Indiana - Portrait Paintings

Lisa Fricker's "Memory" is an original, handmade oil painting that depicts a nude female, it measures 7 x 5 inches. This painting is framed and ready to hang.

ARTIST: John Nicolson RBA RSW (1891-1951) British TITLE: "Male Nude In The Studio" MEDIUM: oil on canvas laid to board SIZE: 48cm x 37cm incl frame CONDITION: very good NOTES: Bor...

Albert Auguste FOURIE (1854-1937) The Naiad And The Swan Oil on Wood signed low left New golden and invory stick frame Dim wood panel : 35 X 27 ...

Lucy Boom is a framed naïve-style painting by Inés Silvalde, created in 2018 as part of her Influencers de Taberna series. The piece presents a red-haired, wide-eyed figure pointing ...

An incredibly striking study of the male form with the figure set against a colourful background with stylised organic forms. Attractively framed, the painting is ready to be hung an...

A beautiful 1970's oil on panel nude portrait of a nude lady by Susan Crawford, an artist who has painted the Queen and many other Royals. Tryon Gallery, London exhibition label verso. This work likely sold at the artist's 1972 exhibition at the Tryon Gallery - details below. The work is signed lower right and presented in a fine burr walnut frame. This portrait is featured on the website of the artist under "Portraits". Artist: Susan Crawford (Scottish, b. 1941) Title: Nude Sitting Medium: Oil on panel Size: 27 x 23 in (59 x 49 cm) including frame Condition: Ready to hang Provenance: Tryon Gallery, Dover Street, London Susan Crawford was born in Scotland in 1941 and was brought up on a farm in East Lothian where her parents bred and trained racehorses. She was educated at St Denis School, Edinburgh and at Priorsfield, Godalming, before studying classical drawing for two years at Studio Simi in Florence. In 1967 she went to Ireland for a few days and stayed for almost two years, thereby kicking off her professional career as an equestrian artist. On returning to London she bought a studio and started getting private commissions to paint a number of famous racehorses and several royal portraits. She has to date painted 22 Derby winners. Her first joint exhibition was with the Tryon Gallery in 1969, where she sold all her pictures on the opening night. Over the next 40 years she travelled widely; firstly to the USA then Canada, Germany, Brunei, Australia and the Sultanate of Oman as well as with numerous visits to Ireland and throughout the UK. “Susan Crawford’s working of her paintings is masterly and shows a deep love of horses and animals, together with a special sensitivity towards the human form and personality. Such talent is a rare gift and one that brings enormous and lasting joy into the lives of all who come into contact with it.” HRH The Prince of Wales Portrait Commissions include: HM The Queen, HRH The Prince of Wales, HM Queen Elizabeth The Queen Mother, HRH The Princess Margaret , HRH The Princess Royal, HH The Sultan of Brunei and HM Sultan Qaboos of Oman. Her work has been exhibited at: The Royal Scottish Academy, The National Portrait Gallery, The Royal Academy of Arts, The Queen’s Gallery, The Victoria & Albert Museum, The Royal Society of Portrait Painters, The National Horseracing Museum Newmarket, The National Gallery of Pahang Pinang Malaysia, Arthur Ackerman & Son, The David Ker Gallery, The Tryon Gallery and the Crossgate Gallery, Lexington Kentucky. Patrons include: HM The Queen, HRH The Prince of Wales, HM The Sultan of Oman, Prince Khalid Bin Abdullah, The Duke of Devonshire, The Marchioness of Tavistock, Lady Bamford, Lord Howard De Walden, Lord Vestey, Lord Weinstock, Mr Paul Mellon (USA), Mr Jock Whitney (USA), Mr Frank...

Signed oil on original canvas nude circa 1914 by French post impressionist painter Georges D'espagnat. The work depict a nude woman standing beside a wash basin in a boudoir. Signature: Signed lower right Dimensions: Framed: 45"x34" Unframed: 37"x26" Provenance: Private collection - Netherlands From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France. In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948). D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier, Victor Boucher, Déodat de Séverac, Albert Marque, André Marty and Albert Roussel. He also painted mural decorations, including a wall for the Palais de la Découverte (1937), the ceiling of the Victor Hugo Room in the Palais du Luxembourg (1939), a decorative panel for the Palais de Justice, Toulouse (1941) and interior decorations for private houses. His landscapes are Impressionist in inspiration, and work for a certain sobriety, an intimacy, both in their composition - one, two or three sketched figures and large open spaces - and in the choice of colours and treatment with the special hazy brushstroke that marks his style. D'Espagnet took part in a number of annual Parisian exhibitions, including the Salon des Indépendants, the Salon de la Société Nationale des Beaux-Arts, the Salon d'Automne (from 1903 to 1949, except in special circumstances), the Salon de la Libre Ésthétique, Brussels (1899, 1901), the Berlin Secessionists (1940). He also exhibited at the first Salon de la Société de la Gravure sur Bois. Among other exhibitions were 1912, A Century of French Art ( Centenaire de l'art français), St Petersburg; 1916, Kunstverein, Winterthur; 1918, 1926, Galerie M. Bertheim, Paris; 1930, Contemporary French Art...

Charles Burdick (1924 - 2016) Untitled (Reclining Nude) Oil on paper (?) Sight: 7 x 10 1/4 in. Framed: 14 x 16 1/4 x 3/4 in. Signed lower right: Burdick Excellent midcentury style r...

1950's Mid Century modern oil portrait of a nude black woman seated on a chair The artist was a portrait and figure painter active during the 1950s-1...

Signed “G-Seignac” (lower right) Oil on canvas French Academic painter Guillaume Seignac was renowned for his masterful treatment of the idealized nude. His languishing female subje...

Morteza Pourhosseini (Iran, born 1985) "The Circus 15" oil and acrylic on canvas, 2013 . Depicting a muscular male nude with "The Persian Iranian Lion" tattooed on his stomach and a...

Oil Painting portrait of Madame Ferrier by Gabriel Ferrier French school 19Th Gabriel-Joseph-Marie-Augustin Ferrier ( 1847 in Nîmes – 1914 in Paris) was a French portrait painter an...