Germany - Abstract Paintings

"Heavenly", is a 2025 unique abstract acrylic on canvas work by German artist Horst Güntheroth. 160 x 120 cm, certificate of authenticity on back. Dr. Horst Güntheroth (1959), is a ...

"Look at a tree, a flower, a plant. Let your awareness rest upon it. How still they are, how deeply rooted in Being. Allow nature to teach you stillness." - Eckhart Tolle Abstract t...

"BrokenChain", is a unique abstract acrylic on canvas work by German artist Horst Güntheroth. 100 x 100 cm, certificate of authenticity on back. Dr. Horst Güntheroth (1959), is a Ge...

Even if it doesn’t look like it (Abstract painting) Acrylic, oil, pastels, spraypaint on canvas - Unframed. This artwork is exclusive to IdeelArt. Knaut builds her compositions sl...

"Silver Lining", is a unique acrylic on canvas work by German artist Horst Güntheroth. It features horizontal stripes (reminiscent of sunsets on water and foam), playing with abstrac...

I'm interested in light, colour and the balance of spontaneity and control. I take visual cues from nature but rarely work from it directly, get imagery from memory or my imagination...

"Dream of Happiness" is an expressive abstract diptychon on paper. The all in all size is 61 cm / 24 inches W x 86 cm / 33,9 inches H. Both paintings itself have the size 61 cm / 24 ...

"Look at the flowers. It is simply unbelievable how happy flowers are." -Osho Capturing delicacy through floral imagery, the meticulous strokes and carefully chosen colors create a ...

"Look at the flowers. It is simply unbelievable how happy flowers are." - Osho The painting, titled "Garden of Harmony," comprises four parts, each measuring 110x30x4 cm (43.3x11.8x...

"Look at the flowers. It is simply unbelievable how happy flowers are." -Osho The painting, titled "Movement," consists of three parts measuring 110x20x4 cm (43.3x7.9x1.6 inches), 1...

"Sweet Vibes" encapsulates a distinctive quality that distinguishes it within the realm of art. This piece, measuring 100x40x4 cm (39.4 x 15.7 x 1.7 inches), is not only a standalone...

"Look at the flowers. It is simply unbelievable how happy flowers are." -Osho Capturing delicacy through floral imagery, the meticulous strokes and carefully chosen colors create a ...

The Chaos Of The Soul And The Physical Destruction Of The Self Oil paint is layered and swirled to express movement and emotions through colour. This is part of the artist’s on...

Jürgen Möbius (*1939 Großenhain), Black form surfaces on red painterly ground. Oil on hardboard, 50 x 60 cm, 51 x 61 cm (frame), signed "Möbius" and dated "[19]81". - Small paint chip in upper right corner, otherwise good condition. Gallery frame with slight signs of wear. - The Double Origin of Painting - About the artwork In the painting black, optically dominant forms can be seen, which in their arrangement at right angles to each other have a proto-architectural character. They are, so to speak, always already given original forms. At the same time, however, the forms are surfaces of color, and thus genuine painting. In order to make the painterly character of the painting clearly visible, Jürgen Möbius has applied red-toned strokes that have preserved the brushstroke. These are traces of an act of painting. The diagonal layers of red strokes merge into the upper white area, which oscillates between brushwork and homogeneous flatness, while the central white field, into which a black bar protrudes, has a decidedly planar character. The sharp contrast between the autonomous black surface forms, reminiscent of Kasimir Malevich, and the free brushstroke, which is not bound to any motif, creates an enormous pictorial tension, which is conveyed by the white, but at the same time is intensified by the virulent black-and-white contrast. In addition to the tense contrast of form and color, there is also a contrast between the dynamic of the brushstroke and the static of the black surface forms, whereby the diagonal alignment of these forms also gives the static a dynamic, while at the same time the layered brushstrokes have something static about them. Added to this structure of tension is the fact that the painting ground, the unprepared hardboard, is clearly present as such in the picture. In this way, it becomes clear once again that we are not dealing with an autonomous cosmos of form and color, as in Suprematism, but with a painting created by the artist's hand. With this work, Jürgen Möbius explores the possibilities of painting and thematizes painting in terms of its twofold origin, the trace of the guided brush and the painterly form, which gains its independence precisely by absorbing the brushstroke into itself. About the artist From 1959 to 1965 Jürgen Möbius studied painting at the University Institute for Art and Work Education in Mainz. He also studied philosophy and art history at the University of Mainz. Afterwards he worked as a freelance artist in Mainz. At first, Möbius created material reliefs and installations, then, around 1974, he turned increasingly to conceptual art and added cinematic means. During this phase he wrote the manifesto-like essay "Principles of Supranatural Landscape" (1979). From 1981 on, Möbius concentrated on painting and searched for artistic ways to "treat intellectual and sensual perception equally in the fusion of representational and abstract pictorial elements" (Wolfgang Zemter). He found inspiration on his study trips to Thailand and Sri Lanka. "The pure painting of Jürgen Möbius flows through us as a timeless expression of memory and energy, ploughing our perception and bringing us the happiness of seeing authentic, immovable form. - Philippe Büttner Selection of solo exhibitions 1969 Galerie Würzner, Düsseldorf / Galerie Gurlitt, Mainz 1972 Städtische Galerie, Mainz 1973 Galerie Schloss Ringenberg Rathaus, Kleve 1974 Röderhausmuseum, Wuppertal 1976 Galerie Glasing, Osnabrück / Städtische Galerie, Herne 1977, 1997, 2004 Märkisches Museum, Witten 1979 Studio M, Bamberg / Staatstheater, Darmstadt 1980 Galerie Stolànovà, Wiesbaden / Mittelrheinmuseum, Koblenz 1982 Galerie Dornhöfer, Mainz 1984 Galerie Neumühle, Schlangenbad 1985 Landesmuseum, Mainz / Kunstverein, Ludwigshafen / Nassauischer Kunstverein, Wiesbaden 1986 Museum, Bochum / Galerie der Stadt Iserlohn 1987, 1990 Galerie Klaus Kiefer, Essen 1987, 2000 Galerie Ulrike Buschlinger, Wiesbaden 1988 Kunsthalle Darmstadt 1988, 1992, 1996, 1999 Galerie Leonhard, Basel 1992, 2002 Galerie Zulauf, Freisheim 1994 Galerie Remy, Vallendar 1995 Sendezentrum des Zweiten Deutschen Fernsehens, Mainz 2001 Collegium oecumenicum, Bamberg / MVB Forum für Kultur und Wirtschaft, Mainz 2006 Adam Gallery, London Selection of group exhibitions 1969 ‘International Graphic Arts’, Galerie Dalléas Bordeaux, Paris 1975 ‘Deutscher Künstler-Bund’, Dortmund 1979 ‘Man and man’s Images’, Märkisches Museum Witten 1980 ‘Love-Dokuments of our Time’, Art Hall Darmstadt and Art Association Hannover 1982 ‘Work - Progress – Position’, Nassau Art Association Wiesbaden 1983 ‘Principle Hope – Utopic Aspects in Art and Culture of the 20th Century’, Museum Bochum 1986 ‘Selfportraits’, Gallery Klaus Kiefer Essen 1987 ‘The Dying and Death’, Gallery Klaus Kiefer Essen 1989 ‘Where are You, Revolution – Freedom, Liberty, Egality, Fraternity to-day’, Museum Bochum 1990 ‘Flight – a Problem within the Memory of Man’, Kunsthalle Darmstadt ‘Art and War 1939 – 89’, House of Cultures Berlin 1991 ‘Material and Form’, Pillnitz Castle Dresden and Pfalz Gallery Kaiserslautern 1995 20 Years Exhibitions, Chrämerhuus Langenthal, Schweiz 1998 ‘Works on Paper’, Klaus Kiefer Gallery Essen 2000 ‘Acquisitions 1900 – 2000’, Mittelrhein-Museum Koblenz 2001 ‘Strange Pictures’, Klaus Kiefer Gallery Essen 2002 ‘10 Years Buschlinger Gallery’, Buschlinger Gallery Wiesbaden 2004 ‘Eternal Space – Pictures and Sculptures’, Dome of Bamberg 2005 Art Fair Chicago, Adam Gallery, London Selected Bibliography Mittelrheinisches Landesmuseum (Hrsg.): Jürgen Möbius - Neue Bilder, Mainz 1985. Kunstverein Darmstadt (Hrsg.): Jürgen Möbius. Bilder 1985 - 1988. Kunsthalle Darmstadt, 26. Juni - 14. August 1988. Red. Dorit Marhenke, Lyrik Marcus Schiltenwolf, Düsseldorf 1988. Gabriele Prusko (Hrsg.): Jürgen Möbius. Mit Texten von Philippe Büttner und Ralph Mieritz, Basel 1992. Wolfgang Zemter (Hrsg.): Jürgen Möbius - Aktuelle Arbeiten. Märkisches Museum der Stadt Witten, Bönen 1999. Wolfgang Zemter (Hrsg.): Jürgen Möbius. Flieger in meinem Zimmer und Beruhigte Zone, Bönen 2004. Dama Gallery...

Dashing into the day 3 (Abstract work on paper) Acrylics, ink and oil on paper - Unframed. This artwork is exclusive to IdeelArt. Knaut builds her compositions slowly over time, a...

acrylic paintings on canvas 100x100x4,5 cm (39.37 x 39.37 x 1.77 inch) Ready to hang High quality, stretched, deep edges painted canvas (100% cotton) Premium acrylic colours (made in...

"Nothing superfluous." The painting is inspired by spring, when everything is just beginning to awaken, like man and his awakening, when everything superfluous is cut off.

Minimalism passion Neutral colors that you can't go wrong with and that definitely always looks classy Abstraction 150 x 150 cm / 59“ x 59“ in Acrylics on canvas - sides ...

"Permeation" is a captivating painting that invites viewers to explore the interconnectedness of nature within a serene garden setting. Bathed in hues of white, blue, and subtle hint...

In this painting I fuse abstract and realistic elements to capture the majestic presence and serene aura of a zebra in the wilds of South Africa. The vibrant, almost flowing backgrou...

Well worth the hype (Abstract painting) Mixed media collage with LED lights on canvas - Unframed Artwork exclusive to IdeelArt. Knaut builds her compositions slowly over time, ad...

Jürgen Möbius (*1939 Großenhain), Tectonic Tension. Oil on hardboard, 47.5 x 60 cm, 49 x 61.5 cm (frame), signed lower right "Möbius" and dated "[19]81". - Upper left corner with a small chip, light scratches and a little rubbed in places. Provisional gallery frame with traces of use. - Archetypes of Painting - About the artwork The form structure in front of the eye is overlapped by the frame. Thus, the frame does not open up a space in which something is presented, but rather shows the seemingly arbitrary section of a comprehensive context that cannot be framed as such. We see forms that stand in a structure of tension with each other, whereby the individual black and brown forms, which continue almost endlessly beyond the frame, already show a tension in themselves, since they are not only forms, but also surfaces - form surfaces, while the light blue surface ground is at the same time forms that appear as surface forms. The formed surfaces and surface forms are nested within each other and form a structure that encompasses all elements. The angular arrangement of the black and brown shaped surfaces gives the structure a tectonic character. The tension is thus heightened to the point of paradox, since the black shape at the front is overlapped by the brown shape at the bottom in the center of the picture, which would be impossible in real space. It is precisely through this "paradox" that Möbius demonstrates that the paradoxical is reality within painting. It is, so to speak, the most original possibility of painting, which distinguishes it from the other arts. In combination with the tectonic formations, Jürgen Möbius creates an archaic primordial painting, which, however, should not be confused with the autonomous color and form cosmos of Suprematism à la Kasimir Malevich. Instead of homogeneous, perfectly colored forms, here the colors are deliberately applied unevenly, and the light blue is mixed with the brown in a manner determined by the brushstroke. At the edges of the surface forms, the uneven application of paint allows the wood of the unprimed hardboard to show through. In this way, Möbius illustrates that we are dealing with a painting that has been created by an act of painting - an act, however, that takes hold of the original principles of painting and thus realizes painting as such. About the artist From 1959 to 1965 Jürgen Möbius studied painting at the University Institute for Art and Work Education in Mainz. He also studied philosophy and art history at the University of Mainz. Afterwards he worked as a freelance artist in Mainz. At first, Möbius created material reliefs and installations, then, around 1974, he turned increasingly to conceptual art and added cinematic means. During this phase he wrote the manifesto-like essay "Principles of Supranatural Landscape" (1979). From 1981 on, Möbius concentrated on painting and searched for artistic ways to "treat intellectual and sensual perception equally in the fusion of representational and abstract pictorial elements" (Wolfgang Zemter). He found inspiration on his study trips to Thailand and Sri Lanka. "The pure painting of Jürgen Möbius flows through us as a timeless expression of memory and energy, ploughing our perception and bringing us the happiness of seeing authentic, immovable form. - Philippe Büttner Selection of solo exhibitions 1969 Galerie Würzner, Düsseldorf / Galerie Gurlitt, Mainz 1972 Städtische Galerie, Mainz 1973 Galerie Schloss Ringenberg Rathaus, Kleve 1974 Röderhausmuseum, Wuppertal 1976 Galerie Glasing, Osnabrück / Städtische Galerie, Herne 1977, 1997, 2004 Märkisches Museum, Witten 1979 Studio M, Bamberg / Staatstheater, Darmstadt 1980 Galerie Stolànovà, Wiesbaden / Mittelrheinmuseum, Koblenz 1982 Galerie Dornhöfer, Mainz 1984 Galerie Neumühle, Schlangenbad 1985 Landesmuseum, Mainz / Kunstverein, Ludwigshafen / Nassauischer Kunstverein, Wiesbaden 1986 Museum, Bochum / Galerie der Stadt Iserlohn 1987, 1990 Galerie Klaus Kiefer, Essen 1987, 2000 Galerie Ulrike Buschlinger, Wiesbaden 1988 Kunsthalle Darmstadt 1988, 1992, 1996, 1999 Galerie Leonhard, Basel 1992, 2002 Galerie Zulauf, Freisheim 1994 Galerie Remy, Vallendar 1995 Sendezentrum des Zweiten Deutschen Fernsehens, Mainz 2001 Collegium oecumenicum, Bamberg / MVB Forum für Kultur und Wirtschaft, Mainz 2006 Adam Gallery, London Selection of group exhibitions 1969 ‘International Graphic Arts’, Galerie Dalléas Bordeaux, Paris 1975 ‘Deutscher Künstler-Bund’, Dortmund 1979 ‘Man and man’s Images’, Märkisches Museum Witten 1980 ‘Love-Dokuments of our Time’, Art Hall Darmstadt and Art Association Hannover 1982 ‘Work - Progress – Position’, Nassau Art Association Wiesbaden 1983 ‘Principle Hope – Utopic Aspects in Art and Culture of the 20th Century’, Museum Bochum 1986 ‘Selfportraits’, Gallery Klaus Kiefer Essen 1987 ‘The Dying and Death’, Gallery Klaus Kiefer Essen 1989 ‘Where are You, Revolution – Freedom, Liberty, Egality, Fraternity to-day’, Museum Bochum 1990 ‘Flight – a Problem within the Memory of Man’, Kunsthalle Darmstadt ‘Art and War 1939 – 89’, House of Cultures Berlin 1991 ‘Material and Form’, Pillnitz Castle Dresden and Pfalz Gallery Kaiserslautern 1995 20 Years Exhibitions, Chrämerhuus Langenthal, Schweiz 1998 ‘Works on Paper’, Klaus Kiefer Gallery Essen 2000 ‘Acquisitions 1900 – 2000’, Mittelrhein-Museum Koblenz 2001 ‘Strange Pictures’, Klaus Kiefer Gallery Essen 2002 ‘10 Years Buschlinger Gallery’, Buschlinger Gallery Wiesbaden 2004 ‘Eternal Space – Pictures and Sculptures’, Dome of Bamberg 2005 Art Fair Chicago, Adam Gallery, London Selected Bibliography Mittelrheinisches Landesmuseum (Hrsg.): Jürgen Möbius - Neue Bilder, Mainz 1985. Kunstverein Darmstadt (Hrsg.): Jürgen Möbius. Bilder 1985 - 1988. Kunsthalle Darmstadt, 26. Juni - 14. August 1988. Red. Dorit Marhenke, Lyrik Marcus Schiltenwolf, Düsseldorf 1988. Gabriele Prusko (Hrsg.): Jürgen Möbius. Mit Texten von Philippe Büttner und Ralph Mieritz, Basel 1992. Wolfgang Zemter (Hrsg.): Jürgen Möbius - Aktuelle Arbeiten. Märkisches Museum der Stadt Witten, Bönen 1999. Wolfgang Zemter (Hrsg.): Jürgen Möbius. Flieger in meinem Zimmer und Beruhigte Zone, Bönen 2004. Dama Gallery...

A work from the series "Secrets of Memories". I create my paintings by applying many translucent layers, just as people are made up of different layers, among them layers of other pe...

"Nothing superfluous." The painting is inspired by spring, when everything is just beginning to awaken, like man and his awakening, when everything superfluous is cut off.

Feeling light and free (Abstract painting) Acrylic / mixed media on canvas - Unframed. This work is exclusive to IdeelArt. This artwork will be shipped rolled in a dent-resistant ...

In my work, dynamic blue and earth tones merge into an abstract dance of expressive emotions. The oil colors flow powerfully across the canvas and create an atmosphere of freedom a...

In my work, I have created a world of abstraction with oil paints. I have passionately let the emotions flow to create a composition that radiates movement and dynamism. The hues u...

"""Caramel Roses"" encapsulates a distinctive quality that distinguishes it within the realm of art. This piece, measuring 100x40x4 cm (39.4 x 15.7 x 1.7 inches), is not only a stand...

" ""Caramel Roses"" encapsulates a distinctive quality that distinguishes it within the realm of art. This piece, measuring 100x40x4 cm (39.4 x 15.7 x 1.7 inches), is not only a stan...

" Looking for a perfect gift for your loved ones or a small treat for yourself? Consider these beautifully crafted, one-of-a-kind acrylic paintings with a textured finish. Each canv...

" Abstract textured acrylic painting on canvas 100x100x2 cm (39,4 x39,4 x 0,8 inches). Mixed Media on gallery wrapped canvas. The work is ready to hang. No framing required. The side...

" Vertical allure graces this 100x50x2 cm (39,4 х 19,7 х 0,8 inches) canvas, a harmonious fusion of my contemporary flair with a touch of Impressionism. The subtle texture beneath, ...

" ""Floral Spaciousness"" is a captivating series of paintings, showcasing Anastassia’s distinctive style inspired by the teachings of Eckhart Tolle and a deep connection to spiritu...

"Feel the magic of this picture. It's like a new beginning for your soul, full of emotions. Like a butterfly spreading its wings at sunrise, we too can float freely, enjoying life'...

Artist: Roger König b. Dessau, Germany (1968) Master student of Kurt Schönburg, HWK Halle, Germany. Art Awards Winner 2019 - Art Fair Leipzig König combines modern painting wit...

K2119 (Abstract work on paper) Gouache, print, collage on paper - unframed Harald Kröner works thoroughly with paper, of which he is a notorious collector. Harald Kröner's work is ...

This is a simplistic one from my Spirits Of Skies Collection. It comes with black and some neon colored accents against the wide open sky. Enjoy! Unique painting using high-quali...

Joan Saló is a Spanish contemporary abstract painter whose meticulous, meditative approach creates works that bridge manual gesture with digital-age precision. He lives and works in ...

Joan Saló is a Spanish contemporary abstract painter whose meticulous, meditative approach creates works that bridge manual gesture with digital-age precision. He lives and works in ...

"Decorate your space with this one-of-a-kind piece of art created in 2024. Using alcohol inks and acrylic as accent spots on the canvas, a delicate butterfly takes center stage agai...

Minimalism passion Neutral colors that you can't go wrong with and that definitely always looks classy Abstraction black and white 150 x 150 cm / 59“ x 59“ in Acrylics on...

#1642 (Abstract painting) Oil on Canvas/Wood — Unframed. Boecker begins each new work by penciling in his composition. But the work ultimately is about the colors and layers that wi...

#1362 (Abstract painting) Oil on canvas - Unframed. Boecker begins each new work by penciling in his composition. But the work ultimately is about the colors and layers that will e...

Oil paint was pushed around in swirl-like motions with a palette knife and layered over several years with different patches of colour. The resulting piece is contrasting and vibrant...

Oil paint was initially pushed around in swirl-like motions with a palette knife. Over several months the canvas was layered with different patches of colour. This is part of the ar...

Boecker begins each new work by penciling in his composition. But the work ultimately is about the colors and layers that will evolve on the surface over time. He builds his paint up...

Boecker begins each new work by penciling in his composition. But the work ultimately is about the colors and layers that will evolve on the surface over time. He builds his paint up...

#1362 (Abstract painting) Oil on canvas - Unframed. Boecker begins each new work by penciling in his composition. But the work ultimately is about the colors and layers that will e...

Floral encounters, suddenly (Abstract painting) Acrylics, oil, spray paint on unprimed canvas - Unframed Artwork exclusive to IdeelArt. This artwork will be shipped rolled in a den...

Floral encounters, suddenly (Abstract painting) Acrylics, oil, spray paint on unprimed canvas - Unframed Artwork exclusive to IdeelArt. This artwork will be shipped rolled in a den...

"Orange" is a small, unique oil on canvas painting of German artist Willi Bucher. It depicts an abstract, metaphysical landscape in thick orange oil colo...

K20124 (Abstract work on paper) Print, ink, collage on paper - unframed Harald Kröner works thoroughly with paper, of which he is a notorious collector. Harald Kröner's work is ver...

Here’s a large vertical piece that comes black and white using a new technique that I have finetuned over the past sessions to a point where I’m really satisfied. …the code is ...

Pink Noise (Abstract Expressionism painting) Acrylic/mixed media on linen - Unframed. This work is exclusive to IdeelArt. Daniela Schweinsberg is a German abstract artist whose ly...

Exploring blue monochrome and relaxed repetition. Reflecting the patterns of clouds during the final hour of light before sunset; how they create shadows that fall over each other. ...

„Love is a butterfly (I)â€

"Silently" is a vibrant, passionate and energetic artwork on cardboard. It is inspired by nature and the beauty of nature. The main colors are red, green, turquoise, black and white....

Dashing into the day 3 (Abstract work on paper) Acrylics, ink and oil on paper - Unframed. This artwork is exclusive to IdeelArt. Knaut builds her compositions slowly over time, a...

Sunny yellow, white, sienna and light beige tones together with strong black and brown tones form an arc of tension and create a lively character of the abstract painting with its a...

Floral encounters, suddenly (Abstract painting) Acrylics, oil, spray paint on unprimed canvas - Unframed Artwork exclusive to IdeelArt. This artwork will be shipped rolled in a den...