Germany Torchères

Unique silver Hanukkah lamp, Iraq, circa 1880. On four feet, a handmade silver tray with nine candle holders for eight days of Hanukkah, and one for t...

A fine pair of French 19th century bronze and gilt bronze candelabras, each with a dark bronze delicious dancing putto figures and parrots holding aloft three scrolled candle-branche...

A stunning pair of very fine quality French Neo-Gothic gilt metal church reliquaries. circa 1860s Most impressive objets d’art, born in France in the second half of the 19th century, most likely Parisian gilded bronze and brass ormolu work, exceptionally executed sculptural form, the exquisitely detailed architectural cathedral shaped case having a removable pointed steeple roof with cross finial, opening to relic display case surrounded on all sides by original glazed glass panes, stepped base, rising on disc feet. Signed, stamped by maker / bronzier "BC" (unknown) model "5096" and other faint marks to lid interiors. Additional photos available upon request Dimensions: (approx) 14.75" High, 6.75" Wide, 6.75" Deep; 13.25 lbs total History: A reliquary (also referred to as a shrine, by the French term châsse or monstrance) is a container for important religious relics. The earliest reliquaries were essentially boxes, either simply box-shaped or based on an architectural design, taking the form of a model of a church with a pitched roof. These latter are known by the French term chasse, and typical examples from the 12th to 14th century have wooden frameworks with gilt-copper plaques nailed on, decorated in champlevé enamel. Limoges was the largest production centre; NB the English usage differs from that of the French châsse, which denotes large size rather than shape. Relics of the True Cross became very popular from the 9th century onward and were housed in magnificent gold and silver cross-shaped reliquaries decorated with enamels and precious stones. From about the end of the 10th century, reliquaries in the shape of the relics they housed also became popular; hence, for instance, the skull of Pope Alexander I was housed in a head-shaped reliquary. Similarly, the bones of saints were often housed in reliquaries that recalled the shape of the original body part, such as an arm or a foot. A philatory is a transparent reliquary designed to contain and exhibit the bones and relics of saints. This style of reliquary has a viewing portal to view the relic inside. The feretrum was a medieval form of reliquary or shrine containing the sacred effigies and relics of a saint. During the later Middle Ages, the monstrance form, primarily used for consecrated hosts, was sometimes used for reliquaries. These housed the relic in a rock crystal, or glass capsule mounted on a column above a base, enabling the relic to be displayed to the faithful. Reliquaries in the form of large pieces of metalwork jewellery also appeared around this time, housing tiny relics such as pieces of the Holy Thorn, notably the Holy Thorn Reliquary now in the British Museum. Condition: Superb museum quality examples, in excellent original unrestored antique condition with beautifully aged patina. Wear consistent with age and use. Heavily patinated - scattered oxidation. Overall wonderful examples. Typically reliquaries were not sold in pairs, so to find a matching pair such as this is exceptionally rare. Worldwide shipping available Local pickup available near Dallas, Texas Additional: We here at Lynx Hollow Antiques love religious antiques, from Christian tabernacles, Catholic altarpiece, life-size Buddhist temple sculptures, Hindu votive offerings, 16th century Islamic mosque architectural salvaged windows...

An exceptionally fine pair of 19th century patinated & parcel gilt bronze figural candelabra, executed in the Rococo manner closely associated with works by Claude Michel (Clodion) 1...

Pair of antique (19th century) French candelabra in the Roman neoclassical style depicting patinated figures of females in classical robes supporting six candle arms and standing on ...

An exquisite work of 18th century Portuguese craftsmanship, this carved, painted, and gilded wood tabletop altar-niche would have been used to stage religious artifacts or statuary f...

A pair of large-sized 19th century Italian candlesticks. This pair of antique candlesticks, circa 1850, were originally displayed in an Italian church and feature silver gilt over exquisite hand-carved wood bodies. Each candlestick is approximately 3 foot tall...

Hanging brass Hanukkah Lamp Menorah, Morocco, circa 1900. Decorated with openwork, engravings, and with figures of birds on both sides. Made of heavy cast brass, the backplate is pi...

Portuguese 18th century assemblage painting of Christ, likely an architectural fragment or retablo that would have hung in a church. Constructed of thick, wood panels the central vig...

Iron Shabbat candle holder crafted in brutalist style by David Palombo. Made for two candles, each of the holders is decorated with petals-like s...

Exquisite pair of French Louis XV style gilt bronze five-light figural candelabra, 19th century. Five foliage-inspired candleholders are conjoined by intricate gilt bronze scrollin...

19th century pair of ornate gilded relicquaries made of brass with a gilt finish. The feature highly decorative Baroque or Rococo-style detailing, including intricate scrollwork, f...