Italy - Tables

This elegant round table in stainless steel was designed by Richard Hutten for the Dutch National Opera and Ballet House. This piece features a PVD coating that guarantees no change ...

Stainless Steel Colla Side Table III by Studio Sunt Dimensions: D 28 x H 59 cm. Materials: Bronze, Aluminum, Stainless Steel. Studio Sunt is an Istanbul-based design studio that re...

Hand-Crafted Isola Dining Table III in Arabescato Marble by Paloma Editions Dimensions: D 160 x W 160 x H 75 cm. Materials: Arabescato marble. The Isola Dining Table features a duo ...

Rare and fine quality Louis XV style 1940s game table in inlay walnut, the legs are long and slender. The decoration is on each side so you can plac...

Beautiful French Louis XIII style walnut wood side table features demilune folding sides and great classic details in the trim molded top frame as well a...

Tria Coffee Table 55X45

Mid-Century Modern gambling table attributed to Osvaldo Borsani for Tecno, veneered mahogany decorated for game chess. Legs in painted steel with adjustab...

Description: Mid-Century modern dining room sets by Paolo Buffa (La Permanente Mobili Cantu) consists of: long sideboard, small sideboard, table with glass top and four chairs. Orig...

This stunning side table is an elegant addition to a rustic living room or a contemporary study, where it will be a precious piece to rest a book by...

Beautiful Italian wooden desk made in the 1950s, from the house on Lake Como, of fine Italian craftsmanship. The desk is finely crafted in wood. The frame is supported by four wooden legs, thin and very distinctive, but powerful and strong. The top is also made of fine wood, very durable, and shows the very elegant wood grain. The top contains two small drawers, useful for resting documents or writing objects. The two drawers open via semi-rectangular brass handles. The vintage wooden desk...

Ligea coffee table features a distinctive form inspired by Maserati car air vents and showcases a sophisticated combination of carefully selected materials with a smooth, curved silh...

Architect Gianfranco Frattini signed Gong, which was unveiled for the first time in 1987. Gong is a range of round metal tables of formal simplicity ...

Just as stone can be sculpted by an able stonecutter, hammering and rounding techniques can mould metal into supple, organic shapes. Sculpt is a cabinet characterised by understated ...

Coffee table with multiple hexagonal glass and brass glass shelves Italian design, 1960s.

19th Century, France inlaid wood centre table This elegant centre table in inlaid wood was made in France in the early 19th century. The rectangular top has shaped and wavy side...

Coffee table in lacquered wood, Italy 1960s. Product details Dimensions 85 L x 40 H x 85 D cm Italian Production, 1960s

Dining table designed by Umberto Mascagni of Bologna in the 1950s. The main body structure is in solid European wood, covered in cream-colored vinyl with anodized aluminum. Even the legs are covered with black vinyl! Very attractive table, excellent vintage condition! This extravagant table...

21st Century Art Déco Elie Saab Maison black & gold marble side table, Italy Named after its strategic position in interiors, the Zeni...

Elegant in its simplicity, the linear forms of this modern side table merge comfort, versatility, and functional style. Expertly fashioned of solid wood with a noce canaletto veneer,...

Sicis is delighted to welcome you at ‘Home’. The classically inspired extent in contemporary plays an eclectic style, elegant and refined. Interiors express personality. A constant...

An essential element with a strong stylistic impact that evokes Classic and basic lines of Greco-floman architecture, which have influenced the history of the applied arts in the fol...

Gorgeous coffee table with big Mosaic plate with white-off and grey tiles on strong teak table base. Made in Germany in the 1960s by Berthold Müller, Oer...

Merlino Dining Table

Marble top inlaid with semiprecious stones, lapis lazuli, antique yellow, aqua green, onyx, etc. ADDITIONAL PHOTOS, INFORMATION OF THE LOT AND SHIPPING INFORMATION CAN BE REQUEST BY...

Italian mid century modern wood and glass Acca coffee table by Kazuhide Takahama for Gavina, 1960s. Acca model coffee table with a rectangular wooden...

A round metal and glass dining table of Italian manufacture from the 1950s. In its simplicity, this small table expresses the potential of two materials that may seem opposites but...

Iron elements depict an abstract design decorated with metal sheets and with a black Marquinia marble top in this artistic furniture piece by Floren...

Shown here is the glass table 1976. The low table characterised by the very refined minimal aspect with feet in mm. 24 thick transparent glass, thermo-welded to the top in mm. 12 thi...

Spectacular blue Murano glass console table with three spacious drawers, expertly crafted in Italy. This mid-century modern console table is made of solid birch wood, with a bevele...

Round table from the 1950s, attributed to Osvaldo Borsani. The table is foldable in its side parts. In fact we find under the table top two locks or brass mechanism that allow the tw...

1980s-1990s Tyrol Austrian shabby small desk table country Art Nouveau, in solid pine with original painting, only wax polished. Measures cm: H 62, ...

Memphis style game table and/or dining table set by Italian manufacturer Sormani, produced in 1986 for a contract project in the United States. This set of three square tables can be...

Gritti table by Carlo Scarpa produced by Simon in 1976. A large table made with solid wood cylinders, crystal top, plexiglass feet ends. Bibliography: ...

1970s "Fox Hunt" Design Rectangular Cherry Wood Inlaid Coffee Table This stunning rectangular coffee table, designed in the 1970s with a unique "Fox Hunt" inlay pattern, exudes vint...

Incredible octagonal pedestal table designed and signed by Tomasso Barbi, this fantastic piece was produced in Italy in the 1970s. This gorgeous column is fully made in briarwood...

The Palafitte collection, inspired by Venice, the floating city, takes its cue from the urban system of wooden poles submerged in water, supporting the city’s structures. This design...

Crafted from a monolithic block, Jumbo can be carved in a wide spectrum of natural stones. The brass tabletop can be tailor-made to size and also fabricated in different metal finish...

Contemporary cut diamond shape gold murano glass console with black opaline glass top and brass structure. The Gold Murano glass has a faceted shape diamond effect, the light passin...

Particular table coffee with decorations attributed to Enrico Baj, painted resin and metal feet.

Stunning Mid-Century two-tier rectangular coffee table fully made in bamboo, rattan and wicker. This lovely organic coffee table was designed by Vivai del Sud and produced in Italy d...

Italian Mid Century Dining Table designed by Melchiorre Bega in 1950s, Portuguese pink marble top, a highly prestigious marble, appreciated for its beauty and timeless elegance, each...

Set of two coffee tables by Fabrizio Bruno for Klan, made in Italy, 1950s. This is a beautiful pair of coffee tables with brass elements and sophisticated details, very comfortable ...

Ottanta Dining Table

Beautiful Italian wooden table from 1950. The entire structure of the table was made of fine wood, embedded in the top, a sheet of glass stained light gray, almost making it look li...

Collection of low tables, high tables and consoles: their components are made by fusing scraps of glass with special additives to obtain irregular glass masses, rich in bubbles and w...

Fine round antique walnut table, 18th century, Italian manufacture. The table has a very complex base consisting of three large feet, connected to a single central stem. The feet a...

Italian pair of mid-century modern design bamboo, rattan, and malacca cylindrical containers, stools or coffe tables, side tables, with Giallo Siena marble tops, made in Italy in the...

Set of 5 mod. 783 “Kentucky” dining chairs, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Structure made from oak and walnut timber. Seats and backrest made from cognac leather. Excellent vintage condition. Carlo Scarpa designed this chair for the “Scuderia” series., the last project he made for Bernini. The architect took inspiration from the “shaker” movement. He designed the chair slightly inclined at the front. This feature allows you to swing backward (until you lean on a wall) and remain in balance. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. A year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity. From 1927, Carlo Scarpa began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building that stands on the Grand Canal banks, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and clearly shows Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most significant ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of: – Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) – Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on the renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions, working on the Carlo Felice Theatre in Genoa and another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Rare and fine quality French Napoleon III 1880s coffee and cocktail folding table in inlay wood. The table has particular turned legs. Fine inlay decoration on the center plan. Really delicious table. This table is perfect for small rooms, it can be folded and opened only when it is to be used. Used good condition. The antique folding table have been used in need of restoration as you can see from the wear defects in photos. We can provide in our Italian professional laboratories for the complete restoration of wood. You can receive your perfectly restored antique table...

Table designed by Giovanni Offredi for Saporiti in 1970. The thin table top rests on four wider support legs, each of which has two storage compartments, rotated in each direction. M...

The Palafitte collection, inspired by Venice, the floating city, takes its cue from the urban system of wooden poles submerged in water, supporting the city’s structures. This design...

Scroll down and click "view all from Seller" to see more than 400 other unique products. (1.8) Table made with solid wood top, geometric iron base with visible welds and special sha...

Bronze Iris Side Table by Studio Sunt Dimensions: D 31 x H 53 cm. Materials: Bronze. Studio Sunt is an Istanbul-based design studio that renews traditions by applying fine craftsma...

Italian Mid-Century Modern console or occasional table with folding drawer, Ico Parisi attributed, in mahogany lacquered and aluminium threads. With folding drawer Measures cm: H ...

Gorgeous midcentury rectangular side table with teakwood top and enameled metal base. This charming table was realized in Italy in t...

Step into the enchanting allure of a bygone era with our Vintage Vanity Desk attributed to the masterful Pietro Chiesa. An elegant masterpiece, thi...

Wooden coffee table. The color is not uniform but deliberately shaded Signs of use. Good condition. Thank you.

Beautiful 1960s Italian Mid-Century Modern serving bar cart trolley probably by the Italian Vittorio Bonacina featuring two shelves, with the ...

Table completely made of solid wood with table top made of glued lists and beveled edges, characterized by an asymmetrical leg with base positioned laterally. Designed by Karim Ra...

Side table inspired by the Louis XVI style revisited in a contemporary key through the use of matt oxidized silver or black patina and the insertion of glass elements as a top an...