France Abstract Sculptures

Superb ceramic and clay sculpture. . France, around 1960. . 60s. . It is free form and recalls certain works of Cesar, In particular its compressions. . Dimensions : Height : 17 cm ...

Bronze an glass abstract sculpture Numbered 1/1 Foundry BBC Circa 2010

Model for a monumental steel sculpture (7.50 meters long, 2 meters high), created in 1974 for the technical college in Beaune (Côte d’Or), where it is still on display. The model, a ...

André Longeon (1926-2010) Abstract sculpture Plaster/socle h 130 cms Base 40x40 cms Ref PM/6 1200 euros

Rare sculpture by Victor Roman Signed and numbered.

Superbe sculpture circulaire brutaliste en bronze coulé et métal. Superbe état signée à identifier. diamètre 37 cm

Crumpled lead, sculpture by Paul Ackerman, Paris, France, circa 1970. Biography Paul Ackerman, Romania-France (1908-1981) Paul Ackerman is a Romanian painter, lithographer, sculpt...

Glass sculpture "Build in glass" by Perrin & Perrin, French Glass Artists, represented by Galerie Negropontes in Paris, France Measures: H 80 x L 50 cm - H 31.4 x W 19.68 inch Pièce ...

Vincent GONZALEZ (1928-2019) Large sculpture in polychrome carved oak , circa 1960 Monogram    

Art brut, sculpture with grimacing characters, height 80 cm. Additional information: Material: Fruit woods

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2006. How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions? Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented. He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution. The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees. The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world”. Femininity and sensuality are exalted. Inspired by the body, before and after birth, or simply the sea, the parts of the sculpture conjugate around a mysterious interior cavity, secret and troubling. The interior wall doesn’t correspond to the exterior, and has its own volumes, deformities, and intimacy. The pieces present two kinds of interior: one open, and partially uncovered, the other totally hidden inside. The differences of their respective deformation reinforce the impression of life : the subjective representation of muscles and bones, of bulges pushed by an interior force, like a visceral movement of respiration. The surface of the ceramic is crackled but soft and fine, even reflecting light like the skin. The nuances of color reinforce the expression of sensuality. The alignment of technique and what it causes one to see and feel has rarely been so intimately successful. Wayne Fischer perfected his technique in the 1970s and has remained faithful to it. He adds fibers to porcelain clay that has been chosen for its whiteness to create and accentuate volume around empty space, by assembling slabs or thrown pieces. Then, he makes another piece that takes its place inside; both parts are formed with no hand...

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2022. How can an inert object produce deeply unsuspecting, indecipherable, uncontrol...

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2022. How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions? Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented. He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution. The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees. The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world”. Femininity and sensuality are exalted. Inspired by the body, before and after birth, or simply the sea, the parts of the sculpture conjugate around a mysterious interior cavity, secret and troubling. The interior wall doesn’t correspond to the exterior, and has its own volumes, deformities, and intimacy. The pieces present two kinds of interior: one open, and partially uncovered, the other totally hidden inside. The differences of their respective deformation reinforce the impression of life : the subjective representation of muscles and bones, of bulges pushed by an interior force, like a visceral movement of respiration. The surface of the ceramic is crackled but soft and fine, even reflecting light like the skin. The nuances of color reinforce the expression of sensuality. The alignment of technique and what it causes one to see and feel has rarely been so intimately successful. Wayne Fischer perfected his technique in the 1970s and has remained faithful to it. He adds fibers to porcelain clay that has been chosen for its whiteness to create and accentuate volume around empty space, by assembling slabs or thrown pieces. Then, he makes another piece that takes its place inside; both parts are formed with no hand...

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2015. How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions? Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented. He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution. The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees. The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world...

Serge Mansau - Crystal " Solitaire game" for Saint Louis, 1995 With box Measures: 31.5 x 31.5 x 2 cm.   

Relief Chestnut Vase 03 by Alice Lahana Studio Limited Edition of 8 Dimensions: D 5 x W 16 x H 35 cm Materials: Solid chestnut wood. Hand-sculpted, the Relief 03 vase is inspired by...

Tour was created in 2022 by French designer Eric de Dormael. Handcrafted in brass, this is a unique piece. Éric de Dormael is an unconventional artist, his trajectory far from the be...

Building was created in 2018 by French designer Eric de Dormael. Handcrafted in brass, this is a unique piece. Éric de Dormael is an unconventional artist, his trajectory far from th...

Bronze sculpture by Paul Ackerman from the “plomb froissé” series, signed and numbered 2/8 and debossed with “cire perdue Clementi”. Biography Paul Ackerman, Romania-France (1908-1...

MICHAËL RIEU (Born in 1953) The Great Travel, 1990 Signed and dated 1990, justified EA Measure: Height : 142 cm Patinated bronze group depicting a figure holding the prow of a ship on which rests a church. This piece is reproduced in the book of Michaël Rieu, En reise i bilder og skoquerurer. Grafisk Partner Kristiansand 2015, pages 6 and 10. Preparatory studies...

KAREL HLADIK (1912-1967) Decorative plaque depicting a bull Bronze sculpture Signed and titled Karel Hladik (27 June, 1912 - le 27 April, 1967) is a Czech sculptor and uni...

A ceramic sculpture "Bloc in motion" by Maarten Stuer. This piece can be put indoor or outdoor. Artist monogram under the base. 2020. Unique piece.

A ceramic sculpture "Bloc in motion" by Maarten Stuer. This piece can be put indoor or outdoor. Artist monogram under the base. 2020. Unique piece.

A ceramic sculpture "Bloc in motion" by Maarten Stuer. This piece can be put indoor or outdoor. Artist monogram under the base. 2020. Unique piece.

TELLURIC III unique sculpture by Awaré Dimensions: L 40 x H 60 cm Materials: Cypress, silk, oxidation Awaré is the meeting of the sculptor Jérôme Pereira and the artist Sylvia Eustache...

Finger print in Lucite signed Wolf 1/1 signed.

Wisdom Tabletop Sculpture by Lionel Hamon Dimensions: D 15 x W 28 x H 70 cm. Materials: Brass. Finish: Light patina. Available in three finishes: black patina, light patina, and go...

The Wave Sculpture en marbre et socle en bois Arden Scott Dimensions de l'oeuvre en elle même ( uniquement le marbre ): H 93 x L 70 x P 60 Dimensions du socl...

An important « Totem » sculpture, consisting of free-form pieces of carved wood threaded onto a black-lacquered iron base. Unique piece.

Fragments Wall Sculpture by Dora Stanczel One of a Kind. Dimensions: D 15 x W 50 x H 70 cm. Materials: Porcelain, gold and jasmonit. I create ...

A ceramic sculpture white glazes decoration by Alistair Danhieux. Perfect original conditions. Signed under the base, circa 2010.  

One of a kind mosaic ottoman pouf sculpture created using an original vintage small customized covered in fragments of ceramic, porcelain dishes, mirrors, glass, etc. All these diffe...

Light sculpture in enameled stoneware by Agnes Debizet, France 2020. Agnes Debizet is a French contemporary ceramic sculptor. Unique piece, signed and dated by the artist.

Bronze with blue patina, Jean Capelli Foundry, 1/8, signed. Bibliography : Pierre Descargues, Catherine Val la Clandestine, Paris, Area/Descartes & Cie, 2011, page 54.   

Bronze with yellow and green patination, Lalloz Foundry, 1/8, signed. Bibliography : - 17th International Impact Art Festival, 1996, Kyoto (Japon), p.15 - Pierre Descargues, Cathe...

Unique piece, Lalloz Foundry. Bibliography: Invitation aux Journées du Patrimoine, Jardin Toulaho (Le Caron, architecte), Clamart, 2000.  

Bronze with brown patination. Signed the back "Jacques Tenenhaus - 1/8". Landowski Foundry's Mark, 1990.

Large sphere on a pedestal in fractal resine. The pedestal is champagne-colored, the sphere slightly pink. Unique piece. Biography : Pierre Giraudon, France (1923-2012) Pierre Gira...

An unique porcelain sculpture by Wayne Ficher. Perfect original conditions. Signed under the base, Wayne Fischer. 2017.  

Jorgen Stening, a bronze sculpture, signed and dated 89. Sweden Patinated “vert de gris” oxydated sculpture in solid bronze on a glass base. Very good condition Measures: Height 46 ...

Bronze sculpture by Perrin & Perrin, Galerie Negropontes, 2021 Measures: H 22.5 x L 19 x P 7 cm / H 8.7 x W 7.5 x D 2.7 inch Martine and Jacki Perrin sculpt together as one, forming ...

Aristidis Patsoglou - Bronze à Patine Brune (Figure Féminine) Type : Bronze à patine brune Signature : Signé et numéroté 1/8 Dimensions : H : 70 cm L : 20 cm P : 16 cm Descriptio...

Large French Brutalist sculpture in chamotte clay. Unidentified artist. Very fine vintage condition, please note damage to one end of the sculpture (photos).

Anthropomorphic bronze by Sébastiano Fini (1949-2003) measuring height 18 cm. He lived in Milan until 1978, then went and worked in France and Spain. In the middle of his career (198...

Albert Chubac, Sculpture, "Tower", Painted iron, circa 1980, France. Measures: Height 98 cm, depth 23 cm, width 23 cm. Albert Chubac was born in Geneva in 1920. After studying de...

Sculpture in patinated steel by artist Donna in a Brutalist style. The entire sculpture is hand-crafted with steel parts welded together. Very graphic, modern work. Unique piece, sig...

Anthropomorphic bronze by Sebastiano Fini (1949-2003) 25 cm high. He lived in Milan until 1978, then went and worked in France and Spain. In the middle of his career (1981-1985), he ...

Offering I Wall Sculpture by Dora Stanczel One of a Kind. Dimensions: D 25 x W 50 x H 27 cm. Materials: Porcelain, metal and gold. I create bespoke and luxurious porcelain pieces wi...

Marisha Falkovich grew up in Moscow, Russia and lives and works in New York. She primarily works with ceramics and animation – her ceramic pieces are...

Unique bronze sculpture by Leo Laukkanen Sweden 1960 Nice patina, good condition. More photos available Leo Olavi Laukkanen (11 October 1913 Helsinki - 1 November 1978 Helsinki) was a Finnish sculptor. He is particularly known for his abstract miniature sculptures, most of which are made of granite. Laukkanen studied at the Central School of Art and Design from 1931 to 1933. Although the best-known part of Laukkanen's output consists of abstract sculptures, in the early and late stages of his career he also made figurative sculptures in both stone and bronze, including female figures. In 1980, Helsinki Art Hall hosted an extensive memorial exhibition of Laukkanen's works, which he had bequeathed to the Finnish Artists' Association. Laukkanen was an assistant to the sculptor Wäinö Aaltonen...

Very original French sculpture, small proportions, made with a technique of assembly of wood and white lacquered metal the whole coated with plaster in a modernist style. Unknown art...

The Gallery collection showcases exclusive designs by Reda Amalou. The pieces are crafted by some of the best artisans around the world and are edited as a series of 8 and 4 artist’s...

Bronze sculpture "Pyramide Fractale" by Pascal Morabito (1990) 1,950 € Discover the exceptional sculpture "Pyramide Fractale" created in 1990 by the illustrious Pascal Morabito. Th...

Chili pepper in polychrome bronze The contemporary work of Patrick Laroche is characterized by colorful and oversized installations. In 2012, he launched a collection entitled "Veget...

Bronze sculpture by Perrin & Perrin, French glass artists represented by Galerie Negropontes. Measures: H 21 x L 18 x P 7 cm / H 8.3 x W 7.1 x D 2.7 inch Martine and Jacki Perrin scu...

Bronze sculpture by Perrin & Perrin, French glass artists represented by Galerie Negropontes, 2021 Measures: H 23 x L 19.5 x P 8 cm / H 9 x W 7.5 x D 3.14 inch Martine and Jacki Perr...

Superb French manufacture matrix for the Worthington company, from the 1960s. Very interesting work that doubles as a sculptural piece. Good condition. Signed. Dimensions in cm ( H x L x l ) : 43 x...

OTOMA_03 Vase by Emmanuelle Roule Unique piece. Dimensions: Ø 8 x H 38 cm Materials: Stoneware. Vase made of white stoneware, partially glazed. Not...

Sculpture in polished bronze by Perrin & Perrin 2016, French Glass Artists represented by Galerie Negropontes. H 24 X l 20 X P 20 cm Martine and Jacki Perrin sculpt together as one,...

Sculpture in polished bronze by Perrin & Perrin, French Glass artists represented by Galerie Negropontes Measures: H 18 x L 26.5 x l 21.5 cm Limited edition of 8 pieces.