Frankfurt - Tables

this cool and elegant „cidonio“ dining table was designed by driade co-founder antonia astori for cidue italy in 1968. the round crystal glass t...

a beautiful detailed, slightly oval coffee table. the top with the handcrafted ceramic tiles rests on an unconventionally constructed wooden frame. this unique piece is signed by the...

luxury at a second glance. italian designer aldo tura (1909 – 1963) is known for his equally idiosyncratic and glamorous surface finishes in lacquered goatskin. a few years ago ‚mo...

the versatile classic, designed by george nelson in 1954, was initially produced in 2 sizes with black or white legs and table plates made from chipboard, the edge of the table cover...

the versatile classic, designed by george nelson in 1954, was initially produced in 2 sizes with black or white legs and table plates made from chipboard, the edge of the table cover...

A heavy lava slab rests on an anthratzite-coloured steel frame. The lava plate shows a deeply embossed graphic form, a sun and an ellipse with rays inside. This table was designed and made by the French ceramic artist Francois Chaty...

the experimentables. what comes to your mind when asked about italian design? many people might first think of „elegance“, or „modernity“. but how about „bold“, „futuristic“ and „experimental“? from our point of view, italian designers in the 20th century have often been drivers of progress, with advanced technical ideas, or the bold use of industrial manufacturing methods. one of the most versatile of them was (and is) gaetano pesce, *1939 in la spezia. as an artist and architect, urban planner and industrial designer he literally „made“ everything. from the ‚organic building‘ in osaka to the offices of chiat/day advertising agency in new york. he often experimented with industrial materials unseen in furniture making, starting with the famous ‚golgatha‘ chair for cassina (1972), formed from one piece of moulded fibreglass, cloth and polyester resin. his works can bee seen in museums all over the world, from milan to miami, from chicago to beijing. pesce always had one thing in mind: humanity. “i like beauty full of mistakes because we are human. perfection is for machines, it is obsolete, gone,” he once said. and you can feel it in his organic, innovative, warm, sometimes imperfect and often witty designs. he tries to bridge art and design and to always make a statement about and for society. his iconic ‚up“-flat-pack-armchair for c&b italia (now b&b italia) recently celebrated its 50th jubilee. also called „la mamma“ the connected chair and stool could be seen as a mother-and-child-combination – or as a „ball-and-chain“ that ties women to their traditional role in a household. in 1995 he designed the „triple play“ series of resin tables. we have two available in different size and heights: this table is the smaller and lower one shows a cartoonish face with moustache on a yellow background, also on steel rod legs, here with black feet (stamped underneath with manufacturer’s mark „fish...

Friso Kramer is one of the best-known Dutch designers and became a role model for many in the Dutch modernist movement. Born in amsterdam in 1922 he studied interior architecture at the iÍnstitute of Applied Art in Amsterdam under director and architect Mart Stam. In 1948, Kramer began designing for steel furniture manufacturer...

hardcore eighties. ‚apocalypse now‘ is, of course, an eye-catching name for a table. we don’t know for sure if it was inspired by f. f. coppola’s film – but it could have been calle...

the experimentables. what comes to your mind when asked about italian design? many people might first think of „elegance“, or „modernity“. but how about „bold“, „futuristic“ and „experimental“? from our point of view, italian designers in the 20th century have often been drivers of progress, with advanced technical ideas, or the bold use of industrial manufacturing methods. one of the most versatile of them was (and is) gaetano pesce, *1939 in la spezia. as an artist and architect, urban planner and industrial designer he literally „made“ everything. from the ‚organic building‘ in osaka to the offices of chiat/day advertising agency in new york. he often experimented with industrial materials unseen in furniture making, starting with the famous ‚golgatha‘ chair for cassina (1972), formed from one piece of moulded fibreglass, cloth and polyester resin. his works can bee seen in museums all over the world, from milan to miami, from chicago to beijing. pesce always had one thing in mind: humanity. “i like beauty full of mistakes because we are human. perfection is for machines, it is obsolete, gone,” he once said. and you can feel it in his organic, innovative, warm, sometimes imperfect and often witty designs. he tries to bridge art and design and to always make a statement about and for society. his iconic ‚up“-flat-pack-armchair for c&b italia (now b&b italia) recently celebrated its 50th jubilee. also called „la mamma“ the connected chair and stool could be seen as a mother-and-child-combination – or as a „ball-and-chain“ that ties women to their traditional role in a household. in 1995 he designed the „triple play“ series of resin tables. we have two available in different size and heights: this table is the bigger one and shows a cow-skin-like tabletop in white and brown on steel rod legs with red feet (stamped underneath with manufacturer’s mark „fish...

a famous zapf ‚säulentisch‘ (column table), an early version with slanted edge (probably 1967, later the tables were manufactured with round edges). repainted in a classic red. otto...

Set of two small chairs and a table by Charles Dudouyt, probably 1940s, solid oak, seats in rye straw, reupholstered after the original. Measures: Chairs: height: 64 cm, seat height...