France

Circa 1790-1800 France or Europe Elegant pair of burgundy leather Stiletto heel shoes dating from the late 18th century. Pointed toe vamp and small coil heel, typical of the fashion ...

A very pretty pair of 18th-century engravings depicting two elegant women with hairstyles in the fashion of the time. These engravings come from the magazine "Le Cabinet des Modes ou...

This elegant 18th century walnut chiffonnière or petite commode is a testament to fine craftsmanship and timeless design. Crafted from rich, warm walnut wood, this piece boasts intri...

Great small wooden candleholder with its original gilding. Very nice type candleholder and rare to find. Italy, circa 1780-1800. Weathered, small losses and repair. H:29cm W:16,5cm ...

18th century Flemish school Oil on panel Trace of a signature lower left ? 32 x 39 cm (46 x 56 cm with frame) Beautiful old frame in gilded wood from the Empire period This landscap...

Suzuribako (writing box) in black lacquer, rectangular in shape, with a gold lacquer (maki-e) decoration of a pavilion by the edge of a waterfall and a mountain river surrounded by v...

Magnificent donkey back desk, sloping desk from the Louis XV period from the 18th century. It opens with a flap which reveals 4 interior drawers, 1 shelf and 2 lockers as well as a s...

Elegant Louis XV period settee, circa 1750–1770, carved and waxed beechwood, newly upholstered “in the white” with natural linen. The triple-arched backrest, serpentine seat rail and...

Wonderful original period piece and very decorative item. The hand of a baroque Saint figure with its original color. Italy circa 1750 Weathered. H:7cm W:11cm D:24,5cm

Etching realized by Jean Charles Baquoy in 1771. It belongs to the first edition of the suite "Histoire Naturelle de Buffon". Good conditions with slight foxing.

Francesco GUARDI (1712-1793) Portrait of a Lady Oil on copper 5 1/8 x 4 3/8 in 13 x 11 cm Unsigned Provenance Private collection, France We are pleased to present an exceptional...

Banker lamp with a green and removable lampshade.

A charming pair of Louis XVI era 'Fauteuils en Cabriole', upholstered in stripes of luxurious cream and gold satin silk, edged in gold-braid trim. Discovered in a Provençal mansion, ...

A straight-cornice wardrobe with two doors and a false frame, made of molded oak with carved and gilded decoration of foliate scrolls, flowers and finials, arched uprights. Parisian ...

This Antique French Mirror is a stunning piece of pre-Victorian era decor, crafted in France with exquisite attention to detail. The oil-painted trumeau mirror in the Louis XVI style...

Carle Vanloo (Nice 1705 – Paris 1765) Perseus and Andromeda Oil on canvas. H. 081; W. 065. Alongside François Boucher (1703-1770) and Charles-Joseph Natoire (1700-1777), Carle Vanlo...

Beautiful handcarved giltwood acanthus leaf curl ornament that once adorned a chapel .Original period piece that due it’s high age has a wonderful weathered look. Italy circa 1780/18...

Very beautiful Louis XVI period secretary made of satin and amaranth veneer, front uprights in cut corners simulating fluting, rear uprights in projection with simulated fluting as w...

This elegant writing desk, known quirkily as a “bureau à dos d’âne” (donkey’s back desk), is beautifully veneered in rosewood, including reverse diamonds and butterfly-wings, which a...

Follower of Giovanni Francesco Barbieri, called Il Guercino (Cento 1591 – 1666 Bologna) Sibyl or bust-length woman, seen in profile to the left, wearing a turban Red chalk on paper,...

Antique heart pendant gold silver diamonds Flemish heart pendant in silver, gold and diamonds. The lower part features an openwork heart formed by scrol...

Beautiful large Baroque angel-wing with its original color and gilding. Extremely rare to find in this size. Very decorative item placed on a wooden base. Italy, circa 1750. Weathere...

Netsuke in boxwood in the form of a tortoise hiding in its shell with only its head overstepping. Textures from the shell are executed with realism precision and a great care for de...

This pair of Beautiful Antique French Cane armchairs are from the Regency period, specifically dating back to the 1700s. These square-shaped chairs are crafted from walnut wood in a ...

Etching realized in 1771. It belongs to the first edition of the suite "Histoire Naturelle de Buffon". Good conditions with slight foxing.

Etching realized in 1771. It belongs to the first edition of the suite "Histoire Naturelle de Buffon". Good conditions with slight foxing.

Circa 1785 - 1790 France Siamoise silk and cotton Habit or frock coat with fine tricolour, speckled and shaded stripes dating from the French Revolution. Fitted, scooped front and pl...

Le Mococo is an etching realized by Jean Charles Baquoy in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi...

Le Saki is an etching realized by Jean Charles Baquoy in 1771. Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description d...

Ancient Roman Statue, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Filippo Morghen in the 18th century. Signed on the plate, on the lowe...

Le Leopard is an etching realized by Jean Charles Baquoy in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Ro...

Christ , 18th century. Crucifix, Christ, beautiful carved and gilded wood frame, 18th century. Dimensions: H: 61cm, W: 39cm, D: 7cm.

Magnificent set of two Baroque French Valances (Pelmets in UK) represents an era of Louis XV palaces accessories. Hand carved and gold gilded these two Pelmets have a unique and most...

This is an Pair of oil Paintings in the Style of François Boucher. This is a charming 18th century Pair of oil on canvas painting depicting cherubs . The cherubs are draped. This...

France - La Borne 18th century ceramic pottery vase or bottle Original good condition Brown and grey frigin colors Some little losses...

Celestial Music is an original black and white etching on cream-colored paper, realized by Charles-Nicolas Cochin the Elder (1688-1754), the well-known ...

Large boat bed in solid mahogany flamed, mahogany veneer, with rich decoration of finely chased and gilded bronzes, Empire period. Four baluster uprights, dec...

These two royal portraits are a major historical testimony to the stay of the Comte d'Artois (the future Charles X) and his family in Edinburgh in 1796-1797. Given by the sitters to Lord Adam Gordon, the Governor of Edinburgh, and kept by family descent to this day, these two portraits provide us with a vivid and spontaneous image of the Duc d’Angoulême and his brother the Duc de Berry. Danloux, who had emigrated to London a few years before, demonstrate his full assimilation of the art of British portrait painters in the brilliant execution of these portraits. 1. Henri-Pierre Danloux, a portraitist in the revolutionary turmoil Born in Paris in 1753, Henri-Pierre Danloux was first a pupil of the painter Nicolas-Bernard Lépicié (1735 - 1784) and then, in 1773, of Joseph-Marie Vien (1716 - 1809), whom he followed to Rome when, at the end of 1775, Vien became Director of the Académie de France. In Rome he became friends with the painter Jacques-Louis David (1748 - 1825). Returning to France around 1782, he settled in Lyon for a few years before returning to Paris in 1785. One of his first portraits was commissioned by the Baroness d'Etigny, the widow of the former Intendant of the Provinces of Gascony, Bearn and Navarre Antoine Mégret d'Etigny (1719 – 1767). He then became close to his two sons, Mégret de Sérilly and Mégret d'Etigny, who in turn became his patrons. In 1787, this close relationship with the d'Etigny family was further strengthened by his marriage to Antoinette de Saint-Redan, a relative of Madame d'Etigny. After his marriage, he left for Rome and did not return to France until 1789. It was during the winter of 1790-1791 that he painted one of his masterpieces, the portrait of Baron de Besenval. Set in a twilight atmosphere, this portrait of an aristocrat who knows that his death is imminent symbolizes the disappearance of an erudite and refined society which would be swept away by the French Revolution. The Jacobin excesses led Danloux to emigrate to England in 1792; many members of his family-in-law who remained in France were guillotined on 10 May 1794. Danloux enjoyed great success as a portrait painter in England before returning to France in 1801. During his stay in England, Danloux was deeply under the influence of English portraitists: his colors became warmer (as shown by the portrait of the Duc d'Angoulême that we are presenting), and his execution broader. 2. Description of the two portraits and biographical details of the sitters The Duc d'Angoulême (1775-1844) was the eldest son of the Comte d'Artois, the younger brother of King Louis XVI (the future King Charles X), and his wife Marie-Thérèse of Savoie. He is shown here, in the freshness of his youth, wearing the uniform of colonel-general of the "Angoulême-Dragons" regiment. He is wearing the blue cordon of the Order of the Holy Spirit, which was awarded to him in 1787, and two decorations: the Cross of Saint-Louis and the Maltese Cross, as he was also Grand Prior of the Order of Malta. Born on 16 August 1775 in Versailles, Louis-Antoine d'Artois followed his parents into emigration on 16 July 1789. In 1792, he joined the émigrés’ army led by the Prince de Condé. After his stay in Edinburgh (which will be further discussed), he went to the court of the future King Louis XVIII, who was in exile at the time, and in 1799 married his first cousin Marie-Thérèse Charlotte of France, the daughter of Louis XVI and the sole survivor of the royal family. The couple had no descendants. He became Dauphin of France in 1824, upon the accession to the throne of his father but played only a minor political role, preferring his military position as Grand Admiral. Enlisted in Spain on the side of Ferdinand VII, he returned home crowned with glory after his victory at Trocadero in 1823. He reigned for a very short time at the abdication of Charles X in 1830, before relinquishing his rights in favor of his nephew Henri d'Artois, the Duc de Bordeaux. He then followed his father into exile and died on 3 June 1844 in Gorizia (now in Italy). His younger brother, the Duc de Berry, is shown in the uniform of the noble cavalry of the émigrés’ Army. He is wearing the blue cordon of the Order of the Holy Spirit, awarded to him in May 1789, and the Cross of Saint-Louis (partly hidden by his blue cordon). Born on 24 January 1778 in Versailles, Charles-Ferdinand d'Artois also followed his parents into emigration and joined the émigrés’ army in 1792. After his stay in Edinburgh, he remained in Great Britain, where he had an affair with Amy Brown...

Etching on laid and watermarked paper (a double circles visible near the bell tower). 38 th Plate from the series " Views of Rome". Signed on plate on lower-left margin "Piranesi F....

This painting, created during Zuccarelli's stay in England, represents the decisive moment when Macbeth, together with Banquo, meets the three witches who announce that he will be Ki...

18th-century painting depicting Saint Mary Magdalene renouncing the vanities of the world, after a celebrated composition by Charles Le Brun (1619–1690), first painter to King Louis ...

This 18th century Louis XVI baguette frame giltwood mirror is full of vintage character, and features a slim but beautifully carved frame embellished with bands of carved decoration ...

Circa 1750 France Caraco or supple body in brown brocaded French faille, Louis XV period. Unstuffed caraco à la négligé, small basques with pet-en-l'air, three-quarter bent sleeves t...

Etching on paper realized in 1748. Very good condition except for some minor foxing. Includes a wooden frame cm. 27.5x41.5

Netsuke in boxwood depicting a mouse curled up on itself, holding its tail between its tiny paws. The highly realistic rendering of the fur and the deep, worn patina emphasize the na...

A large and very handsome glazed terracotta walnut oil jug, dating from the 18th century and originating from the south of France. Featuring two side handles and a single pouring spo...

Pair of andchers or andirons wrought iron and brass. Fire dogs in the style Grandy Fils 18th century. Good antique condition Shipping: 47 / 43 / 24 cm 7 kg.     

This rare pair of gilded stucco panels on wood, created in the late 18th century, depicts two major scenes from the New Testament: The Deposition from the Cross and The Adoration of ...

This 18th-century woodwork features a set of pilasters, more ornate than classical Ionic models. It reflects the strong taste for Ancient Greek aesthetics that prevailed during the 1...

This icon, painted in tempera on wood and highlighted with a gold background, belongs to the great iconographic type of the Virgin of Tenderness (Eleousa). Dating from 18th-century R...

A charming little sterling silver-lidded porcelain box, possibly used for snoring snuff, or for general trinkets. The silver top is decorated in Louis XVI style, and bears the Minerv...

Huile sur toile dim avec cadre 44/52 cm Dim sans cadre 33.5/41 cm Ecole française Entourage Pierre Mignard Pierre Mignard  né le 17 novembre 1612 à Troyes et mort le 30 mai 1695 à Pa...

Elegant 18th-century armoire Bordelaise in solid mahogany. Opening two large doors, decorated with fluting, "gendarme hat" cornice molded with boudins and ogee. Cremone bolt and t...

Hera, the Fearsome Queen of Olympus, Tapestry – Brussels Manufacture, 18th Century – No. 1535 Period: 18th Century Condition: Excellent condition Material: Wool & silk Width: 183 cm...

French school late 18th Century Portrait of a young man oil on metal 10.2 x 7.7 cm Framed under glass : 24.4 x 21.8 cm This small portrait painting, quite original in its technique...

VERY IMPORTANT DRAWING BY JACQUES DUMONT called « LE ROMAIN" (Paris 1701-1781) Preparations for the fireworks display held in Piazza Navona in Rome on November 30, 1729, for the bi...

French School 18th century, Interior of a barn Black chalk and black ink wash on paper 30.8 x 23.6 cm Bears a mention " Le Prince" on the back of the sheet (see photograph) In good ...

Unique Baroque giltwood candleholders for in total 6 candles, Italy, circa 1750-1780. Weathered, repairs and losses. More pictures available on request. Measurement individual.

Interesting engraving by Jacques-Philippe Le Bas depicts the illuminations set up on the evening of 29 August 1739 at the crossroads of St Denys and La Ferronnerie for the wedding of...

Fine 18th century engraving by French artist Jean-Jacques Lagrenée. Presented with hand cut mount and gilt filet in fine wood and gilt 'ribbon and reed' frame. Very charming renditi...