Los Angeles - Nude Drawings and Watercolors

Fun and playful figurative line drawing with three stylized female faces by SusanBrooks (American, b. 1951), 1985. Signed and dated in the lowe...

Academic life drawing of male nude with charcoal and graphite by Mark Beard, "MB 023" graphite, Conte crayon and charcoal on Arches paper 30.5 x 17.5 inches unframed Signed, lower le...

MB 702 (Contemporary Life Drawing of Male Nude by Mark Beard) graphite, Conte crayon and charcoal on Arches paper 30 x 19 inches unframed Con...

EDUARDO ALVARADO b. Spain, 1972 EDUCATION 1990-95 Licenciado en BB AA La Facultad de BB AA de la UPV, Bilbao La Facultad de BB AA de San Fernando, Madrid SOLO EXHIBITIONS 2018 Casa del Libro, Logroño 2016 Casa de Cultura. Miranda de Ebro 2015 Casa de Cultura. Miranda de Ebro Galería Espiral, Noja 2014 Galerie d´Art Anne Broitman. Biarritz, France 2013 Galería de Arte-Centro Cultural (junto a Vesna Pavlovic). Novi Sad, Serbia Centro Cultural La Vidriera, Maliaño The Gallery of Contemporary Fine Arts (junto a Vesna Pavlovic). Nis, Serbia 2012 Gallery Seasons (junto a Vesna Pavlovic). Sofia, Bulgaria Gallery SKC (junto a Vesna Palovic). Belgrado, Serbia Manos para qué os quiero. Logroño Galería Espiral. Feria Internacional de Arte Contemporáneo, Santander Sala Asociación Artistas de Guipuzcoa (junto a Juan Carlos Cardesín), San Sebastian 2011 Galería Espiral, San Miguel de Meruelo Galería Jovan Popovic (junto a Vesna Pavlovic). Opovo, Serbia Galería Veciti Trkac (junto a Vesna Pavlovic). Nis, Serbia Exit Art Gallery (Fundación Adolfo Dominguez...

"Silence", pencil and ultramarine tempera on paper, inspired by Matisse. Part of Nude in Interior series. Large drawing. Shipped rolled in a tube. Size 39x27.5in /100x70cm Free shi...

"Sensory Experience", pencil and ultramarine tempera on paper, inspired by Matisse. Part of Nude in Interior series. Large drawing. Shipped rolled in a tube, from Florida, US. See 1stDibs free shipping offer FREESHIP Artist Statement "I started by painting interiors, being interested in space and perspective through my studies. These scenes evolved, when I added the human figure. I focused more on the human figure and its relation to the background. The human figure is more present than ever in my paintings now. As a woman artist I’ve been preoccupied with the female form and its imagery. One of my goals was to capture the solitary moments and the nude’s relation to the surrounding space. My interest turned from depicting the space to rendering the atmosphere and the scene as a whole, the feeling a woman adds to the environment: warmth, desire, joy, a feeling of power and control, or the opposite – sadness, despair. Here is a collection of figurative paintings, exploring the nudes in interior spaces, seeing the nudes from my perspective, as a woman artist, considering the physical and spiritual realities of a woman’s body, in a new level of intimacy. My paintings are the opposite of objectifying a woman’s or a man’s anatomy. Painted works, featuring female nudes and a also men nudes...

This is the Original 1969 drawing of the two nude figures that appear on the Jimi Hendrix Spring 1969 concert poster. It is as much of a collectors item as it is a fine work of art. This was given to Hendrix to approve the art for the final poster. You can see images of the full 1969 poster in this listing. David Byrd referred to these women as "Moon Maidens" The art is Pencil on iridescent tracing paper, Matted with it's original "Electric Purple" matt, as done by David Byrd. The original drawing of this full image was used for the 1969 Spring U.S concert tour and it was also used as the image for Hendrix's press kit in 1969 which was given to concert promotors to advertise the concert. David met with Jimi to approve his original drawing. The art measures 7 x 8", and the matted and framed art measures approx. 15x16". David created ALL of the Art for Bill Graham’s Fillmore East, including their Program covers and Rock posters...

"Untitled 28" (FRAMED) Pencil Drawing 21" x 18" inch by Antonio Pelayo Size unframed: 15.5" x 13.5 inch Medium: Pencil on Paper Artist Antonio Pelayo, born in Glendale, California...

Academic life drawing of male nude with charcoal and graphite by Mark Beard, "MB 085A" graphite, Conte crayon and charcoal on Arches paper 30 x 18.5 inches unframed Signed, lower rig...

Women with Idol II, 2016 Collage on cardboard 27 9/16 H x 39 3/8 W in. 70 H x 100 W cm The artist's reference on fundamental myths of humanity and their analysis from the perspectiv...

Academic life drawing of two nude males with charcoal and graphite by Mark Beard, "MB 827" graphite, Conte crayon and charcoal on Arches paper 29.75 x 21.75 inches unframed Signed, l...

Rick Sindt's knowledge of the male physique is evident in this exquisite drawing of a nude male. The subject sits on the ground with his body twisted away from the viewer. We see the defined musculature of his posterior. The artwork is framed in white wood with a black mat. Rick Sindt The Body is a History graphite on archival paper 12h x 9w in 30.48h x 22.86w cm RIS026 Shifting the historic male gaze into a male-on-male gaze, this body of work anchors its exploration of queer culture in relationships and introspection. Beginning with a survey of several photo archives, I overwhelmingly encountered pictures that fit into two distinct categories: spectacular demonstrations or public displays of sexuality. All of these images were overtly political. Then, I began to find a subset of more intimate images. Typically, these were images submitted by loved ones or donated to foundations after someone’s death. These images depicted common, tender scenes. Working my way through these images, I reflected on D. A. Miller’s assertion that gay identity, to which we have entrusted our politics and ethics, stands in an essentially reductive relation to the queer desires on which it is based. And David Halperin’s argument that, “identity has become the preferred category for thinking about homosexuality. Moreover, it has been promoted at the direct expense of pleasure or feelings or subjectivity.” This left me asking the questions: how is queer culture transmitted if not genealogically? Is there a universal queer experience? What is queer sensibility and subjectivity and can it be visually represented? Rick Sindt b. 1990, Hastings, MN, EDUCATION 2013 North Park University, Chicago, IL - BFA Magna Cum Laude SOLO EXHIBITIONS 2016 Two Countries, Rogue Philanthropy, Chicago, IL 2013 Tides, Erosion or Catch, Pull, Recover; The-One-Right-Now, North Park University; Chicago, IL GROUP EXHIBITIONS 2016 Are We Not of Interest to Each Other, Uptown Arts Center, Chicago, IL Reinventing Ourselves From Another Point-of-View, Contemporary Gallery at Zhou B. Arts Center, Chicago, IL Collective: Process, Beans and Bagels, Chicago, IL 2015 Collective: for(a)ging, Hammond Art Center; Hammond, IN How We Make It, The Arts of Life, Chicago, IL Collective: One, Albany Park...