Italy - Paintings

"The Future and the Past" is an original oil on canvas realized by the russian painter Alexandr Sergheev in 1995. It represents the past and the present of railways in a single, evoc...

Oil on wood panel, 1951. Unique work, titled and hand-signed in felt pencil by artist on the verso. Work size: 30 x 30 cm Framed size: 58 x 58 cm Very good conditions, with deep bri...

Una piccola perdita di equilibrio (A Little Loss of Balance) is a superb original oil painting on panel realized by the contemporary Italian artist Claudio Benghi. Title, tecnique, ...

Venetian painter (early 19th century) - Venice, view of St. Mark's Basin towards the Riva degli Schiavoni. 18 x 24 cm unframed, 29 x 35 cm with frame. Oil on paper, in original gil...

Luminoso paesaggio della francia del nord con girasoli Bellissima corniice in legno

Lombard painter of the seventeenth century Ecce Homo Oil painting on canvas 56 x 43 cm. , framed 75 x 63 cm. Provenance: Florence, Pandolfini, 5.10.2021, lot 209 The proposed canv...

Oil on Canvas. The large-scale scene is set outside a rocky fortress and features a garrison of soldiers preparing for battle: in the left foreground, by a tree, the group of mounted...

Come mestiere faccio il poeta e quindi devo scriverlo con una esse sola is an amusing and ironic enamel and China ink on cardboard realized in 1970 by Pablo Echaurren. Signed and da...

Enamel on cardboard. Signed at lower right. Signed, dated and titled on overleaf. Authenticity certificate by Fondazione Pablo Echaurren.

Marco Marcola (Verona, 1711 - 1780) Carnival scene with masks from the commedia dell'arte with Harlequin Oil on canvas, 60 x 82 cm In frame 77 x 100 cm The canvas reflects ty...

Domenico Parodi (Genoa, 1672 - 1742) Portrait of Anne Marie d'Orléans (Château de Saint-Cloud, 27 August 1669 - Turin, 26 August 1728), first queen consort of Sardinia and maternal g...

Oil on Canvas. Central European school of the 18th century. In the center of the scene, set in a richly vegetated landscape, stands a shepherd with his flock of sheep, caught in a mo...

Oil on Canvas. Genoese school of the eighteenth century. The country landscape sees a dilapidated structure stand in the center, the ruins of a building through whose gashed walls th...

Lucas de la Haye, called Luca Fiammingo (Nivelles, 1612-Rome, 1682) Saint Cecilia and two cherubs Oil on canvas 118 x 91 cm. -Framed 129 x 102 cm. Expertise of Prof. Emilio Negro (Bologna) This evocative painting, which we are delighted to exhibit to you, has Saint Cecilia, the Roman noblewoman who later converted to Christianity and a very popular figure in the Baroque period as the patron saint of music, instrumentalists and singers, at the centre of the composition. She is depicted here as a splendid maiden dressed in regal robes...

Bolognese school of the seventeenth century Circle Giovanni Battista Ramenghi, known as Bagnacavallo (Bologna, 1521 - 1601) Oil painting on canvas (86 x 72 cm. - With antique frame ...

Painting Oil on canvas measuring 72 x 92 cm and 98 x 114 cm with a wonderful contemporary frame depicting an outdoor inn scene by the painter Giacomo Francesco Cipper known as Todesc...

Bellissima opera degli anni 50 Bellissima luce su mulino ad acqua con pescatori

Oil on wood panel, 1951. Unique work, titled and hand-signed in felt pencil by artist on the verso. Work size: 30 x 30 cm Framed size: 58 x 58 cm Very good conditions, with deep bri...

Italian painter (17th century) - Baptism of Christ. 122 x 74 cm without frame, 133 x 86 cm with frame. Antique oil painting on canvas, in wooden frame (not signed). Condition repo...

negli anni approfondisce anche lo studio della storia dell’arte e, in particolare, si appassiona ai pittori che lui stesso ama definire “fuori dall’onda”, per lo “spirito di novità” ...

Gaspare Diziani (Belluno 1689 - Venice 1767) Portrait of a Young Princess (Salome?) Oil on canvas 42 x 33 cm Framed 70 x 63 cm A charming portrait of a beautiful young woman with ...

Traces Oil paint on canvas Original Art Ready to Hang 100x100x3.5 cm authenticity certificate "Traces" is an exploration of texture and history. Rendered in a palette of neutral...

Description Yellow Landscape is a one-of-a-kind original artwork by Italian artist Marilina Marchica, created in 2025. This abstract drawing on paper is made using pure pigment, app...

Circa 1970 – Abstract Geometric Composition with Dome-Like Silhouettes Date: Circa 1970 Medium: Gouache on cardboard Dimensions: H 64 cm x W 49 cm approx. Description: This abstract...

Important and very rare pastel drawing by one of the greatest Italian artists of the 20th century Antonio Mancini. It depicts in a "futurist" style a smiling young woman wrapped in a...

Amaizing 19' century Roman landscape depicting a part of Villa Borghese with Trinità dei Monti. With a finely carved gilt wood coeval frame. Measurements with frame cm 65 x78 wit...

Giovanni Grevenbroeck, called the Solfarolo (Netherlands, c. 1650 - Milan, post 1699) Port View in Moonlight Oil on canvas 70 x 132 cm Framed 86 x 146 cm Critical apparatus: Exper...

16th Century Venetian Maestro Title: Deposition of Christ Medium: Oil on panel Dimensions: without frame 40 x 25 cm Painting without frame Not signed Previously part of the Canesso Collection, Paris. Fairs: The International Biennial of Antiques in Florence 2022 (BIAF, Biennale Internazionale dell’Antiquariato di Firenze) Publications: Bozzetti, modelletti, sketches: dalla collezione di Giorgio Baratti (From the Giorgio Baratti Collection) curated by Anna Orlando, Agnese Marengo and Annalisa Scarpa, Genoa, 2022, pp. 22, 23. In this precious panel we can admire a lament over the body of Christ by a large group of bystanders among whom we can recognise the Virgin and, in the foreground, St Catherine of Alexandria...

A painting that refers to Our Lady Eleusa, also known as the "Mother of God of Tenderness," which shows an undeniable feeling of affection and tenderness between mother and child. Th...

original oil paintings on canvas hand signed one of a kind short bio Art education: 2018 Sorbonne University, Paris, France 2014 – MA Fine Art at the Academy of Fine Arts of R...

Abstract painting on canvas, blue, extra-large, XXL, large oil on canvas painting, abstract expressionism. erotic nude, woman, portrait, female, smile, red lips, mixed media, acrylic...

Clown, circus, theatre, play, red, green, clowns, opera, realist, surrealist, art, contemporary art, painting on canvas The item is located in Rome,Italy framed. original oil p...

Hendrick van Balen (Antwerp 1575 - 1632) workshop Possible Jan van Balen (Antwerp 1611 - 1654) Madonna and Child with Three Angels Oil on panel 65 x 50 cm....

Giovanni Domenico Gambone (1720 - 1793) Title: Pair of Capricci Medium: Oil on canvas Dimensions: without frame 85 x 112 cm - with frame 97 x 124 cm The price is intended for the couple of paintings. Expertise by Professor Giancarlo Sestieri. This pair of paintings by Giovanni Domenico Gambone (1720 – 1793) depicts an architectural capriccio with archaeological ruins and people who interact with each other. In one of the two artworks we can easily see a man on a horse...

Blue Landscape Artist: Marilina Marchica (b. 1984, Italy) Year: 2018 Medium: Mixed media (oil and pigment) on cotton Dimensions: 67 × 96 cm (26.4 × 37.8 in) With frame: 106 × 72 cm ...

Flowers, Violet Georgij MOROZ (Dneprodzerzinsk, Ucraina, 1937 - St. Petersburg, 2015) 1937: he was born in Dneprodzerzinsk, Ucraina. 1949-56: he began artistic studies in Dneprodzer...

Description Yellow Landscape is a one-of-a-kind original artwork by Italian artist Marilina Marchica, created in 2025. This abstract drawing on paper is made using pure pigment, app...

An original piece from the series "Please do not kill butterflies", pins, oil and pencil on paper (mounted on a wood panel), 35 x 30 cm, 2018. Please, all these dead animals ...

Oil on Canvas. The noblewoman is richly attired, with an elegant red cape resting on her shoulders, leaving her lace-trimmed dress uncovered; her hairstyle is embellished with pearls...

A magnificent 19th-century Italian painting. Oil on canvas, first canvas, painting depicting a young woman absorbed in thought, of extraordinary pictorial quality. The girl with long...

Oil on Canvas. Signed, dated and located (Monaco) lower left. German painter Eduard Huber-Andorf, best known for his still lifes, tried his hand at also with tasty and realistic gen...

Winter, light, snow ,white Georgij MOROZ (Dneprodzerzinsk, Ucraina, 1937 - St. Petersburg, 2015) 1937: he was born in Dneprodzerzinsk, Ucraina. 1949-56: he began artistic studies ...

Bellissima opera realista, Pappagallo Ara Luisa Albert è una magistrale interprete della scuola realista vicino alla pittura fiaminga. Le nature morte e bellissimi animali vengono tr...

Geometri Landscape Original Art Ready to Hang mixed media on canvas 100x100x3.5 cm :: Painting :: Abstract :: This piece comes with an official certificate of authenticity...

Country girl - Pietro Colonna Italia 2006 - Oil on canvas cm. 45x25 Gold gilded wooden frame available on request The painting by Pietro Colonna is a free interpretation of the paint...

Tiberio Titi (Florence, Italy, 1573 – 1638) Title: Portrait of a Gentleman Medium: Oil on panel Dimensions: Without frame 122 x 91 cm – with frame 162 x 133 x 10 cm Publications: G...

Follower of Lucas Cranach I (Kronach, 1472 - Weimar, 1553) Attributed to Franz Wolfgang Rohrich (Nuremberg 1787 - 1834) Frederick III of Saxony, called the Wise (1486-1525) Oil on ...

Evangelista Schiano (attr.) (active in the 18th century) Title: Saint Gennaro Medium: Oil on canvas Dimensions: without frame 102 x 74 cm - with frame 126.5 x 100 cm 19th century car...

landscape mixed media on juta canvas 100x100 cm 2018 :: Painting :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang...

Oil on Canvas. The painting refers in pictorial manner and subject matter to the production of Giacomo Francesco Cipper known as the Todeschini, an artist of Austrian origin but esta...

A fine pair of huge Italian 18' century Capriccio with Classical ruins, tempera oil on canvas . Atr.Pietro Paltronieri, il Mirandolese (Mirandola 1673-1741 Bologna). Measurements ...

Agostino Beltrano (Naples, Italy, 1607 - 1665) Title: The Procession to Calvary Medium: Oil on canvas Dimensions: without frame 98 x 122.5 cm - with frame 118 x 142.5 cm Beautiful or...

Oil on chestnut board. Central European school of the 16th century. The traditional scene, presents the Infant Jesus who, in the arms of his Mother with whom he exchanges a tender gl...

An original piece from the series “The stars reflected in the eyesâ€

Oil on Canvas. The scene depicts a battle between an army of Moors and white soldiers, defending a fortification from which cannons are firing, while in the background a white city e...

Beautiful and evocative oil painting by the great French school modern artist Moya Dyring specializing in marinas. It depicts a harbor with boats probably from the French Riviera painted with great intensity but giving, at the same time, a sweet sense of serenity. Moya Claire Dyring was born in Coburg, Victoria in 1909. She produced drawings, oil paintings and pastels. She was one of the first women artists to embrace Modernism and exhibit cubist paintings in Melbourne. For several years she was a member of the modern art community known as the Heide Circle, named after the home of art collectors John and Sunday Reed, and now the Heide Museum of Modern Art. Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts. Dyring then travelled to the USA and France, where she lived most her life. Her work is held in the Heide Museum as well as the National Gallery of Australia. One of her earliest works in cubist in style, Melanctha, 1934, was acquired by Sunday Reed. In 1934 Dyring also painted Portrait of Sunday Reed which went into the Reed's collection, along with a cubist style Portrait of a Woman from the same year. While her early works were figurative or cubist, in France she turned to landscape as she travelled to various towns throughout France. In her later years, unable to travel freely, she painted children against the backdrop of Paris. As time passed, she was largely glossed over and not included in major exhibitions of artists, especially women artists, of the 30s, 40, and 50s. In 2002, at the University of Melbourne, Gaynor Patricia Cuthbert delved into her life and work for a doctoral thesis, helping to bring back attention to her work. Collection The Heide Museum of Modern Art holds many paintings and drawings, some acquired through the John and Sydney Reed collection. The National Gallery of Australia, Canberra includes one drawing. The Art Gallery of New South Wales holds multiple works. Third child of Carl Peter Wilhelm Dyring, medical practitioner, and his second wife Dagmar Alexandra Esther, née Cohn, both Victorian born. Moya was educated (1917-27) at Firbank Church of England Girls' Grammar School, Brighton. After visiting Paris in 1928, she studied (1929-32) at the National Gallery schools, Melbourne, and shared fellow student Sam Atyeo's interest in artistic innovation. Classical modernism engaged her attention in the early 1930s. She painted at the George Bell school and studied under Rah Fizelle in Sydney; Mary Alice Evatt and Cynthia Reed were her colleagues. For several months in 1937 she took charge of Heide, the home and garden of John and Sunday Reed, at Bulleen, Melbourne. The Reeds were pivotal both to her sympathy for modernism and her belief in congenial fellowship. She enjoyed something of the intense relationship with Sunday Reed that the latter would subsequently extend to Joy Hester. In June Dyring held an exhibition, opened by H. V. Evatt, at the Riddell Gallery, Melbourne. Less enthusiastic than the Reeds and the Evatts about her art, Basil Burdett wrote of her 'somewhat incoherent interpretation of modern ideas', although he did acknowledge that her work had 'audacity of colour and a certain monumental feeling for form . . . qualities rare enough in Australian painting'. In August Dyring embarked for Panama whence she travelled by bus to New York, breaking her journey to view major galleries. She had intended to paint in the United States of America, but disliked the work of contemporary American artists and sailed for France. In 1938 she was based in Paris, taking advantage of Atyeo's contacts within the avant-garde. She studied at the Académie Colarossi, the Académie de la Grande Chaumière and with Andre Lhote, although by October she denounced him as a 'racketeer'. In 1939 Dyring and Atyeo settled on a farm at Vence, France; inspired by memories of Heide, they grew fruit and flowers. Sam accepted a commission to decorate a house in Dominica, West Indies, leaving Moya at Vence. Evacuated to Australia via South Africa, where she painted and searched for tribal art, she then journeyed to Dominica and married Atyeo. They were not happy, neither painted and Dyring was ill. Evatt offered Atyeo work and Dyring accompanied him to the U.S.A. She viewed art, painted occasionally and claimed to have exhibited in Washington in 1943. After World War II Evatt found Sam various postings, while Moya returned to Paris to pursue a full-time career in art. They were to be divorced in 1950. From about 1946 Dyring's art was more personal than innovative. She gained a considerable reputation among French regionalist and nationalist artists for her sympathetic appreciation of provincial scenes and life. Bernard Smith placed her in the French tradition of intimiste painters. In 1948 she leased and renovated an apartment on the Ile St Louis, which, as Chez Moya, became a centre for Australians who enjoyed her hospitality, cooking and practical assistance. She revisited Australia and exhibited in various cities in 1950, 1953, 1956, 1960 and 1963; the press carried her reports of Parisian cultural life. Dyring held a solo exhibition in London in December 1949 and was in close contact with expatriate Australians, among them Loudon Sainthill...

Acrylic on canvas with a wooden frame.

Italy,Italian Painter,Women,Nude,Orange,Red ,1952 Edgardo CORBELLI (Turin, 1918 - 1989) From the traditional composition of the 1930s, the painting of Corbelli leads to technical a...

Red,Snow,Winter,Wood Boris Lavrenko (Rostov, 1920 – St. Petersburg, 2001) Works by Boris Lavrenko can be found in various private collections in Europe, Japan, United States and in...

Pasquarosa Marcelli (Anticoli Corrado 1896 - Camaiore 1973) Santa Marinella (1921- 1925) Oil painting on canvas 38 x 45 cm signed lower right. Bibliography: Pasquarosa il Colore ne...