hand embellished by the artist. A unique variation. Artwork is in excellent condition. Certificate of Authenticity included....

Hans Hartung (Germany, 1904-1989) Olympische Spiele Munchen, 1972 Lithograph on paper Signed on plate 40.2 x 25.6 in. (102 x 65 cm.) Excellent condition, unframed Ref: HAR100-202 Ha...

Afternoon Delight Wicker front porch chair and furniture. Framed 19 X 23 image is 13 x 17. Lloyd van Pitterson was born in Jamaica, West Indies. He studied art with Edna Manley...

David Douglas Duncan: 1916-2018. Well listed photographer who had rare access to Picasso. He took numerous photos of the master at work, and at pl...

The Louvre Pyramid, Study II, Paris, France, 2017 32x40 inches Edition of 9 Archival Pigment Print Framed Also available in: 48x60 inches Edition of 5...

original limited edition woodcut woodblock print great depression era. signed in plate with his monogram and cipher mark. from the 1930s. Rare Judaic image. the Jewish Study House. ...

Luis Miguel Valdes (Cuba, 1949) "Dome", 2021 screenprint on heavy-weight paper Limited edition of 10 hand signed in pencil artwork: 21 x 15 in. frame: 24 x 18 in. Ref: 1G-2021-01

Artist: Victor Vasarely Title: Profound Works VII Year: 1973 Not signed or numbered, as published Dimensions: 12 in. by 12 in. Framed Edition: From the Rare Limited Edition Publisher...

Original stipple engraving with colors titled “Les Revers de la Fortune” (Reversal of Fortune) by the well known French engraver, Louis Marin Bonnet...

Xisco Mensua (Spain, 1960) Untitled from Portfolio "Junio - Julio", 1995 engraving on paper 12.6 x 9.5 in. (32 x 24 cm.) Edition of 6 Frame 16x20 in. ID: MEN1253-002 Hand-signed by a...

This piece is part of an ongoing project entitled "Fragmentary Views" (2001 - Present) by Xiaoze Xie, which is a series of paint-compositions based upon photographs of found newspape...

Artist: Kenny Scharf Title: Kenny Scharf, Flintstones, Screenprint, unsigned Year: 1998 Medium: Screenprint, unsigned Edition: 150 Size: 35 x 44 in. (88.9 x 111.76 cm) Image Size: 3...

Artist: Victor Vasarely Title: Profound Works III Year: 1973 Not signed or numbered, as published Dimensions: 12 in. by 12 in. Framed Edition: From the Rare Limited Edition Publisher...

Vibrant lithograph by Israeli master JOSSI STERN. on paper mounted to board. Sefardic Rabbi studying with son Torah. 23 x 21 framed 13.5 x 19.5 Hungary, b. 1923, d. 1992 Jossi (Yoss...