Los Angeles - Case Pieces and Storage Cabinets

Serpentine-front commode in rich veneer with white marble top. Elegant lines inspired by Empire and Baroque traditions.

A fine and unusual English 19th century Edwardian style painted satinwood and silver-mounted two-door side cabinet with a twin-front-doors and a single apron drawer. The doors, sides...

A French 19th-20th century Louis XV style blonde-stainwood and gilt bronze-mounted two-drawer commode with marble top, Paris, circa 1900. Measures: Height 33 1/8 inches (84.1 cm) ...

Italian 18th Century Brick red painted chest. Wood rustic with strap hinges on faded bracket feet. Wood is old; 6 board pine chest.

A one of a kind bar and stool set comprising of slabs of Sabino (Montezuma Cypress) burl wood, all resting on three square wrought iron legs with bro...

The Sulaco Six Drawer Dresser champions the foundations of the Danish Modern Movement. Rooted in functionality, every curve and feature is meticulously crafted to ensure aesthetics a...

Elegant Louis XVI cherrywood secrétaire cabinet.

A minimalist yet elegant example of Zalszupin’s mastery of proportion and joinery, this sideboard showcases the richness of jacarandá rosewood in a composition of striking clarity. I...

Beautiful split bamboo and rattan desk by Louis Sognot from France, 1960's. Rectangular desk top with lower shelf and two-drawers with bamboo knobs. Thick bamboo legs with wrapped ra...

Conceived while in lockdown in 2020, the Grounded Collection from Stephen Kenn is a mediation on being grounded in peaceful creative work, while enduring forced isolation from commun...

Pin bedside cupboard by Charlotte Perriand for Les Arcs. One pull out drawer. One door which opens to a shelf with two spaces for storage. Made of solid pine, circa 1960. Good origin...

Refined and contemporary this oakwood credenza by Wilson Tobal features clean lines and a warm natural finish. Offering generous storage, it serves beautifully as a dining room sideb...

A Fine French 19th Century Louis XIV Style Baroque Revival Figural Carved Walnut Two-Door Vitrine. The finely carved body, crowned with a pair of male busts, the doors with symmetric...

Hard to find pair of Arts & Crafts oak and travertine chest of drawers

Handsome pair of Dunbar nightstands. Original medium walnut finish with leather wrapped bases. Green Dunbar tag on inside drawer of each unit. One ni...

Hard to find pair of Arts & Crafts oak and travertine chest of drawers.

Unique set of painted concrete cubes in a pastel orange by Swiss architect and designer Willy Guhl. Handmade in the early 1960s in Switzerland. Produced by Eternit. Set of 5 cubes in...

The Baldwin Credenza is handmade locally in Los Angeles, California. The oak casing has a thin profile that borders the doors beautifully. All five doors showcase a vertical flat flu...

A large and very fine Italian 19th century Florentine Baroque style giltwood carved wall console table with marble top. The ornately carved rectangular shaped scrolled body frame in ...

A French 19th-20th century Baroque Revival carved oak Bombé figural vitrine. The single front-door display cabinet with bowed front and side beveled glass panels, with two interior g...

This two-door cabinet features a natural wood body topped with a refined plaster-treated surface that adds soft texture and visual interest. Inside, ample storage and integrated shel...

Hard to find pair of Arts & Crafts oak and travertine chest of drawers.

A highly engineered modernist desk made from a walnut (or oak, mahogany, or rosewood veneer) case “floating” on a Lucite base, which is affixed by custom-designed hardware. Custom si...

Elegant Louis XVI cherrywood secrétaire cabinet.

Pair of Chic long 'Esquisse' parchment consoles from our Exclusive Design Frères line. Chic combination of a slender blackened iron base with an inset goatskin (parchemin) clad top. ...

A Fine French 19th Century Louis XVI Style Gilt-Bronze Mounted Meuble d'Appui Cabinet with Marble Top. The serpentine walnut and satinwood body with three front drawers and a rolled ...

A fine pair of French 19th century Louis XV style tulipwood and gilt bronze mounted two-Door Meuble D'Appui (Side-Cabinets) with a Brêche d'Alep marble top. The slender cabinets...

French Baroque 19th century Louis XV style finely carved walnut figural buffet server console with a variegated Rouge Royal marble top, the apron centered with a relief carved figure...

Bleached Mahogany Credenza by Harvey Probber. This credenza is in good vintage condition and has a patina commensurate with its age. Four white accent drawers can be revealed by sl...

Pine bedside cupboard by Charlotte Perriand for Les Arcs. One pull out drawer. One door which opens to a shelf with two spaces for storage. Made of solid pine, circa 1960. Good origi...

Pair of Raoul Guys French wicker and iron wall shelves France, circa 1950’s Can be mounted two ways Clean lines, beautiful and functional Wicker delicately wrapped around sturdy iro...

French Country 18th Century Late Regency, Early Louis xv Walnut Buffet. A beautifully patinated solid walnut, two drawers, with storage beneath. the piece is nearly 300 years old a...

Bartok, the founding piece of Simon Hamui Collectibles, is a limited edition standalone bar cabinet launching in a series of 6, each distinguished in materials and colors. The firs...

The Iconic Jean Pierre desk named after the famous actor Jean Pierre Aumont is an handcrafted desk in solid walnut with black or brown leather insets,...

A very fine and palatial French 19th century Louis XV style giltwood ornately carved two-door vitrine display cabinet of serpentine form with foliate and shell carvings, surrounding ...

A fine and rare Italian 19th century Baroque style carved oak figural single-door vitrine cabinet. The upper surmounted on each side with a figure of a young fisherman holding a fish...

A striking vintage Neoclassical-style étagère, featuring a brass frame with decorative Greek key and circular motifs, paired with four glass shelves. The design blends elegance and s...

Designed by Ashley Yeates, 'The Modern Hepburn,' handcrafted in California using FSC-certified wood and non-toxic finishes. COM/COL When you find it difficult to choose between woo...

Be it in the gentleman’s corner of your apartment or centre stage in your living room, this contemporary Dry Bar in its simplicity, serves as a humble vessel for your most precious l...

Charming vintage wooden armoire with a distressed whitewashed finish, showcasing bold geometric relief detailing on the double doors. The piece has a strong architectural presence, w...

A very fine French Louis XV style ormolu and jasperware-mounted mahogany single door vitrine, attributed to François Linke (1855-1946). The two upper front corners surmounted with or...

A fine and rare Italian 19th century Baroque style oak-carved figural credenza cabinet. The upper part with a pair of colorful Vitreaux (Stained glass) panelled doors, surmounted on ...

This elegant mid-century Italian bar cart, dating from the 1950s, combines refined design with functionality. Crafted with a polished brass frame, it features two tiers of clear glas...

Elegant black marble "Loico" bookshelf by Angelo Mangiarotti for Skipper. Fully constructed out of Nero Marquina (Black Marble). Made with 4 cylindrical pillars and four hand-fitted ...

French Provincial style mahogany 3-drawer chest in a very nice silhouette. Made by John Hall Designs, Los Angeles, 1995. Please note scratch on side. Drawers: 22" W x 16" D x 6" H

A Fine and Rare French 19th-20th Century Louis XVI Style Gilt-Bronze-Mounted Mahogany and Satiné Parquetry Vitrine Commode-Server, attributed to Maison Forest. The rectangular body s...

A rare Italian 19th-20th century polychrome painted and floral decorated carved wood console and mirror, the serpentine bombé form console decorated with parcel-gilt and colorful flo...

English Venezian Red Mini Kneehole Desk with raised Chinoiserie. Hand painted and crafted by Kipper himself in our shop; truly making this vibrant desk a one of a kind. He was inspir...

A rare pair of Italian walnut, marble inset commodes. Unusual in form and hard to find. They retain their original backings. Can fit in a modern home as the lines are very clean.

This Italian vitrine from 1852 is actually four separate parts, it towers over you at ten feet high, and is absolutely majestic. It features a dove in flight on top of a cameo of foliage and garlands that rest upon the upper cabinet. This upper section is adorned with a large rams head in the center of the upper band. The front has two glazed door with etched glass flanked by Acanthus scrollwork and two corner shelves. Two gorgeous hand carved grotesques in the form of Wolfhounds support the upper case. The base cabinet has two hand-scalloped drawers separated by a large bull-calf’s head...

Florence knoll credenza in oak and marble, USA, 1961.

A French 19th-20th century Louis XV style tulipwood parquetry and mahogany gilt-bronze mounted three-door Meuble d' Appui (Side cabinet) with marble top, Paris, circa 1900. Measur...

Painted hope chest with stylized "Tree of Life," dated 1874. The style of this chest is typical of the late 1700s, so it is likely that it was passed down through generations and rec...

A Country French 19th/20th Century Louis XV Provençal Style Carved Walnut Vanity Dressing Table with Drawers. The large commode cabinet wi...

Solid Walnut Folding Door Credenza

A fine French 19th-20th century kingwood and tulipwood marquetry and gilt-bronze mounted vitrine, in the manner of François Linke (1855-1946). The slender single door display cabinet with a red-velvet backing and bowed glass panels surmounted with acanthus and floral gilt-bronze mounts in the style of Léon Messagé (French, 1842-1901), the serpentine shaped front door with an ornate marquetry and ink colored panel depicting wreaths, ribbons and tied acantus leaves, all raised on four cabriolet legs ending with gilt-bronze paw-feet, Paris, circa 1900. Linke was born on 17 June 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinet maker, Neumann, which he completed in 1877. Linke’s work book or Arbeits-Buch records that he was in Vienna from July 1872 to October 1873 at the time of the International Exhibition held there in 1873. He subsequently travelled to Prague, Budapest & Weimar before finally arriving in Paris in 1875. It is documented that he obtained employment with an unknown German cabinetmaker in Paris, and stylistic similarities, photographs and geographical proximity have led some to suggest that Emmanuel Zwiener was the most likely candidate. After a period back in his home town of Pankratz, he returned once and for all to Paris in 1877. In 1878 Paris hosted the third great International Exhibition, a remarkable success for a country ravaged by war only seven years earlier. It is known that the fledgling Linke workshops were active in the Faubourg St. Antoine as early as 1881, during this time he supplied furniture for other more established makers such as Jansen and Krieger. By 1889 another World’s Fair, as they were often referred to in America, took place in Paris. Monsieur Eiffel erected what has become the most iconic building in Paris for the exhibition and the atmosphere of wealth and confidence may well have encouraged Linke to think that he could contribute an important part to the next great exhibition. As early as 1892 this was decreed to take place at the end of the century, in an attempt to pre-empt Berlin from staging the last great show of the century. In 1892, Victor Champier (fr) one of the commissioners for the 1900 Paris Fair had appealed, “Create in the manner of the masters, do not copy what they have made”. It was an appeal against mere reproduction and Linke rose to this challenge in an unparalleled way with his unique display that was to include the Grand Bureau. Determined to outshine the competition at the Exhibition, Linke had set about creating the most ambitious pieces he could envisage, and more extravagant than had ever been displayed before. The items he exhibited marked a transition from the historicist interpretation of Louis XV and Louis XVI styles, an interpretation that was the mainstay of his nearest rivals, to something startlingly new and vital in its immediacy. [6] Together with Léon Messagé he developed a new style for the 1900 Exhibition that paid homage to the Louis XV rococo in the fluidity of its approach, but an approach fused with the lively flowing lines of the contemporary and progressive 'art nouveau'. The Art Journal reported in 1900 on Linke's stand: "The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed". Linke's stand would have appeared refreshingly new to contemporary onlookers, the traditional designs of the eighteenth century melting seamlessly into an exuberant naturalism. The 'Revue' described Linke's style as 'entièrement nouveaux' and noted "This opinion is universally accepted. Linke's stand is the biggest show in the history of art furniture in the year 1900". It is perhaps the most extraordinary and remarkable aspect of Linke’s personal history that he produced such expensive and luxurious furniture of exquisite quality for the 1900 exhibition without any commission or any potential buyer in mind. [9] At a time when other more established furniture businesses such as those of Beurdeley and Dasson were closing down, he made a huge investment in his stand and the furniture he supplied for it. Linke recognised that to move his business forward he needed to appeal to a more International clientele and the new emerging rich who were at this time amassing fortunes on an unprecedented scale. For this reason he gambled everything he had on his display for the 1900 exhibition. Had this not succeeded he would almost certainly have succumbed to bankruptcy. Linke’s notebook records visitors to his stand from England, Europe, the Americas, Egypt and Japan and including; the King of Sweden, three visits from the King of Belgium, Prince Radziwill, the Prince d’Arenberg, the Comte Alberic du Chastel, Miss Anna May Gould, the American heiress, distinguished furniture makers and the President of France Emile Loubet. This risky endeavour was a resounding success, and with his reputation established, La Maison Linke became the pre-eminent furniture house until outset of the Second World War. The technical brilliance of his work and the artistic change that it represented was never to be repeated. His showrooms expanded into prestigious premises in Paris, in the Place Vendôme as well as the Faubourg St. Antoine where his workshop had been established. He embarked on many important commissions in the years up to the outbreak of the First World War, making and designing furniture for leading international industrialists and bankers. After the 1914-1918 World War, Linke undertook the extraordinary commission to furnish the Ras al-Tin Palace in Alexandria for King Fuad of Egypt, possibly the largest single furniture commission ever conceived, eclipsing even Versailles. Linke flourished and remained active until the middle years of the 1930s and died in 1946 Léon Messagé (1842-1901) was a French sculptor, best known for his sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. Messagé was also responsible for much of the design and creative work for Roux et Brunet...

Pine chest of drawers by Charlotte Perriand for Les Arcs. 4 pull out drawers. Made of solid pine, circa 1960. Good original condition. Fun piece of collectible design from the popula...

Finely inlaid cabinet. Excellent condition.

The Noor nightstand is a one-of-a-kind piece designed specifically for modern and contemporary bedrooms. What sets it apart is the unique wave design on the nightstand, which adds a ...

A fine and rare English 19th-20th century Chippendale style carved oak and parcel-gilt console vitrine. The narrow upper two-door vitrine crowned with a carved parcel-gilt peacock fe...