Florida - Sculptures

A remarkable example of Boaz Vaadia's distinctive approach to contemporary figurative sculpture, using bronze and bluestone to create a layered, stratified effect reminiscent of natu...

Artist/Designer: Barry Flanagan (Irish-Welsh, 1941-2009) Marking(s); notes: signed; from the edition of 8 plus 3 artist casts; 2005 Materials: bronze, steel (base) Dimensions: 95.5"h...

Alex Gabriel Bernstein presents a bold and refreshing exploration of visual form and storytelling through the art of glass. Bernstein skillfully combines metaphor with the impact and...

Alex Gabriel Bernstein presents a bold and refreshing exploration of visual form and storytelling through the art of glass. Bernstein skillfully combines metaphor with the impact and...

Alex Gabriel Bernstein presents a bold and refreshing exploration of visual form and storytelling through the art of glass. Bernstein skillfully combines metaphor with the impact and...

When people first view Marlene Rose, they often feel certain aliveness inherent in the work itself. Her goal as an artist is to inject life into whatever she makes. In simple terms, ...

When people first view Marlene Rose, they often feel certain aliveness inherent in the work itself. Her goal as an artist is to inject life into whatever she makes. In simple terms, ...

When people first view Marlene Rose, they often feel certain aliveness inherent in the work itself. Her goal as an artist is to inject life into whatever she makes. In simple terms, ...

When people first view Marlene Rose, they often feel certain aliveness inherent in the work itself. Her goal as an artist is to inject life into whatever she makes. In simple terms, ...

Alex Gabriel Bernstein presents a bold and refreshing exploration of visual form and storytelling through the art of glass. Bernstein skillfully combines metaphor with the impact and...

Alex Gabriel Bernstein presents a bold and refreshing exploration of visual form and storytelling through the art of glass. Bernstein skillfully combines metaphor with the impact and...

Alex Gabriel Bernstein presents a bold and refreshing exploration of visual form and storytelling through the art of glass. Bernstein skillfully combines metaphor with the impact and...

Hunt Slonem included in 200+ museums worldwide

Hunt Slonem included in 200+ museums worldwide

Reinaldo Sanguino, Venezuelan, unique handmade ceramic object

Reinaldo Sanguino, Venezuelan, unique handmade ceramic object

Tim Berg Rebekah Myers - entirely handmade - lacquered wood - the title tells it all - No time to lose....

Tim Berg Rebekah Myers - entirely handmade - lacquered wood - the title tells it all - While the going is good

Alex Gabriel Bernstein (b. 1972) Aqueous Galaxy Half Moon 2023 Cast and cut glass, fused steel 10.25 x 20.50 x 4.25 in (26.04 x 52.07 x 10.80 cm)

Alex Gabriel Bernstein (b. 1972) Steel Bust, 2023 Cast and cut glass, fused steel 23.50 x 8.50 x 8.50 in (59.69 x 21.59 x 21.59 cm)

Bjorn Skaarup Biography Danish, b. 1973 Bjorn Skaarup holds a MA in History and Art History from the University of Copenhagen, and a PHD in History from the European University Inst...

Edition of 30 Shaped powder-coated aluminum, printed the same on each side with UV-cured archival inks, clear coated and mounted to a polished aluminum base 23 x 24 x 4 in (58.42 x ...

Yellow flock over 3/8 inch Aluminum and mounted on 1/4 inch polished stainless steel base with yellow flocked feet 25 x 23.75 x 3.50 in (63.50 x 60.32 x 8.89 cm)

Edition of 20 Painted aluminum with polished acrylic base 1.75 x 8 x 1.75 in (4.44 x 20.32 x 4.44 cm)

Edition of 20 Painted aluminum with polished acrylic base 1.75 x 8 x 1.75 in (4.44 x 20.32 x 4.44 cm)

Shaped aluminum with aqua powder coat on polished aluminum base 24.50 x 24 x 3.50 in (62.23 x 60.96 x 8.89 cm)

Shaped aluminum with blue flocking 54 x 31 in (137.16 x 78.74 cm)

Shaped aluminum with yellow flocking 54 x 31 in (137.16 x 78.74 cm)

Hunt Slonem Delsin, 2022, (5/Edition of 20 ) Ceramic Sculpture 14 x 7.50 x 5.50 in (35.56 x 19.05 x 13.97 cm)

Sculpture of a woman in transparent and chalcedony glass by Dino Rosin, Murano, 2000s. Applied pad mark, signed. H. 13 x L. 7 x D. 5.25 in. Excellent Vintage Condition.

Artist Statement: I fully believe a certain "luck factor" exists when working with glass; sometimes a piece turns out and others crack or break. Glass can be solid/liquid, can be...

Santiago Medina (b. 1964) Taboo, 2023, (2/5) Italian Stainless Steel Sculpture26.50 x 6.50 x 4.75 in (67.31 x 16.51 x 12.06 cm)

Santiago Medina (b. 1964) Soul, 2023 Italian Stainless Steel Sculpture

Santiago Medina (b. 1964) Desire in Black, 2023, (/5) Italian Stainless Steel Sculpture72 x 8 x 6 in (182.88 x 20.32 x 15.24 cm)

American modern master David Hayes created graceful sculptures abstracted from organic forms over an artistic career that spanned six decades. His monumental outdoor sculptures conte...

Inspired by nature and his 60 pet birds, Hunt Slonem is renowned for his distinct neo-expressionist style. He is best known for his series of bunnies, butterflies and tropical birds, as well as his large-scale sculptures and restorations of forgotten historic homes. Slonem’s works can be found in the permanent collections of 250 museums around the world, including the Solomon R. Guggenheim Museum, the Metropolitan Museum of Art in New York City, the Whitney, the Miro Foundation and the New Orleans Museum of Art. Since his first solo show at the Fischbach Gallery in 1977, Slonem’s work has been showcased internationally hundreds of times, most recently at the Moscow Museum of Modern Art and the State Russian Museum in St. Petersburg. In 2017 and 2018, he was featured by the National Museum of the Republic of Kazakhstan, the National Gallery in Bulgaria, and in countless galleries across the United States and around the world. His flair and admiration for far-flung destinations has been a staple of his life since childhood. Slonem was born in 1951 in Kittery, Maine, and his father’s position as a Navy officer meant the family moved often during Hunt’s formative years, including extended stays in Hawaii, California and Connecticut. He would continue to seek out travel opportunities throughout his young-adult years, studying abroad in Nicaragua and Mexico; these eye-opening experiences imbued him with an appreciation for tropical landscapes that would influence his unique style. After graduating with a degree in painting and art history from Tulane University in New Orleans, Slonem spent several years in the early 1970s living in Manhattan. It wasn’t until Janet Fish offered him her studio for the summer of 1975 that Slonem was able to fully immerse himself in his work. His pieces began getting exhibited around New York, propelling his reputation and thrusting him into the city’s explosive contemporary arts scene. He received several prestigious grants, including from Montreal’s Elizabeth Greenshields Foundation, the National Endowment for the Arts, and the Cultural Counsel Foundation’s Artist Project, for which he painted an 80-foot mural of the World Trade Center in the late 1970s. He also received an introduction to the Marlborough Gallery, which would represent him for 18 years. Hunt Slonem tends to embrace the ephemeral beauty of nature, a characteristic that brings a nurturing, spiritual effect to his creations. Throughout his extensive career as a New York artist, Slonem has favored the subject of exotic birds, rabbits, and butterflies. Lately, his compositions have consisted of flat spaces with simple forms pushed to the front of the picture plane. The artist creates exotic forms with expressive and highly textural brushstrokes that are full of intense color, loosely inspired by artists of the German Expressionism movement such as Ernst Ludwig and Emil Nolde. Henry Geldzahler, a scholar of Hunt Slonem, notes that of contemporary artists, “he particularly admires the work of Malcolm Morely...

Inspired by nature and his 60 pet birds, Hunt Slonem is renowned for his distinct neo-expressionist style. He is best known for his series of bunnies, butterflies and tropical birds, as well as his large-scale sculptures and restorations of forgotten historic homes. Slonem’s works can be found in the permanent collections of 250 museums around the world, including the Solomon R. Guggenheim Museum, the Metropolitan Museum of Art in New York City, the Whitney, the Miro Foundation and the New Orleans Museum of Art. Since his first solo show at the Fischbach Gallery in 1977, Slonem’s work has been showcased internationally hundreds of times, most recently at the Moscow Museum of Modern Art and the State Russian Museum in St. Petersburg. In 2017 and 2018, he was featured by the National Museum of the Republic of Kazakhstan, the National Gallery in Bulgaria, and in countless galleries across the United States and around the world. His flair and admiration for far-flung destinations has been a staple of his life since childhood. Slonem was born in 1951 in Kittery, Maine, and his father’s position as a Navy officer meant the family moved often during Hunt’s formative years, including extended stays in Hawaii, California and Connecticut. He would continue to seek out travel opportunities throughout his young-adult years, studying abroad in Nicaragua and Mexico; these eye-opening experiences imbued him with an appreciation for tropical landscapes that would influence his unique style. After graduating with a degree in painting and art history from Tulane University in New Orleans, Slonem spent several years in the early 1970s living in Manhattan. It wasn’t until Janet Fish offered him her studio for the summer of 1975 that Slonem was able to fully immerse himself in his work. His pieces began getting exhibited around New York, propelling his reputation and thrusting him into the city’s explosive contemporary arts scene. He received several prestigious grants, including from Montreal’s Elizabeth Greenshields Foundation, the National Endowment for the Arts, and the Cultural Counsel Foundation’s Artist Project, for which he painted an 80-foot mural of the World Trade Center in the late 1970s. He also received an introduction to the Marlborough Gallery, which would represent him for 18 years. Hunt Slonem tends to embrace the ephemeral beauty of nature, a characteristic that brings a nurturing, spiritual effect to his creations. Throughout his extensive career as a New York artist, Slonem has favored the subject of exotic birds, rabbits, and butterflies. Lately, his compositions have consisted of flat spaces with simple forms pushed to the front of the picture plane. The artist creates exotic forms with expressive and highly textural brushstrokes that are full of intense color, loosely inspired by artists of the German Expressionism movement such as Ernst Ludwig and Emil Nolde. Henry Geldzahler, a scholar of Hunt Slonem, notes that of contemporary artists, “he particularly admires the work of Malcolm Morely...

Inspired by nature and his 60 pet birds, Hunt Slonem is renowned for his distinct neo-expressionist style. He is best known for his series of bunnies, butterflies and tropical birds,...

Inspired by nature and his 60 pet birds, Hunt Slonem is renowned for his distinct neo-expressionist style. He is best known for his series of bunnies, butterflies and tropical birds,...

Inspired by nature and his 60 pet birds, Hunt Slonem is renowned for his distinct neo-expressionist style. He is best known for his series of bunnies, butterflies and tropical birds,...

Inspired by nature and his 60 pet birds, Hunt Slonem is renowned for his distinct neo-expressionist style. He is best known for his series of bunnies, butterflies and tropical birds,...

Inspired by nature and his 60 pet birds, Hunt Slonem is renowned for his distinct neo-expressionist style. He is best known for his series of bunnies, butterflies and tropical birds,...

Artist Statement: I fully believe a certain "luck factor" exists when working with glass; sometimes a piece turns out and others crack or break. Glass can be solid/liquid, can be...

Danish, b. 1973 Bjorn Skaarup holds a MA in History and Art History from the University of Copenhagen, and a PHD in History from the European University Institute in Florence, Italy...

Original Murano glass vase with inclusions of avventurina, (a mixture of glass and copper), colorful glass rods and other patches, Angelo Rinaldi, Murano 1975. Etched surface. It wea...

Thick, transparent glass with immersed stripes of red, yellow, blue and green, Fulvio Bianconi for Venini S.p.a., Murano 1991. Signed, dated, original label and original box. H. 12.7...

Red Vase, 2023

Sunrise, 2023

Sunset, 2023

Aquamarine, 2020

Hunt Slonem Landric (9/55), 2023 Powder Coated Aluminum 14 x 12 x 3.50 in

Beverly Pepper is an American sculptor known for her monumental works, site specific and land art. She remains independent from any particular art movement. She was married to the writer Curtis Bill Pepper. Pepper was born Beverly Stoll on December 20, 1922, in Brooklyn, New York. At sixteen, she entered the Pratt Institute in Brooklyn, New York to study advertising design, photography, and industrial design. She then embarked on a career as a commercial art director. She studied at Art Students' League and attended night classes at Brooklyn College, including art theory with György Kepes, who introduced her to the work of Lasló Moholy-Nagy and Man Ray. It was also at this time, in her mid twenties, that she met the environmental artist Frederick Kiesler. Drawn to post-war Europe in 1949, she studied painting in Paris at the Académie de la Grande Chaumière. There she attended classes with cubist painter André L'Hôte, and with Fernand Léger at his atelier. She also visited the studios of Ossip Zadkine and Brâncuși. Pepper began her career as a painter, but after a trip to Angkor Wat, Cambodia in 1960, she was so awed by the temple ruins surviving beneath the jungle growth that she turned to sculpture. She made her debut in 1962 with an exhibit of carved tree trunks at a gallery in Rome. After several exhibitions in New York and Rome, she was one of ten artists invited by Giovanni Carandente, along with David Smith, Alexander Calder, Arnaldo Pomodoro, Lynn Chadwick, and Pietro Consagra, to fabricate works in Italsider factories in Italy for an outdoor exhibition, "Sculture nella città", held in Spoleto during the summer of 1962. Beverly Pepper has had a long and extraordinary career. Like her contemporaries Louise Bourgeois and Louise Nevelson, Pepper forged a unique path as a mid-century feminist artist. As the 1960s progressed, Pepper turned to polished stainless steel. In some of the first works, she used a torch to carve used one-inch thick elements of stainless steel. From there, her pieces evolved into highly polished stainless with painted interiors. She was, in fact, one of the first artists, if not the first, to incorporate Cor-Ten steel into sculpture. Beginning in the 1970s, and to the present day, she has lived a bi-continental life traveling between Europe and the United States. Western Washington University outdoor sculpture collection. The collection has some pieces which qualify as "land art" including Alice Aycock's 1987 "The Islands of the Rose Apple Tree Surrounded by the Oceans of the Word, for You, Oh My Darling," and Nancy Holt's 1977-1978 "Stone Enclosure: Rock Rings." Other artists in the collection include Beverly Pepper, Robert Morris, Richard Serra, Isamu Noguchi, Bruce Nauman, Tom Otterness, and Mark di Suvero. Pepper's works have been exhibited and collected by major museums and galleries throughout the world, including: deCordova Sculpture Park and Museum, Lincoln, Massachusetts The Metropolitan Museum of Art, New York The Whitney Museum of American Art, New York Brooklyn Museum of Art, Brooklyn, New York The Albright-Knox Art Gallery, Buffalo, New York The White House Sculpture Garden, Washington, D.C. The Hirshhorn Museum and Sculpture Garden The National Museum of American Art, Smithsonian Institution, Washington, D.C. The Walker Art Center, Minneapolis, Minnesota The San Francisco Museum of Modern Art, California Denver Art Museum, Colorado Columbus Museum of Art, Ohio The Georgia Museum of Art, Athens, Georgia Centre Georges Pompidou, Paris, France Les Jardins du Palais Royal, Paris, France Palazzo degli Uffizi, Florence, Italy Galleria Nazionale d’Arte Moderna, Rome, Italy Forte Belvedere, Florence, Italy The Albertina Museum, Vienna, Austria The Museum of Modern Art, Barcelona, Spain The Wohl Rose Garden, Jerusalem, Israel The Contemporary Sculpture Center, Tokyo, Japan The Museum of Modern Art, Sapporo, Japan Europarkas Sculpture Park, Vilnius, Lithuania The Bradley Foundation, Milwaukee, Wisconsin The Gori Collection, Pistoia, Italy Nasher Sculpture Center, Dallas, Texas The City of Todi, Italy Indianapolis Museum of Art, Indianapolis Museu d'Art Contemporani de Barcelona, Barcelona, Spain Casal Solleric, Majorca, Spain Laumeier Sculpture Park, St. Louis, Missouri The Seattle Art Museum, Olympic Sculpture...

David Wight XXL Emerald Genesis glass 27 x 16 x 14 in

David Wight XL Turquoise Classic Wave Glass 15 x 14 x 13 in

David Wight Epiphany Glass 25 x 13 x 13 in

Salviati Marina, c. 1970's Sommerso Glass - Murano 13 x 5 x 3.12 in

Salviati Marina, c. 1970's Sommerso Glass - Murano 20 x 9 x 4 in

Ermanno Nason 4 Chinese Figures, circa 1960's Hand Sculpted Glass 8.62 x 0 in

Murano Glass Costolato Vase Light Green, circa 1930 Blown glass 13.25 x 6.25 x 6.25 in

Latchezar Boydjiev Woman III In Amber, 2022 Glass 24 x 17 x 4 in