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Item Ships From: Hudson
Round Up (B&W Photograph from 1950s of amusement park ride and apartments)
By Arthur King
Located in Hudson, NY
Round Up (B&W Photograph from 1950s of amusement park ride and apartments) by Arthur King, 1958
Silver Gelatin print on Archival paper
24 x 20 in, 28 x 27in framed
All prints are Li...
Category
1950s Hudson - Black and White Photography
Materials
Silver Gelatin
Cloud Horse
By Benjamin Heller
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 5.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced ...
Category
21st Century and Contemporary Hudson - Black and White Photography
Materials
Silver Gelatin
Shell (Black
White Still Life Photograph of a White Shell, Framed)
By David Halliday
Located in Hudson, NY
Black and white still life photograph of a white shell on a simple white background
"Shell", photographed by David Halliday in 2003
Sepia toned silv...
Category
Early 2000s Modern Hudson - Black and White Photography
Materials
Silver Gelatin
Lily Pond (Realist Black
White Landscape Photo of Floating Botanicals)
By Betsy Weis
Located in Hudson, NY
Minimalist landscape photograph of black and white lilies on water
"Lily Pond", photographed by Betsy Weis in 2006
archival inkjet print on watercolor paper
20 x 30 inches, 27 x 37 inches in white frame with white mat & anti-reflective non-glare glass
Wire backing for easy installation, ready to hang as is
Photographed at the Brooklyn Botanic Garden, this black and white archival pigment print by Betsy Weis captures a cluster of water lilies afloat on a glassy, onyx-like body of water. Looming clouds are reflected in the pond's serene surface. Crisp, moody, and rich in texture, the photograph can stand on its own as a quiet glimpse at nature, or can be juxtaposed with others in the series to form a more complete vision.
This photograph is available unframed, $1700. The image measures 20 x 30 inches, and the paper measures 24 x 26 inches.
Artist statement:
Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain.
I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...
Category
Early 2000s Contemporary Hudson - Black and White Photography
Materials
Archival Pigment, Archival Paper
$1,600 Sale Price
23% Off
Summer Lilies (Realist Black
White Landscape Photograph of Botanicals)
By Betsy Weis
Located in Hudson, NY
Minimalist landscape photograph of black and white waterlilies
"Summer Lilies", photographed by Betsy Weis in 2006
archival inkjet print on watercolor paper
20 x 30 inches, 27 x 37 inches in white frame with white mat & anti-reflective non-glare glass
Wire backing for easy installation, ready to hang as is
Photographed at the Brooklyn Botanic Garden, this black and white archival pigment print by Betsy Weis captures a cluster of water lilies afloat on a glassy, onyx-like body of water. Looming clouds are reflected in the pond's serene surface. Crisp, moody, and rich in texture, the photograph can stand on its own as a quiet glimpse at nature, or can be juxtaposed with others in the series to form a more complete vision.
This photograph is available unframed, $1700. The image measures 20 x 30 inches, and the paper measures 24 x 26 inches.
Artist statement:
Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain.
I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...
Category
Early 2000s Contemporary Hudson - Black and White Photography
Materials
Archival Pigment, Archival Paper
$1,600 Sale Price
20% Off
Dusk Lilies (Black
White Landscape Still Life Photograph of Water Lilies)
By Betsy Weis
Located in Hudson, NY
Minimalist landscape photograph of black and white lilies on water
"Dusk Lilies", photographed by Betsy Weis in 2006
archival inkjet print on watercolor paper
20 x 30 inches, 27 x 37 inches in white frame with white mat & anti-reflective non-glare glass
Wire backing for easy installation, ready to hang as is
Photographed at the Brooklyn Botanic Garden, this black and white archival pigment print by Betsy Weis captures a cluster of water lilies afloat on a glassy, onyx-like body of water. Looming clouds and nearby trees are reflected in the pond's serene surface. Crisp, moody, and rich in texture, the photograph can stand on its own as a quiet glimpse at nature, or can be juxtaposed with others in the series to form a more complete vision.
This photograph is available unframed, $1800. The image measures 20 x 30 inches, and the paper measures 24 x 26 inches.
Artist statement:
Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain.
I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...
Category
Early 2000s Contemporary Hudson - Black and White Photography
Materials
Archival Pigment
$1,600 Sale Price
23% Off
Manhattan View from Upper Harbor (New York City Skyline
The Statue of Liberty)
By James Bleecker
Located in Hudson, NY
Contemporary black and white photograph of the New York City skyline and The Statue of Liberty
archival pigment print on watercolor paper, unframed & made to order
50 x 40 inch paper...
Category
2010s Contemporary Hudson - Black and White Photography
Materials
Archival Pigment
End of Summer (Realist Black
White Still Life Landscape of Lily Pads on Water)
By Betsy Weis
Located in Hudson, NY
Minimalist landscape photograph of black and white lily pads on water
"End of Summer", photographed by Betsy Weis in 2006
archival inkjet print on watercolor paper
20 x 30 inches, 27 x 37 inches in white frame with white mat & anti-reflective non-glare glass
Wire backing for easy installation, ready to hang as is
Photographed at the Brooklyn Botanic Garden, this black and white archival pigment print by Betsy Weis captures a cluster of water lilies afloat on a glassy, onyx-like body of water. Looming clouds are reflected in the pond's serene surface. Crisp, moody, and rich in texture, the photograph can stand on its own as a quiet glimpse at nature, or can be juxtaposed with others in the series to form a more complete vision.
This photograph is available unframed, $1700. The image measures 20 x 30 inches, and the paper measures 24 x 26 inches.
Artist statement:
Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain.
I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...
Category
Early 2000s Contemporary Hudson - Black and White Photography
Materials
Archival Pigment, Archival Paper
$1,600 Sale Price
23% Off
Trees and Mist (Black and White Landscape Photo of Forest in Winter in Finland)
By Betsy Weis
Located in Hudson, NY
Trees and Mist (Black and White Landscape Photo of Forest in Winter in Finland) by Betsy Weis
black and white archival inkjet print on watercolor paper
10 x 15 inches unframed
16.5 x 21.5 inches framed $1250
Photographed in Finland, this black and white archival pigment print by Betsy Weis captures trees in the mist during winter. The forest is softened by the snow and mist that envelopes them and there is a serenity despite the cold conditions of this landscape.
This photograph is also available unframed for $950. The image measures 10 x 15 inches.
16.5 x 21.5 inches framed $1250
Artist statement:
Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain.
I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...
Category
2010s Contemporary Hudson - Black and White Photography
Materials
Archival Pigment
Gotham City , New York
By Dinesh Boaz
Located in Hudson, NY
Dinesh Boaz, New York, NY . Photographed from a helicoptor.
Category
21st Century and Contemporary Hudson - Black and White Photography
Materials
Archival Pigment
Tree and Pond, Ghent (Sepia Toned Pigment Print of a Sunlit Landscape)
By James Bleecker
Located in Hudson, NY
Tree and Pond, Ghent NY, 2018
pigment print on watercolor paper, signed dated and numbered on face
20 X 24, edition of 25 $2,500.00
also available in 13 x 16 inches, edition of 25 $1,500
This Black and White Sepia-toned print of a pond in upstate New York was taken by photographer, James Bleecker. The rural scene depicts a leafy tree streaming with sunlight. The pond in the background is surrounded by trees and reflects some of the golden light.
Artist Statement:
These photographs span the last decade of nearly four that I have worked in the Hudson River valley. While I have photographed landscapes, towns and cities, I have chosen a selection of rural scenes for this show. All are in Columbia County except “Allee,” (Tuxedo Park) and Quimby Farm (Marlborough).
My photography spans four decades of living in the Hudson River Valley. While my Dutch ancestors settled here early - Bleecker and Verplanck are common place names - I don't know what, if any, pull that fact exerts. Certainly I'm attracted to the layers of time exposed here; in ancient stone walls, leaning barns, faded mansions and mill towns. The valley exudes boom and bust, love and leavings.
About the Artist:
James Bleecker photographs the landscapes and architecture of his native New York State. Since 1983 his work has spanned independent fine art photography and commercial architectural photography. Much of his work has been commissioned by museums and historic preservation groups in the Hudson River valley.
About James’s work, Edgar Munhall, Curator Emeritus of The Frick Collection, has written,
"James's work is powerful and mature. Rigorously composed and technically perfect, his photographs can reduce you to tears by their beauty."
Collections:
Berkshire Museum
Barry Diller...
Category
2010s Contemporary Hudson - Black and White Photography
Materials
Archival Pigment
The Gentleman Caller (Nick Simpson Sepia Victorian Styled Theatrical Photograph)
By Nick Simpson
Located in Hudson, NY
The Gentleman Caller (Nick Simpson Sepia Victorian Styled Theatrical Photograph)
12 x 16 inches, 21 x 26 inches framed in unique, vintage frame, anti-reflective glass, 8 ply off-white mat board.
C-type archival print, edition of 7
This antique style figurative photograph was created by London based photographer, Nick Simpson, in 2013. This scene depicts 4 characters in period dress including a blindfolded man touching a woman's leg as two others peek on. Simpson's aesthetic is enhanced by his playfulness and nostalgia for the Victorian era.
Simpson includes a slight patina around the sepia toned photograph's edge to accentuate its antique inspired quality. The Duratran print is paired with a dark wood frame.
About the work:
London based artist, Nick Simpson, is celebrated for his fictional series entitled The Bumforth Man Collection. The series consists of archival prints inspired by a mythical story concerning a quantity of glass photographic plates discovered in an old oak chest on the Bumforth Manor estate in rural England, the family home of the Gascoigne-Simpson's for over nine generations. These plates, which had laid gathering dust for over a hundred years, were supposedly the work of Simpson’s great grandfather, Samuel Heracles Gascoigne-Simpson, a disciple of William Henry Fox Talbot, commonly considered to be the father of photography. To bring this story to life, Simpson starts by building a set, authentically styled and dressed to re-create the Victorian photographic salons of the late 1900s. This becomes the stage upon which he places his eclectic choice of models and actors, all following his original tight narrative to create a richly detailed tableau. The scene is then captured in a single sitting using an original 1867 'Petzval' lens mounted on a mahogany plate camera...
Category
2010s Contemporary Hudson - Black and White Photography
Materials
Archival Paper, C Print
Trees in the Distance (Black and White Archival Inkjet Print of a Meadow)
By Betsy Weis
Located in Hudson, NY
archival inkjet print on watercolor paper
10 x 13 inches unframed
2016
Photographed in Maine, this black and white archival pigment print by Betsy Weis captures a trees in a meadow. The serenity of the sky and grassy meadow in soft grays are contrasted by the leafy tress in the distance.
This photograph is available unframed. The image measures 10 x 13 inches.
Artist statement:
Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain.
I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...
Category
2010s Contemporary Hudson - Black and White Photography
Materials
Archival Pigment
William Eggleston, Memphis, TN, 1989
By Everett McCourt
Located in Hudson, NY
This listing is for the unframed photograph.
The Robin Rice Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring gallery artists as well as a fe...
Category
1980s Contemporary Hudson - Black and White Photography
Materials
Digital Pigment
Coquette, Beach Club, Virginia Beach , VI., 1945
By Stewart Ferebee
Located in Hudson, NY
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current exhibition of the photograph.
The Robin Rice Gallery is ple...
Category
1940s Contemporary Hudson - Black and White Photography
Materials
Archival Ink
The Empress
By Victoria Goldman
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 22.
If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...
Category
21st Century and Contemporary Hudson - Black and White Photography
Death
By Victoria Goldman
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 22.
If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...
Category
21st Century and Contemporary Hudson - Black and White Photography
The Star
By Victoria Goldman
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 22.
If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...
Category
21st Century and Contemporary Hudson - Black and White Photography
"Daniel", New York, NY, 1995
By Jose Picayo
Located in Hudson, NY
This photograph is printed on Japanese Paper.
The price is for an unframed photograph.
11" X 14" Edition of 25.
The Robin Rice Gallery is pleased to announce, 25 Years of Polaroi...
Category
1990s Contemporary Hudson - Black and White Photography
Materials
Photographic Paper
Lost, Hamptons, NY, 2009
By Benjamin Heller
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 12.
Shipping time depends on method of shipping.
ABOUT:
This photograph is currently on exhibition in Robin...
Category
Early 2000s Hudson - Black and White Photography
Materials
Archival Pigment
Maureen, Villa Boccella, Lucca, Italy, 2014
By Robin Rice
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition 1 of 25
After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin Rice. For decades, Robin has exhibited a wide variety of photographers at the gallery but never her own work. As the show’s title denotes, “It’s About Time.” The opening reception will be held on Wednesday, January 23rd from 6pm to 8pm. The exhibit runs through March 17, 2019.
While her photography spans five decades and multiple continents, Rice maintains a cohesive, candid voice that carries throughout all of her work. Observing the world around her in a cinematic way, she possesses an uncanny ability to recognize and capture moments of beauty and the spontaneity of the human spirit. By evoking a wonderstruck sensibility, Rice expresses a deep-rooted love for both people and landscapes using her distinct bohemian style.
In this salon-style retrospective, Rice uses an “old school” approach and shoots with her Nikon on Tri-X film. When creating her art, she insists, “the camera has a mind of its own.” The scenes captured in her photography are unedited and thus born purely from the magic of the in-camera composition.
In the invitational image, “Tree Farm, Long Lane, East Hampton, NY”, 1999, a naked woman wearing nothing but a large straw hat is captured from behind, centered between a long line of trees on either side, as she bikes down the lane. In another image, “Bubbles, Piazza Rondanini, Roma”, 1995, friends linger before a vine-covered building, extending their arms up in joyful wonder, catching bubbles descending from above.
Receiving her first camera at the age of 11, she has since been an avid fine art photographer. After moving from Philadelphia to New York in 1976, Rice was immediately swept up in the electrifying, fast-paced art world of the city. In 1977, Discoworld Magazine hired her to photograph the opening night of Studio 54. After enjoying 23 years of success as a commercial photographer, she shifted her career to become a gallerist, opening The Robin Rice Gallery in 1990.
Curating 175 shows, Robin developed her own “school” of artists, cultivating a keen eye for curating and in doing so enriching the aesthetic of her own fine art photography. Despite devoting much of her energy to the gallery, Rice has never stopped creating her own art, and has exhibited in several galleries nationally and abroad. Influenced by photographer and gallerist Alfred Stieglitz, who curated the art of others and exhibited his own work, Rice is ready to showcase her photography on her own turf. In her spare time, Robin has recently taken up DJing: you can often find DJ Redshoes spinning vinyl at her loft in Beacon.
Black & White, Women, Lucca...
Category
21st Century and Contemporary Contemporary Hudson - Black and White Photography
Materials
Archival Pigment
"Warm Water Waves", Hamptons, NY, 2008
By Bill Phelps
Located in Hudson, NY
Black and White, Water, beach, Ocean, Hamptons, beauty, danger, wave, b&w, black & white, high contrast, dark, water, movement, mood, mysterious, dangerous, danger, photograph, photo...
Category
Early 2000s Contemporary Hudson - Black and White Photography
Materials
Archival Pigment
"Afternoon Drag Race, Cotes Basque", France, 2013
By Bill Phelps
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 20.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced...
Category
21st Century and Contemporary Contemporary Hudson - Black and White Photography
Materials
Archival Pigment
"Esquire Magazine", New York, NY, 2001
By Jose Picayo
Located in Hudson, NY
This photograph is printed on Japanese Paper.
The price is for an unframed photograph.
11" X 14" Edition of 25.
The Robin Rice Gallery is pleased to announce, 25 Years of Polaroids, a new exhibit by Jose Picayo. The opening reception will be held Wednesday, November 7th, from 6:00pm to 8:00pm. The exhibit will run through January 6, 2019.
In this exhibition, Picayo seeks to revive the concept of unadulterated beauty captured as a single moment in time. An unapologetic user of film, Picayo prides himself on his avoidance of digital processing for personal work. When asked why it remains his preferred medium, Picayo answers, “Digital is so overpoweringly real; photography is more magical to me.” For Picayo, Polaroid film is a medium where he can capture something as is – a moment in time. Just to hold the photograph in his hands is enough.
25 Years of Polaroids showcases Picayo’s most iconic work. This exhibit includes personal photographs of Cuba from 1994, Polaroid image transfers showcasing his impressive use of visual texture and his eye for fashion. Also included are his Atget-esque tree portraits from a New Jersey public arboretum in 2012. Additionally, a selection of 8” x 10” Polaroids from Mugshots 2008, will be included, exploring how a person’s soul can be captured in what appear to be basic photographs. The main questions at the heart of Picayo’s photography stem from the mystery of human perception and the precious things that are lost to time.
The invitational image, Rotating Doll, 1997, features a multi-paneled display of polaroids which cover an entire length of a wall. These 20” x 24” Polaroids appear larger than life and were given much praise in Picayo’s recent exhibit Polaroids 2016 at The Erie Museum in Erie, PA. This series stems from a collection of children’s dolls Picayo has found over the years, each one with its own strange and authentic story to tell. By cultivating a deteriorated look reminiscent of antique fresco painting, Picayo examines time using the inanimate faces of broken dolls, reflecting on the objects we hold dear and how they fall apart as we try to hold onto them.
Picayo speaks of his own influences, crediting photographers Eugène Atget, Walker Evans, and Edward Curtis, Michael Disfarmer, and Torkil Gudnason with impact on both his fine and commercial art. He is well known for his work in fashion, but for Picayo his personal and commercial work are interrelated, each extensions of one another. Born in Cuba, Picayo immigrated to Puerto Rico during his childhood and settled in New York City by the early 80s. After receiving his BFA from Parsons School of Design, Picayo began his professional career as a commercial photographer, shooting for magazines such as Vanity Fair, Sassy, Taxi, and Connoisseur. Picayo’s work has since appeared in Harper’s Bazaar, L.A. Style, New York Times Magazine, Esquire, Rolling Stone, NY Magazine, HG, and Elle Décor. Picayo has held nine solo exhibits to date at the Robin Rice Gallery.
Esquire Magazine...
Category
Early 2000s Contemporary Hudson - Black and White Photography
Materials
Photographic Paper
Ophelia
By Patricia Heal
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 10.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
ABOUT:
In her ninth solo show at the Robin Rice Gallery, veteran artist Patricia Heal documents her visual narrative of their enchanted home in upstate New York. Hidden within untouched forests lies Peabrook, a babbling brook running through the property. The classic architecture of the house is offset by uniquely quirky interiors designed by the English-born Patricia and her husband, Anthony Cotsifas, which generate an otherworldly existence within the estate. “Peabrook is my Neverland,” Heal states, in reference to J.M. Barrie’s Peter Pan. “It is a fictional place often described as a metaphor for eternal childhood.” Heal hopes that, with just a visit to the gallery and a little imagination, you, too, can see Peabrook.
Her use of the large format, now-extinct Polaroid film for her black and white photographs, and the warm soft colors found in many of the other pieces of the collection, contribute to the sense of antiquity and fantasy surrounding Peabrook. The whimsical subject matter, including mythical creatures and extensive taxidermy, complete the “magical” representation of Heal’s home that she strove to depict. The simply framed 4” x 5”, 5” x 7” and 8” x 10” photographs sit within large mattes, in keeping with the classical quality of her images. “I really wanted to work in film again, and this project seemed the right one to do it with,” says Heal, who lists Sarah Moon and André Kertesz as artistic inspirations.
The dark and mysterious invitational image, “Willow”, depicts a portrait of a hooded woman, her downward gaze partially obstructed by the soft branches of a fern from the surrounding garden.
The earth-toned image contains the unpredictable streaked effect of developed instant film.
In another image, entitled “Sitting Room”, we see a positive image of a film negative. Most notable is the hanging rhinoceros head towering impressively over two antique sitting chairs...
Category
21st Century and Contemporary Hudson - Black and White Photography
Materials
Giclée
Sailboats, Dartmouth facing the English Channel
By Robin Rice
Located in Hudson, NY
CURRENT EXHIBITION - runs through September 10th, 2017. Any framed photographs purchased during the show will be available then. If the exhibition piece is sold or the customer order...
Category
2010s Contemporary Hudson - Black and White Photography
Materials
Silver Gelatin
"Yael", New York, NY, 2003
By Jose Picayo
Located in Hudson, NY
This photograph is printed on Japanese Paper.
The price is for an unframed photograph.
11" X 14" Edition of 25.
The Robin Rice Gallery is pleased to announce, 25 Years of Polaroi...
Category
Early 2000s Contemporary Hudson - Black and White Photography
Materials
Photographic Paper
Chanel Vertical, 1990
By Todd Burris
Located in Hudson, NY
Listing is for UNFRAMED print.
Edition 1 of 15.
CURRENT EXHIBITION - runs through September 4th, 2016. Any framed photographs purchased during the show will be available after September 4th. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
ABOUT: Since the early ‘90s, gallerist Robin Rice and designer Antony Todd...
Category
1990s Contemporary Hudson - Black and White Photography
Materials
Archival Ink, Archival Paper, Silver Gelatin
Sarah
Archer, Los Angeles, CA, 2015
By Robin Rice
Located in Hudson, NY
This listing is for the unframed photograph.
The Robin Rice Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring gallery artists as well as a fe...
Category
2010s Contemporary Hudson - Black and White Photography
Materials
Digital Pigment
Sunset Surf
By Kim Reierson
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 15.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
ABOUT:
Every year, the gallery owner curates the show to best exemplify the 56 exhibited artists’ strengths and aesthetics, remaining cohesively linked by Robin’s extensive knowledge of her artists and of photography. “This is my favorite exhibit, even though it takes months to curate and a week to install,” says Robin. “It is my curatorial showcase.” From floor to ceiling, the walls of the gallery rooms are a mosaic of nearly a hundred photographs, their various sizes, color schemes and subject matter expertly laid out to fit together like the pieces of an eclectic puzzle.
This year’s invitational image, “Beach Samba” by Patricia Heal, is a portrait of a woman in a large, orange-red sunhat, whose downward gaze obscures her face entirely. Blurring the line between photography and painting, the color palette and uniquely large grain pattern of the photograph is reminiscent of Georges Seurat’s pointillism...
Category
21st Century and Contemporary Hudson - Black and White Photography
Materials
Carbon Pigment
Sarah
s BBQ, Fourth of July, Albuquerque, NM, 1995
By Melissa Incampo
Located in Hudson, NY
This listing is for the unframed photograph.
Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones.
With Robin’s extensive ...
Category
1990s Contemporary Hudson - Black and White Photography
Materials
Archival Pigment
Shira, Smelling Flowers, Huntingfield Creek Inn, Rock Hall, MD. 2013
By Robin Rice
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition 1 of 20
After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin...
Category
21st Century and Contemporary Contemporary Hudson - Black and White Photography
Materials
Archival Pigment
"Philippe", New York, NY, 1994
By Jose Picayo
Located in Hudson, NY
This photograph is printed on Japanese Paper.
The price is for an unframed photograph.
11" X 14" Edition of 25.
The Robin Rice Gallery is pleased to announce, 25 Years of Polaro...
Category
1990s Contemporary Hudson - Black and White Photography
Materials
Photographic Paper
"David", New York, NY, 1996
By Jose Picayo
Located in Hudson, NY
This photograph is printed on Japanese Paper.
The price is for an unframed photograph.
11" X 14" Edition of 25.
The Robin Rice Gallery is pleased to announce, 25 Years of Polaroi...
Category
1990s Contemporary Hudson - Black and White Photography
Materials
Photographic Paper
Chicago, 2002
By Robin Rice
Located in Hudson, NY
Robin Rice is a successful gallerist and photographer having spent the past 40 years living and working in New York City and Bridgehampton. While still the owner of the Robin Rice Ga...
Category
Late 20th Century Contemporary Hudson - Black and White Photography
Materials
Archival Pigment
Kim Feet
By Lance Clayton
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 10.
If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...
Category
21st Century and Contemporary Hudson - Black and White Photography
Surf Club, Miami 1989
By Silvia Lareo-Vazquez
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 25.
CURRENT EXHIBITION - runs through September 11th, 2016. Any framed photographs purchased during the show will be available after September 11th. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
ABOUT:
In the hazy, warm New York summer, little is more refreshing than reclining on the beach in the mist of the icy ocean waves or enjoying a family trip to the country house. Each summer, Rice curates her favorite show, the Summertime Salon, which reminds us of this exact seasonal sentiment. The two, long walls of the gallery become mosaicked, top to bottom, side to side, in photographs that evoke all the preeminent feelings and memories of summer. Each year, the Summertime Salon matures and Rice’s annual masterpiece comes into fruition. This year is no exception. The show is a haven of what the Robin Rice Gallery stands for, a community of art and experience.
As the largest annual exhibition, the Summertime Salon is carefully pieced together, the results are staggering. The works of the 53 gallery artists come together communally, reinforcing the overall sense of unity that the show creates as a whole. In knowing the photographs so fluently, Rice strategically places them together in a way that will enhance the individual stories contained in each. Details from one image flow from into the next, elevating every photograph in a distinctly unique way.
This year’s invitational image, “Surf Club” by Silvia Lareo-Vasquez, features a woman in a vintage sun hat reclining in the pool with a drink. The black and white image evokes an extreme sense of nostalgia in its cinematic portraiture and supple texture. Though the figure of the woman is tauntingly beautiful, the drink is the darkest tone, nearing black, and is centered in the frame. With this, we are reminded of the refreshing notes of summer and the utter serenity of taking the day off to relax.
The show’s imagery is evocative of all eras of summer, thus any viewer can relate or connect to one of the images. As Rice likes to say, “There’s something for everyone.” One image by Benjamin Heller details a strong owl flying...
Category
1980s Hudson - Black and White Photography
Materials
Silver Gelatin
"Bomb Magazine, Anita", New York, NY, 1988
By Jose Picayo
Located in Hudson, NY
This photograph is printed on Japanese Paper.
The price is for an unframed photograph.
11" X 14" Edition of 25.
The Robin Rice Gallery is pleased to announce, 25 Years of Polaroi...
Category
1980s Contemporary Hudson - Black and White Photography
Materials
Photographic Paper
"Brides Magazine, Elenore", New York, NY, 1989
By Jose Picayo
Located in Hudson, NY
This photograph is printed on Japanese Paper.
The price is for an unframed photograph.
11" X 14" Edition of 25.
The Robin Rice Gallery is pleased to announce, 25 Years of Polaroi...
Category
1980s Contemporary Hudson - Black and White Photography
Materials
Photographic Paper
Tiny Surfers in the Celtic Sea, Polzeath, England, UK, 2010
By Robin Rice
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition 2 of 10
After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin Rice. For decades, Robin has exhibited a wide variety of photographers at the gallery but never her own work. As the show’s title denotes, “It’s About Time.” The opening reception will be held on Wednesday, January 23rd from 6pm to 8pm. The exhibit runs through March 17, 2019.
While her photography spans five decades and multiple continents, Rice maintains a cohesive, candid voice that carries throughout all of her work. Observing the world around her in a cinematic way, she possesses an uncanny ability to recognize and capture moments of beauty and the spontaneity of the human spirit. By evoking a wonderstruck sensibility, Rice expresses a deep-rooted love for both people and landscapes using her distinct bohemian style.
In this salon-style retrospective, Rice uses an “old school” approach and shoots with her Nikon on Tri-X film. When creating her art, she insists, “the camera has a mind of its own.” The scenes captured in her photography are unedited and thus born purely from the magic of the in-camera composition.
In the invitational image, “Tree Farm, Long Lane, East Hampton, NY”, 1999, a naked woman wearing nothing but a large straw hat is captured from behind, centered between a long line of trees on either side, as she bikes down the lane. In another image, “Bubbles, Piazza Rondanini, Roma”, 1995, friends linger before a vine-covered building, extending their arms up in joyful wonder, catching bubbles descending from above.
Receiving her first camera at the age of 11, she has since been an avid fine art photographer. After moving from Philadelphia to New York in 1976, Rice was immediately swept up in the electrifying, fast-paced art world of the city. In 1977, Discoworld Magazine hired her to photograph the opening night of Studio 54. After enjoying 23 years of success as a commercial photographer, she shifted her career to become a gallerist, opening The Robin Rice Gallery in 1990.
Curating 175 shows, Robin developed her own “school” of artists, cultivating a keen eye for curating and in doing so enriching the aesthetic of her own fine art photography. Despite devoting much of her energy to the gallery, Rice has never stopped creating her own art, and has exhibited in several galleries nationally and abroad. Influenced by photographer and gallerist Alfred Stieglitz, who curated the art of others and exhibited his own work, Rice is ready to showcase her photography on her own turf. In her spare time, Robin has recently taken up DJing: you can often find DJ Redshoes spinning vinyl at her loft in Beacon.
Surfers, Surfing, Men, Women...
Category
21st Century and Contemporary Contemporary Hudson - Black and White Photography
Materials
Archival Pigment
Float, Lava Hot Springs, Idaho
By Lance Clayton
Located in Hudson, NY
Black and White, Women, Water, Lance Clayton, outdoors, nature, hand, idaho, hot springs, b&w, woman, water
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 10.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
ABOUT:
In this exhibition, Lance Clayton’s aquatic, figurative photographs contain an attention to detail that leaves the viewer constantly discovering new information within them. His oblique compositions are a profusion of the quirky, the surreal, and the ambiguous, all of which are permeated by a haunting presence. Rather than presenting a factual reality, an illusion is fabricated to conjure the realms of our imagination.
The invitational image, “Swim”, is an illustrative shot of a man doing the butterfly stroke, his back to the viewer with arms powerfully extended across the frame, as if to embrace the open, infinite skies above him. The grainy quality of the piece is created using a dark room technique in which tissue is layered upon the photograph, creating an allover ethereal atmosphere reminiscent of Edward Steichen’s early work.
Another image, “Rungs”, photographed in Lake Okeechobee, Florida, shows a rusty silver pool ladder descending into a vista of midnight blue water. The highlights and reflections in the water, however, resemble the night sky and thereby disorient the viewer’s perspective. The piece entitled "Kim, Orem, Utah” expresses some of Clayton’s more hauntingly sensual themes. The photograph displays a woman floating in a pool, her darkly lit face above the water and her serpentine body below. The sinister, yet lyrical, mood of the photograph is largely emblematic of the entire collection exhibited.
Clayton’s inspiration is primarily grounded in dreams, with references to notable artists such as Diane Arbus, George Hurrell, and Duane Michaels...
Category
21st Century and Contemporary Hudson - Black and White Photography
Materials
Archival Pigment
Subway Station, New York City
By Thomas Michael Alleman
Located in Hudson, NY
Black and White, Abstract, New York, motion blur, crowd, manhattan, subway, new yorker, new yorkers, blur, high contrast, black & white, b&w, motion, vignette
Listing is for UNFRAME...
Category
21st Century and Contemporary Hudson - Black and White Photography
Materials
Archival Pigment
Boulder City, Nevada
By Thomas Michael Alleman
Located in Hudson, NY
Black and White, American, Landscape, Sky, nevada, america, boulder, still life, landscape, photography, b&w, black & white, quiet, rural, photography, high contrast, vignette, rural...
Category
21st Century and Contemporary Hudson - Black and White Photography
Materials
Archival Pigment
The Emperor
By Victoria Goldman
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 22.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
ABOUT:
Victoria Goldman’s twenty-year-long fascination with Tarot has created a series of photographs based on the imagery and the mythology behind the ancient Tarot cards. Each image in the collection is inspired by and named after one of the 22 major archetypes of the Tarot. While photographing and teaching yoga and meditation in India, Hawaii, and throughout Europe, Goldman always made sure to carry a Tarot deck in her backpack. She views Tarot as a tool for personal elevation, helping her direct her focus and better understand her psyche.
The collection’s soft focus and figurative emphasis is reminiscent of the work of Francesca Woodman or Julia Margaret Cameron, whom Goldman cites as personal artistic inspirations. The concept behind the exhibition was long thought-out; while some pieces date as recently as two months prior to the exhibition opening, others date as far back as 1999 or 2000. Shot primarily with vintage Polaroid and film with a twin lens Rolleiflex camera, the dark, moody, mythological images recall a classical tone that mirrors the timelessness of the cards themselves.
The invitational image, entitled “Wheel of Fortune”, depicts a young woman in a glittering gown, her backside facing the viewer and her body positioned to spin a large carnival wheel hidden in the darkness of the photograph. The high-contrast nature of the image abstracts the gown, morphing the glitter on the dress into drops of light that shine through the dark air. The slender young woman in “Fortune” can be found in several of the collection’s photographs, depicting not just Lady Luck, as in the invitational image, but also the Emperor...
Category
21st Century and Contemporary Hudson - Black and White Photography
"Neiman Marcus, Zulema", New York, NY, 1997
By Jose Picayo
Located in Hudson, NY
This photograph is printed on Japanese Paper.
The price is for an unframed photograph.
11" X 14" Edition of 25.
The Robin Rice Gallery is pleased to announce, 25 Years of Polaroi...
Category
1990s Contemporary Hudson - Black and White Photography
Materials
Photographic Paper
Family of Elephants, Kruger Park, South Africa
By Robin Rice
Located in Hudson, NY
Robin Rice is a successful gallerist and photographer having spent the past 40 years living and working in New York City and Bridgehampton. While still the owner of the Robin Rice Ga...
Category
21st Century and Contemporary Contemporary Hudson - Black and White Photography
Materials
Archival Pigment
Kim Bubbles
By Lance Clayton
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 10.
If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...
Category
21st Century and Contemporary Hudson - Black and White Photography
Materials
Archival Pigment
Sacre Coeur, Paris
By Thomas Michael Alleman
Located in Hudson, NY
Black and White, Men, Landmark, Paris, france, vignette, high contrast, black & white, black & white, angle, landmark, photograph, photography, european, europe, man, still life, str...
Category
21st Century and Contemporary Hudson - Black and White Photography
Materials
Archival Pigment
Barn, New Concord (A tranquil winter scene of Barn and Evergreen in Sepia)
By James Bleecker
Located in Hudson, NY
Barn, New Concord
pigment print on watercolor paper
Available in the following sizes:
13 x 16, edition of 25 $1500
20 x 24, edition of 25 $2500
40x50, edition of 25 $6,500
This Black and White Sepia-toned print of a barn in the snow was taken by photographer, James Bleecker. The nearly monochromatic, picturesque landscape depicts an idealistic rural scene lit beautifully by an overcast sky.
Artist Statement:
These photographs span the last decade of nearly four that I have worked in the Hudson River valley. While I have photographed landscapes, towns and cities, I have chosen a selection of rural scenes for this show. All are in Columbia County except “Allee,” (Tuxedo Park) and Quimby Farm (Marlborough).
My photography spans four decades of living in the Hudson River Valley. While my Dutch ancestors settled here early - Bleecker and Verplanck are common place names - I don't know what, if any, pull that fact exerts. Certainly I'm attracted to the layers of time exposed here; in ancient stone walls, leaning barns, faded mansions and mill towns. The valley exudes boom and bust, love and leavings.
About the Artist:
James Bleecker photographs the landscapes and architecture of his native New York State. Since 1983 his work has spanned independent fine art photography and commercial architectural photography. Much of his work has been commissioned by museums and historic preservation groups in the Hudson River valley.
About James’s work, Edgar Munhall, Curator Emeritus of The Frick Collection, has written,
"James's work is powerful and mature. Rigorously composed and technically perfect, his photographs can reduce you to tears by their beauty."
Collections:
Berkshire Museum
Barry Diller...
Category
2010s Contemporary Hudson - Black and White Photography
Materials
Archival Pigment
Staircase (Square, Sepia Toned Vintage Photograph of a Spiral Staircase)
By David Halliday
Located in Hudson, NY
Sepia toned silver gelatin print, edition 4 of 25
Custom black stained wood molding with visible grain
8-ply antique white mat with AR non glare glass.
4.5 x 4.5 inches unframed, 17 x 17 inches framed
This square sepia toned silver gelatin print of a Victorian spiraling staircase...
Category
1990s Modern Hudson - Black and White Photography
Materials
Silver Gelatin
Palm (Sepia Toned Landscape of a Tree in Tonga)
By David Halliday
Located in Hudson, NY
Sepia Toned Photograph of a Palm Tree in Tonga
17 x 17, edition of 25
Silver Gelatin Print, unframed
David Halliday's series consists of sepia-toned still lif es of antique objects...
Category
1990s Contemporary Hudson - Black and White Photography
Materials
Silver Gelatin
Trees in Rows (Black and White Archival Inkjet Print of a Birch Tree Forest)
By Betsy Weis
Located in Hudson, NY
2015 black and white archival inkjet print on watercolor paper
10 x 15 inches unframed
16.5 x 21.5 inches framed $1250
Photographed in Maine, this black and white archival pigment print by Betsy Weis captures white birch trees in rows. The ordered arrangement evolves into an organic complexity as the trunks spread out into branches.
This photograph is available unframed. The image measures 10 x 15 inches.
16.5 x 21.5 inches framed $1250
Artist statement:
Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain.
I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...
Category
2010s Contemporary Hudson - Black and White Photography
Materials
Archival Pigment
Barn with Birds ( Black and White Sepia Toned Pigment Print of a Winter Scene)
By James Bleecker
Located in Hudson, NY
Barn with Birds, 2018
pigment print on watercolor paper, signed dated and numbered on face
13" X 16 1/4" edition #4/25 $1,500.00
21 x 27 inches framed - $1650
This Black and White ...
Category
2010s Contemporary Hudson - Black and White Photography
Materials
Archival Pigment
Allee, Tuxedo Park (Sepia Toned Pigment Print of Trees Along a Sunlit Path)
By James Bleecker
Located in Hudson, NY
Allee, Tuxedo Park, 2018
pigment print on watercolor paper, signed dated and numbered on face
16 1/4 X 13 edition of 4/25 $1,500
24 x 20, edition of 25, $2...
Category
2010s Contemporary Hudson - Black and White Photography
Materials
Archival Pigment
American Flag (Sepia Toned Still Life of Vintage Flag Leaning Against Wall)
By David Halliday
Located in Hudson, NY
American Flag (Sepia Toned Still Life of Vintage Flag Leaning Against Wall) by David Halliday
Sepia toned silver gelatin print, edition 11 of 25
Custom bl...
Category
1990s Contemporary Hudson - Black and White Photography
Materials
Silver Gelatin
Untitled- Flower 147 (White): Still Life Photograph of Dandelions on White
By Chad Kleitsch
Located in Hudson, NY
Untitled- Flower 147 (White) by Chad Kleitsch
Contemporary still life photograph of dandelion parachutes
Archival pigment print on Hahnemuhle photo rag matte paper
40 x 30 inch (40 x...
Category
2010s Modern Hudson - Black and White Photography
Materials
Archival Ink, Archival Paper
Ankony Farm ( Contemporary Rural Landscape Sepia toned Photograph with Barns)
By James Bleecker
Located in Hudson, NY
Ankony Farm
pigment print on watercolor paper
13 x 16, edition of 25 $1500
20 x 24, edition of 25 $2500
This Sepia-toned print of Ankony Farm was taken by photographer, James Bleecker. The photograph depicts the barns on a farm in Rhinebeck, New York. The light reflects beautifully over the landscape, shining through an overcast sky.
Artist Statement:
These photographs span the last decade of nearly four that I have worked in the Hudson River valley. While I have photographed landscapes, towns and cities, I have chosen a selection of rural scenes for this show. All are in Columbia County except “Allee,” (Tuxedo Park) and Quimby Farm (Marlborough).
My photography spans four decades of living in the Hudson River Valley. While my Dutch ancestors settled here early - Bleecker and Verplanck are common place names - I don't know what, if any, pull that fact exerts. Certainly I'm attracted to the layers of time exposed here; in ancient stone walls, leaning barns, faded mansions and mill towns. The valley exudes boom and bust, love and leavings.
About the Artist:
James Bleecker photographs the landscapes and architecture of his native New York State. Since 1983 his work has spanned independent fine art photography and commercial architectural photography. Much of his work has been commissioned by museums and historic preservation groups in the Hudson River valley.
About James’s work, Edgar Munhall, Curator Emeritus of The Frick Collection, has written,
"James's work is powerful and mature. Rigorously composed and technically perfect, his photographs can reduce you to tears by their beauty."
Collections:
Berkshire Museum
Barry...
Category
2010s Contemporary Hudson - Black and White Photography
Materials
Archival Pigment
Rope and Side Table (Contemporary Still Life Diptych in Custom Frame )
By David Halliday
Located in Hudson, NY
Rope and Side Table, 2017
31 1/2" X 21" framed
sepia toned silver gelatin print, edition of 10
Top 17 x 21 inches, Bottom 14.5 x 11.75 inches
This sepia toned silver gelatin dip...
Category
2010s Contemporary Hudson - Black and White Photography
Materials
Silver Gelatin, Archival Paper
Songs of the Sky No. 1 (3 Panel Photograph of Sky Japanese Kozo Paper/Encaustic)
By Jeri Eisenberg
Located in Hudson, NY
Contemporary pigment print
36 x 34 inches unframed
Japanese Kozo paper infused with encaustic on 3 panels, each panel is 36 inches x 11 inches
edition of 12
Jeri Eisenberg's photo...
Category
2010s Contemporary Hudson - Black and White Photography
Materials
Wax, Encaustic, Mulberry Paper
Rockface 27: Still Life of Graphic Jagged Rock Cliff in Black and White)
By Andrew Buck
Located in Hudson, NY
Rockface 27 by Andrew Buck
archival pigment print, edition of 5
44 x 44 inches framed
Print is dry mounted without glazing (no glass). Black metal frame is approx 1/2 inch face widt...
Category
2010s Contemporary Hudson - Black and White Photography
Materials
Archival Pigment
$2,200 Sale Price
42% Off
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