London - Art

Charles Stuart Forbes The Letter 1865-1926 Oil on canvas, signed and dated '1916' top right Image size: 29 1/2 x 68 3/4 inches (74.8 x 174.9 cm) Original frame This painting depicts...

To see our other original vintage propaganda posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot fin...

'Social Call' 1972 Slim Aarons Limited Estate Edition Print Charley Weaver at the Las Brisas resort in Acapulco, Mexico, 1972. (Photo by Slim Aarons/Getty Images) Paper size 40 x ...

In 1607, the Delft city council decided to commission a portrait of Stadholder Maurits of Nassau for the town hall, with Michiel van Mierevelt as the chosen artist due to the passing...

This brush, pen and India ink with pencil drawing is stamp signed “Marc Chagall” in the lower left corner. It was executed in 1973 and bears the estate inventory number D1852f, verso...

Tina Turner 1986 - Dave Hogan Signed Limited Edition American singer Tina Turner performs live on stage at The Venue in London in December 1986. Limited Edition Dave Hogan Print (e...

*PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE. Cavallo e Cavaliere by Marini Marino (1901-1980) Watercolour on paper 41.8 x 29.6 cm (16 ¹...

El Venero 1967 El Venero, the Moorish villa of Hector and Chico de Ayala in Marbella, Spain. 60 x 40" inches / 152 x 101 cm paper size. Estate Stamped Collection Edition to 150 ...

Oil on canvas Image size: 20 x 24 inches (51 x 61 cm) Period gilt frame This is a half-length portrait of a gentleman wearing a emerald coat and intricately designed waistcoat, dat...

Oil on mahogany panel Panel size: 47 x 36 inches Signed lower right

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...

Top People’s Eatery - Limited Edition Estate Stamped Photo By Slim Aarons, 1960 Journalist Lucius Beebe beside a gold place setting in the glas...

Porto Ercole 1967 - Slim Aarons Estate Stamped The waterfront at Porto Ercole, Italy, August 1967 30 x 40" inches / 76 x 101 cm paper size Estate Stamped Collection Edition to 15...

Estate stamped on reverse Silver gelatin print Accompanied by Magnum Photos COA Available in three sizes: Paper size: 14 x 11 inches Paper size: 20 x 16 inches Paper size: 24 x 20 inches Dennis Stock captured a defining image of Californian counterculture in the 1960s. Taken at the Venice Beach Rock Festival...

'Hotel du Cap' An aerial view of the Hotel du Cap Eden-Roc, Antibes, France, August 1976. 60 x 40" inches / 152 x 102 cm paper size Estate Stamped Collection Edition to 150 P...

Foxgloves Blue in Yellow is part of Shizico Yi’s celebrated Summer Bloom series, a body of work in which the artist honours the arrival of summer—her most treasured season for plein ...

To see our other original vintage travel posters, many of which are from Austria, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want. Anton Tusch (photographer) Eglise des Freres...

'Mont Sainte-Victoire', oil on canvas, by Yves Brayer (circa 1960s). For Cezanne (1839-1906), his famous works depicting Sainte-Victoire Mountain were an ongoing study and a constant...

We acquired a series of paintings from Claude Muncaster's studio. To find more scroll down to "More from this Seller" and below it click on "See all from this seller." Claude Munca...

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John Riley 1646 – 1691 Portrait of William Chiffinch (c.1602-88) Oil on canvas Image size: 30 x 25 inches Original frame Another version of this can be found in the Dulwich Pictur...

To see our other original vintage propaganda posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot fin...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...

Damien Hirst H13-2 Kingsdown Beach, 2023 Laminated Giclée print on aluminium composite panel. Hand-signed on the label and numbered. This artwork can be hung any way up. 120 × 90 cm ...

Aquatint on BFK Rives paper, Edition of 25 Paper size: 56 x 38 cms (22 x 15 ins) Image size: 34.8 x 27.7 cms (13 3/4 x 10 7/8 ins)

This captivating piece is available through Signet Contemporary Art Gallery and online. In "Side by Side", Richard Gower distills human connection into a minimalist yet emotionally ...

A beautifully framed set of twelve rare "nature prints" produced in 1856 by Henry Bradbury. Henry Bradbury (1829-1860) is known for the innovative technique of “nature printing”, a...

The painting Sailing Yacht by Ron Mitchel is an exquisite oil on canvas laid on board, capturing the dynamic energy and serene beauty of a sailing yacht at sea. The composition is bo...

We acquired a series of photographs from Rosemary Ellis's studio. To find more from this series scroll down to "More from this Seller" and below it click on "See all from this Seller...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

To see our other original vintage travel posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want. Percy Drake Brookshaw (1907-1993) Greyhound Racing...

Chris Smith (b.1937) Everlast silver gelatin fibre based print 30 x 20 in. / 48 x 34.5 in. / 66 x 46 in. signed and numbered printed later This work is available in the following si...

Kylie Minogue 1989 - Dave Hogan Signed Limited Edition Australian pop singer and star of TV's 'Neighbours' Kylie Minogue signs autographs at Capital Radio's London studios, 7th July...

Rosemary Ellis (1910-1988) Windows XII Original proof photograph for Windows in the Outlooks and Insights series published by Bodley Head, by Rosemary & Charlotte Ellis. Silver Gelat...

*PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE. Jonas by Marc Chagall (1887-1985) Indian ink on paper 35.6 x 26.9 cm (14 x 10 ⅝ inches) Signed with Estate stamp lower ...

To see our other original vintage travel posters including more pre-war London Transport posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want. Clifford and Rosemary Ellis...

Fishermen, Weligama, South Coast, Sri Lanka, 1995 - Steve McCurry Signed and affixed with photographer's edition label and numbered on reverse Digital c-ty...

Oil on canvas Image size: 30 x 25 inches (76 x 63.5 cm) Hand carved gilt frame This is a charming 18th century portrait of a young boy, sporting a golden child's two-piece with a fl...

Mulholland Drive 2001 Original Movie Poster featuring Laura Harring Original Vintage Theatrical Unfolded Single-Sided One-Sheet Movie Poster One sheet measures 27″ x 40″ inches / 6...

Oscar Ennui - Faye Dunaway Reclining 1977 by Terry O;'Neill ( 1938 - 2019 ) Framed lifetime hand signed limited edition C print from terry O;'Neill's mo...

Graphite on paper, Unframed. Margaret Neill works for a time on a group of pieces in a series, using classic almost primal materials such as graphite, charcoal, paint on traditional...

'Snorkelling' 1954 Slim Aarons Limited Estate Edition Print 1954: Two young women going snorkeling. (Photo by Slim Aarons/Getty Images) Slim Aarons Chromogenic C print Printed Lat...

Printer's Proof /5 Beryl Cook's appeal was classless and she rapidly became Britain’s most popular artist. She was a ‘heart and soul’ painter, compelled to paint with a passion. He...

“Nature creates nothing without the purpose” - Aristotele #flower; still life, flora, conceptual, transparency, prime colours, anthurium, red, yellow, green, warm colours, golden, se...

'Aerial Miami Beach' 1972 Slim Aarons Limited Estate Edition Print A helicopter carrying tourists hovers over the Fontainebleau Hotel on Miami Beach, Florida, April 1972. Paper siz...

This original etching in colour hand signed in pencil by the artist “Auerbach” at the lower right margin. It is dated ‘01’ [2001] next to the signature. It is inscribed ‘HC’ and numb...

To see our other original vintage travel posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find th...

'Poolside Pairs' Slim Aarons Limited Edition Estate Stamped Print, Printed Later Former fashion model Helen Dzo Dzo Kaptur (in white lace) and Nelda Linsk (in yellow), wife of art d...

*UK BUYERS WILL PAY AN ADDITIONAL 5% IMPORT DUTY ON TOP OF THE ABOVE PRICE Jeune Fille à l'Accordéon by ISMAEL DE LA SERNA (1898-1968) Oil on masonite 88.9 x 115.6 cm (35 x 45 ¹/₂ i...

Konstantin Andreevich Somov (Russian 1869-1939), Young Man Reclining (Boris Snezhkovsky), 1931, Sanguine and pastel on paper, signed and dated (twice) (lower right), 32cm x 48cm, (46...

Pen, ink and wash Framed dimensions: 9 ½ x 11 ¼ inches Drawn c. 1763 This small, powerful study shows St Jerome contemplating the bible with a cross and sk...

A stand of spinous silver birch gather, shining white against the inky night... Over a three-year period, Goodall has visited areas of British forest and moorland to make images that he refers to as being 'more akin to fairytale than documentary'. There is indeed an unreal quality to the images, and this is perhaps a result of using artificial lighting; it reminds one of those spooky, unnaturally lit forests we see in the movies. In the absence of any natural illumination (save for a few that include the moon), scenes are lit as if they are in a studio setting. This results in imagery that feels eerily unfamiliar; transporting the viewer from the recognisable landscape into a kind of liminal netherworld - it's the landscape, but not as we are used to seeing it. Goodall responds to this observation by speaking about the possibility of the darkness being seen as a metaphor for the unconscious mind; the 'light' of consciousness illuminates the known forms of tree and rock, but beyond these certainties lies the unknown. When your eyes have little information, your imagination takes over and fills in the gaps." - Jasper Goodall...

Oil on board, signed lower right Image size: 20 x 14 inches (51 x 35.5 cm) Contemporary-style frame Eric Pitt Brown was born in 1894 in Salisbury.  His father (William Lewis Brown 1...

Collections: Sir Thomas Lawrence, who acquired the contents of Fuseli’s studio; Susan, Countess of Guilford, née Coutts (1771-1837), acquired from the Lawrence estate; Susan, Baroness North (1797-1884), daughter of the above; Mrs A. M. Jaffé, acquired in France, c. 1950 to 2016. Black chalks, on buff-coloured paper Stamped verso: ‘Baroness Norths Collection / of Drawings by H Fuseli Esq.’ Framed dimensions: 26.38 x 20.63 inches This boldly drawn sheet depicting a seated figure was made by Fuseli at an important and highly productive moment in his career. The monumental drawing is closely related to another sheet by Fuseli in the British Museum which Schiff published as subject unknown. Both drawings were made when Fuseli was designing his most important sequence of historical works, including scenes from Shakespeare and Milton, The Nightmare and The Death of Dido which was exhibited at the Royal Academy to great critical acclaim in 1781. The present drawing does not relate directly to any of Fuseli’s finished historical paintings of the period, but evidently the image of a slightly menacing, seated and covered old woman was precisely the sort of motif he was playing with. It is notable that the same figure reappears later in Fuseli’s work as the witch from Ben Jonson’s Witch’s Song which Fuseli produced as both a painting and engraving in 1812. Fuseli returned to London in 1779 from a highly creative and productive period in Rome and established himself as one of the leading history painters of the period. Fuseli re-established contact with his old mentor Sir Joshua Reynolds, becoming a regular guest at his dinner table and visitor to his studio. The earliest and most striking manifestation of this strategy was Fuseli's Death of Dido, exhibited in 1781 at the Royal Academy. Executed on the same scale as Reynolds's version (Royal Collection), Fuseli's vertically oriented picture was hung directly opposite Reynolds's with its horizontal orientation, inevitably inviting comparison between the two works and garnering Fuseli much publicity and favourable reviews in the newspapers. The present, previously unpublished sheet, relates closely to a drawing now in the British Museum. That sheet shows the same seated old woman, drawn on a smaller scale and more schematic in design, seated next to an anatomical drawing of a man. The pose of this figure is related to the pose of Dido in his Death of Dido; the foreshortened torso, arrangement of head, oblique view of Dido’s features and arms all suggest that the study can be viewed as an initial thought for the composition. Fuseli may have initially thought of including the figure of the hunched and covered old woman. Drawn on identical paper to the British Museum sheet, our study is an enlarged depiction of the same figure, more elaborately delineated and developed. The presence of a chain to the right of the figure, suggests that the iconography was related in some way to a scene of imprisonment. Fuseli had first explored the motif of the hooded old woman in an early Roman drawing, 'The Venus Seller'. The idea of a grotesque old woman, hooded and with angular nose and projecting chin seen in profile was most spectacularly used by Fuseli in his sequence of paintings depicting The Three Witches from Macbeth. Fuseli seems to have kept the present sheet and may have returned to it when preparing a painting of The Witch and the Mandrake from Ben Jonson’s Witch’s Song from his Masque of Queens in 1812. Here the same seated figure looks out from under her hood and picks a mandrake by moonlight. Jonson’s drama had been performed at the court of James I in 1609, inspired the subject. To throw the nobility of the queens into relief, the poet added a coven of witches, one of whom declares: ‘I last night lay all alone, On the ground, to hear the mandrake groan; And plucked him up, though he grew full low, And, as I had done, the cock did crow.’ The figure was reversed in the associated etching which was published in 1812. It seems likely that the present drawing remained as part of Fuseli’s working archive of figure studies. The present drawing was presumably purchased with the bulk of Fuseli’s drawings after the artist’s death by Sir Thomas Lawrence. Lawrence’s large group of Fuseli drawings were then acquired by Susan, Countess of Guildford (1771-1837). Lady Guildford was the eldest daughter of the banker Thomas Coutts (1735-1822), who himself had supported Fuseli’s journey to Rome in the 1770s and had remained one of the artist’s key...

Original lithograph in colours on Arches paper, with full margins, framed Signed by the artist in pencil, lower right on recto Image: 68 x 49 cm, Sheet: 94.5 x 67.9 cm, Framed: 105.3...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. "Christmas Evening, Sloane Square" by Amylou Jennings captures the quiet enchantme...

FRANCISCO TOLEDO 1940-2019 Juchitán de Zaragoza 1940-2019 Oaxaca (Mexican) Title: Untitled, from: 12th Anniversary Galeria Joan Prats 1976-88 Portfolio, 1988 Technique: Original Hand Signed and Numbered Lithograph in Colours on Arches Wove Paper Paper size: 56 x 38 cm. / 22 x 14.9 in. Additional Information: This original lithograph in colours is hand signed in pencil by the artist “Toledo” in the centre right of the image. It is also hand numbered in pencil from the edition of 100, next to the signature. There were 20 artist’s proofs and 10 hors commerce [out of trade] impressions. It was included in the portfolio “Carpeta Commemorativa 12e Aniversari” [Commemorative 12th Anniversary Portfolio], consisting of 20 lithographs and etchings by numerous artists. The paper bears a partial Arches watermark in the upper right corner. Note: The contributing artists were: Sergi Aguilar, Frederic Amat...

KARL SCHMIDT-ROTTLUFF 1884-1976 Rottluff, Germany 1884 - 1976 Berlin (German) Title: By the Nets Bei den Netzen, 1914 Technique: Original Hand Signed Woodcut on Laid Paper Paper size: 51.2 x 62.4 cm. / 20.2 x 24.6 in. Additional Information: This original woodcut is hand signed in pencil by the artist "S. Rottluff" at the lower right margin. This is the fifth woodcut of the portfolio "Zehn Holzschnitte von Schmidt-Rottluff" [Ten Woodcuts by Schmidt-Rottluff] that was published in 1919. It was published by Graphisches Kabinett J. B. Neumann, Berlin in a limited unnumbered edition of 75 plus some proofs. The printer was Fritz Voigt...

Antonio Maria Aspettati (1880–1949) was an Italian painter born on 25 March 1880 in Florence, where he also trained at the local Academy of Fine Arts. He began exhibiting at just eig...

Richard Hilder (1813-1852) Pastoral Landscape Oil on Panel 8 3/4 X 10 3/4 inches, Framed Provenance: Important Private Collection Richard H. Hilder was a landscape painter and occa...