France Figurative Sculptures

Magnificent carved stone head fragment with a very beautiful and strong expression. France, circa 1750. Beautiful weathered and small losses. Measurement is with the wooden base. H:3...

Wonderful hand carved baroque angel figure. . Spain, circa 1750-1800 Weathered. small losses and old repair. Measurement here below includes the wooden base. H:57cm W:18cm D:20,5cm

Beautiful weathered oak panel depicting two baroque angels and an eagle standing on rams heads . Weathered and small losses, most likely it was once part of a larger panel. France ci...

Beautiful hand carved Baroque angel. Unique period piece with traces of its old paint . Spain, circa 1750 Weathered. Several small losses and old repair. Measurement here below in...

Wonderful period piece. Beautiful weathered baroque hand carved oak caryatid figure carrying a fruit basket. Weathered. France circa 1750 Measurements include the wooden base. H:45c...

Beautiful hand carved wooden ornament depicting two angel holding a laurel wreath. Unique period piece . Spain, circa 1700-1750 Weathered. Small losses and old repairs. Measurement ...

Beautiful small Baroque angel with glass eyes. Unique period piece made out of wood . Hand-carved Italy, circa 1700- 1750 Weathered, small losses and old repairs Measurement here b...

Beautiful Baroque angel. Unique period piece made out of wood . Hand-carved Italy, circa 1750 Weathered. Measurement here below includes the wooden base. H:25,5cm W:23cm D:7,5cm

Beautiful carved giltwood baroque ornament. Italy, 17/18th century. Weathered and small losses. Measurement includes the wooden base.

Wonderful gilded metal saint statue with beautiful expression. France, circa 1880-1900. Weathered. Measurements include the wooden base.

Beautiful giltwood angelhead. Italy, circa 1650-1750 Weathered and small losses. Measurement here below inclusive the wooden base. H:18,5cm W:11cm D:11,5cm

Beautiful hand carved Baroque angel fragment. Unique period piece with traces of its old color . Italy, circa 1750 Weathered. small losses. Measurement here below includes the wood...

17th-Century Carved Wooden Angel – Polychrome and Gilded Sculpture (One Wing Remaining) Height: 70 cm Width: 33 cm A beautiful 17th-century carved wooden angel, depicted kneeling i...

French Art Deco Ceramic Valkyrie Sculpture by Charles Lemanceau for Saint-Clément, 1920s. Striking and rare French Art Deco ceramic Valkyrie sculpture by Charles Lemanceau, created i...

Amazing baroque panel depicting a crowned reliquary . Beautiful weathered with traces of its original silver, gilding and colour. Italy circa 1750 Weathered, small losses . Measureme...

Beautiful weathered oak winged angel head Renaissance ornament. France, 16/ 17th century. Weathered Measurements include the wooden pedestal.

Art deco sculpture circa 1930 in copper spelter. White bakelite arch all on a marble base black and onyx. Signed J De Rouncourt on the marble base. In very good condition, note some ...

French Art Deco nude lady and german shepherd by Louis RICHE, France , ca.1920. Polychrome glazed terracotta. Height : 17.5"(44.5cm), Width : 27"(68.5cm), Depth : 10.8"(27.5cm). Sign...

This is an antique wooden netsuke made in Japan around Taisho period 1920s. Netsuke is a miniature sculpture, originating in 17th century Japan. Initially a simply-carved button fas...

A patinated bronze sculpture reproduction of the Laocoon group by the Napolitan world famous Fonderia Chiurazzi, Italy 1880-1900. Rediscovered in 1506 in Rome The Laocoon Group is believed to be created sometime between 42-20 BCE by three sculptors from Rhodos – Hagesander, Athenodoros and Polydorus, after the work of more ancien Hellenistic sculptors. Recreated and issued (with several sizes and creative variations) by Fonderia Chiurrazzi, this piece is more than just an incredibly precise and expressive reproduction of the iconic antic sculpture...

French Art Deco Leda the Swan ceramic sculpture by Charles LEMANCEAU at Sainte-Radegonde, France, 1920s. Leda the swan. Illustrated in the Sainte-Radegonde catalogue, pag...

Large French Art Deco Terracotta Sculpture by Ugo Cipriani (1887-1960), France, ca.1920. This striking large-scale sculpture by Ugo Cipriani (1887-1960) exemplifies the bold elegance...

Very heavy Solid carved Malchite head sculpture Paperweight.

The flamed stoneware of Rambervillers was created in 1900 by Alphonse Cytère, its renown began with the complicity and works of the artists of the Nancy School (Gruber, Majorelle, Sc...

Sculpture Samuraï all in stoneware, hand-crafted piece with subtle engraved details and decorated with enamels.

French Art Deco sculpture by Demetre CHIPARUS (1886-1947), France, 1920s. Named "Echo". There are two versions of the Echo sculpture by Demeter Chiparus. One with bare chest and one ...

Very nice carved oak fragment of a Christ figure with a strong expression. Beautiful weathered , France circa 1600-1700. Weathered, and losses. Measurement with the base

Beautiful handcarved giltwood bird ornament. Italy circa 1780-1820 . Weathered and small losses and old repairs Measurements include the wooden base. H:23cm W:41cm D:6,5cm

Large bronze sculpture with a brown patina, representing a naked woman, sitting in an armchair, a pencil in one hand, a vase in the other, surrounded by antiques. Signature of the...

This lying deer sculpture is made of brass with shamanic inlays. This is a French work, circa 1970.

Statuette "Moyenne Voilee" made in frosted glass with sepia patina by René Lalique in 1912. Engraved signature on side. Perfect original condition. Extremely rare model. height: 1...

POLYCHROME CARVED WOOD VIRGIN AND CHILD FROM THE 15TH CENTURY   ORIGIN: SOUTH GERMANY, SWABIA, NUREMBERG REGION PERIOD: 15th CENTURY   Height: 94,6cm Width : 28 cm Depth : 18 cm   Lime wood Original Polychromy Good state of conservation     From 1430 onwards, sculpture underwent a profound stylistic renewal which continued until 1530, the so-called late Gothic period. In the Germanic countries, original sculptures flourished in an expressive and sensitive vein.
This renewal was inspired by the art of Nicholas of Leiden, who was active in Strasbourg in the 1460's. His style broke with the refined and delicate art of the international Gothic style in force throughout Europe around 1400. The figures became more authentic and realistic. The bodies became denser. Clothes are animated by deep, broken folds, the fabrics are heavy and have a great decorative value. In addition, the polychromy is intended to be illusionistic. The painting makes it possible to restore the texture of the materials, the richness of the textiles and the natural skin tone of the characters.   The dissemination of images through engraving and the great mobility of the artists led to the success of this style, which conquered the Upper Rhine, Swabian, Tyrolean and Franconian regions, contributing to the formation of a common stylistic identity in these regions. The economic boom in the flourishing German cities was conducive to the development of original production. Attracted by this prosperity, numerous workshops were set up in order to meet the orders of religious communities, the Church and the laity, including a clientele of middle-class rockers.      This precious Virgin and Child is depicted standing on a crescent moon, her head encircled by a crown of tall flowers. Her long wavy hair spreads over her shoulders, framing her beautiful oval face. Under fine eyebrows drawn with a brushstroke, her almond-shaped, slightly drooping eyes look at the Child with infinite softness. She is dressed in a long red dress with a rounded neckline, belted under the chest. The heavy fabric of her dress spreads out in broken folds at her feet. On her shoulders she wears a golden cloak. The drapery has deep folds. She holds out her right hand while she holds the Christ Child with her left.   Christ, with his well-defined hair, is naked. His cheeks are highlighted with red, he holds an apple in his left hand and with the other hand makes a sign of blessing towards the faithful.   Virgins with Child on a crescent moon were very popular in the second half of the 15th century, especially as the central subject of altarpieces in southern Germany and Austria. The crescent moon on which Mary is standing is reminiscent of the Woman of the Apocalypse. Often equated with the Virgin Mary.    This episode is taken from the Book of Revelation (12:1-6)   1 Then a great sign appeared in heaven: a woman clothed with the sun, with the moon under her feet and a crown of twelve stars on her head. ; 2 She was pregnant, and she cried out because she was in labor, in pain from giving birth. ; 3 Then another sign appeared in heaven: it was a great fiery red dragon, with seven heads and ten horns, and seven royal crowns on his heads. ; 4 His tail swept down a third of heaven's stars and threw them to the earth. The dragon stood in front of the woman who was about to give birth so that when she gave birth, he might devour her child. ; 5 She gave birth to a son, a male child who is to rule all the nations with an iron rod. Her child was snatched up to God and his throne. ; 6 Then the woman fled into the desert, where God has prepared a place for her. There she will be taken care of for one thousand two hundred sixty days.   Some theologians see in this woman a reference to the Virgin Mary and in the child, Jesus.    
This remarkable work is a very fine example of sculpture from Swabian workshops in the last decades of the 15th century. It presents all the characteristic stylistic elements: a highly girdled silhouette, an abundant drapery with angular folds, but also a great physical presence accentuated by the polychromy that restores the anatomical details. This group is made of a wooden log. The deep folds of the drapery highlight the movement of the Virgin holding the child.       Bibliography :   Sophie Guillot de Suduiraut, Dévotion et Séduction, Sculptures souabes des musées de France, vers 1460-1530, Paris musée du Louvre-Éditions somogy, 2015   “Revelation 12 -   Common English Bible...

Provenance : - Kunsthaus Heinrich Hahn, Frankfurt am Main, sale 16, June 17, 1930, lot 16. - Sotheby's, Amsterdam, Feb. 26, 2006, lot 201. HISTORIC Located between Moselle valley and Meuse valley, framed by the Vosges Mountains on the south side and the duchy of Luxembourg on the north side, the duchy of Lorraine is the result of several partitions. It starts with the 9th century when the Carolingian empire is divided, with Lothar 1st inheriting Lotharingia. In 959 this territory was in turn divided in two; Lower and Upper Lotharingia, the latter being the forebear of the duchy of Lorraine. This duchy was under the rule of the Holy Roman Germanic Empire until 1736 when it was absorbed by the kingdom of France. All along its history the duchy of Lorraine has found itself in the midst of many conflicts. Alliances and feuds marking European history were always particularly sensible in Lorraine where instability was frequent. Because of its geographic position the duchy of Lorraine was also an artistic crossroad. Hence the duchy of Lorraine becomes from the 13th century onwards an important artistic centre where a particular type of Virgin and Child appears. According to professor J. A. Schmoll the characteristics of Lorraine sculpture burgeon around 1280-1300 in the Aube region. It presents “vigorous volumes, restrained movements, rare but solemn gestures and a strong interiorised and stern expression”. Those Virgins look similar with a wide forehead, a shield- or oval-shaped face, large neck, small lips and a cleft chin. This model is particularly in favour during the 13th century because of the revival for Marial worship and for the theme of the Virgin and Child. It bears witness to a new religious sensibility with a more intimate vision of religious practice. DESCRIPTION The important 14th century Virgin we present to you is one of the most beautiful examples of sculptural art from Eastern France, with her fascinating distant gaze. Her contrapposto posture is induced by the weight of the child she carries high on her left side. The child has a chubby face framed by blond hair with well defined curls and he wears a long red V-collared tunic from which emerge his feet. The fabric is animated by long folds. The position of the right foot turned to the back is a detail we can notice on several Virgins from Lorraine. He holds a bird that seems to be pecking his thumb. “The bird /held by the child in his hands/ has been read as a reference to an episode from Christ’s childhood when he has moulded sparrows with clay before giving them life. It appears in the apocryphal gospel of Pseudo-Matthew (ch. 27) and later in the Quran (III, 43, v. 110). However the iconography seems to be more influenced by the concept of Redemption or of Eucharist, the bird symbolising the soul of the Christian about to be redeemed or revitalised.” Mary wears a long dress with two rock crystal cabochons remaining from the original five. She is covered by a red cloak enriched with old-gold motifs draped as an apron falling in long pleats along her left hip. The relief treatment and the volume of the cloak developing a network of concentric pleats contrast with the the flat pleating of her dress. They nevertheless suggest the curve of her bent right leg. She wears a floret crown securing a short thin veil carved in very low relief. From it emerges her blond curled hair characteristic of the 13th century. The large face with almond-shaped eyes, straight nose, small lips and cleft chin casts its gaze afar in a fashion typical of 13th century Virgins. In her right hand she holds a lily flower. In a very refined manner the artist has carved a band on her right ring-finger. In the back, carefully sculpted, spreads the minutely detailed short veil. COMPARATIVE STUDIES This sculpture of great quality presents obvious similarities with Virgins from Lorraine, designated by William Forsythe...

A striking French Art Deco sculpture of a man by Campbell, created in France ca.1920. Crafted from spelter, marble, and onyx, this impressive piece showcases the bold, dynamic style ...

Concorde Model Scale 1/36 sculpture, in resin fiber, on aluminium polished base. From Air France Agency. On base: height 110cm.

Crackle glaze ceramic ship sculpture by LEJAN at Orchies, France, 1920s. Wonderful green color. Width: 16.5" (42cm), Height: 19" (48.4cm), Depth: 5.5" (14...

Model supersonic concorde aircraft with structure and base in polished aluminum.

Diego Giacometti style bronze statue "le chat maitre d'hotel" made in France around 1970 The Butler Cat, 1961-1964 is one of Diego Giacometti's most iconic works. He created it in ...

Important 15th century polychrome wood virgin and child Origin: Southern Germany Period: Late 15th Century, Ca. 1480-1490 Height : 125 cm Polychrome limewood Good condition Provenance : Private collection, Alsace, France. As soon as 1430, sculpture starts a major and deep stylistic evolution than will unfold over a century, until around 1530. We call it the International Gothic. This production is particularly interested in a quest for realism. This important Virgin and Child wears a long red dress with a round gilded neckline. A delicate golden belt...

Foot of the God Hermes in plaster and resin, 20th century. Sculpture of the winged foot of the God Hermes in plaster and resin, 20th century. H: 25cm, W: 26,5cm, D: 11cm Contact us...

This striking bronze sculpture portrays a young boy in a moment of poised concentration, just before releasing his sling. The piece captures silent tension and inner focus with remar...

Large model of art deco sculpture "Danseuse aux cerceaux" pati. Subject in spelter with green patina on black marble base, signed on the base. Model by Le Faguays published by Max Le...

Sculpture Samurai Raku red and silver made in Raku ceramic which have metallic silvered sheen. Raku ceramics Samurai are distinguished by their raw appearance. The smoking techn...

Bronze with brown patina of Joan of Arc, signed by Marie d'Orléans and the stamp of the foundryman Susse frères. In very good condition. The original marble proof, intended for the H...

Beautiful wooden statue of an 18th century baroque style Angelo. It is finely carved. Some old restorations are to be noted on the feet, and the left hand. The back wings are missing.

Superb Lalique Virgin and Child sculpture on a black lacquered wooden base, France 1970s. Beautiful crystal form which captures the subject's devotion a...

Chanel Addict black & white Pill sculpture with all structure in resin in lacquered finish. On acrylic base. Limited Edition of 8 pieces, numbered and s...

Art Deco sculpture in silvered bronze signed M.Bouraine. Black marble base (Belgian surfin). In very good condition. Total height: 30 cm Width: 23.5 cm Base width: 11 cm Base depth:...

This sculpture is a wig holder, made in the 1970s in France. It is a Female Head, in a brown color.

Beautiful porcelain group. The very fragile porcelain coming from the evaporated lace dipped in porcelain slip is perfect. Signed White blue and Pink color.

Wonderful angel figure Italy, circa 1750. Weathered , losses Measurement includes the wooden base. Treated against woodworm. H:36cm W:19cm D:19cm

Patinated bronze sculpture representing Joan of Arc in armor, brandishing her sword Sculpture signed Contenot on the base (Henri Daniel) Joan is a young French woman of peasant...

PLAY BALL Unique and poetic work. Bird and Humans sculpture ceramic. Made by a French sculptor, painter and ceramist, Pierre KOPPE. Greige and cobalt blue color. Signed on the back...

Le Vaucour - Vallauris Figurative 20th century black ceramic sculpture signed by Le Vaucour Vallauris Orignal good condition height 26 cm Large 9 cm Depth 13 cm

Edouard Marcel Sandoz (1881-1971) Figure "Pierrot Musicien", ca. 1917. Hard-paste porcelain with a white glaze, and painted gold. Signed to the base, appears to be Théodore Havil...

A truly extraordinary and evocative object: an 18th century hand-carved wooden skull, richly hand-painted and inscribed with the date 1769. This rare Memento Mori was created as a me...

Sculpture Stormtrooper Blue Helmet Butterflies with original blue Stormtrooper helmet in matte blue resin ornamented with Morphos butterflies (no cites required for this butterfly). ...

Apollo torso sculpture, small size, in resin and metal base. Apollo is the male emblem of strength and beauty. This small Greek torso is the perfect embodiment of the son of Zeus an...

Provenance : In the same private collection for several generations, Burgundy. The canonical Gospels describe briefly the episode of the Nativity. It comprises three parts : • The Preludes : the Journey to Bethlehem, the Census • The Nativity • The Announce to the Shepherds and the Adoration of the Magi Only the Gospel according to Matthew (2, 1-12) speaks about the Adoration of the Magi. Staying vague about their number it does say they brought the newborn gold, incense and myrrh. The apocryphals, the fathers of the Church and many other authors have filled in the gaps of the evangelic tale. The sobriety and symbolic of the story have been a huge inspiration to artists. Although one of the oldest depictions of the Adoration of the Magi dates from the 2nd century the theme became very popular in Christian art during the late 14th century. One of the reasons explaining this success is that it celebrates both the Virgin and Christ at the same time. This important walnut panel is carved in a strong relief and depicts the different steps of the story of Jesus’ birth. On the left, the donkey and ox that have accompanied Mary and Joseph from Bethlehem are depicted behind a trough. On the thatch roof appears the star that would guide the magi to the place of birth of Jesus. Mary is wearing a veil and is seating on a bed. She holds her baby at arm’s length to present him to the magi. Saint Joseph is by her side. The old man is holding a cane in his left hand while from the right hand he seems to uncover himself to greet the visitors. A woman assists to the scene. In front of the holy family the three magi stand behind one another to pay their homage to the newborn. The first magi has a pointed beard. He is already kneeling out of deference and has placed his crown to his feet. He gives the baby a hanap filled with gold coins. This is Melchior as the legend describes him with white hair and a long beard. Caspar, the second magi bears a cup of incense. He is looking at the third magi and with his right hand he points to the star that has guided them there. He has a short beard and wears crakow shoes, breeches and a wide sleeved doublet. Finally Balthazar, the elegant last magi proceeds proudly towards the holy family with his one hand on the saber’s hilt and the other holding a cup. He brings the divine child the myrrh. He probably just dismounted as the horse can be seen behind him. The scene is set in a very detailed and narrative decor. In the right part of the panel the shepherd receive the announce of Jesus’ birth. An angel comes down from heaven with a scroll bearing the good news in his hands. The herding dog sleeps peacefully while sheeps graze. At the top of the cliff we notice the gilded sheeps enclosure. The panel’s moulded frame is carved with a foliated decor. In it’s centre appears a coat-of-arms. It is the alliance of the three magi’s arms. Indeed as it was common for legendary figures the three of them received imaginaries coat-of-arms. Thus, on a field of azure stands a star for Melchior, a crescent for Caspar and a pennon for Balthazar. This high-relief panel is undeniably the work of a very skilled and imaginative artist. This key moment in the New Testament is transposed to a contemporary environment thanks to the figures’ clothing and the rural daily life scene. This way the universal dimension of the episode is highlighted allowing a better understanding for the contemporaries. The sculptor has represented the episodes of the Adoration of the Magi and the Announce to the Shepherd with great talent and numerous details giving life to a picturesque and narrative scene. The important traces of polychromy give those already very animated scenes a stronger pictorial power and a rich dynamism. Because of the picturesque and familiar realism so dear to the artists of the late Medieval era, of the didactic function of this type of panel as well as the quality of the sculpture this piece is an astounding example of Burgundian art of the 15th century. Literature Louis Réau, Iconographie de l’Art chrétien...

Sculpture red coral handcrafted sculpture with more than 800 red cabochons hand-placed. With structure and base in solid brass gold-plated 24-karat. Except...