Italy - Art

Lithograph realized in 1980s. Hand signed and numbered in pencil. One of 15 Artist's Proofs. Very good condition.

This print is hand signed. This is an edition of 50 pieces plus 16 pieces in Roman Numbers. Giacomo Porzano (1925 - 2006) was an Italian painter. He lived and worked in Rome. He exhibited his art in many private and public galleries, both in Italy and abroad. In 1968, he participated in the Venice Biennial. The most important art critics and magazines wrote about him. Prints are the most affordable and reasonably priced artworks...

Snow ,winter landscape, LEONID VAICHLIA (St. Petersburg, 1922) Works by Leonid Vaichlia can be found in various private collections in Europe, Japan, United States and in the follo...

Oil on Canvas. French school of the 2nd half of the 18th century. Bucolic is this verdant countryside landscape, opening up in the background into bluish fields and mountains. In the...

Coloured serigraphy on Arches paper, edited in 1990 Limited edition of XX copies , numbered as P.A VII/XX (Artist's proof) in lower left corner. Hand-signed by artist in pencil in th...

Urania, the Muse of Astronomy in Greek mythology, symbolizes the pursuit of celestial knowledge and the wonders of the universe. She is often depicted with a globe or a telescope, hi...

Oil painting on canvas. Neapolitan school of the seventeenth-eighteenth century. The large composition is rich in numerous different elements: in the center stands a large floral com...

Paris Marche' aux Puces - Oil on canvas Elio Ferrara, Italy, 1980s Elio Ferrara was born in Naples in 1945, he attended the Academy of Fine Arts and then worked as a set designer at ...

Sul cartoncino applicato nella cornice è riportata l'annotazione, a penna e in grafia Kurrent, "Urgroßvater Ludwig Fr(ei)h(e)r(r) von Keller" "Urgroßmutter ...

Paolo Monaldi (Rome, Italy, 1710-1779) Title: Peasants playing cards Medium: Oil on canvas Dimensions: Without frame 31 x 40.5 cm - with frame 43.5 x 52 cm Carved and gilded wooden f...

Tuscan painter active towards the end of the 16th century Portrait of Captain Niccolò Orsini (Pitigliano, 1442 - Lonigo, 1510), count of Pitigliano and Nola. Tuscany, end of the 16th century Oil on canvas, 64 x 47 cm., Framed 89 x 73 cm. The portrait we present to you shows the effigy of a vigorous high-ranking male figure in armor, in the most typical Renaissance pose, half-length and taken in profile, with his face and gaze turned to the side; the serious and intense expression and the facial features evoke at first glance the portraiture of early Florentine mannerism. He is Niccolò III Orsini (Pitigliano, 1442 - Lonigo, 1510), count of Pitigliano and Nola and son of Aldobrandino Orsini, famous leader and captain (or capitano di ventura) who lived between the fifteenth and sixteenth centuries, who served for the state Pontifical in Naples and Florence and above all for the Republic of Venice. Portraiture with these characters, which derives from ancient coinage, was used in the sixteenth century in the sequences of Portraits of Illustrious Men, both in painting and in sculpture. The profile portrait was in fact a genre reserved, according to the Renaissance tradition, for celebrations, presenting those characteristics of imperturbability typical of the military role covered. Our painting is a work created by an author active in Tuscany towards the end of the sixteenth century, adhering to those pictorial styles made famous by the portraitist Cristofano di Papi dell'Altissimo (1530-1605), a pupil of Bronzino and then of Pontormo, known for having created a collection of about 500 portraits of illustrious men, known as the 'Gioviana Series' (now in the Uffizi Gallery); and among these it is possible to identify one dedicated to Niccolò Orsini. Our painting is inspired, in particular, by a print taken from the collection of prints...

St. Joseph with Child in Terracotta beautiful example of Bolognese plastic from the 1700s, circle of Angelo Gabriello Piò (Bologna 1690 - 1770). Modeled as a full-length figure, th...

Painting Oil on canvas measuring 72 x 92 cm and 98 x 114 cm with a wonderful contemporary frame depicting an outdoor inn scene by the painter Giacomo Francesco Cipper known as Todesc...

Belgium black marble and LED. 28 × 38 × 30 cm Black Light is a sculpture by the Italian artist Francesca Bernardini from the series From the abyss. This artwork is available on commi...

Sour cherries , flowers,red blue Georgij MOROZ (Dneprodzerzinsk, Ucraina, 1937 - St. Petersburg, 2015) 1937: he was born in Dneprodzerzinsk, Ucraina. 1949-56: he began artistic stud...

Screenprint realized by Enrico Benaglia in the early 2000s. Artist proof, aside of an edition of 150. Hand signed and titled.

Guido Reni (Bologna, Italy, 1575 – 1642) Title: Masculine Head Medium: Oil on canvas Dimensions: without frame 44.7 × 51.2 cm – with frame 62.8 x 68.3 x 5.5 cm Expertise by Claudio...

from the series "Abandoned rooms": This series of paintings was inspired by the metaphysical landscapes of De Chirico. I have always been fascinated by their clear vision of the a...

Hyacinthe Rigaud (Perpignan 1659 - Paris 1743) Circle Portrait of Philip V, King of Spain (Versailles 1683 - Madrid 1746) Oil on canvas 72 x 59 cm - framed 87 x 74 cm. The painting examined here, depicting King Philip V of Spain (Perpignan 1659 - Paris 1743), is to be placed in the circle of the painter Hyacinthe Rigaud (Perpignan 1659 - Paris 1743), one of the most significant portrait painters of his time and a great interpreter of the French school. This is a work of excellent pictorial quality: note the rendering of the facial features and the sharpness of the contours emphasised by the light. The face is characterised by chiaroscuro passages that verisimilarly reproduce light and its effects, rendered with great skill. Philip V wears a black satin costume with a sword at his side, he wears the stiff white Spanish collar and at the same time wears the blue sash of the Order of the Holy Spirit and the collar of the Habsburg Order of the Golden Fleece: this bringing together of the two main orders of France and Spain announced the possibility of a union between the two crowns. In Spanish costume, this effigy is nevertheless fully in line with the French tradition of ceremonial portraiture, also testifying to the renewal that Rigaud had brought about, particularly through the relationship between the character and the splendour of the decoration. The work is inspired, reworked in a reduced format to make it suitable for a private clientele, by the large painting that Rigaud made for the sovereign around 1700, today conserved in the Louvre, reproduced by the same workshop in numerous other versions. The account books...

Hendrick van Balen (Antwerp 1575 - 1632) workshop Possible Jan van Balen (Antwerp 1611 - 1654) Madonna and Child with Three Angels Oil on panel 65 x 50 cm....

Oil on oak panel. Flemish school of the XVII-XVIII century. The sacred depiction proposes the moment of Jesus' birth in a cave, watched over and worshipped by Mary and Joseph togeth...

Cristoforo (Cristofano) Roncalli (Pomarance, Italy, 1552 - Rome, Italy, 1626) Title: Saint Catherine of Siena chooses the crown of thorns Medium: Oil on wood Dimensions: without frame 101.5 x 59.5 cm - with frame 120 x 76 cm Shaped, carved and sculpted wooden cassetta frame, partly gilded and partly ebonized wood Expertise by Marco Ciampolini and Alessandro Nesi, art historians The marvellous scene that opens before our eyes is that of Christ's apparition to Saint Catherine of Siena; she must choose between a golden crown, the symbol of earthly royalty, and a crown of thorns, the symbol of virtuous Christian sacrifice. Catherine does not hesitate to choose the crown of thorns, her life in imitation of...

Drawing made in India ink on paper by a Flemish painter in the late 17th century: c. 1680. Flemish art is known for its great attention to detail, chiaroscuro effect, and technical m...

Important and very rare pastel drawing by one of the greatest Italian artists of the 20th century Antonio Mancini. It depicts in a "futurist" style a smiling young woman wrapped in a...

Bamboo wood sculpture depicting a fisherman with oriental features, wearing a long beard and headdress, while holding two fish. The lower part is embellished with an elaborate carve...

'Tersicore' is a work that is part of a series of seven paintings dedicated to the muses. 'Tersicore' is the muse of the dance. Anna Pennati is an artist addressed to the internatio...

Translated title: "Pink knight". Acrylic paint on canvas.

Game Lover is a contemporary artwork realized by Matteo Basilé in 2008 Mixed colored lithograph Hand-signed on the lower right, Numbered on the lower left. Edition of 221/260 Thi...

Translated title: "Words inside". Acrylic on canvas.

Pojdziesz Ponad Sadem - Vintage Poster is a vintage poster realized by Unknown Artist, in 1974s. Mixed colored offset print. The artwork represented a Polish film poster. Director...

Everyday fishermen life is captured in this wonderful Italian impressionist late 19th century oil painting on thin board titled fishermen ashore. We love the neutral and natural colo...

Sport ,Winter sport,Ice-skating, KLARA VLASOVA (Moscow, 1926) MUSEUMS St. Petersburg, State Russian Museum Moscow, Pushkin Museum Moscow, Museum of History and Reconstruction Mo...

Summary of features: Medium & materials: oil on thick paper / Paper weight: 290 gr/mq / Finishing: protective varnish / Location and year created: Turin, Italy - 2017 / Certificate ...

Standing figure of Julius Caesar wearing a Tunic and holding a billowing drapery with a composition marble square-section pedestal. . The other figure is of Hannibal. Provenance fro...

Interior, still life, young girl IGOR SMEKALOV 1965 He was born in Orenburg, where he lives and works. 1984 He graduated in Art. 1990-1995 He regularly met in Pasmurovo, near ...

Etching on paper, edited in 1964 signed in pencil by artist paper size: 34 x 28 cm framed size: 67 x 49 x 5.5 cm Framed to museum standards in a handmade frame , the background is m...

1910s Italian Signed Landscape Beautiful oil painting on cardboard by the great Bolognese artist Ugo Gheduzzi (Crespellano BO 5 March 1853 - Turin 1925). The light of rare intensity...

Abstract Painting is an original artwork realized by Giorgio Lo Fermo (b. 1947) in 2021. Original Oil Painting. Hand-signed, dated and titled on the back of the artwork. Hand-sign...

THE ARTIST'S WEAPON, understood as the ability to transmit universal messages, is his imagination which the artist shows with images created many millennia ago by engraving on the ro...

Red Apples, Fuchsia Pink, Green Label on the back Galleria Pirra Torino Published in a monographic catalogue Georgij MOROZ (Dneprodzerzinsk, Ucraina,...

Winter, Snow, Mountain, Cold, White Label on the back Galleria Pirra Torino Published in a monographic catalogue Georgij MOROZ (Dneprodzerzinsk, Ucraina, 1937 - St. Petersburg, 201...

Roman school of the early 18th century Luigi Garzi (Pistoia 1638– Rome1721) attributed Still life of fruit supported by three angels Oil on oval canvas 116 x 91 cm., Framed 140 x 119 cm. Authentication on a photograph by Prof Giancarlo Sestieri, who attributes the work to the sphere of Luigi Garzi This magnificent canvas, depicting a sumptuous composition of fruit supported by three prosperous winged cherubs, from which comes a parchment bearing the Latin expression "Amor est vitae essentia", is to be placed in the production of a Roman author active between the second half of XVII century and the first of the following century. The iconography that sees represented cherubs with fruit or flowers is frequent in the Baroque period, especially in the Roman area, starting from the 1600s, with that particular depictional tendency aimed at illusionistic and frivolous images, to a type of paintings or frescoes of strong value decorative, intended for the private context and depicting jubilation of cherubs, angels or cherubs, and of which our canvas represents a perfect example. We can recall, among the most illustrious iconographic precedents, the elegant mirrors painted by Mario Nuzzi and Carlo Maratta that adorn the hall of Palazzo Colonna in Rome, and again the canvas preserved in the Rouen museum and the similar ones in Palazzo Chigi in Ariccia, with the collaboration for the figurative parts of Filippo Lauri. The commercial and furnishing success of similar works is also testified by authors such as Guglielmo Cortese known as Borgognone (1628 - 1679), Franz Werner Von Tamm (1658 - 1724), Giovan Battista Gaulli (1639 - 1709), Giovanni Paolo Castelli known as Spadino (Rome 1650 - 1740) and the aforementioned Carlo Maratta (1625 - 1713) The work, studied by Giancarlo Sestieri, was brought closer to the sphere of the eclectic Pistoian painter Luigi Garzi, one of the protagonists of Roman painting in the decades of transition between the seventeenth and eighteenth centuries. In our painting we can find the typical elements of his painting: the soft and delicately chiaroscuro light, the sculptural classicism of the figures as well as the stupendous luministic and chromatic effects. Luigi Garzi's training and artistic activity took place in the Eternal City and he was in effect a Roman artist. He moved to Rome from Pistoia, his hometown at a very young age, and joined the atelier of Andrea Sacchi, who directed his studies towards classicism, comparing himself with the works of Raphael, Domenichino and Nicolas Poussin, but also with the Emilian one. , with particular attention to the school of Guido Reni. But the Emilian examples were undoubtedly preceded, particularly by Giovani Lanfranco, who modeled his taste and style, together with a modulated cortonism, while those pre-eighteenth-century sensibilities are due to the lesson of Carlo Maratta. However, there is no doubt that the painter oriented his personality without ever bowing to imitation, reaching a refined elegance and autonomy of language, as the canvas in question clearly demonstrates in which the different influences find a refined amalgamation in perfect harmony with the baroque evolution between the seventeenth and eighteenth centuries, indicating a dating to its earliest maturity. These attitudes led the painter to obtain awards and prestigious commissions as soon as possible, such as the frescoes of Palazzo Borghese...

Title: Landscape Brown Artist: Marilina Marchica (b. 1984, Italy) Year: 2023 Medium: Pure pigment on paper Size: 50 × 70 cm Framing: Unframed; optional wooden frame available (ready ...

The Announcing Angel Carlo Maratta (Camerano, 1625 – Rome, 1713)Workshop Oil on canvas 63 x 75 cm. - Gilded wood frame 89 x 75 cm. Excellent condition, restored, 19th century ...

Italian painting from the first half of the 20th century. Oil on canvas, first canvas, painting depicting a courtyard scene with horses returning from the hunt, of excellent pictoria...

1930s painting by the important Italian artist Tito Corbella Beautiful and rare work by the important Italian artist of the first half of the 20th century Tito Corbella. It depicts w...

Oil on Canvas. North Italian school of the 18th century. The landscape, set on the bank of a wide river, features several figures of peasants in the center intent on picking fruit fr...

Translated title: "Forest" Acrylic on double canvas. This is a diptych.

Antonio Travi, called Sestri (Genoa, Sestri Ponente 1608 - Genoa 1665) Landscape with ruins and biblical scene First half of the seventeenth century oil on canvas, 82 x 121 cm The beautiful painting published, which presents a vast landscape with architectural ruins, fully reflects the pictorial poetics of Antonio Travi (Sestri Ponente 1608 - Genoa 1665), the first landscape painter of the Genoese pictorial school; A poetic that remains constant throughout his career: Bernardo Strozzi...

watercolor, forest, green Giulio DA MILANO (Nizza, 1895 - Torino, 1990) Giulio Da Milano was a Giacomo Grosso's disciple and he was very close to the artists that used to patroniz...

Lombard School of the 17th century St. Joseph with Flower Stick Oil on oval canvas 92 x 70 cm. In antique frame 106 x 85 cm. The work shows us an intense image of St. Joseph, portrayed according to the classical iconography that sees him as a mature man holding in his hands a staff from which lilies bloom, symbol of the Virgin's purity. This iconographic attribute also alludes to his figure as God's chosen one as Mary's future husband. According to the apocryphal gospels, the Virgin had grown up in the Temple of Jerusalem, following a monastic lifestyle, and when she reached marriageable age, each of the suitors was given a dry branch...

Flemish School, late 16th/early 17th century Title: Wide riverscape with bathing figures on the banks of a pond Year: 1620 ca. Medium: Oil on panel, octagon frame Dimensions: witho...

Erotic Scene is a drawing realized by Ink and watercolor in the 2020s. Ink and watercolor on paper. Hand-Signed. Good conditions. The artwork is realized through deft expressive ...

The yellow, shiny and vibrant petals of buttercups are memories of childhood time and radiate joy, happiness and friendship. Ivan Zanoni hand-forges them as miniature suns with their...

Shunga is an original artwork realized in the 1850s by Utagawa Kunisada (1786-1865). Making love in the winter on a terrace, behind the couple stone sculpture of the Jizo-Bosatsu. ...

LARGE ITALIAN RENAISSANCE MARBLE CAPITAL Florence, 15th/16th Century marble 38 x 47 x 47 cm 15 x 18 1/2 x 18 1/2 in

"Miró Lithographe I - Plate X" is a vintage lithograph realized by Joan Miró in 1972. Perfect conditions. It comes from the set of 11 lithographs realized for the catalogue "Miró...

Vintage poster on paper realized in 1984 in occasion of the XIV Olympic Winter Games in Sarajevo. Edition of 1000. Created by the Slovenian painter Gabriel Stupica, one of the foremost representatives of post-war Yugoslav modernism, this evocative composition was commissioned for the XIV Olympic Winter Games, Sarajevo 1984 (Yugoslavia). Executed in Stupica’s distinctive lyrical and figurative style, the work depicts a dynamic, dreamlike athlete in motion, surrounded by abstract Olympic rings, against a vaporous lavender and blue background. The piece encapsulates both the energy of winter sports and the poetic sensibility of Stupica’s artistic vision. Stupica, a member of the Ljubljana School of Graphic Arts and a central figure in Slovenian modern painting, was internationally recognized for his psychologically charged and symbolist works. His contribution to the Sarajevo Olympic poster series reflects both the optimism of the Games and the avant-garde tendencies of Yugoslav art...

"Il Selvaggio, no.7-8- 1935", "Annual supporter subscription - Una Copia 40 Cent - Fortnightly Newspaper of arts and science", including original woodcut prints by the artist Mino M...

High relief panel depicting 'Saint Barbara' Southern France, 16th-17th century Polychrome carved wood with traces of gilding 64 x 32 cm. (good condition, with minor missing and cra...