London - Art

This original screenprint in colours is hand signed in pencil by the artist “Vasarely” in the lower right margin. It is also hand numbered in pencil from the edition of 138, at the l...

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Tina Turner 1986 - Dave Hogan Signed Limited Edition American singer Tina Turner performs live on stage at The Venue in London in December 1986. Limited Edition Dave Hogan Print (e...

This ltd edition hand made print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique signed letter from Roy Fairchild himself authenticating the work and detailing that this is from his personal collection. Roy Fairchild-Woodard was born in 1953 in Surrey, England. He currently lives and works most of the year in the peaceful environment of his Country home. The rest of the year he travels throughout Europe; Italy in particular, to obtain new sources of inspiration. His affinity with Italy is the painters of the Renaissance, especially their frescos, tapestries and paintings. The plasterwork of the frescos is alluded to in his use of plaster as a base for his acrylic and oil overpaints. Also the influence of Egon Schiele and Gustave Klimpt can be seen in his occasional reference of line and decoration. He received a degree in graphic design and started working under the name Woodard to produce more commercial...

'Monte Carlo Beach Club' Guests around the pool at the Monte Carlo Beach Club, Monaco, August 1970. Paper size 48 x 72 inches / 122 x 183 cm Esta...

This original hand-coloured etching is hand signed in pencil by the artist "Dalí" at the lower right margin. It is also all hand numbered in pencil from the edition of 145, with Roma...

'Curling At St. Moritz' 1963 Slim Aarons Limited Estate Edition Print Curlers on a rink, or curling sheet, in St Moritz, Switzerland, March 1963. (Photo by Slim Aarons/Hulton Archi...

'Poolside In Arizona' Guests by the pool at the home of Wayne Beal in Scottsdale, Arizona, January 1973. 40 x 30" inches / 101 x 76 cm paper size Estate Stamped Collection Edi...

Oil on canvas Image size: 28 3/4 x 24 inches (73 x 61 cm) Contemporary style gilt frame This portrait is an evocative example of Devis' Regency period portraiture, featuring a pleasant looking young girl holding a book in an outdoor setting. Working with a darker palette, a strongly accented diagonal recession, and dramatic contrasts of light and shadow, Devis heightens the girl's three-dimensional physical presence in the foreground of the composition. The Artist  Arthur William Devis (10 August 1762 – 11 February 1822) was an English painter of history paintings and portraits. He painted portraits and historical subjects, sixty-five of which he exhibited (1779–1821) at the Royal Academy. Among his more famous works are a depiction of the Death of Nelson and a posthumous portrait of Nelson. Devis was born in London, the nineteenth child of the artist Arthur Devis and his wife Elizabeth Faulkner. Devis was the younger brother of the painter Thomas Anthony Devis (1757–1810) and of the schoolmistress and grammarian Ellin Devis (1746–1820), teacher, among others, of author of Maria Edgeworth and Frances Burney (later novelist Madame d'Arblay). He followed his elder brother Thomas Anthony in becoming a pupil at the Royal Academy Schools in 1774 and like his brother exhibited at the Free Society of Artists, of which in 1768 their father had become president, and at the Royal Academy. Early on he came to the notice of Sir Joshua Reynolds. He was appointed draughtsman on the British East India Company's packet Antelope in a voyage in 1783, under Captain Henry Wilson. In her he was injured in an encounter with Papuans near the Schouten Islands and was then wrecked on the Pelew Islands before proceeding to Canton and thence to Bengal. During his voyages, the artist received arrow wounds, one of which inflicted permanent injury on his lower jaw. During his time in Bengal, he painted a portrait of Sir William Jones, at the time a judge in Fort William. The painting now hangs at the British Library. He was back in London by 1795 and is recorded on 21 July 1797 as living at 27 George Street, Hanover Square, where he was insured by the Sun Assurance Office. He is noted for his involvement in the creation of the posthumous cult of Horatio Nelson. As she returned from Trafalgar, Devis went out to meet HMS Victory and was present on board the ship during the autopsy of Nelson's body conducted by Dr Beatty, the ship's surgeon. With the help of sketches he took at that time, he painted a heroic Death of Nelson, which proved a sensation. Devis also painted Dr Beatty, and was commissioned by him to produce a half-length painting of Nelson as vice-admiral, which he lent to Emma Hamilton (who later lost it in an accident whilst travelling). Either the original or a copy of this portrait was exhibited at the Royal Academy two years after the Battle and many copies were made of it. Lord Howe owned one, and another ended up in the collection of the National Maritime Museum. It also appeared as an engraving in Beatty's published account of Nelson's death. Other work includes a portrait of King George III on horseback, and a range of portraits of admirals and generals, along with historical subjects, such as the Babington Plot and the signing of the Magna Carta...

Born  Robert  Keith  Court  on  November  2nd  1970  in  the  market  town of Romford,  Essex,  England  to  a  working  class  family.  Courty,  is  his childhood  nickname  adopted  for  signature  reference  to  his  collection of signed neon artworks. Since  1987  Courty  has  dedicated  his  life  to  the  study  of  neon  lights and  immersed  his  mind  in  creating  beautiful  works  of  art  with  the  use of  vibrant  colours,  lighting  technology,  typography  and  the  written word,  predominantly  with  the  use  of  the  iconic  light  form  known  as 'Neon'. A  respected  and  well  known  English  craftsmen  of  the  100  year old  art  of  glassblowing  neon  tube  lights,  Courty  has  reached  master neon  glass  blower  level  and  is  forever  exploring  and  pushing  the boundaries  of  hand  made  neon  light  use  in  the  world  of  art  & sculpture from his East London based studio. Not  a  classically  trained  artist,  Courty  has  chosen  to  work  from industry  ground  level  and  has  spent  a  lifetime  working  hands  on  with creative  minds  from  around  the  world  in  the  art  &  design  arena, turning  ideas  and  visions  into  'illumination  reality'  on  a  spectacular level.  This  has  earned  him  the  reputation  of  being  'the  man  to  go  to' for  high  end  neon  fabrication.  Being  company  owner  of  commercial illumination  specialists  'Signs  Of  All  Kinds'  and  art  world  specialists 'Creative  Neon',  Courty  is  in  a  unique  position  to  produce  high  quality neon  art  that  combines  his  own  personal  creativity  with  his  knowledge and  technical  expertise  that  culminates  in  a  beautifully  crafted  light  art piece...

Nassau Blair Browne, a celebrated Dublin artist and Royal Hibernian Academy member, brings to life a serene yet striking portrayal of two hunters in a vast open landscape. This evoca...

Les deux arbres au bord de la rivière dans la forêt de Lyons by Paulémile Pissarro (1884-1972) Oil on canvas 65 x 54 cm (25 ⁵/₈ x 21 ¹/₄ inches) Signed lower left, Paulémile-Pissarro...

Oil on canvas Image size: 14 1/4 x 18 inches (36 x 45.7 cm) Period gilt frame In this painting the bright moon, partially obscured by mounting dark clouds, dramatically lights the l...

This chalk drawing is signed and dated in pencil by the artist "HMP 1931" in the lower right image. Note: The drawing was created in the region of Pomerania, Northern Poland, near t...

'Pool At Las Hadas' Guests round the pool at Las Hadas, Manzanillo, Mexico, 1974. 40 x 30" inches / 101 x 76 cm paper size Estate Stamped Collection Edition to 150 Photo by Sl...

An exquisite little ram sitting on a pile of woodland branches, made by the renowned Dutch artist Carolein Smit. The sculpture is made of earthenware, hand-built & formed and finishe...

Magpie by Georges Manzana Pissarro (1871-1961) Pochoir 26.5 x 45 cm (10 ³/₈ x 17 ³/₄ inches) Signed lower right manzana - Pissarro and numbered 2/100 Artist biograpraphy: Like all s...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Freddie Mercury 1985 - Dave Hogan Signed Limited Edition Freddie Mercury performing with Queen at the Rock in Rio festival, Brazil, January 1985. The festival ran for 10 days and ov...

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The draw of clay for Anastassia is in its innate ability to connect us to our unconscious and past experiences of touch. Her work, led by intuition and a sense of play, explores the ...

This original etching and aquatint is hand signed by the artist in pencil "Moore" at the lower right margin. It is also numbered in pencil from the edition of 50, at the lower left m...

This original lithograph in colours is hand signed in pencil by the artist "Francis Bacon" at the lower right margin. It is hand numbered from the edition of 25 in Roman numerals, ...

Oil on board, unsigned Image size: 12 1/2 x 15 1/2 inches (31.75 x 40 cm) Contemporary style handmade frame Exhibitions 1952 Royal Academy of Arts Exhibition, Gallery no. VII, no.429. This forest scene invites the viewer into a multi-sensory event where the cool, damp shadows of the foliage can almost be felt and the rich bouquet of the forest floor recalled. Here, Sherlock has chosen a somewhat unusual angle and composition, dissecting each truck and tree form so that only a part can be seen. Furthermore, as we look into the depths of this space it becomes clear that we are stood gazing down into a valley that is in the distance, behind this wooded area. Indeed, instead of giving us an uninterrupted view of this vista, as perhaps would be expected, this view is deliberately blocked and our focus is directed instead towards the organic forms in the foreground. The Artist  Marjorie Sherlock was born at Fir Tree Cottage, George Lane, Wanstead, Essex, on 3 February 1891, the elder child of the civil engineer, Henry Sherlock, and his wife, Alice (née Platts), who was born in Benares, India. By 1901, the family was living at ‘The Limes’, 121 Mill Road, Cambridge, and Marjorie received an education locally. In 1918, she entered into marriage with her cousin, Major Wilfrid Barrett, though this proved unsuccessful and they later divorced (he remarrying in 1941). She then continued to live at the family home until the Second World War. During the First World War, Marjorie Sherlock studied at Westminster Technical Institute under the Camden Town School painters, Walter Sickert and Harold Gilman. She exhibited at the Royal Academy of Arts from 1917, when she showed a powerful view of the interior of Liverpool Street Station (Government Art Collection) (to which the current etching [202] relates). In time, she would exhibit at the International Society, the New English Art Club, the Royal Society of British Artists, the Society of 207 Graphic Art and the Women’s International Art Club (becoming a member of the last two). She also showed work internationally. Developing as a printmaker as well as a painter, Sherlock studied etching under Malcolm Osborne at the Royal College of Art in 1925. She published her etchings in four series, the titles of which indicate her love of travel: ‘English Etchings, ‘Egyptian Etchings’ (both 1925), ‘German Etchings’ (1929) and ‘Indian Etchings’ (1932). During this period, she also visited the united States. More admiring of Continental painters than British ones, she furthered her studies, in 1938, by working in Paris under André L’Hôte and André Dunoyer de Segonzac. During the Second World War, Sherlock moved to East Devon and settled at Oxenways, a Victorian hunting lodge...

Etching, aquatint and drypoint in colours, 1987, on Magnani paper, signed and dated in pencil, numbered from the edition of 71 (there were also 8 artist’s proofs), published by 2RC E...

This work is hand signed in ink by the artist “Feininger” in the lower left margin. It is also dated in black ink "ii . ix . 50" [2nd September 1950] at the lower right corner. Pro...

This original etching and aquatint in colours is hand signed in pencil by the artist "Miró" at the lower right margin. It is also hand numbered in pencil 5 from the edition of 30, a...

Portrait of Dwight D. Eisenhower, oil on board, signed Girardet, French School (circa 1950s). A compelling vintage oil portrait of General Dwight D. Eisenhower, one of the most influ...

Chandra - meaning the Hindu God of the Moon – as the image was taken in Sri Lanka The image was first gilded with copper then that was rubbed back to reveal most of the glass, and t...

Ilse Bing Cancan Dancers, Moulin Rouge, Paris, 1931 Signed and dated Silver gelatin print 6 1/2 x 8 3/4 inches Ilse Bing (1899-1998), working with a Leica, brought a radical precisi...

Rose Horizontal, 2018 Bridget Riley Screenprint in colours, on Fabriano 5 paper Signed, titled, dated and numbered from the edition of 75 Printed by A...

Anna Zinkeisen 1901-1976 A Boxing Tournment Oil on canvas, signed lower right Image size: 29 x 36.5 inches (73 x 93 cm) Original hand made frame A Boxing Tournament is a vivid and impactful snapshot of a professional boxing match from the late 1920s/1930s. It depicts the Len Harvey vs. ‘Kid’ Nitram fight held at the Royal Albert Hall on 19th January 1928, which Zinkeisen went to watch. The umpire of this match was the well-known Sam Russell. Here, Russell is seen wearing a dinner jacket as well as a shirt - an indication that this was a match in a professional tournament. Both Len Harvey and 'Kid' Nitram were esteemed boxers. Harvey boxed at every weight division available at the time, from flyweight to heavyweight and became the light-heavyweight and heavyweight champion of the British Empire. During the Second World War Harvey joined the Royal Air Force as an officer. Anna enjoyed noticeable publicity from the painting at the time. She appeared in photographs, alongside her sketches for the painting, in numerous newspapers including The Daily Mail (31st January 1928) and The Sketch (8th February 1928). This painting is featured in Highly Desirable: The Zinkeisen Sisters Their Legacy by Philip Kellaway, page 178 (Leiston Press, 2008). The Artist Anna Zinkeisen was born at Kilcreggan, Dumbartonshire on 29 August 1901, the daughter of Victor Zinkeisen, a timber merchant, and his wife Clare. In 1901 the family moved to Middlesex. Anna and her sister Doris attended Harrow School of Art before they both won scholarships to the Royal Academy Schools, where Anna studied sculpture from 1916-1921, winning several medals. She received a commission for some plaques from the Wedgwood company and although her designs were awarded a silver medal at the Exposition des Art Decoratifs in Paris in 1925, she decided to specialise in portrait painting and mural work. In 1935, Anna and her sister Doris Zinkeisen were commissioned by John Brown Co. (Shipbuilders of Clydebank) to paint the murals in the Verandah Grill of the famous ocean liner the RMS Queen Mary. Their work can still be seen on the ship, now permanently moored in Long Beach, California. They also painted murals for the Queen Elizabeth. In 1941, during World War II, the Zinkeisen sisters were both employed as war artists for the North West Europe Commission of the Joint War Organisation of the British Red Cross Society and the Order of St John...

Théière et Citron by Georges Braque (1882-1963) Oil on panel 22.5 x 25 cm (8 ⅞ x 9 ⅞ inches) Signed lower left, G. Braque Executed in 1947 Provenance: Perls Galleries, New York Fuji...

Jules Olitski Asian Massif - 1 1975 Water base acrylic on canvas 213.4 x 88.9 cms (84 x 35 ins) JO001

This original hand-coloured etching is hand signed in pencil by the artist "Dalí" at the lower right margin. It is also all hand numbered in pencil from the edition of 145, with Roma...

Toned silver gelatin print (printed 2003), signed, dated and numbered (verso), edition '20/25', 33cm x 26cm (image size), (49cm x 41cm framed). (N.B. although this is an edition of 2...

Louis-Charles Verwee A Summer's Day 1832-1882 Oil on panel, signed lower left Image size: 14 1/4 x 9 3/4 inches Contemporary style giltwood frame The subject matter of this painting...

This beautifully dynamic piece was inspired by the beautiful Goethe poem of the same name. The painting is attempting to capture the mood of a summer's day. The painting has been ...

This intriguing abstract floral painting grew out of a slow process; it was built over many layers of paint creating a beautiful deep texture. The starting point for this piece has b...

Woodcut and screenprint in colours, 1987, on Arches wove paper, signed and dated in pencil from the edition of 75, published by Parasol Press, Ltd., New York, from The Brooklyn Acade...

This set of drawings included Two Studies of Cezanne's paintings in National Gallery and The Courtauld Gallery , London where Shizico Yi learned her craft in drawings from old master...

This is a painting of a beautiful river in the Sussex landscape where I live, which is under threat due to pollution. The painting embodies my deepest love for this place that I have...

Sandra Shashou Roses Are Forever R7, 2020 Rose Posy Vintage Porcelain made by Royal Doulton, Royal Albert and Aynsley, Jesmonite, Acrylic Paint and Resin 50 x 50 x 13 cm 19 3/4 x 19 ...

After Ettore Tito (1859-1941) c.1920s A set of four pochoir prints: 'Les paroles s'envolent les ecrits restent'; 'On a souvent besoin d'un plus petit que soi'; 'Qui trop embrasse...'...

Alan Davie (1920-2014) Queen Emma June 1968 oil on canvas (triptych) 213.5 x 404 cm signed, dated and titled (on the verso) Price: £300,000 GBP (inc. 20% U...

Alberto Vargas was a Peruvian artist best known for his drawings and paintings of pin-up girls that were featured in many notable publications in the 20th century including Esquire a...

A Rare Jacobean Portrait of Lady Elizabeth Wheeler (née Cole), 1623 Attributed to Cornelius Johnson (1593–1661) This remarkably rare early oil on panel, presented by Titan Fine Art,...

The dramatic luminescence of Bill Bate’s other-worldly figures are evocative, atmospheric and mesmerising. From the depths of the ocean to celestial heights, the rich pigmentation o...

Phenomena Spectrum Guardian by Paul Jenkins (1923 - 2012) Acrylic on canvas 76 x 101.5 cm (29 ⁷/₈ x 40 inches) Signed lower middle Paul Jenkins Executed in 1970 Provenance: Gallerie Iris Wazzau, Davos, Switzerland Private collection, Cologne, Germany Artist biography: Born at Kansas City in Missouri (USA), the multi-media artist, poet and playwright Paul Jenkins studied at the Kansas City Art Institute and the Art Students League in New York City. After his discharge from military service at the end of February 1946, he briefly studied playwriting with dramatist George McCalmon at the Carnegie Institute of Technology in Pittsburgh. Thereafter, Jenkins spent four years studying with Japanese American artist Yasuo Kuniyoshi in New York City. His first solo exhibitions were held at Studio Paul Facchetti in Paris in 1954 and the Martha Graham Gallery in New York City in 1956. Over the past thirty years, numerous retrospectives have been curated across the globe and Jenkins’ work can found in national collections from Europe and the United States to Israel, Australia and Japan. The diversity of his work springs from Jenkins’ wealth of eclectic influences. Some of his earliest works included what he called "interior landscapes" influenced by ancient natural forms like the caves he visited in the Ozark Mountains in his native-Missouri. Frequent student visits to the Frick Collection in New York fostered a love of the great masters: Bellini, Holbein, Vermeer, Rembrandt, de la Tour, Turner and Goya. In compliment, lingering student visits to the renowned Eastern collection of the Nelson-Atkins Museum of Art in Kansas City evoked powerful sympathy for a monumental Chinese fresco...

Marco’s background is in engineering and architecture, making him familiar with mathematical design and the awareness of geometry. When he decided to create art, he was naturally dra...

Francis Plummer 1930 - 2019 Exiled Oil on board Image size: 20 ½ x 24 ½ inches Framed This rare collection of works from the artists estate, painted i...

Ilse Bing Self-Portrait with Leica Camera, Paris, 1931 Signed and dated Silver gelatin print, printed 1994 10 x 11 1/4 inches Ilse Bing (1899-1998), working with a Leica, brought a ...

Oil on canvas Canvas size: 18.25 x 14.25 inches Framed size: 23.75 x 19.75 inches Signed lower right

Jamaica Sailing by Toni Frissell Local sailboats on the turquoise waters of the sea in Jamaica. 1948 Large 40 x 40" inches / 101 x 101 cm paper size Archival pigment print unfra...

Brushed aquatint, lift-ground etching and aquatint on German Etching paper 71.8 x 56.5 cms (28 1/4 x 22 1/4 ins) Edition of 32

'Green and Blue' is a colour field abstract artwork, focusing on the interplay of form and tone within a monochromatic composition. The deep blue hue creates a sense of depth and flu...

'Green and Blue No.2' is a colour field abstract artwork, focusing on the interplay of form and tone within a monochromatic composition. The deep blue hue creates a sense of depth an...

'Tulip’ London, United Kingdom 2024. It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. The photograph is signed front and back and c...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Palm Springs Party 1970 - Slim Aarons Estate Stamped A poolside party at a desert house, designed by Richard Neutra for Edgar J. Kaufmann, in Palm Springs, January 1970. Featured i...